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The Geek Beat: Our Own Worst Enemies

Filed under: Fandom, The Geek Beat



I never thought two minutes could spoil so much.

Somehow, I wasn't worried about seeing "too much" of X-Men Origins: Wolverine. I know the character inside and out, I have way too many spin-offs and essential volumes, I've done a whole column based purely on a trailer -- and now another out of two minutes of footage. Except this isn't really about Wolverine, exactly, it's about wishing that summer blockbusters (and fall, winter, and spring) left a little more to the imagination.

It's silly to whine about being spoiled when it comes to Wolverine or Watchmen -- like I said, I know these stories. I can quote them. I have the characters on t-shirts and hoodies. But when your favorite character or story appears onscreen, there will (hopefully) be something fresh in the telling. At the very least, it will blow your mind to see that scene acted out in all its big-budgeted special effects glory. That's the experience that I go to the movie theater for, and it's the experience that's disappearing slowly with every television spot and viral marketing campaign.

It's February ... and I already know the finer points of Wolverine. I know where the story is going. I've even seen Logan grieving over Silver Fox. Yeah, these are things I already knew about, but given that the film is reinventing his origin, I wanted to be surprised in the way they did it.

The same thing happened last summer with The Dark Knight and Iron Man. I was spoiled on Rachel Dawes' death thanks to a newspaper article needing geek hits by way of Aaron Eckhart. We all saw Tony Stark declare "Yeah -- I can fly" on our laptop screens, not on the big screen ... and we also watched the best moments of Hulk smashing before we paid our 10 bucks to actually watch it.. We just can't help ourselves.



I know why Hollywood does it -- they want to whip us into a frenzy, and they want to control that frenzy. In the early days of spoilers and Ain't It Cool News, we did it to ourselves from leaked photos and casting lists. But still, that stuff was small potatoes. Photos of smashed cars from The Matrix Reloaded, Ewan McGregor playing Obi-Wan Kenobi. The mystery was still there, and the anticipation whetted by what we imagined the film would be from a few crappy photos.

Now? We don't need to use our imagination and we don't need to wonder what origin stories Wolverine will cherry pick from because they'll just tell us in television spots and free scenes long before we buy a ticket. I can't even really bitch, piss and moan at Hollywood because I do it to myself -- had Fox not aired this footage and gone to WonderCon instead, I probably would have been there to see it anyway.

It's not just me -- it's the geekdom and the Internet in general at its worst, and most self destructive. Our interest in this stuff is based on an undying love of the thrills we experienced in childhood by way of Star Trek, Star Wars, Indiana Jones, or Batman. But that stuff was thrilling because it was fresh. Other than one or two trailers and a magazine article, we had no idea what we were in for. Now we know every emotional beat and every plot twist before we plunk down our debit cards, and the thought is incredibly depressing. Why can't we buy a ticket any more without knowing what we're in for? What happened to the element of surprise?

I've talked about obsessive fandom before. Then, I was chiding geekdom for its ruthless and unforgiving judgment; the "they'll hate it anyway, so why bother to try" mentality we were helping to foster. But I'm a little appalled at how readily studios are feeding into our obsessions and bad habits. If fandom can condemn a film based on a single still, surely the worst thing you can do is release chunks of the film for free consumption? Nothing can stop bad buzz once it starts -- just look at The Spirit.

I wish there was a way to turn the tide of the marketing overload. It may be that the economy does it for us -- if you release enough of Wolverine to the Internet, after all, those strapped for cash won't bother to go. The recession may not be affecting the box office totals, but it will affect which films people choose to spend their dollars on ... and they'll flock to what they haven't seen before.

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