The Write Stuff: An Introduction
Filed under: Site Announcements, Scripts, DIY/Filmmaking, Columns, The Write Stuff
Note: This is the premiere entry in a new, weekly Cinematical feature focusing on the art of screenwriting. Welcome!

"That movie sucked! I could write something better than that!"
How many times have you walked out of a film saying those very words? Well, why don't you put your money where your mouth is, Buster Brown? If you can write something better, then by all means -- write! Writing is one of the few professions you can just do. You don't need lots of fancy equipment, you don't need lots of money, you just need a computer (heck, pen and paper will do) and an imagination. It's fun, it's free, and if you're really good at it, you could make a ton of money and get to sit in your underwear while you work. And really, isn't that the American dream?
"But Patrick," you're probably asking. "Where do I start? How do I know what to write about? How will I know if my stuff is good? And who the hell are you, anyway?"
Friends, I'm here to answer all of those questions and much, much more. "The Write Stuff" is a brand new column here at Cinematical devoted to the art of screenwriting. Every other Wednesday, I'll be giving writing advice and tips, answering your questions -- talking shop. On alternate Wednesdays, I'll be interviewing major Hollywood screenwriters about their craft (next Wednesday the interview series kicks off with Adam F. Goldberg, co-writer of the highly anticipated Fanboys, and the upcoming film adaptation of classic cartoon The Jetsons). Ideally, this dual approach will give you two valid perspectives -- one from the writer trying to make it, and one from the writer who's already made it.
Since I'll be your guide through the world of writing, I feel I should let you know a bit about myself. I am 26 years old. I live in Los Angeles, California. I write online both for Cinematical and on my own personal site: patrickwalsh.blog-city.com. I have worked behind the scenes at television shows like Late Night with Conan O'Brien and Saturday Night Live. I have two agents and a manager, each of them a genius and ruggedly handsome in his own special way. My writing partner and I have written for various television and film projects, which are in stages of development ranging from "definitely happening" to "huge waste of time and energy." I haven't made it Big Time yet, but I am doing well enough to live off of writing work, and that has always been my dream. In other words, I'm not William Goldman*, but you could take writing advice from far worse people. Cool? Good.
*Don't know who William Goldman is? We've got a lot of work to do.
So now that you know me, I'd like to know more about you. I was asked to spearhead this column, and I'm super psyched, but a little scared. I need your assistance. I want to know what you want to know. I want this column to help with every aspect of writing. I want to help the guy who has never written a complete sentence before, and I want to help the gal with twelve brilliant scripts sitting in her drawer, but no idea what to do with them.
To quote a truly excellent screenplay from a truly excellent screenwriter: "Help me help you."
Before we begin, a couple of ground rules. There are only two things I can't do for you, so please take it easy on me and don't ask. They are as follows:
1) I can't put you in touch with my agents and/or manager. They are exceedingly busy men, and until the day comes when I'm swimming naked through a room of gold coins, Scrooge McDuck-style, with Jessicas Alba and Biel, I'd rather they put all their time and effort into getting me work!
2) I can't read your script. The reasons for this are threefold.
a) I simply don't have time.
b) If a movie with a similar plot gets made, I don't want to be sued for stealing your idea.
c) If you send me a screenplay about a grizzled private detective who partners up with a wisecracking parrot to solve crimes, I won't have the heart to tell you what I really think!
Everything, and I mean everything else is open for discussion! So please, share your thoughts and questions in the comments below. If you're shy and it's not a question you want to share with everybody here, feel free to hit me up one-on-one on my personal site. What do you want to see here going forward? Let me know! Are there screenwriters you'd love to see interviewed? Let me know! Have you been stuck on page one for years, and you don't know how to move onward to page 2? Let me know! There are a select few excellent resources for screenwriters online. I'd love for this to be one of them.
Oh, and that detective/talking parrot idea? Take it. It's yours. Call it Winged Justice.
You're welcome.

"That movie sucked! I could write something better than that!"
How many times have you walked out of a film saying those very words? Well, why don't you put your money where your mouth is, Buster Brown? If you can write something better, then by all means -- write! Writing is one of the few professions you can just do. You don't need lots of fancy equipment, you don't need lots of money, you just need a computer (heck, pen and paper will do) and an imagination. It's fun, it's free, and if you're really good at it, you could make a ton of money and get to sit in your underwear while you work. And really, isn't that the American dream?
"But Patrick," you're probably asking. "Where do I start? How do I know what to write about? How will I know if my stuff is good? And who the hell are you, anyway?"
Friends, I'm here to answer all of those questions and much, much more. "The Write Stuff" is a brand new column here at Cinematical devoted to the art of screenwriting. Every other Wednesday, I'll be giving writing advice and tips, answering your questions -- talking shop. On alternate Wednesdays, I'll be interviewing major Hollywood screenwriters about their craft (next Wednesday the interview series kicks off with Adam F. Goldberg, co-writer of the highly anticipated Fanboys, and the upcoming film adaptation of classic cartoon The Jetsons). Ideally, this dual approach will give you two valid perspectives -- one from the writer trying to make it, and one from the writer who's already made it.
Since I'll be your guide through the world of writing, I feel I should let you know a bit about myself. I am 26 years old. I live in Los Angeles, California. I write online both for Cinematical and on my own personal site: patrickwalsh.blog-city.com. I have worked behind the scenes at television shows like Late Night with Conan O'Brien and Saturday Night Live. I have two agents and a manager, each of them a genius and ruggedly handsome in his own special way. My writing partner and I have written for various television and film projects, which are in stages of development ranging from "definitely happening" to "huge waste of time and energy." I haven't made it Big Time yet, but I am doing well enough to live off of writing work, and that has always been my dream. In other words, I'm not William Goldman*, but you could take writing advice from far worse people. Cool? Good.
*Don't know who William Goldman is? We've got a lot of work to do.
So now that you know me, I'd like to know more about you. I was asked to spearhead this column, and I'm super psyched, but a little scared. I need your assistance. I want to know what you want to know. I want this column to help with every aspect of writing. I want to help the guy who has never written a complete sentence before, and I want to help the gal with twelve brilliant scripts sitting in her drawer, but no idea what to do with them.
To quote a truly excellent screenplay from a truly excellent screenwriter: "Help me help you."
Before we begin, a couple of ground rules. There are only two things I can't do for you, so please take it easy on me and don't ask. They are as follows:
1) I can't put you in touch with my agents and/or manager. They are exceedingly busy men, and until the day comes when I'm swimming naked through a room of gold coins, Scrooge McDuck-style, with Jessicas Alba and Biel, I'd rather they put all their time and effort into getting me work!
2) I can't read your script. The reasons for this are threefold.
a) I simply don't have time.
b) If a movie with a similar plot gets made, I don't want to be sued for stealing your idea.
c) If you send me a screenplay about a grizzled private detective who partners up with a wisecracking parrot to solve crimes, I won't have the heart to tell you what I really think!
Everything, and I mean everything else is open for discussion! So please, share your thoughts and questions in the comments below. If you're shy and it's not a question you want to share with everybody here, feel free to hit me up one-on-one on my personal site. What do you want to see here going forward? Let me know! Are there screenwriters you'd love to see interviewed? Let me know! Have you been stuck on page one for years, and you don't know how to move onward to page 2? Let me know! There are a select few excellent resources for screenwriters online. I'd love for this to be one of them.
Oh, and that detective/talking parrot idea? Take it. It's yours. Call it Winged Justice.
You're welcome.
Reader Comments (Page 1 of 2)
9-12-2007 @ 8:25PM
Rufus said...
Welcome Patrick!
Although I'm hardly a constant commentor on Cinematical - I do check it daily and more or less read everything here - it's fun to see something new starting and something involving screenwriting is truly interesting.
I myself am a writer, but certainly not a professional one to the degree i can live off of it but i have a book in the works and screenwriting is a passion i share equally... i'm now rambling, fun no?
Anywho i just wanted to say i welcome what you have to say and have interest in what others ask.
Reply
9-12-2007 @ 9:04PM
GodBlessVanillaIce said...
Very cool.
Funny shit on Owen Wilson in your personal blog.
Looking forward to your articles.
Reply
9-12-2007 @ 9:26PM
Jeff said...
So I'm reading this and thinking, "Why are you yellig at me to finish my projects?" I'm really looking forward to professional tips and tricks, and basic general knowledge.
Though I tend to be more of a book writer, I wouldn't mind learning some stuff about screenwriting.
Reply
9-12-2007 @ 9:30PM
Rachel said...
Hi, Patrick! Like Rufus, I read just about everything here but have never really commented. Just wanted to say that I'm excited about your new feature! I just graduated college and am working my first job in Media Relations and screen writing seems like something I'd love to try in the next few years. Looking forward to reading you!
--Rachel
Reply
9-12-2007 @ 10:42PM
Jude said...
Hi Patrick,
I'm wondering what's the best way to get a screenplay looked at and hopefully sold?
Reply
9-12-2007 @ 11:02PM
someone said...
Welcome. I think you should interview Darren Aronofsky. Now there's a man with talent.
Reply
9-12-2007 @ 11:13PM
Jen said...
Looking forward to reading the column! Here are a couple of topics about which I'd be interested in hearing your thoughts:
-screenwriting/film school and how useful and necessary it is
-writing for TV versus the big screen, and the pros and cons
Thanks!
Reply
9-13-2007 @ 12:08AM
Richard said...
I've been stuck on the "why" part of my plot for a few months now. In short:
-A guy who's been homeschooled his entire life (for a lack of a better definition, I use "agoraphobic" though I actually mean "plays it way too safe") wakes up in the outside world one day with no clue why he's there, where he's at, no details whatsoever.
I lack the "why" part in this, since I don't see myself writing the rest of the script after the catalyst plot point since I have no REASON to stick him out there in the outside world other than irony and "seeing what happens". When he comes to ask me "why'd you do this?", I would have no answer for him. Any ideas how I can get past this?
Reply
9-13-2007 @ 12:24AM
Jeremiah said...
I have a producer interested in a script I pitched him. I've got a script, but I have no idea what to expect. I'm ready for him to hate the execution. But what if he loves it?
Am I about to make it big? Or am I going to get screwed like all those horror stories my friends like to tell about their time in the big leagues? What kind of compensation should I ask for if he likes it and wants to make it? How do I join the WGA? What the heck am I going to do with all these stuffed Patrick dolls in my closet?
SO MANY QUESTIONS!
Long-time reader and lurker just wanting to see a few answers to the burning questions of mine. I know you'll come through!
Reply
9-13-2007 @ 3:31AM
Rafique Syed said...
Think this is what a short story by Quentin Tarantino would read like?
http://topwritecorner.com/2007/09/13/katana-justice/
Reply
9-13-2007 @ 8:18AM
Thornie said...
you should interview clint @ moviehole - i think he's a screenwriter; was reading about some werewolf movie of his thta was recentli optioned.
Reply
9-13-2007 @ 8:18AM
KMF said...
Cool! I'm a more of a book writer, but I've always contemplated doing a screen play, of one of my stories. So yeah I look forward to tips. Thanks!
Reply
9-13-2007 @ 8:54AM
Ronan said...
I got a question:
Some years ago, I wrote the beginning of a story called "Jesus kicks zombies", about a clone of Jesus created by a secret Vatican agency, who kick asses of zombies created by a secret US government agency.
Should I try to finish it?
Reply
10-17-2007 @ 4:47PM
Sean said...
Hey Patrick,
I am 36 and have been writing and/or co-writing spec scripts for about 8 years. I just took a buyout from my job of 13 years. In other words, I'm taking the plunge! I plan on attending Creative Screenwriting Expo 6 next month. Have you ever attended their Expo before? What should I bring? I live in Michigan, have no major contacts,reps, etc. But my confidence in my spec is unwavering. Any and all info would be greatly appreciated.
Sean
Reply
9-13-2007 @ 9:30AM
Joseph Moore said...
Wow, Patrick. You just opened-up yourself to a world of interactive pain asking everybody and their mother to blanket you with semi-retarded screenwriting questions on an open forum! Good thing you're no longer abstaining! ;-)
I can answer almost every question ahead of time -- I am the amazing Carnac:
1) Read scripts! Amazing concept!
2) Get a decent book on the subject. "Save the Cat!" is a favorite of mine.
3) Yes, your idea is great. No, nobody wants to write it for you. Every half-decent writer in the valley has a drawer full of great ideas.
4) Network. Yes, you have to know somebody who knows somebody. Sorry.
5) Yes, most decision makers in this business are idiots. No, they are never wrong.
6) No I won't tell you what a brad is, other than it is not the one sleeping with Angelina.
Reply
9-13-2007 @ 11:17AM
Jim said...
Your new series is so timely for me. I am finally starting my first screenplay.
1. What conventions of style and structure should I follow?
2. What books or other resources do you recommend for novices?
3. How does one make contact in the business? Is it strictly networking or are there other avenues?
Reply
9-13-2007 @ 11:36AM
Kim Voynar said...
Richard,
Re. your homeschooler plot ... the first thing I'd suggest you do is spend some time hanging out with a ton of homeschoolers. Our family has been homeschooling for over a decade, and I don't know any homeschooling families who are so insular their kids would wake up suddenly unable to function in society because they were homeschooled.
The idea of the socially inept homeschooler is a myth, unless the protagonist in your story has been kept imprisoned in his home by freaky, abusive, fundamentalist parents and was locked in a basement his whole life, but that's not homeschooling, that's abuse. Most of of the homeschooled kids my brood hangs out with are far more socially sophisticated, both with other children (including outside their own age, since they haven't been segregated into 'grades' their whole lives) and with adults, than most people who've not been around homeschoolers can even imagine.
Reply
9-13-2007 @ 12:05PM
Erik Davis said...
RE: Kim
Well, unless it's a comedy. The Brothers Solomon used homeschooling in a remote Alaskan town in an attempt to show you why the two boys were so socially inept. So it could work (although it didn't in that movie) if the place they're being homeschooled is on, say, a secluded island etc ...
Reply
9-13-2007 @ 6:59PM
SlappyWhite said...
I'd be interested to know about ways to come up with story ideas. I often feel I can write really good dialogue but my plot content is just not good enough.
Reply
9-13-2007 @ 3:13PM
siv_art said...
Great idea for a column. I can't wait to read it. I've been writing for a while, but mostly only do it because of the aforementioned point that no one will write my ideas for me. Mainly I'm an actor, and end up dogin the other things (produce/direct, etc) out of necessity. I'm also currently a company member at the ACME Comedy Theater in LA, so my focus has shifted towards sketch writing than screenplays. Nevertheless, I've got a finger in a dozen projects all over the place (eww.. six-fingered hands?), so it'll be nice to read the perspective of someone who's making a living.
And I guess that's the thing I'm most interested in. Assuming writing skill and the ability to be productive on a continuing basis, how to I get to the point where I'm able to make a living at it?
Thanks for the column!
~Travis
Reply