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Discuss: Your Oscar Party Preparations

Filed under: Awards, Fandom, Oscar Watch



Call me a dork if you want to, but I love to throw an Oscar party. Every year I bust out my snack trays and print up some ballots for a traditional Oscar shindig, and this year will be no different. The rules for an Oscar party aren't all that different than any other party - you need some food, some booze, and hey, why not a little gambling -- ya know, for "entertainment purposes"? Now some of you out there like to bet money, and sure, that can be fun, but I like to put together prize packages to give away, and besides, the addition of a booby prize guarantees that I can ditch some of the lesser selections in my DVD collection (I'm looking at you, The Goods).

The best part about hosting your own Academy Awards party is that you can get as elaborate as you want: throw down some red carpet, get the champagne flowing, and you can even have mock paparazzi working the room. But I tend to keep things a little more low-key and you're more likely to see popcorn and theater candy (milk duds, Twizzlers, you name it) on my snack table than bottles of Moet. But hey, don't let me stop you; let your imagination (and budget) run wild.

With the big night just a little under a month away, I thought I would get you in the mood with a few suggestions for your Oscar night menu...

Dolphin Doc 'The Cove' Gets Japanese Release Date

Filed under: Documentary, Awards, Deals, New Releases, Distribution, Exhibition, Newsstand, Movie Marketing, Politics, Cinematical Indie


Louie Psihoyos's animal rights documentary The Cove (a film we've been championing since Sundance '09 - read our review here) has been opening eyes stateside and in a handful of overseas markets since opening last summer, but the real question was whether or not the people of Japan would hear about the mass dolphin harvesting that had been going on for years under their noses in the small fishing village of Taiji. According to a press release, Japanese audiences will get their chance to watch The Cove come April 2010, when distributor Medallion Media releases the Oscar nominated film.

In the press release (via The Hot Blog), Medallion Media director Norio Okahara stressed that the company was remaining neutral in the highly political dolphin harvesting debate, but that it was an important issue that deserved attention, so as to let the Japanese public decide for themselves. "In distributing The Cove we are not taking sides. Rather, we are presenting the film for the Japanese to decide for themselves about the issues it raises. There is a debate to be had here and this important film – and the Academy Award® nomination only serves to reinforce its importance - offers the opportunity for such a debate."

Discuss: Do You Like the "Ten Best Picture Nominees" Idea?

Filed under: Awards, Oscar Watch



When the Academy announced last June that it would be expanding the Best Picture category from five to ten films, my first thought was: maybe The Hurt Locker has a shot to be nominated now. At the time, I was pretty sure I was in for a fight to help promote my favorite film of 2009, but a good buzz took hold and hasn't yet let up. But that first hope was also a good first impulse. Maybe the list of ten nominees would include some of the offbeat films that don't usually get considered. It might be a good chance to nominate the kinds of things that were snubbed in the past: some comedies like Tropic Thunder or Hot Fuzz, or some exceptional summer action movies like The Dark Knight or The Bourne Ultimatum. Or perhaps some odd indie movies like Che or Wendy and Lucy.

But then the reality set in. This would require the Academy to adopt an entirely new way of thinking, not just the simple changing of a number. Indeed, everything that is nominated this year fits a certain criteria; they're not actually picking the best films of the year. They're picking the best of a certain kind of film. It has to be prestigious in some way. It has to be somewhat important, either with a message or in tackling a certain kind of serious problem. If it's a comedy, it has to be a bittersweet comedy and not a flat-out funny comedy. It can't be a genre film unless it's a very long one or a hugely popular one, and it can't be a sequel (or a reboot; hence the snub for Star Trek).

AMC Best Picture Showcase Details

Filed under: Awards, Fandom, Exhibition, Oscar Watch



We know a lot of our readers (and even some of our writers) like to partake in AMC's annual tradition of showing all of the best picture nominees on one day, which is why every year we like to give you the details on it when they become available. Of course, the whole 10 best picture nominees thing has thrown a small wrench in the usual one-day marathon, and, as such, this year AMC has decided to break it up into two days: February 27th and March 6th, both Saturdays.

The exact schedules haven't been announced yet, but AMC is currently asking you to vote on which four movies they should show alongside a 3D version of Avatar on February 27th. (If it was up to me, I'd vote District 9, The Hurt Locker, Inglourious Basterds and Up, this way you start out with fantasy, move toward sci-fi, and then back-to-back war films, capping it all off with a nice, sweet adventure story. The perfect program, in my opinion ... but what do you think?)

Details can be found over on the AMC website. The tickets for this event will run you about $60 for a two-day pass (if purchased online; $50 at the box office), and $30 for a one-day pass. That ticket gets you entry to the theater, as well as a free large popcorn and unlimited refills. Not a bad way to spend your Saturday, no?

So who's going this year?

Which Oscar Movies Do You Have Left on Your List?

Filed under: Awards, Oscar Watch

There are plenty of movies I don't get a chance to see, due to the fact that I actually require sustenance and sleep. Sometimes I just don't have the time; sometimes I think the movie looks like it will be a waste of my time. But either way, there are always Oscar-nominated movies that I haven't managed to catch yet. And, of course, now is the time when I will scramble to see them all, or at least the major contenders. In fact, AMC Theaters offers a "Best Picture Showcase" for us slackers -- get the details here.

So which are on my list? Well, you can probably guess from some of my previous posts that I've been admittedly quite judgmental and have avoided The Blind Side so far. And by happenstance, I've also managed to miss Up, A Serious Man, Crazy Heart, The Last Station, The Princess and the Frog, and, well, The Secret of Kells doesn't count because I don't even think it screened in New York. I also haven't seen any of the nominated documentaries or foreign language pictures. I'm really not sure I'll be able to see all of them in time without the aid of nauseating, taurine-tainted beverages and/or meth.

What about you? Are you obsessive when it comes to watching every Oscar-nominated movie before the show? Do you and your coworkers or friends bet on the winners ahead of time or print out ballots the night of the show? Do you go back and watch them later to see what the big deal was? Which ones are still left on your list to check off?

Fan Rant: Irritating Things About the Oscar Nominations

Filed under: Awards, Fan Rant



The first most irritating thing was James Horner's nomination for Avatar. I expected it, of course, but to actually see it in print yesterday morning set off a whole new wave of irritation. Horner has annoyed me for years. Whenever I see a movie in which the score is so loud and obvious and overwhelming that it draws you out of the movie (rather than doing its job and drawing you in), I check the credits to see who is to blame. And four times out of five, it's Horner. Not to mention that he has been associated with some of the most irritating movies of the past 30 years (although I forgive him a little for his work on The New World).

The second most irritating thing was Matt Damon's nomination for Invictus. It's not that Damon doesn't deserve a nomination; he's a terrific actor. And I like Invictus very much; it has some classically brilliant filmmaking by Clint Eastwood. But the movie was overreaching and Damon's character was underdeveloped. We only saw Francois Pienaar (Damon) in relation to Nelson Mandela (Morgan Freeman); we hardly come to know Francois on his own terms. Indeed, the movie could have been improved by narrowing the focus to the friendship between the two men, rather than trying to take the temperature of an entire nation. Not to mention that Damon's clever performance in The Informant! was a great deal more impressive. But the real reason I was irritated was that Damon's appearance here edged out Christian McKay for Me and Orson Welles.

Five (Semi)-Big Snubs & Other 2009 Oscar Facts

Filed under: Awards, Oscar Watch



The nominations for the 82nd Annual Academy Awards have been announced and they have everyone saying the same four words - "The Secret of Kells?" Yes, "the animated story of the boy behind the famed Book of Kells" (as goes the IMDB synopsis) grabbed one of the five slots for Best Animated Feature. It has to be the biggest surprise of the morning just because nobody has ever heard of it. But there were certainly a few others as well.

THE FIVE BIGGEST SNUBS (not involving The Secret of Kells)


1.Invictus for Best Picture
This is what qualifies as a snub despite many of us being aware that it was in the bottom five (maybe even the bottom three) for consideration. Morgan Freeman and Matt Damon both got their nominations. Eastwood was on everyone's list as a potential wild card for Director, but the lukewarm response must have finally caught up with it and the Academy chose to go with a bad box office success (The Blind Side) than a decent box office disappointment.

2. (500) Days of Summer for Best Original Screenplay
The best thing that can be said about this snub is that it didn't involve being replaced by either Avatar or The Hangover. It was The Messenger that took its place, taking a little but not all of the sting out of it for Scott Neustadter & Michael H. Weber

3. Julianne Moore for Best Supporting Actress
In the category that opened the nominees, we must have all been a little worried that we were in for a surprise-filled morning. Penelope Cruz has been in the conversation all through awards season, but the Nine backlash figured her for the cutting room floor. But Maggie Gyllenhaal for Crazy Heart? The least believable aspect (her character, not the performance) of the entire film? Mo'Nique, Vera Farmiga and Anna Kendrick were the only true locks, so it's not out there to suggest the other two were up for grabs. But you could have gone with Diane Kruger or Samantha Morton and not drawn as much attention to the snubbing.

The 82nd Academy Award Nominations!

Filed under: Awards, Newsstand, Oscar Watch

Oscars


Some people wait all year for Christmas morning. Others start prepping their Halloween costumes on November 1st. But movie nerds, industry insiders, journalists, and anyone who likes to sound smart at dinner parties think Oscar season is the most magical time of the year. And today, at 5:38 AM Pacific, Anne Hathaway and AMPAS prez Tom Sherak are announcing the nominations for this year's Academy Awards. Seems a particularly cruel time to pick since Hollywood will be sleeping (or still awake from the night before, perhaps), but such is life. The envelope, please...

BEST PICTURE
"Avatar" James Cameron and Jon Landau, Producers
"The Blind Side" Nominees to be determined
"District 9" Peter Jackson and Carolynne Cunningham, Producers
"An Education" Finola Dwyer and Amanda Posey, Producers
"The Hurt Locker" Nominees to be determined
"Inglourious Basterds" Lawrence Bender, Producer
"Precious: Based on the Novel 'Push' by Sapphire" Lee Daniels, Sarah Siegel-Magness and Gary Magness, Producers
"A Serious Man" Joel Coen and Ethan Coen, Producers
"Up" Jonas Rivera, Producer
"Up in the Air" Daniel Dubiecki, Ivan Reitman and Jason Reitman, Producers

BEST DIRECTOR
"Avatar" James Cameron
"The Hurt Locker" Kathryn Bigelow
"Inglourious Basterds" Quentin Tarantino
"Precious: Based on the Novel 'Push' by Sapphire" Lee Daniels
"Up in the Air" Jason Reitman

BEST ACTOR
Jeff Bridges in "Crazy Heart"
George Clooney in "Up in the Air"
Colin Firth in "A Single Man"
Morgan Freeman in "Invictus"
Jeremy Renner in "The Hurt Locker"

BEST ACTRESS
Sandra Bullock in "The Blind Side"
Helen Mirren in "The Last Station"
Carey Mulligan in "An Education"
Gabourey Sidibe in "Precious: Based on the Novel 'Push' by Sapphire"
Meryl Streep in "Julie & Julia"

BEST SUPPORTING ACTOR

Matt Damon in "Invictus"
Woody Harrelson in "The Messenger"
Christopher Plummer in "The Last Station"
Stanley Tucci in "The Lovely Bones"
Christoph Waltz in "Inglourious Basterds"

BEST SUPPORTING ACTRESS
Penélope Cruz in "Nine"
Vera Farmiga in "Up in the Air"
Maggie Gyllenhaal in "Crazy Heart"
Anna Kendrick in "Up in the Air"
Mo'Nique in "Precious: Based on the Novel 'Push' by Sapphire"

The Movieman's Oscar Nomination Predictions: Best Picture, Director & All The Rest

Filed under: Awards, Oscar Watch



Finally, it comes down to this. 10 Best Pictures. Only 5 Best Directors. The suspense is fierce over which five films would not have normally been nominated and have absolutely zero chance in actually winning. Testing that theory over just how honored it is to be nominated when the cynical amongst us see ten nominees as a way to boost interest in generally one of the most watched televised events of the year anyway. Will guilt over The Dark Knight sneak in less worthy blockbusters or a tripling of fanboy genre representation? Do any indie films really stand a chance? Is this the year when a second animated feature cracks the best-of-the-year list, thus guaranteeing its win in its own specialized category? The questions will be answered this Tuesday, Feb. 2 and the debate will reign on long after the winners announced on March 7. But first, the potential nominees.

THE LOCKS
Four groups with critics of varying respects and three major Guilds will make up this particular breakdown. As we did with the actors and the screenplays, we will look at what has been lauded by the Broadcast "Film Critics" Association, the Hollywood Foreign Press Association (aka The Golden Globes), the Chicago Film Critics Association, the British Academy of Film And Television (or BAFTA) and three Guilds made up of Producers, Writers and Directors. Seven groups that have nominated 13 films in unison since 2001 (when the BFCA began nominations.)

A Beautiful Mind (2001), The Lord of the Rings: The Fellowship of the Ring (2001), The Lord of the Rings: The Return of the King (2003), Brokeback Mountain (2005), Good Night and Good Luck (2005), Babel (2006), The Departed (2006), Little Miss Sunshine (2006), No Country For Old Men (2007), There Will Be Blood (2007), The Curious Case Of Benjamin Button (2008), Slumdog Millionaire (2008)

Girls on Film: Kathryn Bigelow Becomes First Female DGA Winner

Filed under: Awards, Girls on Film



History was made on Saturday night when Kathryn Bigelow became the first female director to win Best Direction in a Feature Film from the Directors' Guild of America. While not an upset or out-of-nowhere win -- every awards follower and pundit wondered about The Hurt Locker and Bigelow's chances -- it's a stunning victory, and one that has every eye looking towards the Oscars.

Bigelow will, most definitely, receive an Oscar nomination tomorrow morning, and she has a really good shot of taking home the Academy's top honor as well. In the last 61 years, over 90% of the DGA winners went on to receive that gold statue, the only upsets being Anthony Harvey in 1968, Francis Ford Coppola in 1972, Steven Spielberg in 1985, Ron Howard in 1995, Ang Lee in 2000, and Rob Marshall in 2002.

It's so close, but yet so far -- an almost-sure course to the Oscars, but one that could still go either way. So close, but so far ... really, that's been the theme of this year's awards circuit, especially when it comes to Bigelow and The Hurt Locker. The DGA Award is, at once, both a wonderful achievement and an emblem of how far we have to go.
 
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