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I hope you don't hate vampires, because they don't seem to be going anywhere. Now Amy Heckerling, the woman behind Fast Times at Ridgemont High and Clueless, is getting in on the bloodsucking. According to Screen Daily, Parlay Films has grabbed the international rights to an upcoming romantic comedy called Vamps, that Heckerling will write and direct.

"The film will be a modern-day tale of two young female vampires living the good life in New York until love enters the picture and each has to make a choice that will jeopardize their immortality." Krysten Ritter will star as one of the lead vamps, and they're still searching for the other bloodsucker. This marks a big jump from the actress, who has moved from bubbly side gigs on shows like Gilmore Girls and Veronica Mars to some cinematic supporting roles, a lead gig in the web series Woke Up Dead, and now her first starring film job.

Perhaps I'm being overly hopeful, but it's time for Heckerling to bring us her next comedy classic, and I'm hoping this is it. There was a 13-year span between Ridgemont and Clueless, and it's been 14 years since Cher found love with Josh, so could this be the next Heckerling extravaganza we won't want to heckle? Or, just another project in an oversaturated market?

Having dipped into the seductive waters of sexy courtesans, Stephen Frears is now looking towards the future, and the future's got lots of gambling. The trades are reporting that Frears is set to direct Lay the Favorite, a dramedy that will rejoin him with High Fidelity scribe D.V. De Vincentis. The project stems from an upcoming memoir by Beth Raymer called Lay the Favorite, Take the Dog, which will be published this Spring.

Now, why did I say trades and not pick one? That's because it's time to play Pick the Plot.

In one corner, we've got The Hollywood Reporter, who says that this is a world of "geeky gamblers" who "figure out how to work the sportsbook system in Las Vegas for their own profit. It centers on a woman in her early thirties who has made a series of bad choices but achieves a redemption of sorts when she meets and then becomes involved with the gamblers." De Vincentis says: "This is the version of 50-year-old math geeks from Queens in basketball shorts who have pet guinea pigs."

In the other corner, we've got Variety describing the story as a "young woman's journey into the world of sports gambling. She starts out as a cocktail waitress but gets caught up in gambling until falling in love," calling it a cross between High Fidelity and The Grifters.

So, geek fest with gambling and a little romance thrown in for good measure, or a romantic world where a cocktail waitress can gamble her way to money ... and love. Which do you choose?

After a year of speculation (Will it be James Bond? Will it be Maximum City? Trainspotting 2?), Danny Boyle has finally settled on his next project. Variety reports that it will be 127 Hours, the tale of mountain climber Aron Ralston. Boyle has been loosely attached to the project since June when the LA Times reported that Boyle and Fox Searchlight had signed a long term, best friends forever deal. Boyle has already penned a treatment, and Simon Beaufoy is in talks to write the script.

In this age of flashmob media stories, you might have forgotten the tale of Ralston. Like your humble authoress and Balloon Boy, Ralston hails from Colorado. He became famous for a Utah climbing accident in 2003, when an 800 lb boulder shifted and crushed his hand. Ralston was forced to choose between life and limb, and in a stomach-turning story heard around the world, he amputated his own hand with a pocketknife. In the media frenzy that followed, Ralston was hailed as a hero and as an idiot, because he had chosen to go climbing alone and without notifying anyone. It was particularly intense locally, and I still remember the heroism debate Ralston sparked in my American Culture class. (It even inspired one student's final project!) Since those heady days of early fame, Ralston has enjoyed success with his autobiography, continues to climb, and is a motivational speaker.

The director is already on the casting hunt for the part of Ralston, which Variety declares will be "a plum job" because it will force an actor to work solo for most of the shoot. Below the jump, I've embedded a video of Ralston describing his amputation. Watch it to prepare for two hours of unflinching detail, and sound off on who you think should be lucky enough to act out a very painful 127 Hours.

Battleship. Monopoly, Candy Land, and Ouija. A Clue re-do. If it's a board game, chances are it's going to get put into development sometime in the near future. If Hollywood wasn't such a wacky world of insane ideas, I'd be surprised that we hadn't gotten this one earlier. Nikki Finke is reporting that Sony Pictures has bought the rights to Risk, piling more cinematic coin into Hasbro's coffers. The project will be developed by Hasbro in conjunction with James Lassiter and Overbrook Entertainment.

Columbia Pictures pres. Doug Belgrad says audiences have "shown a great desire for films that bring to life everything that has made these franchise properties stand the test of time," and mentioned the likes of Transformers and G.I. Joe. Unsurprisingly then, he says the film will be an exciting movie with "an action-packed, thrilling story." It makes sense -- a game where you roll the dice to world domination is just asking for a big blow-out action flick. That being said...

First of all, there's been no "great desire" to see board game movies get adapted. Nice try. Second, in the piece, Finke talks about Belgrad mentioning the two old cartoon redo's before noting that he did not mention "the dismal movie from the board game Clue." While I understand some people dislike the film, dismal is quite a strong statement -- especially in a world where we're getting Battleship. Finally, with the ever-rising popularity of all things geek, I'm kinda disappointed that this won't be a tongue-in-cheek comedy about a bunch of geeks playing Risk. But who knows? Maybe that will come when someone gets around to buying Magic: The Gathering.

Once you've made emotional mincemeat out of legions of adoring young girls, what's next? How do you transcend tweendom and seduce the seas of adult women (Twilight moms not included)? Bedding Nicole Kidman is a start. Screen Daily reports that Robert Pattinson and Kidman have signed on to star in an adaptation of Guy De Maupassant's Bel Ami. Adapted by Rachel Bennette, the film will be directed by Declan Donnellan and Nick Ormerod.

Published in 1885, Bel Ami is an erotic tale of journalist Georges Duroy and how he sleeps his way to the top of Parisian high society. After a few years of military service in Algeria, Duroy works as a clerk in Paris until he becomes a journalist, aided by Mme Forestier (presumably Kidman). She helps write his first articles, he works his way up to chief editor, and she uses her political connections to get him the information he needs, which also leads him to his own network of increasing power. Bit by bit, he sleeps with influential women, using his loins to work his way to the top.

If you've seen Little Ashes, this is just wiping away the Dali quirks and throwing Pattinson into a Parisian life roughly 25 years earlier -- which wasn't quite the visual and social jump then as it is now. And while I wonder why Kidman so often gets cast opposite young males (at least this one's of age!), it's not hard to imagine a retro world of Parisian enticement with Pattinson and Kidman at the center of it.

Production begins this February in London and Budapest.

Another classic cartoon is getting ready for the feature treatment. This time, it's your friendly neighborhood bears. USA Today reports that Shawn Levy (director of the Night at the Museum flicks) is gearing up to produce The Berenstain Bears into a feature comedy with Walden Media. This cartoon family has been around since 1962, and have had a handful of television specials, a series in the mid-80s, and another in 2003.

But, like anything Hollywood, the family is getting updated. They won't just live in Bear Country this time around. Levy is planning a mix of live action and computer animation where "the comedy comes from this bear family coexisting in a more recognizably real world." That means updates on mom's polka dots, dad's overalls, and, presumably, interaction with humans. The plan is to incorporate details from popular books in the series, and Walden Media CEO Michael Bostick compares the clan to "outcast" families like The Beverly Hillbillies and The Addams Family.

While many redos get under my skin, I'd love a new addition to the Berenstain legacy -- but like this? When did they become outcasts? They're a friggin' metaphor for human, everyday families. The whole point of the series was to mimick everyday lives and share familial lessons. The Messy Room is the reason I'm always organizing things. I read about their Visit to the Dentist when it was time to have the teeth looked at, or get healthy when there was Too Much Junk Food, rethink lying with The Truth, or reel back on the boob tube when there was Too Much TV. And in between these lessons, I memorized The Spooky Old Tree and would recite it to myself every night before bed. (check it out after the jump)

It says a whole lot of childhood lessons and morals are considered "outcast" fare...

Was Julia Roberts pigeon-holed into a career she didn't want? Did motherhood and a break from Hollywood change her? Or, does she simply have a much different eye for projects to produce than projects to star in?

Variety reports that Roberts' Red Om Films has grabbed the rights to a nonfiction book called In the Neighborhood. Written by Peter Lovenheim, the book focuses on his concern over the disappearance of community. When he realizes his suburban hometown is lacking it, he decides to get to know his neighbors better. But rather than simply befriending these people, he proposes sleepovers and boop fests. "His goal: to facilitate something more than the feeling of strangers living with strangers in modern suburbia." It will hit shelves this April.

The sleepover party is the latest in a really diverse list of projects set up between Roberts' Om and Reliance Big. There's Jesus Henry Christ, where a petri dish boy follows Post-It notes hoping to find his biological father, My Mother the Cheerleader, about a 13-year-old girl whose mom is part of a group that harasses the first black student after court-ordered integration during the Civil Rights era, Mallory, a look into the life of English mountaineer George Mallory, and The Journey of the Destination: The Journals of Dan Eldon, the story of a young photographer who chronicled Somalia's famine until he was chased down and murdered by a Somali mob at the age of 22.

While Morgan Freeman has dabbled in comedy in his long and illustrious career, I don't think he's ever really gotten a chance to really cut loose. He certainly hasn't gotten to play in the raunchy end of the pool, but it sounds as though he's taking the leap in Dirty Old Men. The Hollywood Reporter says that he's attached to star as an aging playboy in the tentatively titled project, and we'll either be laughing or horribly traumatized by his efforts.

Men was penned by Josh Cagan and Greg Coolidge, and is said to be similar in tone to The Wedding Crashers and The 40 Year Old Virgin. It centers on two aging playboys who have been each other's wingmen for over 40 years. One of them meets the love of his life, leaving the other (played by Freeman) to chase skirts on his own. Well, that just won't do. The lonely playboy does everything he can to break up the new couple. I will bet money there's at least one I-hid-the-Viagra scenario. No, I don't like to think about it.

Peter Segal is in talks to direct, and the hunt is on for the playboy-husband-to-be. Warner Bros is hoping Jack Nicholson will take the part and reteam with his Bucket List buddy. But if he turns it down, may I humbly suggest they look to Freeman's real life wingman, Clint Eastwood? If Viagra jokes must be made, let them be the two that make them.

Back in August, we reported that the Terminator franchise was in some serious legal and financial trouble. The rights are currently owned by the Halcyon Company, who have managed to make more court appearances than they have films. They were in danger of losing the rights to their hedge fund, Pacificor, who was poised to claim them if Halcyon defaulted on their loan.

But according to The Financial Times, Halcyon has now filed for bankruptcy after their lawsuit with Pacificor, and is selling off the rights to Terminator. It would appear that filing for Chapter 11 afforded their precious franchise some protection from the hedge fund, and they can now sell it to bail themselves out. The sale will be conducted by FTI Capital Advisors, and does not cover rights to the earlier Terminator films.

The Times notes that this auction is coming at a particularly tough time for Hollywood, who is feeling the economic crunch just like everyone else. But it notes that Terminator is one of the rare "blockbuster brands" not controlled by a big studio, and that alone has may drooling at the chance to control future properties. Summit is said to be particularly interested (they can probably pay for it just out of Twilight proceeds), as is Sony and Media Rights Capital. But remember, this is America! Everyone has a chance at destroying mankind, and if you have millions (estimates put the sale beyond $60 million, the benchmark set by the sale of the Teenage Mutant Ninja Turtles), you can buy them for yourself. I would have faith in something other than John Connor if a Cinematical reader took the reins of this franchise.

Comics legend Warren Ellis is all over Hollywood these days. He has Red in development at Summit, Gravel was just recently optioned by the top-notch crew at Legendary Pictures, and Ocean is in the works with Hollywood Gang, for whom Ellis is also penning a King Arthur script. Now Variety reports that Ellis' miniseries Black Summer has been optioned by the fledgling banner Vigilante Entertainment. Ryne Pearson is set to adapt it for the big screen.

Black Summer kicked off in 2007, and walks some familiar Watchmen ground as it examines the darker implications of vigilante heroes. It centers around a superhero team called the Seven Guns, a group of ordinary humans who have willingly undergone severe surgery to become superhuman vigilantes. They take to the streets of a West Coast city to battle a corrupt city government, its equally sleazy police force, and greedy private security forces. But by the time we meet them, those days are gone. But one member, John Horus, decides to go after the man he feels is committing the biggest illegal act of all -- the President of the United States. His violent decision puts the rest of the Guns in danger, In typical Ellis fashion, the blood begins spraying and the bodies drop, and everything becomes very politically murky. If you'd like to see some previews or check out some interviews with Ellis, it's all been neatly collected at Avatar Press' site.

This project is in pre-pre production right now, so it's hard to get too excited as to how (or if!) it will end up on the big screen. But it's great to see more and more of Ellis' work being picked up for adaptations. Let's hope it meets better fate than most of Alan Moore's work.