Discuss: What's Your Favorite Danny Elfman Score?
Filed under: Music & Musicals, Fandom, Comic/Superhero/Geek
What do Hellboy 2 (on DVD this week) and Milk (in theaters Nov. 26) have in common, aside from flamboyantly controversial main characters? Musical scores by Danny Elfman, that's what. Like many people, I was first aware of Elfman as the frontman for Oingo Boingo, a band that had a few songs I liked and an abundance of songs that annoyed me -- may I never hear "Dead Man's Party" again as long as I live -- before I was awestruck by his score for Pee-wee's Big Adventure. Even if you haven't seen the film I bet you'd recognize the factory-like main theme, officially titled "Breakfast Machine," which starts at 1:15 in the YouTube clip embedded below. It's still my favorite piece of Elfman music, and it typifies his work: whimsical, rhythmic, slightly dark, and heavy on the mechanical noises.
It was Elfman's first orchestral score for a film (he and Oingo Boingo had made something called Forbidden Zone five years earlier), and the beginning of a partnership with Pee-wee director Tim Burton that lasts to this day. Many of Elfman's scores, for Burton and for other directors, have been for films that readily lent themselves to his Halloweenish sensibilities -- comic book/sci-fi/superhero capers like Dick Tracy, Batman, Men in Black, Beetlejuice, Mars Attacks!, Spy Kids, and Spider-Man. And let it not be forgotten what
But Elfman has written scores for non-genre projects, too, including A Civil Action, Anywhere But Here, and The Family Man. He earned Oscar nominations for Good Will Hunting, Men in Black, and Big Fish, an Emmy nomination for The SImpsons, and an Emmy win for his Desperate Housewives theme. He even contributed an ominous score to Errol Morris' Abu Ghraib documentary Standard Operating Procedure.
So what's your favorite Elfman score? How does he compare to other notable film composers like John Williams, Hans Zimmer, and James Newton Howard? Feel free to share your comments below, and enjoy the opening sequence from Pee-wee's Big Adventure.









Reader Comments (Page 1 of 3)
11-10-2008 @ 5:20PM
mezzanine said...
I was a big fan of anything with Tim Burton's name attached to it since I was a toddler, part of it was because I loved Danny Elfman's music. Just a few months ago I realized Danny Elfman was in Oingo Boingo, and my mind was blown.
I can't decide whether I liked his work in Batman Returns or Edward Scissorhands more.
Reply
11-10-2008 @ 5:58PM
TheFilmFreak said...
Edward Scissorhands is one of the most beautiful and deeply moving pieces I have ever heard
by far his best
Reply
11-10-2008 @ 6:16PM
Brian G said...
I was always quite partial to his Beetlejuice theme. That is one big, bombastic, Wagner-esque piece of goodness!
There is something to like (or love) about most of his scores. Normally, his themes are great, but I have never liked his Spider-Man theme. Seriously... I'll bet everyone here can hum the Batman theme, but can you remember the Spider-Man theme? I can't...
Overall, though, I would put him a notch below John WIlliams, and a couple of notches above just about anyone else. Especially Hans Zimmer, who is totally overrated and generic, in my book.
Reply
11-10-2008 @ 6:35PM
Argent said...
to be hnest, i kinda fell out of admiration for elfman a while back because i find he just seems to repeat himself a lot. a lot of his scores just share a thematic 'sameness' to such a degree that they might as well be called 'variations on a theme' (listen to 'batman', then listen to 'spider-man', f.e.)
i still think from a to z, the original 'batman' was his best work, but thematically, he was never more brilliant than 'beetlejuice' (even if it sounded derivative of his score to pee-wee's big adventure...ahem.)
where would i rate him? well, he's not even near the same ballpark as john williams, sorry. i would put him on war with hans zimmer, though (who also seems to be copying himself an awful lot. either that or he finds a theme and then uses it for 5-10 movies straight.)
objectively, i'd have to say, that on their best james newton-howard, henry gregson-williams and michael giacchino have done stuff that's wow'ed me far more than most anything in elfman's oevre.
Reply
11-10-2008 @ 6:43PM
Mike said...
Midnight Run, hands down. Wish the damn thing were more easy to come by. I'd rather not pay $30 for it on eBay.
Reply
11-11-2008 @ 1:52PM
Antonio said...
Midnight Run is fantastic. It was worth the $28 I paid to get it second hand. I've made four copies of it just to make sure I never lose it.
11-10-2008 @ 6:47PM
Blake said...
Mine is Charlie & The Chocolate Factory! Batman, Pee Wee and Beetlejuice are all good too! I believer that he is just as good as John Williams.
Reply
11-10-2008 @ 7:24PM
Ryan T said...
"And let it not be forgotten what Burton's most famous composition is:"
Surely you meant to say Elfman here.
Reply
11-10-2008 @ 7:28PM
Tristan said...
Corpse Bride
Reply
11-10-2008 @ 7:41PM
Brice_J said...
Are we restricted to live-action here? Tim Burton's The Nightmare Before Christmas has one of the most memorable & ridiculously catchy tunes in his musical canon by far. Not to mention he can also carry a tune with his singing voice. For me, TBTNBC is an incredibly respectful celebration of the talent Danny Elfman possesses.
Reply
11-10-2008 @ 7:58PM
Andrew said...
I loved his scores for Batman Returns, and the Spider-Man movies, they were just really moving and epic.
Reply
11-10-2008 @ 8:13PM
Paul Martin said...
Big Fish for me. I think of it as Elfman's tour-de-force when it comes to film music composition. It's a heartwarming and energetic score that hits all the right notes at the right moments, lifting the film from normalcy to fantastical.
Reply
11-10-2008 @ 11:05PM
Erin said...
The score for Edward Scissorhands is so moving. It almost brings tears to my eyes just listening to it. I think it also has to do with how beautiful the movie is, and the score conjures up the movie for me even when I haven't watched it in a really long time.
The Batman score is also awesome. I still think of that theme whenever I watch a Batman movie, including Batman Begins and The Dark Knight, even though they don't have even a trace of Elfman's theme in them.
Reply
11-11-2008 @ 3:07AM
Mike said...
Probably Beetlejuice, though I love what he did for Batman. No, I'll go with Batman. His work with Red Dragon was excellent, too, and he made The Hulk a somewhat decent movie through music.
For what it's worth, I love everything I've heard of Oingo Boingo. Oh yeah, and let's not overlook his one foray into original, non-TV/film inspired music, his "Serenada Schizophrana" opus.
Reply
11-11-2008 @ 3:07AM
Mike said...
Oh, and for the record, I don't give any credit whatsoever to John Williams. He's the Puff Daddy of score composers.
Reply
11-11-2008 @ 3:40AM
caitlin said...
One of my favorite scores by Danny Elfman, and one of his lesser well-known ones, is from the movie Black Beauty. It is a very beautiful score and almost complete different from most of his newer ones. I think the score adds a lot to the film, and therefore is one of my favorites.
Reply
11-11-2008 @ 3:52AM
Christopher Beaubien said...
I opt for both scores for Dolores Claiborne and A Simple Plan. They are so infectious and melancholy.
Another nod to the Mars Attacks! main title score. I swear I could watch that four-minute sequence on a loop for the amount it takes to watch the actual movie.
_________________________________________________________
Yes...Edward Scissorhands is fantastic! Especially Ballet De Suburbia.
Reply
11-11-2008 @ 5:50AM
Dissolved said...
Something about the frighteners makes me smile.
A lovely almost B-Movie score which suits the movie perfectly.
Reply
11-11-2008 @ 6:23AM
Christopher said...
My definite favorite score of Elfman's is Good Will Hunting. I know that Batman, The Nightmare Before Christmas, Pee Wee's Big Adventure and the Simpsons theme are all iconic, but there's something very special about the work Elfman did on Good Will Hunting.
By the way, Elfman is the first I go to when anyone asks, 'who would make a good Joker'. I remember those sick, leering, skull-grins he used to do when performing with Oingo Boingo.
Reply
11-11-2008 @ 9:39AM
colby said...
Couldn't agree more with GWH score.