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Girls on Film: Bella, Buffy, and Bloodsuckers

Filed under: Fandom, Columns, Girls on Film



I'm about to make a very unpopular comparison, one that surely will have some fans trying to revoke my own Whedon fandom: Bella, Buffy, and the bloodsuckers from Twilight and Buffy aren't all that different.

I say this as someone who only left her house once during the seven seasons of Buffy night, who watched each episode countless times, and amassed a huge pile of memorabilia. I say this as someone who has read Stephenie Meyers' series and enjoyed it for the ways it reflected and improved on my own fluffy YA reading (The Vampire Diaries), and knocked it for the Mormon-esque message underneath.

I haven't ignored my fandom; I just can't help but see the myriad of similarities between the two characters, ones that make Buffy owning Edward seem quite hypocritical. The power behind the slayer comes from Joss Whedon and the themes explored throughout her story -- not from the character herself. Strip away the story arcs and implied messages, and you've got a troubled woman who is no better off than Bella.

The one thing Buffy has going for her is her slayer power. But before that, when she didn't have a mission, she was the quintessential, stereotypical blonde airhead. She was sweet but floofy, obsessed with boys, fashion, and popularity. Even after she became the Chosen One, it took quite a while for the hardships of slaying to hone her focus.

Bella, meanwhile, matured quite young with no supernatural influence. She switched the mother-daughter dynamic to take care of her own child-like mom. She wasn't popular, and chose to spend her time doing well in school and reading the classics. She can't relate to teen gossip and high-school politics, and she exists without anyone she can really relate to.

And then come the boys.

Angel is introduced lurking in the darkness, and he offers only the vaguest and creepiest rationale when the Slayer catches him. Then, when Buffy learns that he's a vampire, he doesn't simply say: "Hey! I don't kill humans anymore!" Angel gets creepy first, with tales about those he's killed, and how he wants to kill her too. Quite over-dramatic. And when it's her turn to die via prophecy, he takes part in a scheme to protect her from the fate, ignoring her own inherent strength.

Sound familiar? Edward lurks in the darkness, watching Bella sleeping, wondering why this human appeals to him so much more than others. When she learns he's a vampire, Edward gets menacing, talking about the people he's killed, his desire for her blood, and how easily he could destroy her. Yet, when Bella is in danger, he's all about protecting her and shielding her ... much like Angel -- the whole need-to-be-a-knight male mentality.

And then there's Spike -- a supernatural embodiment of the Luke and Laura story. Spike and Buffy are enemies whose hate evolves into a physically damaging and addictive lust. Spike goes so far as to make a sex bot. In the real world, this would turn a girl off, yet the vampire gets his greatest wish -- the Slayer herself. Even after he almost rapes her, Buffy still cares for him and ultimately calls him her champion.

Side by side, they're quite similar, especially in their romantic dysfunction. The difference between these vampire-loving icons is how they're treated in the plot -- how the creators chose to tell their story.

Buffy is terribly flawed, but surrounded by feminist messages, social commentary, and progressive vision. We forgive her flaws because they allow us to stretch the boundaries of femme-centric media, and they prove that just like any male-led story -- a female lead is as good as the work she's given.

Bella, meanwhile, is a rather likable and relatable girl whose story is sadly lost in love. She wouldn't be so easy to chastise if, as Laura Miller pointed out over at Slate, Bella's story was still her own and not a deadly obsession.

That's where Meyer missed the mark. She created an interesting character and was able to intermingle classic vampiric tropes with notions of family and loyalty, but in the process of getting lost in amber eyes, she forgot the most important part of all: To let Bella be defined by more than her love for Edward.

As it stands, Buffy might win for Sunnydale, and all that the small town embodies, but on her own, she's just another smitten girl like Bella, whose obsession for vampires trumps any rational judgment.

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