Sundance Deal: 'Hamlet 2' Goes to Focus for $10 Million
Filed under: Deals, Sundance, Distribution, Cinematical Indie
For many people, Sundance can be defined as edgy, difficult, dysfunctional, and dramatic. But for distributors looking for films they can sell in a tight marketplace for specialty fare, Sundance evidently now means "lighter, funnier."In the third big Sundance deal of the day -- all involving comedies, to one degree or another -- Focus Features has acquired Hamlet 2, according to Lou Lumenick of New York Post. (And confirmed a few minutes later by Anne Thompson of Variety). The film stars Steve Coogan as an "ex-actor, ex-user, relentless dreamer, and sometimes-delusional high school teacher" who stages his own unusual adaptations (e.g. Erin Brockovich). Facing budget cuts and student rebellion, he decides to go for broke and mount his most ambitious production: his self-penned sequel to Hamlet.
Anne Thompson fleshed out the story with the purchase price ($10 million) and the specific rights (worldwide). She says the deal was closed "in the wee hours Tuesday morning ... after an intense bidding war." As she points out, the figure is quite high for Sundance, putting Hamlet 2 in the exclusive neighborhood previously occupied only by titles like Spitfire Grill (a bomb) and Little Miss Sunshine (a hit).
Monika gushed a few days ago about director Andrew Fleming's Threesome, which debuted at Sundance back in 1994, but his career since then has been mixed. Most recently, he made Nancy Drew and before that, the very flat remake The In-Laws. However, the concept for Hamlet 2 sounds funny, Steve Coogan can be a very funny actor, and other members of the cast (Catherine Keener, Amy Poehler, David Arquette) make me optimistic about the film's prospects.
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Reader Comments (Page 1 of 1)
1-22-2008 @ 8:41PM
R. M. said...
Sundance is becoming more of a joke and parody of what it was "suppose" to be. Many (most?) people in the industry are more than keenly aware of the role that ass-kissing & star-f*cking play in Geoff Gilmore's world; hence a line-up of films this year that are sh*t. While nobody's going on record, but as an anonymous studio exec stated in Variety the other day, "“There are a lot of bad movies here, movies that should not have been made." and that was being polite. Some of the films I saw were downright awful. Then to top out the Sundance BS meter we find out that there is some secret "late submission" policy that allowed HAMLET 2 to premiere yesterday! WHAT A FRIGGIN' joke! Yeah, a late submission, as in over the weekend -- let's hear it for the integrity of Sundance submission policy. The reality is that Sundance is an extension of the indie studios NOT the indie world and certainly NOT indie-filmmakers. (BTW, I actually have/had an out-of-competition film in this year’s fest so this isn’t sour grapes.) I may be a thankless little weasel but I’m honest. Sundance now exists to promote Sundance, not films or filmakers. Redford needs to clean-house.
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