Tribeca Review: Chevolution
Filed under: Documentary, Tribeca, Theatrical Reviews, Festival Reports, Cinematical Indie

Even if you don't have any idea who Che Guevara is, you probably know what he looks like. His face has graced everything from t-shirts to bikinis to cigarette packs to beer. You know he's a symbol of ... something. But you're just not quite sure what.
So, who is Che Guevara? And how did that picture of him become so damned famous? Those questions, and other issues, are addressed in the excellent documentary Chevolution, which debuted at Tribeca on Friday.
In the documentary, producer/director Trisha Ziff and director Luis Lopez explore the Che phenomenon from all angles, including the revolutionary's early life, his fateful encounter with Castro, the Cuban revolution he helped make happen, to his life trying to foment revolutions in other countries. But it also examines how he crossed paths with photographer Alberto Korda, the fashion photographer/photojournalist who took the famous picture of Guevara that was the basis for the icon we know today.
The story of Che, Korda, and the photograph that started it all is told via archival footage and photographs, some light narration, and interviews with people from all walks of life. We hear from some of the people who traveled with Guevara in South America, where he was a medical student who saw the suffering of the poor and wanted to do something to help them. They also speak to some of the photographers who, along with Korda, documented Che's rise to power after the revolution he and Castro began in Cuba was a success. They also speak to Korda's daughter, Diana Diaz, who's protecting the legacy of her father's most famous work, Jon Lee Anderson, a biographer of Che's life, and a range of people who have been influenced by Che, positively (Tom Morello of Rage Against the Machine, for instance), negatively (Cubans who hate what Che stands for), and everything in between.
What struck me about the movie was its completeness; it not only took a careful look at the lives of Guevara and Korda, but it also examined the genesis of the famous photograph, taken at a memorial for the victims of the 1960 terrorist attack on the ship Le Cubre. The photo, one of two frames of Che amongst rolls taken by many photographers at the event, wasn't even published in the local papers the next day, but showed up internationally seven years later. Che's revolutionary message, which dovetailed nicely with the student protests that had started around the world by that time, combined with a lack of copyright laws in Cuba, allowed the image to spread like wildfire around the globe.
But the film also talks about how Che lived the remaining years of his life, which ended during a failed revolution in Bolivia in 1968, how his message has been diluted by the capitalistic efforts to exploit his image, how Che's revolutionary message wasn't supported by everyone, and the belated efforts of the late Korda -- and now, his daughter -- to protect the use of the image via lawsuits. Just about all of it is engaging, making it less a dry history lesson and more of an examination of how pop culture and capitalism conspires to make Marxist revolutionaries into corporate logos.
That being said, there were a couple of spots where the film had some minor issues. The producers needed to explain a little better how Guevara, an Argentinian, developed the relationship with the Castro family while in Mexico City; they gloss over what made Guevara decide to be a military leader rather than just the group's doctor. And, in another part of the movie, they compare the image of Guevara to the image of Jesus Christ, a point which didn't really need to be made and slowed the film down a little bit.
But, for anyone who wants to know who exactly the beret-clad, bearded gentleman on those t-shirts actually was, Chevolution is a great way to get up to speed quickly. It's being distributed by Netflix's Red Envelope Entertainment, and should be available from them in the near future.










Reader Comments (Page 1 of 1)
4-27-2008 @ 6:12PM
Claire said...
I do not support Che Guevara's bloody tactics but I can partly understand his justification for them. It sickens me to see his image used the way it is. Every time I see someone with his face on their shirt I want to ask them if they know who he was and what he stood for. He would be horrified by the use of his image for such capitalistic means. There are also many who would be insulted by this ignorant idolization of a violent, bloody revolutionary. there are less controversial people to make money off of.
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4-28-2008 @ 11:48AM
kevjohn said...
Like Jesus.
4-27-2008 @ 9:52PM
Philip said...
Che is this society's latest town bicycle. Well, it rotates between fascination with Obama, Britney Spears, Hugo Chavez and Che.
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4-28-2008 @ 9:58AM
Kevin Ritch said...
Che was many things to many men.
To me, he was a hero.
There were a virtual plethora of facets to this person that were mostly very good and decent.
By and large, he was a man who lived to do only that which he felt was the right thing to do. His behaviour was consistent with his beliefs and more importantly, to the revolution itself.
He was not, in any way whatsoever, dishonest either to himself, nor to others.
And he had serious courage.
The reason for wearing is image is usually (in older people like myself) a simple salutation or merely a signal that they respect many of the things that Che stood for in his quest for a better life for the Latin peoples of the Americas.
Please don't be swayed by the bitter people (including their off-spring) who left the corrupt Cuba that Che and Fidel managed to over-throw who live in Miami et al.
They do not reflect the truth about Che, his motives nor his methods. All they can see is that which they lost through a sad era in the history of that wonderful little island south of Florida.
Viva Che Guevara ~ Viva La Revolución!
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