Asian Cinema Scene: Did 'Panda' Teach China?
Filed under: Animation, Politics, Cinematical Indie
Could a cute children's movie about an adorable furry animal ignite change in a country noted for its official cultural restraints? Kung Fu Panda has enjoyed robust returns at the Chinese box office, which prompted a top cultural advisor to bemoan: "Why didn't we make such a film?"
As reported by Variety, Wu Jiang, a key member of the CPPCC Standing Committee, noted: "The film's protagonist is China's national treasure and all the elements are Chinese." The committee recommended that the government "relax its control in order to accelerate the reform and opening up of the cultural market and to enhance China's cultural influence in the world."
Though China produces hundreds of movies every year, most have been described as "stodgy propaganda pics" -- check out a recent post by Grady Hendrix at Kaiju Shakedown to see a few examples -- and only a select few achieve visibility at international festivals. Director Lu Chuan (Kekexili: Mountain Patrol and the upcoming Nanking Nanking) says the problem lies with the government itself, which stifles the creativity of Chinese filmmakers. He wrote in China Daily that he tried to make an animated film for next month's Olympics in Beijing but finally gave up: "I kept receiving directions and orders on how the movie should be like. The fun and joy from doing something interesting left us, together with our imagination and creativity."
Will the Chinese government be making any changes soon? Don't count on it. Sun Zhonghuan, another member of the CPPCC Standing Committee, says that Hollywoood studios have another big advantage: Kung Fu Panda's $130 million budget is nearly 100 times the cost for an average Chinese film. "We might have the ideas," he said, "but we lack the structure to realize them."
Reader Comments (Page 1 of 1)
7-08-2008 @ 9:39PM
aljensen said...
I haven't seen Kung-Fu Panda but the Chinese I have been talking to hear express a lot of enthusiasm about the movie - of course, they're mostly just my students, so of course they're going to like an animated movie.
It's always nice when somebody from outside your culture expresses interest in it, especially if they are willing to go the lengths necessary to make a movie about it.
If you have an interest in China, the best thing to do is attempt to learn the language - it isn't quite as difficult as it's made out to be, and it goes a long way (I think) towards explaining the logic and mindset of the country. A good place to start is http://www.zhongwenred.com
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7-08-2008 @ 10:28PM
aljensen said...
Sorry, meant "here" not "hear" ...still a little early in the morning!
7-09-2008 @ 5:11AM
bongo123 said...
i think you could be forgiven for a small slip up in the morning, i've filled my diesel car up with petrol in the mornings... not good!
7-09-2008 @ 7:40AM
Maverick Saturn said...
I don't understand how an animated film based on fighting could suddenly make a person think about change. Baffles me.
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7-09-2008 @ 8:19AM
Woody Tanaka said...
A backward communist shithole of a country stifling the creative energy of its artists... Shocking.
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7-09-2008 @ 9:07AM
ML said...
I'm just finding it fascinating that China seems to enjoy this American product to the extent that some seem to feel it should have been created there. But to the point: Sure, American budgets might be bloated (in some cases, a frightening amount of the bloat is wasted on items not even remotely connected to what is seen on screen), but I'd guess that even though Chinese wages have improved, they're not quite at the level where a Chinese animator would command the same wage as an American animator. Further, other projects (The Host?) have done a lot without American-style budgets. Quality is not strictly related to budget - good lord, American films exemplify that well enough. With due respect, Sun Zhonghuan sounds like an apologist. If people are really concerned, why not lighten up on the notes and see what happens? ... And we thought that notes from the studio were bad ...
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