Ultra Res Helps Brings Films Back to Life
Filed under: Action, Classics, Drama, Tech Stuff, Newsstand
I know what you're probably thinking: "Geez Chris, enough with the technology stuff already." Even if you do think that, I just feel compelled to bring you these interesting tidbits about how technology helps, enhances or otherwise makes things better for films and filmmakers. This time around, it's not a technique or technology used during production or post-production. In this case, it's a technology used to help give older films the fantastic look of a newborn, just delivered to the theater.What is this miraculous technology of which I speak? It's called Ultra Resolution and it's pretty exciting stuff. According to a recent article in The Hollywood Reporter, the technique, invented by some smart chaps at Warner Bros., has been nominated this year for a Scientific and Technical Academy Award and has helped in the restoration of several films in the studio's vast library -- including Singing In the Rain, The Wizard of Oz, and one of my personal favorites, The Searchers. According to the article, prints of these classic films exhibited blurring or "color fringing" as well as shrinkage, stretching and other damage. In case you can't tell, that's a bad thing.
These issues were made especially visible by the Ultra Resolution process that involves digitally realigning and sharpening the older film negatives of these classic movies shot on Technicolor three-strip film -- thus enabling a much better restoration than previously possible. Says Chris Cookson, president, Warner Bros. Technical Operations and chief technology officer, Warner Bros. Entertainment: "It not only benefits Warner Bros. and the industry at large, it benefits the movies themselves and the people who love them." Well, I'm one of those people so I say, "Keep up the good work, Chris." Films are an important part of our history and the more that can be done to preserve them, the better.









Reader Comments (Page 1 of 1)
1-04-2007 @ 3:09PM
Benjamin said...
I was wondering just how far this kind of thing had progressed while watching the Director's Cut of Manhunter the other night; you know which material was not in the theatrical release because the resolution drops, significantly - it looks like 16mm or something (in his commentary Mann explains that it had to be reclaimed from a television piece). It would be nice to see a totally sharp version one day.
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1-04-2007 @ 5:54PM
Scott Macdonald said...
I might as well pimp this article too, under the recent BFI re-release of The Wizard of Oz:
http://www.eyeforfilm.co.uk/feature.php?id=313
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