The Title Sequences That Stick
Filed under: Fandom

That little movie that opened this past weekend, with those men and women wearing silly suits, has sent the Internet into a flurry of diverse chatter. There's talk of blue members, ratings, geek takes, and the art of adaptations. Love it or loathe it, Watchmen offers fodder for many discussions.
Like title sequences. Consensus says that Zack Snyder's visually explanatory introduction (actually created by a company called Yuco) to the Watchmen universe was spot on. Personally, I'd been expecting some sort of visual timeline, a la The Kingdom -- years flashing by the screen as we see all the slight and shocking changes to the political, social, and arts worlds. But the same was done without the dates -- just simple scenes set up like moving art pieces. The tone was set with each crack of violence, and relayed in a way exposition could never manage.
This latest title sequence, however, isn't the only one that wows. Over the years, there have been many noteworthy openings, either slowly guiding the viewer into the world, or explosively thrusting them into it. Some give background and play catch-up. Some begin the tale as the names scroll by. And some just look stunning.
The one thing that I've learned over the years is that there must be some visual flair to the clips -- either complex or simplistic. Names can unravel in a mess of bubble answer sheets and diagrams, or simply a hand writing names on lined paper, or paragraphs floating through the sky.
There must also be the music. Those openings that you remember -- do they unravel silently, or with the rush of carefully selected notes? More than anything else, the tune that you hear will set the tone, and if it merges flawlessly with the visuals, you'll never forget. Requiem for a Dream wouldn't have been the same without Clint Mansell. But also...
The softness of Cat Stevens with the dark laughs of faux suicide:
...or Simon and Garfunkel leading Dustin Hoffman to his sexual doom.
...or the chilling notes of vertigo set to Saul Bass' distinct visual eye.
...or the growing despair of the future.
Which title sequences have stuck with you over the years, sometimes even after the rest of the movie fades away?
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Reader Comments (Page 1 of 2)
3-09-2009 @ 3:51AM
scotteweinberg said...
One in recent memory that I really dug was PANIC ROOM.
Reply
3-09-2009 @ 1:39PM
Peter Hall said...
Good call. The makers of "FRINGE" thought so, too. They rip it off every week.
3-09-2009 @ 3:14PM
Niraj said...
Good call...whenever I think of opening sequences, that's the first one that pops in my head. That effect gets used quite a bit, but I've never seen it done that well.
3-09-2009 @ 10:42AM
Tor said...
The title sequences for VACANCY and HOLLOW MAN (done by the Picture Mill, as was PANIC ROOM) are astounding.
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3-09-2009 @ 11:52AM
William Goss said...
Kiss Kiss Bang Bang.
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3-09-2009 @ 12:54PM
Jesse said...
That's exactly what I was going to say. Loved that title sequence.
3-09-2009 @ 5:39PM
Landon VanBuskirk said...
Garden State. Nuff Said.
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3-09-2009 @ 12:45PM
Kate said...
Catch Me If You Can had some of the best opening titles I'd seen (until Watchmen came along. They're duking it out right now.)
There's a website dedicated to titles here: http://www.artofthetitle.com/
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3-09-2009 @ 1:00PM
Nick said...
The Sting
Catch Me If You Can
Juno
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3-09-2009 @ 12:57PM
LordPaul said...
Fight Club's title screen was awesome, ditto Se7en for similar reason.
I think David Fincher does some great titles (Hence Panic Room already being mentioned)
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3-09-2009 @ 1:04PM
Rico said...
Casino Royale from a couple of years ago. Really imaginative opening sequence and quite visually distinctive. The best part, for me, was how the lyrics of the song are a tongue-in-cheek recap of the James Bond mystique.
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3-09-2009 @ 4:00PM
Osbo said...
Notice that opposed to previous bond flix - there was only one woman in the opening credits. The rest were men fighting.
3-09-2009 @ 3:29PM
Rico said...
Too true. It perfectly set the tone for the rest of the movie, signifying the thematic shift from ladies' man to actual counterintelligence agent.
3-09-2009 @ 1:14PM
Mike said...
I've always enjoyed the City Slickers credit sequences.
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3-09-2009 @ 1:19PM
hayson said...
Casino Royale, for sure... 'twas my favorite part of that movie.
Also Juno and Catch Me If You Can.
Idle Hands also had some cool-looking titles... with the letraset-ish lettering.
Glad that somebody else mentioned http://www.artofthetitle.com/ .... great stuff there, along with hi-res videos of the sequences and more.
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3-09-2009 @ 2:03PM
Mr. R said...
STAR WARS!
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3-09-2009 @ 3:47PM
Ziggy said...
Napoleon DYNAMITE!!!!!
(made me incredibly hungry)
even more amazing when i realized every dish was in the film!
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3-09-2009 @ 4:17PM
Kyle said...
The Departed
Children of Men
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3-09-2009 @ 4:29PM
Francois said...
Guys, yU&co (no Yuco) did not create the "Watchmen" title sequence, they simply added the titles (and did a great job). The title sequence was planned for all along, from the early days of preproduction, all as a result of being storyboarded in great detail by director Zack Snyder.
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3-13-2009 @ 10:46PM
Gregory said...
every movie in the Lord Of the Rings trilogy
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