DVD Review: There Will Be Blood (2-Disc Collector's Edition)
Filed under: DVD Reviews, Fandom, Home Entertainment

"So, ladies and gentlemen, if I say I'm an oil man, you got to agree."
Some will argue that There Will Be Blood should have taken home more Oscars; how it was not only a better film than No Country for Old Men, but a more relevant one -- what with its themes of religion and greed. But it's probably best not to think about such things. We're lucky to have received two of this century's greatest films in one year, and each will be remembered for decades to come. With There Will Be Blood, the brilliant Paul Thomas Anderson has given us his American epic, set in California at the turn of the 20th century. Daniel Day-Lewis (who deserves every inch of that Best Actor Oscar) plays a hungry oil prospector who'll stop at nothing (and sacrifice almost everything) to build an empire of his own. He'll soon find out that, while he most certainly has enemies, the greatest evil is not buried deep below the ground -- it's, instead, deep within him.
Plainview will probably go down as one of the more complex characters we've ever seen on film; definitely the kind of man entire debates can be built around. If he's a selfish man, why does he take in and raise an orphan? Here's a man who hates all people, and yet that family bond seems most important to him. During such lonely times, not once does Plainview seek out the loving arms of a woman -- leading some to believe he's impotent; wondering whether Anderson chose to leave a key part of the script out on purpose. Ah, but the man sure does love his oil -- and when a stranger by the name of Paul Sunday (Paul Dano) shows up with a map pointing to unspoiled land housing loads of the black stuff, Plainview can't help but take the stranger for his word and venture out to see if his tales are indeed true.
Eventually, Plainview winds up on the land of one Abel Sunday and his family, including son Eli (Dano); a passionate preacher (and healer) who cuts a deal with Plainview to sell the oil man their land for drilling on the condition that a certain amount of money will go back into Eli's Church of the Third Revelation. Thus begins a dramatic, yet often darkly-comedic game of greed between the two men -- one that will ultimately boil over onto a bowling alley where one of the year's most famous lines of dialogue will be spoken aloud. Of all the creeps and cowards throughout, perhaps the most jarring character comes in the form of Jonny Greenwood's amazing score. Sharp and unsettling; picture nails-to-chalkboard set to music ... and loving every second of it. Anderson's long-time cinematographer, Robert Elswit, once again does a tremendous job setting up the film's daunting mood; at times, it almost feels as if we're carrying the characters' heavy burdens on our shoulders -- and even so, it's beautiful to watch unfold.
Special Features
If you go into this DVD looking for detailed explanations of certain shots and your typical behind-the-scenes featurettes, you will definitely be disappointed. First off, the DVD comes with no commentary track. And while I would've loved to listen to Anderson talk about the making of this film for three hours, it's almost fitting to leave it as is. The silent theme continues over to the special features, where the closest you come to anything behind-the-scenes in nature is in the form of a feature called 15 Minutes - Pics, Research, Etc. Here, scenes from the film are intercut with a slideshow of stills from the early 20th century -- all of which feature oil prospectors, citizens, towns, maps; basically, everything that was used to inspire the look of the film.
There are two deleted scenes: One is called Fishing Sequence (the men attempting to fish out some tools they lost down the hole) and Haircut/Interrupted Hymm (what appears to be a few different scenes featuring Plainview and H.W.). Dailies Gone Wild features an extended version of the scene where Plainview and H.W. are having dinner next to the Standard Oil guys. A teaser and a trailer for the film are also tacked on.
In addition to all that, also included on the special features disc is The Story of Petroleum; a B/W silent film circa 1923 that was created to teach American citizens more about the oil business. Very interesting, and if you haven't seen the film yet, I'd watch that first. It's roughly 26 minutes long, but it will definitely help you delve into this world a bit more before the feature begins.
Visually, of course, the film is absolutely stunning. There Will Be Blood is presented in widescreen and is enhanced for 16:9 TVs. Not the same as watching it in the theater, but you won't be disappointed -- this puppy is crisp. For sound, you get Dolby Digital 5.1 Surround in English, French and Spanish. I don't think I have to tell you to make sure this DVD is at the top of your must-watch list this week.
Reader Comments (Page 1 of 1)
4-08-2008 @ 12:38AM
dan said...
Nobody is going to remember "No Country", if for any reason because the Coen's already have such an extravagantly large canon to draw on--Fargo and The Big Lewbowski are what they will be remembered for, and some may say that's unfortunate because No Country was a really good film, but let's get real, the Coens' are past their zenith. There Will Be Blood was, as you said in the writeup, timely, appropriate, and masterfully executed, all things that virtually guarantee a film will underperform at the Oscars. I personally thought No Country was shit compared to There Will Be Blood--I wouldn't even try to compare them. No Country's...pathos? was so heavy-handed that I left the theater feeling as if I had just been in a 120 minute morality lecture, whereas There Will Be Blood actually left me questioning my values. TWBB FTW
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4-08-2008 @ 1:24AM
V.M.L. said...
NCFOM confused me at the end. Because of that, I didn't enjoy and I didn't even understand what really happened until, what, a few months later, a day after the Oscars. Therefore, NCFOM seemed overrated to me.
I loved TWBB. It was very dark and weird, but the darkly funny ending had me leaving the theater laughing. Day-Lewis was great. I loved Dano's insane acting. I loved the tensions between the characters. The music was scary. Everything was great. I'm going to get it on DVD.
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4-08-2008 @ 2:44AM
Randy said...
As much as I love TWBB, it deplore that there is some sort of fan backlash to NCFOM because of it. Both these movies are masterpieces and to undermine the qualities of the Coen Bros. movie is unnecessary. Personally, I enjoyed TWBB more, but NCFOM is a much tighter film in my opinion in terms of its structure and themes.
Is NCFOM overrated? Only time will tell. But I for one thought it deserved all the praise it got. It, like Fargo, was a drastic change for Coen Bros. of late. It's not surprising that similarities between the two movies have been made in terms of its violence and structure. Both films a very Hitchcockian in their approach and that shouldn't be overlooked.
TWWB is great, but the religious themes are not explored sufficiently. Do they need to be? I would say, "Yes, however..." Regardless, it's definitely one of PTA's most accomplished films. I'd say the most overlooked film of 2007 was Fincher's Zodiac, which was presented very much like a PTA film the same way TWWB has a lot in common with a Kubrick film.
Anyways... it's unproductive to dispute quality of NCFOM in comparison to TWWB. They're both very different films and received immense amounts of praise from both the internet film junkies and the press. When it's all said and done, I believe these two films will be remembered as benchmarks in cinema for this decade.
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4-08-2008 @ 9:48AM
Chandra said...
Honestly even despite the Oscar wins, I have no desire to see NCFOM. Maybe I'll catch it on cable.
OTOH, I've seen "There Will Be Blood" twice, read the on-line script and plan on buy the DVD after work. It was truly a mad masterpiece. What Daniel Day-Lewis, Robert Elswit, Paul Thomas Anderson and Jonny Greenwood created was a creation that is passionate and outstanding.
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4-08-2008 @ 9:52AM
nscheffey said...
Dude you butchered the quote you used to open the article. The correct quote is: "So, ladies and gentlemen... if I say I'm an oil man you will agree."
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4-08-2008 @ 10:01AM
Erik Davis said...
Actually, pick up the DVD and you'll see where that quote is from.
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4-08-2008 @ 11:20AM
Tigerlily said...
I have now seen all the Oscar nominated films but this one. Frankly, I've been so disgusted that I truly hesitate to give up 2 more hours of my life to disappointment. However, this film just keeps popping up in conversations, quoted lines and even spoofs, that I think I'm going to have to see it, if only to finally learn the meaning behind the "I drink your milkshake" line.
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4-08-2008 @ 11:43AM
ronmoses said...
NCFOM, while good, is not even in the top three Coen Bros films. It's a real shame it beat TWBB at the Oscars. In years to come TWBB will be ranked up there with The Godfather, and NCFOM will be lumped in with Crash and the rest of the "what were they thinking that year" winners.
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4-08-2008 @ 1:53PM
Jeremiah Moon said...
I, apparently like many other commenters on this site, think TWBB should have won the oscar. However, that is not to downplay the brilliance of NCFOM, which is an absolutely stellar film.
My main disappointment is the popularity of the milkshake line - that's one of the most brilliant scenes in any movie, ever, and it's disconcerting that now it's practically an internet meme for people who have never seen, and probably will never appreciate the brilliance of, the actual movie.
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4-08-2008 @ 8:17PM
HallsyHatesU said...
Actually, they're both overrated. NCFOM is not very good compared to other Coen flicks and TWBB is terrible compared to...well, pretty much any flick. It was *awful*.
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4-09-2008 @ 11:00PM
Manly said...
Watch out of the single disc release. It comes in a cardboard package and can very easily scratch the disc. I've had to go to Best Buy twice today to return discs that were scratched after opening them
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