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Discuss: Who Should Be the Next Comeback?

Filed under: Casting, Fandom

Now that Mickey Rourke has made a killer return to Hollywood, who should be next?

Ever since I saw the clip Peter added to his Indie Roundup last month, I'm dreaming of an Eric Roberts comeback. As Rourke (Roberts' The Pope of Greenwich Village co-star) said: "Eric Roberts is the f---in' man!" I'm sure it was all sorts of embarrassing for Eric, but Mickey has got a point. Roberts has got a heck of a lot more talent than most people today realize, and he just doesn't get a chance to show it off.

I never forgot, but that's because when other tykes in the '80s were purring for James Spader, Judd Nelson, and the rest of the brat pack, I was all about Roberts. It started with young adoration for Nobody's Fool and Best of the Best, and became critical appreciation after seeing films like Star 80 and Greenwich, before becoming despair over projects like the Doctor Who TV special. He's been in something good gigs recently (The Dark Knight), but nothing that really shows his range or talents.

It's always the same -- no one seems to remember an actor's talents until a filmmaker has the guts to cast them in something good. Almost immediately, there's that sigh of recognition, a bellowing "Oh yeah!" Like clockwork, the projects start raining down and Hollywood seems to forget their recent forgetfulness.

Before Rourke, it was Jackie Earle Haley -- a guy who not only dipped out of the spotlight, he also dipped out of Hollywood, only to return with amazing films and huge notoriety. One always replaces the next, and like chicks following mama hen, Hollywood chooses to pick the same now-safe comeback picks, rather than finding their own forgotten name to grab.

Of course, it isn't just men -- Elisabeth noted that last month as well, picking out names that have fallen like Sean Young and Winona Ryder. (Yeah, the latter had gigs in the likes of Sex and Death 101 and A Scanner Darkly, but it's easy to forget that she's a two-time Oscar nominee.) There's certainly a lot more leeway for the male actors, but in any case, Hollywood just loves to love 'em and leave 'em.

Granted, in many of these cases, it has a lot to do with the actor's personal lives. I used to hear tons of stories about Rourke's times in Toronto, and of course, Mr. Roberts has had his share of turmoil. Get too risque (La Lohan-style), and nothing will save you, except time.

In Rourke's speech, he also said: "I wish there would be one g-dd--n filmmaker in this room who would let him fly..."

Who do you want to fly again?

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