Now that you know what Josh Brolin's George W. Bush will look like, you should know that you'll get to see him in action real soon -- probably sooner than you thought. The ever-courageous Lionsgate has picked upOliver Stone's W, and plans to release it on October 17th. Of this year. That's 2008. Before the election. Notably, the movie hasn't even started shooting yet -- it goes into production on May 12th in Louisiana.
I never really thought the film would fail to find distribution, though early buzz on the screenplay has been fairly toxic. I did think there was going to be a race between when W would be finished and when Dubya would be finished -- that is, out of office. But apparently Stone is not messing around and plans to deliver the film in a few months, with Lionsgate hoping to capitalize on the furor that will surround the election.
Jeez -- maybe it's because I read too many blogs (or because I live in Pennsylvania, suddenly a battleground state), but it's barely May and I'm already tired of the election. Is W really how people will want to spend their leisure time in late October? I can't imagine, but I respect the folks at Lionsgate enough to think they know what they're doing. Incidentally: Dick Cheney remains uncast. Any suggestions?
Man, this news truly bums me out. Variety reports that Picturehouse and Warner Independent Pictures are shutting down. It's not like this is shocking news; ever since New Line folded, it was all pretty much a given that both Picturehouse and Warner Independent would either close or merge in some way -- but it still stings for those who, like me, were big fans. In a statement, Warner Bros. president and COO Alan Horn claims this move won't stop the studio from taking more chances on young, indie voices. He says, "After much painstaking analysis, this was a difficult decision to make, but it reflects the reality of a changing marketplace and our need to prudently run our businesses with increased efficiencies. We're confident that the spirit of independent filmmaking and the opportunity to find and give a voice to new talent will continue to have a presence at Warner Bros."
On a personal note, Cinematical has worked with folks from both Picturehouse and Warner Independent Pictures, and have always found them to be wonderful people who truly care about spreading these little indie films as far and wide as they can. Here's hoping that love, that heart and that passion will not disappear. We wish all those involved good luck in their future endeavors.
With five nominations, it looks like Superbad will be the star of the 2008 MTV Movie Awards, and its three jubilant male leads -- Michael Cera, Jonah Hill, and Christopher Mintz-Plasse -- deserve the kudos. But one major talent behind the whole affair has stayed relatively anonymous while these young up-and-comers bathe in the spotlight: Director Greg Mottola. The erstwhile independent filmmaker, responsible for some of the best installments of Arrested Developed and Undeclared, launched his career a solid decade before the rise of Judd Apatow with a charming little low budget comedy called The Daytrippers. Starring Stanley Tucci, Hope Davis, Liev Schreiber,Parker Posey and a host of other fantastic character actors, the film follows a wildly dysfunctional family over the course of a single day, as Davis, playing a worrisome housewife, tries to track down her unfaithful husband (Tucci).
Mixing warm humanity with pitch-perfect screwball timing, Daytrippers marked the sort of debut that told you a filmmaker had a big career ahead of him. After a modest premiere at the Slamdance Film Festival, it landed at Cannes, barely got a theatrical release and promptly vanished thereafter. Mottola turned to TV work, and slipped out of the film scene for a good ten years. These days, it's no easy task to track down Daytrippers on DVD -- you can nab second-hand copies on Amazon for decent rates, but not a single retail outlet carries it. Aside from the occasionally airings on cable, the movie has vanished.
After presenting The Spirit at last month's New York Comic-Con, Lionsgate feels good enough about Frank Miller's solo directorial debut to move it from its January 16th dead zone of a release date to Christmas Day, 2008. So instead of going up against Mall Cop, starring Kevin James as a wacky security guard, and the Notorious B.I.G. biopic, The Spirit will face off against Adam Sandler's Bedtime Stories, the supposedly ultra-heartwarming Marley & Me, The Tale of Despereaux, and the aftershocks of Twilight and The Day the Earth Stood Still.
"Adult" Christmas counterprogramming has not traditionally fared too well. Last year's Aliens vs. Predator: Requiem actually did okay, but remember Black Christmas? No? What about Darkness? The move is indeed a vote of confidence, but it might up throwing the film to the wolves. The key is to position it as a prestige picture rather than a throwaway. There's been enough fanfare around the promotional materials released thus far to make that look like a possibility. If Lionsgate can put it on people's radar in advance as a Christmas Movie to See, rather than have it randomly show up to compete against the holiday heavy-hitters, it could work.
Near the end of last week, Defamerspread the rumor that Picturehouse, once the indie arm of New Line Cinema and currently dangling from the edge of the hulking entity known as Warner Bros., has its days numbered. Now that New Line is history and Warners, like many studios, has faced increasing cutbacks, it may give short shrift to the shingles responsible for handling artier fare. Along with Picturehouse, this also includes Warner Independent Pictures, whose recent release slate includes David Gordon Green's magnificent Snow Angels.
Defamer suggested that Picturehouse president Bob Berney might wind up at WIP or head up a new, currently anonymous company. On Friday, Variety's Anne Thompson put it in more coherent terms: It appears quite likely that WIP and Picturehouse will merge together as a single company, with current WIP president Polly Cohen working alongside Berney. Whatever happens, let's just hope that the final result still leaves room for the sharp selection of independent and foreign titles that Picturehouse has handled since its birth three years ago. Defamer points out that Marion Cotillard's unexpected Oscar win for La Vie en Rose matters less than the flop of Run, Fatboy, Run, while the John Simpson-directed horror film Amusement might get dumped on DVD. It was just last year, however, that the company helped edgy fare like The Orphanage and Rocket Science get the sort of release most studios would never try. Let's hope that bravery lives on, somewhere.
Ryan Fleck and Anna Boden's Sugar, the follow-up to their critically acclaimed Half Nelson, has finally been picked up for distribution. Variety's Mike Jones reports the film has been acquired for theatrical distribution by Sony Pictures Classics, which seems like a good fit for the film. HBO Films, which financed the film, retains television rights.
Sugar, which premiered at Sundance earlier this year, felt at the time like a tough sell after Half Nelson; it still does. The film, which is subtitled, tells the tale of a young baseball star from the Dominican Republic who crashes after getting moved up to the big leagues. It's really very much a coming-of-age kind of tale about this young boy who grew up poor but talented, always believing baseball to be his one ticket out.
If you thought leading a revolution was easy, try filming one. In The Huffington Post, Jeffrey Wells of Hollywood Elsewhere discusses Steven Soderbergh's two-part Che Guevara biopic, comprised of The Argentine and Guerilla. Despite earlier rumors to the contrary, it appears that both movies will definitely screen next month at the Cannes Film Festival, where Soderbergh was warmly welcomed last year for the premiere of Ocean's Thirteen. The reception of his latest project could be even more positive, but its distribution prospects are another story: As Wells explains, Soderbergh's project guarantees to offend some people for its apparent exclusion of Che's stint as the overlord at La Cabana fortress, where he ordered the execution of over 600 political prisoners. Add to that the heavy amount of Spanish dialog and the director's insistence that the two movies should be enjoyed as a four hour-plus package, and you've got enough red flags to send even the bravest U.S. distributors packing.
Wells, who read both scripts, analogizes the project to Lawrence of Arabia. "Hey, how about presenting the two films as a single, gargantuan Lawrence of Arabia-styled deal with an intermission, running between four or four and a half hours?" he suggests, perhaps somewhat tongue-in-cheek.
Jon Stewart had it right during the Oscars this year when he ironically geeked out over Lawrence of Arabia on an iPod. If most audiences can't appreciate that movie on the big screen now, why would they turn up for something like this?
I think it's time for the Energizer Bunny to be retired so that Uwe Boll can take over. Man, that guy never, ever stops. I wonder if he exhausts himself just getting worked up about everything, rather than just plain working. Last month, he goaded anti-Boll legions together in an anti-Uwe petition. On the heels of that news, Erik posted that Boll was ranting up a storm again, calling Michael Bay a "f**king retard," and complaining about Eli Roth's movies.
But anger, vehemence, and drama are never done for Boll. Now The Hollywood Reporter posts that he has sued Billy Zane in Los Angeles Superior Court. No, not the Zane! How could anyone hate Zane? Uwe Boll. That's who.
Boll claims that he's owed around $700,000 in revenue from his big floppity flop Bloodrayne. He says that Zane suggested Romar Entertainment handle distribution, he promised the film would open in 2,000 theaters, and that a $10 mil advance from Boll would be used to promote the flick. He goes on to say that almost a million bucks was paid to Zane and Romar's James Schramm, and the movie opened in only 950 theaters. Perhaps this doesn't have to do with a Zane scheme, but the fact that after a budget of $25 mil, it only brought in about $4 mil worldwide.
You can take 'im Zane! Now that would be a good showdown -- Zane and Boll in the ring!
I told you a couple weeks ago how THINKFilm had picked up the gritty prison thriller The Escapist, and how the film, which stars Brian Cox, was the last thing I saw at Sundance this year. Well, I actually had a double helping of Cox that January night, because right before The Escapist I watched Red, another film boasting a terrific Cox performance -- and now it's headed for theaters, too.
Via The Hollywood Reporter we learn that Magnolia has picked up Red, with plans to release it late this summer. The film (which I reviewed here) is a thriller along the lines of Death Wish, only instead of avenging his wife's murder, the Cox character is going after the punks who killed his dog. (Do not mess with a man's dog!)
When we encounter prostitutes in the movies, they're almost invariably destitute, sick, absurdly dressed, and roaming the red light district in search of a client or a fix. That may well be accurate for a majority of women in the profession, but the rarely-glimpsed high-priced call girl is just as much of a curiosity. After he finishes The Informant with Matt Damon, Steven Soderbergh will direct The Girlfriend Experience -- a look at the life of a prostitute who commands a fee of $10,000 a night and earns over $1,000,000 a year. The filmmaker dropped a hint about this project over a year ago, but now plans for the movie are coming together, and we have a lot more details.
The movie, written by Ocean's Thirteen scribes Brian Koppelman and David Levien along with Soderbergh, will be shot over 14 days this fall, in the same improvisational style Soderbergh used for Bubble. It will also follow Bubble's controversialpattern of a simultaneous theatrical and DVD release. According to the Variety story, Soderbergh is considering casting an adult film actress, instead of a Hollywood star, in the lead role. The title refers to encounters where men pay not only for sex, but also for the woman to act like the perfect girlfriend in the experience.
Dear Lord, Soderbergh is prolific: if his two (already-completed) Che Guevara movies hit their 2008 release dates (they're premiering at Cannes), and The Informant and The Girlfriend Experience stay on track for 2009, he will have directed 13 movies in a 10-year span. The man loves to work. This new project is particularly intriguing since it looks like it might give us a well-researched look into a world that I, at least, know virtually nothing about. And it might also confound the usual arguments for why prostitution is a Bad Thing...
At GreenCine Daily, Dave Hudson brings word that the German Film Awards, also known as the Lolas, just awarded three of the top prizes to Turkish-German filmmaker Fatih Akin's The Edge of Heaven. Akin has been recognized over the last decade for his explorations of the tensions between culture and religion, particularly as they pertain to German Turks. Edge of Heaven is no exception. A gorgeous survey of several interlocking tragedies, its deft structure puts Paul Haggis' Crash to shame. A German scholar struggles with his senile father's decision to bring a prostitute into their home. It gets complicated once the young man takes a liking to her. When sudden tragedy strikes, he sets out to find her next of kin for his own sense of closure. Smart without being too brooding, Edge of Heaven has a memorably epic scope. It's no wonder the Deutsche Filmakamie awarded Akin with Best Director and Screenplay awards, while Andrew Bird took home the Best Editing statue for his role in stitching the thing together.
Akin isn't the most accessible foreign filmmaker, but his movies speak to international concerns that are rarely explored in American cinema, which gives his work a unique feeling of immediately. Akin has five other features worth your attention, but don't miss this one: Edge of Heaven opens in New York on May 21, followed by a national roll-out.
Yes, I'm sorry to say it, but we officially won't be getting any Harry Potter next year. After Harry Potter and the Half-Blood Prince premieres on November 21of this year, we're going to have to wait almost two whole years for Part 1 of Harry Potter and the Deathly Hallows. Coming Soon reports that the first part is set to hit theaters on November 19, 2010, with the second and final installment coming the next summer in 2011. It's nice that Potter fans won't have to wait a full year to see the Part 2, but it's still sad to think that so much time will pass before we can start wrapping up Harry Potter's life on-screen.
The end is still a few years off, but it still brings to mind the start of this cinematic whirlwind. When all this started, Daniel Radcliffe, Emma Watson, Rupert Grint, and Tom Felton were just wee little things. Check out that cute, bespeckled face above. It's hard to believe this is the nude boy who hurts horses in Equus. How times change. Just imagine how old they'll be and look by 2010!
Vadim Perelman -- whose second feature, The Life Before Her Eyes, opened last weekend -- is "the kind of guy who would've flourished in the indie drama-happy '90's," writes Steve Zeitchik for The Hollywood Reporter. "Now he's caught between the prestige world and the indie one." Zeitchik is referring to the fact that both of Perelman's films have been small, niche-oriented releases, even though they've included movie stars (House of Sand and Fog starred Ben Kingsley).
Zeitchik thinks that Life is "representative of the cold climate for indie drama, even the more ambitious kind," explaining why it was released in-house through Magnolia Pictures rather than getting a deal with a larger distributor. I have a lot of admiration for Perelman after witnessing the devastating climax of House, and Life suggests that he prefers to stick with downbeat narratives. Movies with depressing narratives are never alluring to distributors, and even those bold enough to pick up such titles have a hard time getting them out there. Consider Warner Independent Picture's low key release of David Gordon Green's brilliant-but-depressing Snow Angels earlier this year.
Just when you thought you've seen it all ... okay, I'm not even gonna go there. Scientology! But anyway, Connor Cruise, Tom Cruise's 13-year-old adopted son, has landed a role in Will Smith's new flick Seven Pounds, where he'll be playing a younger version of Smith in a minor, non-speaking part. For those who aren't up to speed on Cruise and all his kids, you might be kinda looking sideways at your computer right now. "Did he say Cruise's kid is going to play a younger version of Will Smith?" Fear not, my illinformed friends, they're not taking a page from the Tropic Thunder playbook; oh no, see, Cruise's son Connor is adopted and he is of the same color as Mr. Smith. Phew. (Sit down Al, I didn't say anything wrong or offensive.)
The film, which also stars Rosario Dawson, Woody Harrelson and Barry Pepper, and is directed by Gabriele Muccino (The Pursuit of Happyness), follows the story of a man (Smith) who affects the lives of seven strangers. It's a drama. There are no crazy special effects. And, yes, it comes out this December -- which, cross your shiny, manicured little fingers, means Smith will be listening for a knock on his door from Mr. Oscar come February. Seriously, though, I love Will Smith. I cannot think of a performance from him that I did not enjoy (performance, not movie -- stop smiling I, Robot, you're not off the hook yet), which is something I rarely say about an actor or an actress. Will Smith is like a warm cup of hot chocolate on a cold winter day, no matter which film he's starring in. Guy always finds a way to leave you feeling all warm and toasty inside. Mmmm ...
We're going to have plenty of Tribeca Film Festival coverage here as the festival revs up in the next week. In the meantime, if you're fortunate enough to be headed to the pricey, exclusive fest, Variety has posted a primer to the movies that have a good chance of getting picked up for distribution based on their reception there -- movies that are "piquing interest among execs." Making the list are the William H. Macy comedy Bart Got a Room; a psychological thriller called From Within that sounds oddly similar to this summer's The Happening; a documentary about a senior citizen hip hop dance team called Gotta Dance (also known as Young@Heart 2); Tennessee, a road movie starring Mariah Carey; and 6 others.
Not too much is known about most of these, but I can tell you that Bart Got a Room features the big screen debut of one Brandon Hardesty, who became a YouTube sensation by posting dead-on reenactments of famous movie scenes in which he played all the characters. He's one of the few instances of YouTube popularity that stems from actual talent -- he's an amazing impressionist, and a really funny guy -- so I'm thrilled for him. I hope the movie's good.
Stay tuned for Erik Davis's dispatches from Tribeca, including his own must-see list.
Now that you know what Josh Brolin's George W. Bush will look like, you should know that you'll get to see him in action real soon -- probably sooner than you thought. The ever-courageous Lionsgate has picked up Oliver Stone's W, and plans to release it on October 17th. Of this year. That's 2008. Before the election. Notably, the movie hasn't even started shooting yet -- it goes into production on May 12th in Louisiana.
Man, this news truly bums me out. 
With five nominations, it looks like 
After presenting The Spirit at last month's New York Comic-Con, Lionsgate feels good enough about 
Ryan Fleck and Anna Boden's Sugar, the follow-up to their critically acclaimed Half Nelson, has finally been picked up for distribution. Variety's Mike Jones 
If you thought leading a revolution was easy, try filming one. In 
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I told you a couple weeks ago how THINKFilm had 
When we encounter prostitutes in the movies, they're almost invariably destitute, sick, absurdly dressed, and roaming the red light district in search of a client or a fix. That may well be accurate for a majority of women in the profession, but the rarely-glimpsed high-priced call girl is just as much of a curiosity. After he finishes 
At GreenCine Daily, 
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Just when you thought you've seen it all ... okay, I'm not even gonna go there. Scientology! But anyway, Connor Cruise, 
We're going to have plenty of Tribeca Film Festival coverage here as the festival revs up in the next week. In the meantime, if you're fortunate enough to be headed to the pricey, exclusive fest, Variety has posted a 
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Full 'G.I. Joe' Cast Photos!
