Review: The Proposal
Filed under: Comedy, Romance, New Releases, Disney, Theatrical Reviews, Summer Movies

I love watching Sandra Bullock, who is enjoyable even in the lamest of films. And sadly, there are so many lame movies starring Bullock, and so few that I would enjoy watching more than once -- Infamous is a rare exception. After I saw Speed, I said that I thought Bullock could be this generation's Carole Lombard, but unfortunately the actress has not yet found her Howard Hawks or Ernst Lubitsch. The Proposal is yet another Bullock-starring formulaic romantic comedy with little to offer except sparkling performances, and not just from Bullock.
Margaret Tate (Bullock) is the terror of the Manhattan publishing office where she's editor-in-chief, and even her charming assistant Andrew (Ryan Reynolds) is scared of her. Her Achilles heel turns out to be that she's ... Canadian, and she's about to be deported for a year due to some visa problems. So Margaret hurriedly declares that she's engaged to Andrew, who's American. You don't have to have seen Green Card to guess the rest of the story.
The "happy couple" meets with skepticism from INS, so to prove their love, they travel to Andrew's family home in small-town Alaska to celebrate his Granny Annie's (Betty White) 90th birthday. Since Bullock is starring and it's a romantic comedy, we know her character will be humbled and tumbled about, away from her native habitat of New York. If only we could vanquish all our power-crazed bosses this way ...
Admittedly, I am so pleased to see Bullock -- or any actress, for that matter -- playing a romantic comedy heroine who isn't "adorably" klutzy or awkward that I'm almost willing to love The Proposal on that strength alone. However, I don't care for the stereotype of the Evil Female Witch-Boss either, especially when you know a comeuppance is forthcoming. At least this character doesn't need an adorable child to become acceptably feminine.
In addition, I don't like humiliation comedy, which is in abundance during the first half of The Proposal. I don't laugh when a character is taken down a peg by being blackmailed onto her knees in public (as in the above photo), or when a male character is embarrassed about being portrayed as a "sensitive guy" around his manly friends. I feel sorry for them, even if they're fictional. I never could watch even "America's Funniest Home Videos" because I always pitied the stumbling bride or clumsy child. I realize I'm in the minority -- a lot of audience members nearly laughed themselves sick over one character being mean to another, or being harassed by Mother Nature -- so use your judgment here about your own sense of humor.
The Proposal does have some inspired comic moments -- I love the waves of instant messaging that flow through the publishing office, signaling that Margaret is stalking the floor or spreading gossip. And being a geek, one bit involving a sound in an Internet cafe made me giggle. Many of the gags, however, were old and tired when Granny Annie was a mere slip of a girl.
Despite the tired and sometimes mean-spirited jokes, Bullock is still delightful to watch. She knows how to portray this type of character and her transformation, and hits every note perfectly. Reynolds doesn't have a strongly written character to work with, but he's charming enough to pull it off anyway. For the most part, the supporting cast has little to do: Mary Steenburgen and Craig T. Nelson are typically parental, Malin Akerman smiles a lot as the cute hometown ex-flame, Michael Nouri sits behind a desk. Oscar Nunez (The Office) and Betty White provide the film's broadest comedy, but I feel like we got a little too much of their forcefully, fitfully wacky humor, which dilutes their genuinely funny moments.
Director Anne Fletcher, who is also a choreographer, may be best known for directing Step Up. The Proposal is as conventional and flat as Step Up, but without the kinetic musical/dance numbers that propelled the dance film into something energetic and fun. The script by Pete Chiarelli (this is his first writing credit) offers little that is fresh or new for romantic comedy fans ... but perhaps watching Sandra Bullock in her element will be enough for many of her fans. Me, I'm still waiting for her to find a film that better matches her talents.










Reader Comments (Page 1 of 1)
6-18-2009 @ 10:48PM
Stan Winsome said...
Gag- another movie I'll be ducking on in-flight entertainment...
Reply
6-19-2009 @ 9:32AM
Kevin said...
Good review. I have the same opinion of Bullock. She's kind of like a female Will Smith (or maybe Smith's a male Sandra Bullock...whichever one is least sexist :)) in that they both almost always seem to be really good in truly terrible movies. As for the humor, the sort of attitude you express is the same way I feel, and was the reason I couldn't stand Meet the Parents. I just don't enjoy watching someone who has the worst luck ever and also seems so stupid that they make everything worse. However, the fact that you can't laugh at americas funniest home videos is worrisome. I think it might be a sign of a deeper psychological problem, because that show is just about the greatest hour on television. Plus, all the people that are having embarrassing moments on the videos are the ones who sent in the tapes, so you know they're not upset or sad about what happened. They're getting paid for them!
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7-23-2009 @ 1:29PM
pete thomson said...
Nothing more than beautiful people generating revenue! It stank!!!!!!!!!
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8-02-2009 @ 8:04AM
Wilhelmina Jackson said...
Well, your review wasn't the best and was very confusing to say the least. Is the movie good or bad? Thats ALL i wanted to know. But instead i got continuous jibba jabba. So to conclude your review was very poor.
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8-13-2009 @ 3:53AM
Omair said...
I thought it was a good movie, everyone in the cinema were laughing throughout the film, it was a good comedy film, sandra and reynold were excellent in the film. Definitely recommended!!!
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9-14-2009 @ 6:51AM
Peter M said...
Excellent review Jette. I totally agree - only Bullock carried me to this end of this one.
May I add my small review here for comparison:
Sandra Bullock almost makes this Hollywood rom-com guff work, but not quite. This formulaic story about a woman executive, of course a super-bitch workaholic, and her undervalued, hunky but literate, male personal assistant (Ryan Reynolds), who have to get married right away to save her job takes us on a lazy ride through Hollywood’s ClicheWorld: we have all the old favourites – couple who start out hating each other but come to love and respect each other in the end; slick city person out of place in the country among simple but wise country folk; tough work-obsessed person who finds love and becomes human. Bullock’s charm and Reynolds’ amiability coax us along these familiar paths for a while, but rather than proceeding towards the obvious boy gets girl conclusion, the director cannot resist indulging in another cliché – Hollywood False Twist #22 – girl gets cold feet and runs away during the wedding only to get back with boy two minutes before the curtain falls. This fatal twist is even less believable here than usual, destroying what little credibility the actors have given this escapist romance.
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