Cinematical

Despite having starred in a series of spoofs that have together raked in over $400 million on the domestic front, it still doesn't feel like Anna Faris is quite the household name she deserves to be. All dollar signs aside, this comedienne has that endearing mix of whip-smart comic timing, goofy mugging, general hotness (what?), and a sense of self-awareness in even her ditziest roles. Time will only tell if tomorrow's release of The House Bunny will formally launch her into the ranks of, say, Reese Witherspoon after Legally Blonde, but even if she doesn't, here's at least seven reasons why she'll always be our funny bunny.

1. Cindy Campbell in Scary Movie 3 (2003)

Say what you will about this parody franchise, but it's been a minor blessing that Faris keeps coming back to ground these puppies from evaporating into pure irrelevance... although it's pure irrelevance that keeps me coming back to this one in particular. Call it a guilty pleasure if you must, but there are glorious non sequiturs a-plenty that help me cope with the slapdash plot and already dated pop culture riffs (oh, right, Simon Cowell, he's that guy...). Naturally, not the least of the credit goes to Faris, who, as the aloof reporter/single mom, is just as inept at either job as we'd like her to be.

Medical science tells us that there's a portion of the brain called the R-complex that, nestled low and close to the spinal cord, governs simple, automatic brain functions like respiration and reflex and heart rate; other outlying, larger brain structures cover language, culture, memory and art. I mention this because Death Race, writer-director Paul W.S. Anderson's re-visitation of the 1975 trash-classic Death Race 2000, is wholly, entirely and perfectly designed to appeal to the R-complex portion of your brain. Death Race roars, rages and races down the track, all velocity and visceral violence, unencumbered by logic, sense, reason or dignity. My more evolved brain structures kept objecting to Death Race's more ludicrous contortions as it whipped around its curves, but my R-complex didn't want to hear the high-pitched whining voice of logic and reason; it simply grunted, settled into a soft cushion of popcorn topping and said "Shut up, bigger brain; bald man who talk cool killing now."

It was almost a year ago when news hit that Jake Gyllenhaal was going to the moon with director Doug Liman. Literally, not the Honeymooners way. Focusing on a private expedition to the moon to create a Lunar colony, the project was set for another rewrite in June. But that was all we heard. Now rumors are bubbling about casting, and if true, we could see a clash of the private and public.

Just Jared has posted that In Touch insiders have pegged Abbie Cornish as Jake's co-star in the lunar film -- in other words, Jake's current girlfriend Reese Witherspoon's ex-husband Ryan Phillippe's current girlfriend. Oh, those messy Hollywood lives. The insider states: "This is one of those only-in-Hollywood situations. It could work out as long as Reese doesn't visit Jake on the set."

Whatever the potential drama, this would definitely be an interesting casting move for the feature, which is hoping to hit screens in 2010. Cornish has taken on a number of themes over the last few years, from the times of Queen Elizabeth to being a tough Texan girlfriend, so why not add some moon action to the mix? Thoughts?

In what appears to be part of a most thorough campaign to botch Entertainment Weekly's Fall Movie Preview, a recent press release wholly admits that the North American opening of the 22nd James Bond film, Quantum of Solace, back from November 7th to the 14th marks an effort to capitalize on last week's sudden Harry Potter shift.

Although the removal of the 007th from any coming marketing blitz sure is a shame, it does place this film closer to the release of its predecessor, Casino Royale, which opened on November 17, 2006 to the tune of almost $600 million worldwide. Solace will still premiere in the United Kingdom on October 31.

For those keeping track at home, this now leaves Madagascar: Escape 2 Africa and the just now shifted Paul Rudd comedy Role Models on November 7th, and the 14th is now between Bond, Baz Luhrmann's epic drama Australia, and Bernie Mac's final film, Soul Men.

Now, think fast! When does Something of Boris open again?!

It's funny how little things can make a big difference. When the first poster was released from the big-screen version of Max Payne, I have to tell you; I was pretty underwhelmed. But my opinion of the design has improved now that I've gotten a gander at the two new posters for the flick (see larger versions of both in the gallery below). Although, I have to ask, who knew that Mr. Payne was such a 'shoe-gazer'? The original Max seemed a bit more thick-skinned than his feature film version; Wahlberg makes the man look downright depressed at times.

Mark Wahlberg stars as Payne, a cop who has lost his family and partner at the hands of a powerful crime syndicate. When he is left to his own devices, our hero sets out on a mission of revenge for his loved ones, and discovering some unnatural secrets along the way. Starring alongside Wahlberg are Mila Kunis (Forgetting Sarah Marshall) as Mona Sax, Beau Bridges as Payne's friend and mentor, and Chris 'Ludacris' Bridges as an IA agent.

We finally got a look at the trailer back in July, and if you are fan of the series, you probably noticed that the film has taken it's look from the original game. Payne was directed by John Moore, who has the dubious credit of being behind the remake of The Omen back in 2006. But, to be fair, the flick seems like an easy sell. Wahlberg seems suited to the more 'violent' strain of moviemaking. Plus, once you throw in the pre-existing fan base, and competition-free release date, Fox should be able to rake in some serious dough.

Max Payne will arrive in theaters on October 17th.

Just when you thought it was safe to go back to the video store, a whole new line of sequels threatens to crowd the new release shelves. Paramount Famous Prods. announced plans to raid the libraries of Paramount, Paramount Vantage, DreamWorks, MTV Films and Nickelodeon Movies in search of source material to sequelize, according to The Hollywood Reporter. Projects already in development include sequels to Mean Girls, Road Trip, The Naked Gun, Bad News Bears and Grease. First out of the gate will be Without a Paddle: Nature's Calling, due out in early 2009.

If you're saying to yourself, "Wait a minute, haven't some of these movies already been sequel-ized, sometimes more than once?" the answer is yes. (Naked Gun, Bad News Bears, Grease). If you're then wondering, "Why more sequels?" the answer is, as Deep Throat told Bob Woodward, "Follow the money." The unit is headed by Louis Feola, who formerly ran Universal Studios Home Entertainment, which made three direct-to-video sequels to American Pie and three to Bring It On. Each sold between one to two million copies, translating into many millions of dollars without the risks and expense of thearical distribution.

I have absolutely no problem with low-budget productions that trade on their resemblance to well-known titles, as long as they're smartly made with a degree of fun, intelligence, and style. That's been in short supply lately in the direct-to-video productions I've seen. We'll see what happens when Paramount Famous starts releasing their line in earnest starting in 2010, at a pace of five to six films annually.

It was a pretty big surprise when news broke that Zac Efron was going to star in Richard Linklater's new film, Me and Orson Welles. The High School Musical star just didn't seem like the Linklater sort. But the dancing shoes have been put away and Efron has gone back in time. Four pictures from the film have been released over at Twitch, and you can check out one of them above -- that is Efron as the young aspiring actor Richard, and Christian McKay as the one and only Welles.

Based on Robert Kaplow's coming-of-age novel, the film focuses on a 17-year-old aspiring actor who is discovered by Orson Welles while walking past the Mercury Theater. He scores a bit part in Julius Caesar, and is thrust into that world we call show. Now if only we could get a glimpse of Ben Chaplin's George Coulouris and Claire Danes' Sonja Jones...

With all due respect to my esteemed colleague Elisabeth Rappe, geeks are not the only ones who learned important lessons from watching movies this summer. Herewith is my personal, arthouse summer school summary.

Werner Herzog cast a disapproving eye on the ugliness he discovered at Antarctica's McMurdo Station ("they even have a yoga studio and an ATM!") and was skeptical about the sanity of some of the real-life characters he met, which is partly why Encounters at the End of the World was so entrancing. What I learned: Evidence for gay penguins is skimpy, but they have been known to have threesomes.

The Wackness (pictured) didn't became the breakout hit that some had hoped for, but it did showcase the talents of rising star Olivia Thirlby and director Jonathan Levine. What I learned: Never kiss Ben Kingsley in a telephone booth.

Nanette Burstein's filmmaking techniques were much more off-putting than her ultimately winning subjects in American Teen, another would-be smash that didn't live up to box office expectations. What I learned: Never break up with your girlfriend via text message, especially when a documentary filmmaker is interviewing her.

Unexpectedly, Tell No One became the breakout limited-release mystery thrill ride of the summer, and Man on Wire proved that impassioned high wire walkers can make dreams come true and enthrall audiences to boot. What I learned: It's good to be French.

Now it's your turn, all you indie-loving, doc-devoted, world cinema aficionados: what did you learn from the movies this summer?

It's hard to believe that it's been a whopping 15 years since Tim Burton's The Nightmare Before Christmas was released. The Buttercup-stealing Humperdink, or Chris Sarandon as Jack Skellington, Catherine O'Hara as Sally, plus a little bit of PeeWee and the wacky Greg Proops -- the days before Johnny and Helena were in everything Burtonesque.

In commemoration of the anniversary, the Collector's Edition DVD hits shelves next week, but to whet our hungry appetites, ShockTillYouDrop has got three clips from the new disc. Check out how they made the Haunted Mansion as a holiday tour led by Jack, the process of shooting the film, and finally, Tim Burton's original poem of The Nightmare Before Christmas, all funky and animated.

It's looking to be one heck of a great re-release. From seeing how Jack's version of the Haunted Mansion played out, to how the film was made, to Burton's old short film Vincent, it's all there. Will it be in your basket come Tuesday?

We get a lot of videos and stuff sent to us here at Cinematical headquarters, but the one above is certainly one of my favorites so far. Not because it's totally unique or different, but because it's extremely well edited, features a whole bunch of great movies and really spends time to focus on why we love these films and what, exactly, attracts us to them. The video was edited by Cinematical ready Sean Grady, and dammit if the Oscars shouldn't ask this dude to throw together their next montage. As far as titles go, he calls it Matinee Uber-Edit ... and it's truly worth the seven-or-so minutes in length, if only for the righteous Uncle Buck scene thrown in the middle. Sean uses some of our favorite classic movie scores to highlight this visual journey -- check it out above. Trust me, if you're a fanboy-ish movie nerd, you're going to love this thing.

And thanks, Sean, for sending it our way. Keep up the good work dude!