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Quick: what actress said she would only go naked for an Oscar-caliber role? If you answered Hayden Panettiere, you'd be right. (Of course, if you answered Megan Fox or a few dozen other actresses, you'd also be right.) Two years ago, the budding Heroes starlet claimed: "I'd never go nude or shave my head – unless it's for an Oscar!" Either things have changed, or I Love You, Beth Cooper is a sleeper contender for an Academy Award. Chris Columbus' film, based on the book by Larry Doyle, opens on Friday. Panettiere stars in the titular role as a freshly-graduated high school student who decides to show a nerdy valedictorian (Paul Rust) the night of his life. And her breasts.

Panettiere confidently drops her towel in front of Rust in the locker room scene. "It didn't bother me much," she told People. "I don't think it takes much thought, and I don't think it takes much preparation as an actor," she explained to Parade. "I didn't find it very hard being naked. It's like I drop my towel and that's it." How naked was she? "I was really naked," she elaborated to E! Online. "I had these little sticky petals on my boobs, but that was about it."

Sounds like a hot, naked scene -- except the movie is rated PG-13 ("for crude and sexual content, language, some teen drinking and drug references, and brief violence") and you may be able to see more of the 19-year-old Panettierre's body in a bikini (the trailer hints that her exposed flesh is limited to her bare back, above the waist). Kudos to Panettiere for getting as much publicity as possible for her movie while keeping her private parts private -- for now.

It's tough to lose a legend like Paul Newman, and the rush of DVDs, biographies, and rumor mongering don't make it any easier. The rush of merchandising seems to walk a fine line between actually honoring the person, and pure graveyard profit. You can decide what category Fox's upcoming Paul Newman Tribute Collection falls into. I'm going to err on the side of classy, even at its steep price of $89.98, because it contains a total of 17 DVDs. The list includes:

The Long, Hot Summer (the film that Newman Joanne Woodward met on)
Rally 'Round the Flag, Boys
From the Terrace
Exodus
The Hustler Collector's Edition
Hemingway's Adventures of a Young Man
What a Way to Go!
Hombre
Butch Cassidy and the Sundance Kid Collector's Edition
The Towering Inferno Special Edition
Buffalo Bill and the Indians Or Sitting Bull's History Lesson
Quintet
The Verdict Collector's Edition

The collection goes on sale on September 22. It's definitely a fine collection of films (and it's especially nice to include the posh Collector's Editions of films like Butch Cassidy, unfortunately the notes say nothing about the lesser known films like Exodus or Quintet getting the remastered treatment. Still, it's a chance for a lot of people to meet some gems of Newman's impressive career for the first time, and for longtime fans to rediscover a film they forgot all about. To sweeten the deal, the set comes with a 136 page softbound book with new photos of Newman, photos of cast, crew and sets of the film along with , movie excerpts, and personal quotes from the man himself. The book alone might help tip the balance -- he was possibly the most beautiful man to have ever lived! Who wouldn't want a nice book like that?

[via DVD Active]

Maybe I just follow far too many movie nerds on Twitter to get an accurate reading on this, but did Independence Day turn around and become an honest-to-goodness movie staple over the Fourth of July holiday while I wasn't looking?

I mean, I get that it was huge when it landed on said weekend back in 1996, and I know that President Pullman's speech (embedded below) is quotable as all get out -- though extra points to the pal who instead posted "Eagle-20! Fox-2!" -- but I usually see war movies and TV show marathons as go-to fodder for the 4th, however less fitting their titles may be.

So how many of you actually did watch ID4 yesterday? How long had it been since you watched it? How fond of it were you thirteen years back? Did you watch it because it harkens back to a big, loud, relatively healthy level of cheese that we used to get from our blockbusters, back when we could see what exactly was going on in any given action scene? Or was it simply a more welcome/convenient option than going to see a third Ice Age or a two-and-a-half-hour gangster drama, or perhaps a memorial to the late Jeff Goldblum?

Comment away!

Set the bar low enough, and it can only be exceeded. That's how I feel about the upcoming big-screen version of The A-Team, a 80s television series entirely beholden to the staid formula of the day and ripe for reinvention. I didn't hate the series so much as I found it routinely mediocre. My colleague Monika Bartyzel loved the series as a kid, yet still questioned the casting choices that were being entertained: Liam Neeson as Hannibal? Bradley Cooper as Face? Adding fuel to the fire, rapper The Game is being considered to play the role of B.A. Baracus, according to blackfilm.com, which quotes "a very highly reliable source in the entertainment industry."

For me, the only thing that made The A-Team watchable was the bantering between the characters, and the choices so far all indicate that director Joe Carnahan is aiming for a more straightforward action picture, based on a script by Wanted's Michael Brandt and Derek Haas. Which is crazy, like moving Miami Vice to Seattle or transforming the lead character in Get Smart into a fairly bland, somewhat competent secret agent. (Even though the latter still made money.)

The mistake would be in confusing brand recognition with brand loyalty. If you're promising fans of the TV show that you're going to deliver the same thing, only bigger and better, then you damn well better deliver something in the same spirit. I haven't seen The Game's work as an actor (Waist Deep, Street Kings) yet; is he any good? If this rumor is true, could he wear the mohawk of the immortal Mr. T?

Lots of movie geeks (yes, like us) have been abuzz with the vague discussions regarding the Predator remake / reboot / sequel / whatever. All we really knew was that the generally kick-ass Robert Rodriguez was on board to oversee, as the producer, but now we have confirmation have Robert's good pal that the director has been named. And that name ... is Nimrod.

Nimrod Antal, to be precise, who fest-goers will know from Kontroll and thriller fans will recall from Vacancy. Harry's got a whole bunch of cool info on the project right here, but I've chosen a small segment that makes me particularly happy: "It involves a very intense group of people stranded on a Predator planet discovering unspeakable horrors." Yes! Plus Mr. Rodriguez shares some enthusiasm from a Fox colleague: "No one is going to talk about AVP again after this movie. I stake my life on it."

Hell, just give us a knock-down, drag-out Predator fest with a few meaty characters, a whole lot of action, and maybe a few storytelling hooks. That'll make a whole lot of people happy. Speaking only for myself, heck, I thought both of Antal's films were darn good, so I've no reason to doubt RR's call on this one!

Pixar and everything else - them's the breaks when it comes to judging computer-animated fare these days. Although Pixar has rightfully earned themselves the lead among studios, and by a significant margin, it's all too easy to then marginalize the performance of others.

DreamWorks has certainly raised their game beyond pure pop-culture recitation with the inventive and entertaining likes of Over the Hedge, Kung Fu Panda, and Monsters vs. Aliens (and Aardman or no, I'd even include the winning Flushed Away among their finer efforts). For every Open Season, Sony has given us a Monster House (okay, so that's just one-for-one at the moment). And every time that Fox bequeaths to unwilling audiences something like Space Chimps or Everyone's Hero, Blue Sky has nothing to do with it.

Fox/Blue Sky, however, is the precise pairing that gives us the visually engaging and moderately amusing outings like Robots, Horton Hears a Who!, and the Ice Age films, with the latest of which -- Ice Age: Dawn of the Dinosaurs -- falling right in line with that modest-yet-reliable tradition.

A mere week after Sony canned Steven Soderbergh's Moneyball, another big-budget film may have bitten the dust. Fox is putting the breaks on Tony Scott's next project, Unstoppable, over budget concerns, and may can the project altogether.

According to The Hollywood Reporter, the film was set to begin shooting in fall, and Denzel Washington and Chris Pine were attached to play the leads. But none of the acting deals have been officially closed, and not even Scott is definitively signed to the project. Fox is growing more and more concerned about the cost of production on the thriller, which would be quite high -- after all, it centers around a runaway train loaded with toxic chemicals, and it's being stopped by the $20 million dollar Denzel Washington. While the film isn't in as much production peril as Moneyball, its budget is definitely a roadblock, and fat will have to be trimmed somewhere. Maybe they can make a smaller train, or just have it be an unstoppable semi-truck, or maybe some of the A-Listers can take a pay cut ... something like that.

This summer has seen a lot of big-budget films falter at the box office, so studio hesitations are understandable, and budget trimming has been a long time coming. Though I do love a good action flick, I'm neither here nor there about the plot of Unstoppable, but it would be a shame for Pine to lose his next big role, and kill his Captain Kirk Buzz. So let's hope they figure out how to cut some corners.

It was just last week that anime fans the world over breathed a sigh of relief that Leonardo DiCaprio's live-action Akira was no more. But, that doesn't mean Hollywood has lost its taste for anime, and there are still plenty of other reboots headed our way. So while most of them have stayed in development limbo, two of the more popular titles: Cowboy Bebop and Robotech have started to make new ground, and some of the people involved are starting to talk.

Cowboy Bebop:
When the live action film of the beloved anime was first announced, fans were not thrilled with the idea. Plus, it probably didn't help that Keanu Reeves was taking the role of Spike. But, maybe we shouldn't count out the film yet, because when it comes to the film's screenwriter, there is good news and some bad news. But, let's start with the good news. In an interview with Anime Vice, Craig was asked about whether or not he was familiar with the series, and to his credit, Craig went into full fan-boy mode, telling them about some of his favorite episodes and that both he and Reeves have been meeting with Sunrise studio (the creator of the anime) to make sure that the original 'feel' of the show remains intact. According to Craig, "they [Sunrise] were very specific about their vision for the series, and how it might convert to a live-action film." -- sounds promising, right? Well, the bad news is that Craig has zero experience with sci-fi, and made his name writing about con-men and dysfunctional families. But, I'm going to remain hopeful that with Sunrise watching over the flick, there might be a chance we get something a little better than expected.

Read the rest over at SciFi Squad

The Avengers' mighty writer Zak Penn gave a nifty little update on all things Marvel yesterday, and it completely slipped past my radar. Better late than never though, right?

SciFi Wire caught up with Penn right as he was on the verge of another Marvel meeting. With Iron Man 2 well underway, they're beginning to knit together the continuity and overlap the plotlines: "I'm taking a meeting next week with the Thor and Captain America people, and we are all going to get together, and I will see what is going to happen. I'll see where they are leaving the characters; it's pretty complicated. ... There's a board that is tracking what is happening. [We'll see] how this movie overlaps in that movie ... Marvel is autonomous now. It is night and day: Everyone has read every comic. They know how to make a cool movie." (Low wages or not, wouldn't you just love to work for Marvel?)

Every compliment Penn has for Marvel is a backhanded slap to his old parent studio, Fox. He revealed that he was frustrated while writing X-Men and X2 because he was dying to do a crossover, and bring in the Fantastic Four.
"They're doing Captain American and Thor first, and then Avengers is coming out," Penn said. "They want to see that they're all connected, not like the Fantastic Four can't come into the X-Men world, like I was told ... It is a world of difference [at Marvel]; it is a lot easier to do things like that, and they encourage it." Here I'll leave off so you can weep at the missed opportunities, and wish we lived in an Ultimate Universe where Marvel still owned their entire stable of heroes.