<?xml version="1.0"?><rss version="2.0" xmlns:dc="http://purl.org/dc/elements/1.1/"><channel><title>Cinematical</title><link>http://www.cinematical.com</link><description>Cinematical</description><image><url>http://www.cinematical.com/media/feedlogo.gif</url><title>Cinematical</title><link>http://www.cinematical.com</link></image><language>en-us</language><copyright>Copyright 2008 Weblogs, Inc. The contents of this feed are available for non-commercial use only.</copyright><generator>Blogsmith http://www.blogsmith.com/</generator><item><title>Interview: Emily Mortimer on 'Transsiberian'</title><link>http://www.cinematical.com/2008/07/15/interview-emily-mortimer-on-transsiberian/</link><guid isPermaLink="true">http://www.cinematical.com/2008/07/15/interview-emily-mortimer-on-transsiberian/</guid><comments>http://www.cinematical.com/2008/07/15/interview-emily-mortimer-on-transsiberian/#comments</comments><description><![CDATA[<p>Filed under: <a href="http://www.cinematical.com/category/new-releases/" rel="tag">New Releases</a>, <a href="http://www.cinematical.com/category/fandom/" rel="tag">Fandom</a>, <a href="http://www.cinematical.com/category/interviews/" rel="tag">Interviews</a></p><img vspace="4" hspace="4" border="1" src="http://www.blogsmithmedia.com/www.cinematical.com/media/2008/07/emilymortimerjmaint.jpg" alt="" /><br /><br />Emily Mortimer, 36, first popped onto the radar as Hugh Grant's only decent bind date in <a href="http://us.imdb.com/title/tt0125439/"><em>Notting Hill</em></a><span style="font-style: normal;"> (1999). She couldn't compare with movie star Julia Roberts, but she had a cute, unassuming quality; she could grow on you. And she grew on moviegoers throughout the rest of the decade, in Wes Craven's </span><a href="http://us.imdb.com/title/tt0134084/"><em>Scream 3</em></a><span style="font-style: normal;"> (2000), Kenneth Branagh's </span><a href="http://us.imdb.com/title/tt0182295/"><em>Love's Labour's Lost</em></a><span style="font-style: normal;"> (2000), Stephen Fry's </span><a href="http://us.imdb.com/title/tt0325123/"><em>Bright Young Things</em></a><span style="font-style: normal;"> (2003), Woody Allen's </span><a href="http://www.cinematical.com/2005/12/27/review-match-point/"><em>Match Point</em></a><span style="font-style: normal;"> (2005) and David Mamet's recent </span><a href="http://www.cinematical.com/2008/05/02/review-redbelt/"><em>Redbelt</em></a><span style="font-style: normal;">, as well as switch-hitting between oddities like </span><a href="http://www.cinematical.com/2006/02/09/review-the-pink-panther/"><em>The Pink Panther</em></a><span style="font-style: normal;"> and </span><a href="http://www.cinematical.com/2007/10/26/review-lars-and-the-real-girl/"><em>Lars and the Real Girl</em></a><span style="font-style: normal;">. If she once had a sweet, shy quality, she eventually shattered it by appearing naked -- and hugely vulnerable -- in Nicole Holofcener's </span><a href="http://us.imdb.com/title/tt0258273/"><em>Lovely &amp; Amazing</em></a><span style="font-style: normal;"> and brandishing a big gun and an even bigger attitude in Ronny Yu's </span><a href="http://us.imdb.com/title/tt0227984/"><em>Formula 51</em></a><span style="font-style: normal;">. Her role in Brad Anderson's new thriller </span><a href="http://www.moviefone.com/movie/transsiberian/33428/main"><em>Transsiberian</em></a><span style="font-style: normal;"> -- co-starring Woody Harrelson and Ben Kingsley -- draws on all that experience. She plays Jessie, a former bad girl now doubtfully married to a church-going, happy-go-lucky train nut. After a peace mission in China, they take the title train and wind up entrenched in drugs, murder and other unforeseen troubles. The charming <a href="http://us.imdb.com/name/nm0607865/">Ms. Mortimer</a> recently spoke to <span style="font-style: italic;">Cinematical </span>in an all-too-brief, yet enjoyable phone conversation.<o:p></o:p></span>
<p> </p><p><a href="http://www.cinematical.com/2008/07/15/interview-emily-mortimer-on-transsiberian/" rel="bookmark">Continue reading <em>Interview: Emily Mortimer on 'Transsiberian'</em></a></p><p style="clear: both; padding: 8px 0 0 0; height: 2px; font-size: 1px; border: 0; margin: 0; padding: 0;"> </p><p><a href="http://www.cinematical.com/2008/07/15/interview-emily-mortimer-on-transsiberian/" rel="bookmark" title="Permanent link to this entry">Permalink</a> | <a href="http://www.cinematical.com/forward/1256514/" title="Send this entry to a friend via email">Email this</a> | <a href="http://www.cinematical.com/2008/07/15/interview-emily-mortimer-on-transsiberian/#comments" title="View reader comments on this entry">Comments</a></p>]]></description><category>cinematical</category><category>emily mortimer</category><category>emily mortimer interview</category><category>EmilyMortimer</category><category>EmilyMortimerInterview</category><category>featured</category><category>film</category><category>movie</category><category>transsiberian</category><dc:creator>Jeffrey M. Anderson</dc:creator><pubDate>Tue, 15 Jul 2008 20:02:00 EST</pubDate></item><item><title>'Hellboy II' Interviews -- Ron Perlman, Selma Blair and Mike Mignola</title><link>http://www.cinematical.com/2008/07/11/hellboy-ii-interviews-ron-perlman-selma-blair-and-mike-mig/</link><guid isPermaLink="true">http://www.cinematical.com/2008/07/11/hellboy-ii-interviews-ron-perlman-selma-blair-and-mike-mig/</guid><comments>http://www.cinematical.com/2008/07/11/hellboy-ii-interviews-ron-perlman-selma-blair-and-mike-mig/#comments</comments><description><![CDATA[<p>Filed under: <a href="http://www.cinematical.com/category/action-and-adventure/" rel="tag">Action</a>, <a href="http://www.cinematical.com/category/universal/" rel="tag">Universal</a>, <a href="http://www.cinematical.com/category/interviews/" rel="tag">Interviews</a>, <a href="http://www.cinematical.com/category/comic-superhero-geek/" rel="tag">Comic/Superhero/Geek</a></p><img vspace="4" hspace="4" border="1" alt="" src="http://www.blogsmithmedia.com/www.cinematical.com/media/2008/07/hellboyiigroup.jpg" /><br /><br />Speaking with the press in Beverly Hills, <a href="http://www.moviefone.com/celebrity/guillermo-del-toro/1494753/main">Guillermo del Toro</a> casually tossed off a line that sums up the spirit of his most recent film, <a href="http://www.cinematical.com/2008/06/29/laff-review-hellboy-2-the-golden-army/"><em>Hellboy II: The Golden Army</em></a> and the tone he and his cast achieved: "When you go see a movie called "<em>Hellboy</em>," already there's an implicit, assumed certain sense of goofiness; you have to then say 'Look, we know we're pulpy, we know we're different, but we take ourselves seriously, and we want to entertain." Mike (Mignola, creator of the <em>Hellboy </em>comics) said it: He's not the Hell Knight, he's not the Hell Spawn, he's not the Hell Lord, he's the Hellboy. ... " <br /><br />Much of the pleasure in the <em>Hellboy </em>series comes from the mesh and mix of the sensibilities of del Toro and Hellboy's creator Mike Mignola; I asked del Toro about the challenge of adapting someone else's material. How much of it is a struggle, and how much of it is a pleasure, to find ways to make someone else's creation yours? "I said in the past that, obviously, no matter how respectful you are of the material there's a moment ... I made the analogy that it's like marrying a widow; you have to be very respectful about the late husband, but at some point, you're going to get in bed, and the late husband is not gonna matter anymore, or it better not. And I think it's the same with material; there's a point where you go "I have only my instincts to guide me through this section ..." But, it's co-exploring. In the case of <em>Hellboy</em>, I've been blessed with a guy like Mike (Mignola), who is the most generous landlord of the <em>Hellboy </em>real estate; he says, essentially, move in, decorate as you want and make it yours."<p><a href="http://www.cinematical.com/2008/07/11/hellboy-ii-interviews-ron-perlman-selma-blair-and-mike-mig/" rel="bookmark">Continue reading <em>'Hellboy II' Interviews -- Ron Perlman, Selma Blair and Mike Mignola</em></a></p><p style="clear: both; padding: 8px 0 0 0; height: 2px; font-size: 1px; border: 0; margin: 0; padding: 0;"> </p><p><a href="http://www.cinematical.com/2008/07/11/hellboy-ii-interviews-ron-perlman-selma-blair-and-mike-mig/" rel="bookmark" title="Permanent link to this entry">Permalink</a> | <a href="http://www.cinematical.com/forward/1252301/" title="Send this entry to a friend via email">Email this</a> | <a href="http://www.cinematical.com/2008/07/11/hellboy-ii-interviews-ron-perlman-selma-blair-and-mike-mig/#comments" title="View reader comments on this entry">Comments</a></p>]]></description><category>Doug Jones</category><category>DougJones</category><category>guillermo del toro</category><category>GuillermoDelToro</category><category>Hellboy II The Golden Army</category><category>HellboyIiTheGoldenArmy</category><category>Mike Mignola</category><category>MikeMignola</category><category>Ron Perlman</category><category>RonPerlman</category><category>Selma Blair</category><category>SelmaBlair</category><dc:creator>James Rocchi</dc:creator><pubDate>Fri, 11 Jul 2008 18:03:00 EST</pubDate></item><item><title>Interview: 'August' Director Austin Chick</title><link>http://www.cinematical.com/2008/07/11/interview-august-director-austin-chick/</link><guid isPermaLink="true">http://www.cinematical.com/2008/07/11/interview-august-director-austin-chick/</guid><comments>http://www.cinematical.com/2008/07/11/interview-august-director-austin-chick/#comments</comments><description><![CDATA[<p>Filed under: <a href="http://www.cinematical.com/category/drama/" rel="tag">Drama</a>, <a href="http://www.cinematical.com/category/independent/" rel="tag">Independent</a>, <a href="http://www.cinematical.com/category/new-releases/" rel="tag">New Releases</a>, <a href="http://www.cinematical.com/category/diy-filmmaking/" rel="tag">DIY/Filmmaking</a>, <a href="http://www.cinematical.com/category/interviews/" rel="tag">Interviews</a></p><img width="450" vspace="4" hspace="4" height="300" border="1" align="middle" src="http://www.blogsmithmedia.com/www.cinematical.com/media/2008/07/2008_august_002-(2).jpg"  alt="" /><br /><br />The world changed on September 11, but <a href="http://www.moviefone.com/celebrity/austin-chick/2041158/main">Austin Chick</a>'s second film, <a href="http://www.moviefone.com/movie/august/32514/main"><em>August</em>,</a> focuses on the moments right beforehand. Starring <a href="http://www.moviefone.com/celebrity/josh-hartnett/1979838/main">Josh Hartnett </a>as a young start-up entrepreneur deluded by power trips, the movie moves along with a subtle pace, letting the natural drama emerge from a situation about to veer out of the control with the crash of the stock market. Chick's first feature, <a href="http://www.moviefone.com/movie/xxxy/13759/main"><em>XX/XY</em></a>, explored a three-way relationship; <em>August</em>, which opens in New York on Friday, explores the relationship between money and power during a key time in American history. Supporting performances from <a href="http://www.moviefone.com/celebrity/rip-torn/1510379/main">Rip Torn</a> and <a href="http://www.moviefone.com/celebrity/david-bowie/1003166/main">David Bowie</a> elevate the movie, while <a href="http://www.moviefone.com/celebrity/howard-a-rodman/2069643/main">Howard A. Rodman</a>'s script keeps its conceits in check. Chick spoke with <em>Cinematical</em> about envisioning <em>August</em>'s themes and working with his talented cast. <br /><br /><strong>Cinematical: The film uses a very specific setting -- August 2001 -- immediately before 9/11. What interested you about that time?</strong><br /><br /><span style="font-weight: bold;">Austin Chick:</span> It captures a moment on the eve of change. If Howard (Rodman) and I were to move it to any other time, we would probably move it further back. The market really started crashing about eighteen months prior to when the movie is set. But I feel like there was still a certain amount of momentum in New York up until 9/11, this sense that things were going to turn around. The market had completely crashed, but there was still this crazy sense of decadence. All that really changed with 9/11. <strong><br /></strong><p><a href="http://www.cinematical.com/2008/07/11/interview-august-director-austin-chick/" rel="bookmark">Continue reading <em>Interview: 'August' Director Austin Chick</em></a></p><p style="clear: both; padding: 8px 0 0 0; height: 2px; font-size: 1px; border: 0; margin: 0; padding: 0;"> </p><p><a href="http://www.cinematical.com/2008/07/11/interview-august-director-austin-chick/" rel="bookmark" title="Permanent link to this entry">Permalink</a> | <a href="http://www.cinematical.com/forward/1251697/" title="Send this entry to a friend via email">Email this</a> | <a href="http://www.cinematical.com/2008/07/11/interview-august-director-austin-chick/#comments" title="View reader comments on this entry">Comments</a></p>]]></description><category>2001</category><category>911</category><category>august</category><category>august 2001</category><category>august sundance</category><category>August2001</category><category>AugustSundance</category><category>austin chick</category><category>AustinChick</category><category>david bowie</category><category>DavidBowie</category><category>howard a. rodman</category><category>howard rodman</category><category>HowardA.Rodman</category><category>HowardRodman</category><category>josh hartnett</category><category>josh hartnett august</category><category>JoshHartnett</category><category>JoshHartnettAugust</category><category>maidstone</category><category>norman mailer</category><category>NormanMailer</category><category>rip torn</category><category>rip torn august</category><category>RipTorn</category><category>RipTornAugust</category><category>stock market</category><category>StockMarket</category><category>sundance 2006</category><category>Sundance2006</category><category>wall street</category><category>WallStreet</category><category>xxxy</category><dc:creator>Eric Kohn</dc:creator><pubDate>Fri, 11 Jul 2008 14:02:00 EST</pubDate></item><item><title>Interview: 'Hellboy II: The Golden Army' Director Guillermo Del Toro</title><link>http://www.cinematical.com/2008/07/09/interview-hellboy-ii-the-golden-army-director-guillermo-del/</link><guid isPermaLink="true">http://www.cinematical.com/2008/07/09/interview-hellboy-ii-the-golden-army-director-guillermo-del/</guid><comments>http://www.cinematical.com/2008/07/09/interview-hellboy-ii-the-golden-army-director-guillermo-del/#comments</comments><description><![CDATA[<p>Filed under: <a href="http://www.cinematical.com/category/action-and-adventure/" rel="tag">Action</a>, <a href="http://www.cinematical.com/category/sci-fi-and-fantasy/" rel="tag">Sci-Fi &amp; Fantasy</a>, <a href="http://www.cinematical.com/category/universal/" rel="tag">Universal</a>, <a href="http://www.cinematical.com/category/podcasts/" rel="tag">Podcasts</a>, <a href="http://www.cinematical.com/category/fandom/" rel="tag">Fandom</a>, <a href="http://www.cinematical.com/category/peter-jackson/" rel="tag">Peter Jackson</a>, <a href="http://www.cinematical.com/category/interviews/" rel="tag">Interviews</a>, <a href="http://www.cinematical.com/category/comic-superhero-geek/" rel="tag">Comic/Superhero/Geek</a></p><img vspace="4" hspace="4" border="1" alt="" src="http://www.blogsmithmedia.com/www.cinematical.com/media/2008/07/guillermodeltoro.jpg" /><br /><br />Speaking with <em>Cinematical </em>in Los Angeles, director and writer <a href="http://www.moviefone.com/celebrity/guillermo-del-toro/1494753/main">Guillermo del Toro</a> was enthused and excited to talk about the challenges and triumphs of his latest film.
<meta name="Originator" content="Microsoft Word 12" />
<link rel="File-List" href="file:///C:\Users\James\AppData\Local\Temp\msohtmlclip1\01\clip_filelist.xml" />
<link rel="themeData" href="file:///C:\Users\James\AppData\Local\Temp\msohtmlclip1\01\clip_themedata.thmx" /><!--[if gte mso 9]><xml> <w:WordDocument> <w:View>Normal</w:View> <w:Zoom>0</w:Zoom> <w:TrackMoves /> <w:TrackFormatting /> <w:PunctuationKerning /> <w:ValidateAgainstSchemas /> <w:SaveIfXMLInvalid>false</w:SaveIfXMLInvalid> <w:IgnoreMixedContent>false</w:IgnoreMixedContent> <w:AlwaysShowPlaceholderText>false</w:AlwaysShowPlaceholderText> <w:DoNotPromoteQF /> <w:LidThemeOther>EN-US</w:LidThemeOther> <w:LidThemeAsian>X-NONE</w:LidThemeAsian> <w:LidThemeComplexScript>X-NONE</w:LidThemeComplexScript> <w:Compatibility> <w:BreakWrappedTables /> <w:SnapToGridInCell /> <w:WrapTextWithPunct /> <w:UseAsianBreakRules /> <w:DontGrowAutofit /> <w:SplitPgBreakAndParaMark /> <w:DontVertAlignCellWithSp /> <w:DontBreakConstrainedForcedTables /> <w:DontVertAlignInTxbx /> <w:Word11KerningPairs /> <w:CachedColBalance /> </w:Compatibility> <w:BrowserLevel>MicrosoftInternetExplorer4</w:BrowserLevel> <m:mathPr> <m:mathFont m:val="Cambria Math" /> <m:brkBin m:val="before" /> <m:brkBinSub m:val="&amp;#45;-" /> <m:smallFrac m:val="off" /> <m:dispDef /> <m:lMargin m:val="0" /> <m:rMargin m:val="0" /> <m:defJc m:val="centerGroup" /> <m:wrapIndent m:val="1440" /> <m:intLim m:val="subSup" /> <m:naryLim m:val="undOvr" /> </m:mathPr></w:WordDocument> </xml><![endif]--><!--[if gte mso 9]><xml> <w:LatentStyles DefLockedState="false" DefUnhideWhenUsed="true" DefSemiHidden="true" DefQFormat="false" DefPriority="99" LatentStyleCount="267"> <w:LsdException Locked="false" Priority="0" SemiHidden="false" UnhideWhenUsed="false" QFormat="true" Name="Normal" /> <w:LsdException Locked="false" Priority="9" SemiHidden="false" UnhideWhenUsed="false" QFormat="true" Name="heading 1" /> <w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 2" /> <w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 3" /> <w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 4" /> <w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 5" /> <w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 6" /> <w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 7" /> <w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 8" /> <w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 9" /> <w:LsdException Locked="false" Priority="39" Name="toc 1" /> <w:LsdException Locked="false" Priority="39" Name="toc 2" /> <w:LsdException Locked="false" Priority="39" Name="toc 3" /> <w:LsdException Locked="false" Priority="39" Name="toc 4" /> <w:LsdException Locked="false" Priority="39" Name="toc 5" /> <w:LsdException Locked="false" Priority="39" Name="toc 6" /> <w:LsdException Locked="false" Priority="39" Name="toc 7" /> <w:LsdException Locked="false" Priority="39" Name="toc 8" /> <w:LsdException Locked="false" Priority="39" Name="toc 9" /> <w:LsdException Locked="false" Priority="35" QFormat="true" Name="caption" /> <w:LsdException Locked="false" Priority="10" SemiHidden="false" UnhideWhenUsed="false" QFormat="true" Name="Title" /> <w:LsdException Locked="false" Priority="1" Name="Default Paragraph Font" /> <w:LsdException Locked="false" Priority="11" SemiHidden="false" UnhideWhenUsed="false" QFormat="true" Name="Subtitle" /> <w:LsdException Locked="false" Priority="22" SemiHidden="false" UnhideWhenUsed="false" QFormat="true" Name="Strong" /> <w:LsdException Locked="false" Priority="20" SemiHidden="false" UnhideWhenUsed="false" QFormat="true" Name="Emphasis" /> <w:LsdException Locked="false" Priority="59" SemiHidden="false" UnhideWhenUsed="false" Name="Table Grid" /> <w:LsdException Locked="false" UnhideWhenUsed="false" Name="Placeholder Text" /> <w:LsdException Locked="false" Priority="1" SemiHidden="false" UnhideWhenUsed="false" QFormat="true" Name="No Spacing" /> <w:LsdException Locked="false" Priority="60" SemiHidden="false" UnhideWhenUsed="false" Name="Light Shading" /> <w:LsdException Locked="false" Priority="61" SemiHidden="false" UnhideWhenUsed="false" Name="Light List" /> <w:LsdException Locked="false" Priority="62" SemiHidden="false" UnhideWhenUsed="false" Name="Light Grid" /> <w:LsdException Locked="false" Priority="63" SemiHidden="false" UnhideWhenUsed="false" Name="Medium Shading 1" /> <w:LsdException Locked="false" Priority="64" SemiHidden="false" UnhideWhenUsed="false" Name="Medium Shading 2" /> <w:LsdException Locked="false" Priority="65" SemiHidden="false" UnhideWhenUsed="false" Name="Medium List 1" /> <w:LsdException Locked="false" Priority="66" SemiHidden="false" UnhideWhenUsed="false" Name="Medium List 2" /> <w:LsdException Locked="false" Priority="67" SemiHidden="false" UnhideWhenUsed="false" Name="Medium Grid 1" /> <w:LsdException Locked="false" Priority="68" SemiHidden="false" UnhideWhenUsed="false" Name="Medium Grid 2" /> <w:LsdException Locked="false" Priority="69" SemiHidden="false" UnhideWhenUsed="false" Name="Medium Grid 3" /> <w:LsdException Locked="false" Priority="70" SemiHidden="false" UnhideWhenUsed="false" Name="Dark List" /> <w:LsdException Locked="false" Priority="71" SemiHidden="false" UnhideWhenUsed="false" Name="Colorful Shading" /> <w:LsdException Locked="false" Priority="72" SemiHidden="false" UnhideWhenUsed="false" Name="Colorful List" /> <w:LsdException Locked="false" Priority="73" SemiHidden="false" UnhideWhenUsed="false" Name="Colorful Grid" /> <w:LsdException Locked="false" Priority="60" SemiHidden="false" UnhideWhenUsed="false" Name="Light Shading Accent 1" /> <w:LsdException Locked="false" Priority="61" SemiHidden="false" UnhideWhenUsed="false" Name="Light List Accent 1" /> <w:LsdException Locked="false" Priority="62" SemiHidden="false" UnhideWhenUsed="false" Name="Light Grid Accent 1" /> <w:LsdException Locked="false" Priority="63" SemiHidden="false" UnhideWhenUsed="false" Name="Medium Shading 1 Accent 1" /> <w:LsdException Locked="false" Priority="64" SemiHidden="false" UnhideWhenUsed="false" Name="Medium Shading 2 Accent 1" /> <w:LsdException Locked="false" Priority="65" SemiHidden="false" UnhideWhenUsed="false" Name="Medium List 1 Accent 1" /> <w:LsdException Locked="false" UnhideWhenUsed="false" Name="Revision" /> <w:LsdException Locked="false" Priority="34" SemiHidden="false" UnhideWhenUsed="false" QFormat="true" Name="List Paragraph" /> <w:LsdException Locked="false" Priority="29" SemiHidden="false" UnhideWhenUsed="false" QFormat="true" Name="Quote" /> <w:LsdException Locked="false" Priority="30" SemiHidden="false" UnhideWhenUsed="false" QFormat="true" Name="Intense Quote" /> <w:LsdException Locked="false" Priority="66" SemiHidden="false" UnhideWhenUsed="false" Name="Medium List 2 Accent 1" /> <w:LsdException Locked="false" Priority="67" SemiHidden="false" UnhideWhenUsed="false" Name="Medium Grid 1 Accent 1" /> <w:LsdException Locked="false" Priority="68" SemiHidden="false" UnhideWhenUsed="false" Name="Medium Grid 2 Accent 1" /> <w:LsdException Locked="false" Priority="69" SemiHidden="false" UnhideWhenUsed="false" Name="Medium Grid 3 Accent 1" /> <w:LsdException Locked="false" Priority="70" SemiHidden="false" UnhideWhenUsed="false" Name="Dark List Accent 1" /> <w:LsdException Locked="false" Priority="71" SemiHidden="false" UnhideWhenUsed="false" Name="Colorful Shading Accent 1" /> <w:LsdException Locked="false" Priority="72" SemiHidden="false" UnhideWhenUsed="false" Name="Colorful List Accent 1" /> <w:LsdException Locked="false" Priority="73" SemiHidden="false" UnhideWhenUsed="false" Name="Colorful Grid Accent 1" /> <w:LsdException Locked="false" Priority="60" SemiHidden="false" UnhideWhenUsed="false" Name="Light Shading Accent 2" /> <w:LsdException Locked="false" Priority="61" SemiHidden="false" UnhideWhenUsed="false" Name="Light List Accent 2" /> <w:LsdException Locked="false" Priority="62" SemiHidden="false" UnhideWhenUsed="false" Name="Light Grid Accent 2" /> <w:LsdException Locked="false" Priority="63" SemiHidden="false" UnhideWhenUsed="false" Name="Medium Shading 1 Accent 2" /> <w:LsdException Locked="false" Priority="64" SemiHidden="false" UnhideWhenUsed="false" Name="Medium Shading 2 Accent 2" /> <w:LsdException Locked="false" Priority="65" SemiHidden="false" UnhideWhenUsed="false" Name="Medium List 1 Accent 2" /> <w:LsdException Locked="false" Priority="66" SemiHidden="false" UnhideWhenUsed="false" Name="Medium List 2 Accent 2" /> <w:LsdException Locked="false" Priority="67" SemiHidden="false" UnhideWhenUsed="false" Name="Medium Grid 1 Accent 2" /> <w:LsdException Locked="false" Priority="68" SemiHidden="false" UnhideWhenUsed="false" Name="Medium Grid 2 Accent 2" /> <w:LsdException Locked="false" Priority="69" SemiHidden="false" UnhideWhenUsed="false" Name="Medium Grid 3 Accent 2" /> <w:LsdException Locked="false" Priority="70" SemiHidden="false" UnhideWhenUsed="false" Name="Dark List Accent 2" /> <w:LsdException Locked="false" Priority="71" SemiHidden="false" UnhideWhenUsed="false" Name="Colorful Shading Accent 2" /> <w:LsdException Locked="false" Priority="72" SemiHidden="false" UnhideWhenUsed="false" Name="Colorful List Accent 2" /> <w:LsdException Locked="false" Priority="73" SemiHidden="false" UnhideWhenUsed="false" Name="Colorful Grid Accent 2" /> <w:LsdException Locked="false" Priority="60" SemiHidden="false" UnhideWhenUsed="false" Name="Light Shading Accent 3" /> <w:LsdException Locked="false" Priority="61" SemiHidden="false" UnhideWhenUsed="false" Name="Light List Accent 3" /> <w:LsdException Locked="false" Priority="62" SemiHidden="false" UnhideWhenUsed="false" Name="Light Grid Accent 3" /> <w:LsdException Locked="false" Priority="63" SemiHidden="false" UnhideWhenUsed="false" Name="Medium Shading 1 Accent 3" /> <w:LsdException Locked="false" Priority="64" SemiHidden="false" UnhideWhenUsed="false" Name="Medium Shading 2 Accent 3" /> <w:LsdException Locked="false" Priority="65" SemiHidden="false" UnhideWhenUsed="false" Name="Medium List 1 Accent 3" /> <w:LsdException Locked="false" Priority="66" SemiHidden="false" UnhideWhenUsed="false" Name="Medium List 2 Accent 3" /> <w:LsdException Locked="false" Priority="67" SemiHidden="false" UnhideWhenUsed="false" Name="Medium Grid 1 Accent 3" /> <w:LsdException Locked="false" Priority="68" SemiHidden="false" UnhideWhenUsed="false" Name="Medium Grid 2 Accent 3" /> <w:LsdException Locked="false" Priority="69" SemiHidden="false" UnhideWhenUsed="false" Name="Medium Grid 3 Accent 3" /> <w:LsdException Locked="false" Priority="70" SemiHidden="false" UnhideWhenUsed="false" Name="Dark List Accent 3" /> <w:LsdException Locked="false" Priority="71" SemiHidden="false" UnhideWhenUsed="false" Name="Colorful Shading Accent 3" /> <w:LsdException Locked="false" Priority="72" SemiHidden="false" UnhideWhenUsed="false" Name="Colorful List Accent 3" /> <w:LsdException Locked="false" Priority="73" SemiHidden="false" UnhideWhenUsed="false" Name="Colorful Grid Accent 3" /> <w:LsdException Locked="false" Priority="60" SemiHidden="false" UnhideWhenUsed="false" Name="Light Shading Accent 4" /> <w:LsdException Locked="false" Priority="61" SemiHidden="false" UnhideWhenUsed="false" Name="Light List Accent 4" /> <w:LsdException Locked="false" Priority="62" SemiHidden="false" UnhideWhenUsed="false" Name="Light Grid Accent 4" /> <w:LsdException Locked="false" Priority="63" SemiHidden="false" UnhideWhenUsed="false" Name="Medium Shading 1 Accent 4" /> <w:LsdException Locked="false" Priority="64" SemiHidden="false" UnhideWhenUsed="false" Name="Medium Shading 2 Accent 4" /> <w:LsdException Locked="false" Priority="65" SemiHidden="false" UnhideWhenUsed="false" Name="Medium List 1 Accent 4" /> <w:LsdException Locked="false" Priority="66" SemiHidden="false" UnhideWhenUsed="false" Name="Medium List 2 Accent 4" /> <w:LsdException Locked="false" Priority="67" SemiHidden="false" UnhideWhenUsed="false" Name="Medium Grid 1 Accent 4" /> <w:LsdException Locked="false" Priority="68" SemiHidden="false" UnhideWhenUsed="false" Name="Medium Grid 2 Accent 4" /> <w:LsdException Locked="false" Priority="69" SemiHidden="false" UnhideWhenUsed="false" Name="Medium Grid 3 Accent 4" /> <w:LsdException Locked="false" Priority="70" SemiHidden="false" UnhideWhenUsed="false" Name="Dark List Accent 4" /> <w:LsdException Locked="false" Priority="71" SemiHidden="false" UnhideWhenUsed="false" Name="Colorful Shading Accent 4" /> <w:LsdException Locked="false" Priority="72" SemiHidden="false" UnhideWhenUsed="false" Name="Colorful List Accent 4" /> <w:LsdException Locked="false" Priority="73" SemiHidden="false" UnhideWhenUsed="false" Name="Colorful Grid Accent 4" /> <w:LsdException Locked="false" Priority="60" SemiHidden="false" UnhideWhenUsed="false" Name="Light Shading Accent 5" /> <w:LsdException Locked="false" Priority="61" SemiHidden="false" UnhideWhenUsed="false" Name="Light List Accent 5" /> <w:LsdException Locked="false" Priority="62" SemiHidden="false" UnhideWhenUsed="false" Name="Light Grid Accent 5" /> <w:LsdException Locked="false" Priority="63" SemiHidden="false" UnhideWhenUsed="false" Name="Medium Shading 1 Accent 5" /> <w:LsdException Locked="false" Priority="64" SemiHidden="false" UnhideWhenUsed="false" Name="Medium Shading 2 Accent 5" /> <w:LsdException Locked="false" Priority="65" SemiHidden="false" UnhideWhenUsed="false" Name="Medium List 1 Accent 5" /> <w:LsdException Locked="false" Priority="66" SemiHidden="false" UnhideWhenUsed="false" Name="Medium List 2 Accent 5" /> <w:LsdException Locked="false" Priority="67" SemiHidden="false" UnhideWhenUsed="false" Name="Medium Grid 1 Accent 5" /> <w:LsdException Locked="false" Priority="68" SemiHidden="false" UnhideWhenUsed="false" Name="Medium Grid 2 Accent 5" /> <w:LsdException Locked="false" Priority="69" SemiHidden="false" UnhideWhenUsed="false" Name="Medium Grid 3 Accent 5" /> <w:LsdException Locked="false" Priority="70" SemiHidden="false" UnhideWhenUsed="false" Name="Dark List Accent 5" /> <w:LsdException Locked="false" Priority="71" SemiHidden="false" UnhideWhenUsed="false" Name="Colorful Shading Accent 5" /> <w:LsdException Locked="false" Priority="72" SemiHidden="false" UnhideWhenUsed="false" Name="Colorful List Accent 5" /> <w:LsdException Locked="false" Priority="73" SemiHidden="false" UnhideWhenUsed="false" Name="Colorful Grid Accent 5" /> <w:LsdException Locked="false" Priority="60" SemiHidden="false" UnhideWhenUsed="false" Name="Light Shading Accent 6" /> <w:LsdException Locked="false" Priority="61" SemiHidden="false" UnhideWhenUsed="false" Name="Light List Accent 6" /> <w:LsdException Locked="false" Priority="62" SemiHidden="false" UnhideWhenUsed="false" Name="Light Grid Accent 6" /> <w:LsdException Locked="false" Priority="63" SemiHidden="false" UnhideWhenUsed="false" Name="Medium Shading 1 Accent 6" /> <w:LsdException Locked="false" Priority="64" SemiHidden="false" UnhideWhenUsed="false" Name="Medium Shading 2 Accent 6" /> <w:LsdException Locked="false" Priority="65" SemiHidden="false" UnhideWhenUsed="false" Name="Medium List 1 Accent 6" /> <w:LsdException Locked="false" Priority="66" SemiHidden="false" UnhideWhenUsed="false" Name="Medium List 2 Accent 6" /> <w:LsdException Locked="false" Priority="67" SemiHidden="false" UnhideWhenUsed="false" Name="Medium Grid 1 Accent 6" /> <w:LsdException Locked="false" Priority="68" SemiHidden="false" UnhideWhenUsed="false" Name="Medium Grid 2 Accent 6" /> <w:LsdException Locked="false" Priority="69" SemiHidden="false" UnhideWhenUsed="false" Name="Medium Grid 3 Accent 6" /> <w:LsdException Locked="false" Priority="70" SemiHidden="false" UnhideWhenUsed="false" Name="Dark List Accent 6" /> <w:LsdException Locked="false" Priority="71" SemiHidden="false" UnhideWhenUsed="false" Name="Colorful Shading Accent 6" /> <w:LsdException Locked="false" Priority="72" SemiHidden="false" UnhideWhenUsed="false" Name="Colorful List Accent 6" /> <w:LsdException Locked="false" Priority="73" SemiHidden="false" UnhideWhenUsed="false" Name="Colorful Grid Accent 6" /> <w:LsdException Locked="false" Priority="19" SemiHidden="false" UnhideWhenUsed="false" QFormat="true" Name="Subtle Emphasis" /> <w:LsdException Locked="false" Priority="21" SemiHidden="false" UnhideWhenUsed="false" QFormat="true" Name="Intense Emphasis" /> <w:LsdException Locked="false" Priority="31" SemiHidden="false" UnhideWhenUsed="false" QFormat="true" Name="Subtle Reference" /> <w:LsdException Locked="false" Priority="32" SemiHidden="false" UnhideWhenUsed="false" QFormat="true" Name="Intense Reference" /> <w:LsdException Locked="false" Priority="33" SemiHidden="false" UnhideWhenUsed="false" QFormat="true" Name="Book Title" /> <w:LsdException Locked="false" Priority="37" Name="Bibliography" /> <w:LsdException Locked="false" Priority="39" QFormat="true" Name="TOC Heading" /> </w:LatentStyles> </xml><![endif]--><style type="text/css"> <!-- /* Font Definitions */ @font-face 	{font-family:"Cambria Math"; 	panose-1:2 4 5 3 5 4 6 3 2 4; 	mso-font-charset:1; 	mso-generic-font-family:roman; 	mso-font-format:other; 	mso-font-pitch:variable; 	mso-font-signature:0 0 0 0 0 0;} @font-face 	{font-family:Calibri; 	panose-1:2 15 5 2 2 2 4 3 2 4; 	mso-font-charset:0; 	mso-generic-font-family:swiss; 	mso-font-pitch:variable; 	mso-font-signature:-1610611985 1073750139 0 0 159 0;} /* Style Definitions */ p.MsoNormal, li.MsoNormal, div.MsoNormal 	{mso-style-unhide:no; 	mso-style-qformat:yes; 	mso-style-parent:""; 	margin:0in; 	margin-bottom:.0001pt; 	mso-pagination:widow-orphan; 	font-size:12.0pt; 	font-family:"Calibri","sans-serif"; 	mso-ascii-font-family:Calibri; 	mso-ascii-theme-font:minor-latin; 	mso-fareast-font-family:Calibri; 	mso-fareast-theme-font:minor-latin; 	mso-hansi-font-family:Calibri; 	mso-hansi-theme-font:minor-latin; 	mso-bidi-font-family:"Times New Roman"; 	mso-bidi-language:EN-US;} .MsoChpDefault 	{mso-style-type:export-only; 	mso-default-props:yes; 	mso-ascii-font-family:Calibri; 	mso-ascii-theme-font:minor-latin; 	mso-fareast-font-family:Calibri; 	mso-fareast-theme-font:minor-latin; 	mso-hansi-font-family:Calibri; 	mso-hansi-theme-font:minor-latin; 	mso-bidi-language:EN-US;} .MsoPapDefault 	{mso-style-type:export-only; 	margin-bottom:10.0pt; 	line-height:115%;} @page Section1 	{size:8.5in 11.0in; 	margin:1.0in 1.0in 1.0in 1.0in; 	mso-header-margin:.5in; 	mso-footer-margin:.5in; 	mso-paper-source:0;} div.Section1 	{page:Section1;} --> </style><!--[if gte mso 10]> <style> /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Table Normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-qformat:yes; mso-style-parent:""; mso-padding-alt:0in 5.4pt 0in 5.4pt; mso-para-margin-top:0in; mso-para-margin-right:0in; mso-para-margin-bottom:10.0pt; mso-para-margin-left:0in; line-height:115%; mso-pagination:widow-orphan; font-size:11.0pt; font-family:"Calibri","sans-serif"; mso-ascii-font-family:Calibri; mso-ascii-theme-font:minor-latin; mso-fareast-font-family:"Times New Roman"; mso-fareast-theme-font:minor-fareast; mso-hansi-font-family:Calibri; mso-hansi-theme-font:minor-latin; mso-bidi-font-family:"Times New Roman"; mso-bidi-theme-font:minor-bidi;} </style> <![endif]-->"The biggest challenge (for <a href="http://www.cinematical.com/2008/06/29/laff-review-hellboy-2-the-golden-army/"><span style="font-style: italic;">Hellboy II: The Golden Army</span></a>) was to say "Let's remain loose and interested and happy and crazier and more free in the second movie. ... And the second-biggest challenge was to make a 200-million dollar movie with 85 (million). <span style=""> </span>..." Del Toro also spoke about the film's mix of slapstick and the supernatural, the pleasures and pitfalls of practical effects and what he'd say to someone concerned that his upcoming task of directing <a href="http://www.cinematical.com/2008/05/28/have-guillermo-del-toro-and-peter-jackson-found-bilbo-baggins/"><span style="font-style: italic;">The Hobbit</span></a> would mean too much time spent away from him crafting his own unique visions for the big screen. (<strong>Warning:</strong> Brief snippets of foul language included within.)<br /><br /><em>Cinematical's</em> podcast content is now available through iTunes; <a href="http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=219262705">you can subscribe at this link</a>. Also, you can listen directly here at <em>Cinematical </em>by clicking below: <br /><br /><object width="290" height="24" data="http://www.weblogsinc.com/media/audio_player.swf" type="application/x-shockwave-flash"> <param value="http://www.weblogsinc.com/media/audio_player.swf" name="movie" /> <param value="soundFile=http://podcasts.cinematical.com/podcasts/GuillermoDelToro.mp3&amp;leftbg=0xb7b7db&amp;rightbg=0xcdeb8b" name="FlashVars" /> <param value="high" name="quality" /> <param value="false" name="menu" /> <param value="transparent" name="wmode" /></object><br /><br />As ever, you can download the entire podcast <a href="http://stadium.weblogsinc.com/cinematical/podcasts/GuillermoDelToro.mp3">right here</a> -- and those of you with RSS Podcast readers can find all of Cinematical's podcast content <a href="http://podcasts.cinematical.com/rss.xml">at this link</a>.<p style="clear: both; padding: 8px 0 0 0; height: 2px; font-size: 1px; border: 0; margin: 0; padding: 0;"> </p><p><a href="http://www.cinematical.com/2008/07/09/interview-hellboy-ii-the-golden-army-director-guillermo-del/" rel="bookmark" title="Permanent link to this entry">Permalink</a> | <a href="http://www.cinematical.com/forward/1249570/" title="Send this entry to a friend via email">Email this</a> | <a href="http://www.cinematical.com/2008/07/09/interview-hellboy-ii-the-golden-army-director-guillermo-del/#comments" title="View reader comments on this entry">Comments</a></p>]]></description><category>cinematical</category><category>guillermo del toro</category><category>guillermo del toro interview</category><category>GuillermoDelToro</category><category>GuillermoDelToroInterview</category><category>hellboy</category><category>hellboy II the golden army</category><category>HellboyIiTheGoldenArmy</category><category>the hobbit</category><category>TheHobbit</category><enclosure url="http://www.cinematical.com/podcasts/GuillermoDelToro.mp3" length="6" type="audio"/><dc:creator>James Rocchi</dc:creator><pubDate>Wed, 09 Jul 2008 22:02:00 EST</pubDate><itunes:subtitle>Interview: "Hellboy II: The Golden Army' Director Guillermo Del Toro</itunes:subtitle><itunes:author>James Rocchi</itunes:author><itunes:summary><![CDATA[Speaking with Cinematical in Los Angeles, director and writer Guillermo del Toro was enthused and excited to talk about the challenges and triumphs of his latest film.


  "The biggest challenge (for Hellboy II: The Golden Army) was to say "Let's remain loose and interested and happy and crazier and more free in the second movie. ... And the second-biggest challenge was to make a 200-million dollar movie with 85 (million).  ..." Del Toro also spoke about the film's mix of slapstick and the supernatural, the pleasures and pitfalls of practical effects and what he'd say to someone concerned that his upcoming task of directing The Hobbit would mean too much time spent away from him crafting his own unique visions for the big screen. (Warning: Brief snippets of foul language included within.)Cinematical's podcast content is now available through iTunes; you can subscribe at this link. Also, you can listen directly here at Cinematical by clicking below:      As ever, you can download the entire podcast right here -- and those of you with RSS Podcast readers can find all of Cinematical's podcast content at this link.]]></itunes:summary><itunes:duration>22:30</itunes:duration></item><item><title>Interview: Kimberly Peirce, Director of 'Stop Loss'</title><link>http://www.cinematical.com/2008/07/08/interview-kimberly-peirce-director-of-stop-loss/</link><guid isPermaLink="true">http://www.cinematical.com/2008/07/08/interview-kimberly-peirce-director-of-stop-loss/</guid><comments>http://www.cinematical.com/2008/07/08/interview-kimberly-peirce-director-of-stop-loss/#comments</comments><description><![CDATA[<p>Filed under: <a href="http://www.cinematical.com/category/drama/" rel="tag">Drama</a>, <a href="http://www.cinematical.com/category/new-releases/" rel="tag">New Releases</a>, <a href="http://www.cinematical.com/category/home-entertainment/" rel="tag">Home Entertainment</a>, <a href="http://www.cinematical.com/category/interviews/" rel="tag">Interviews</a>, <a href="http://www.cinematical.com/category/war/" rel="tag">War</a></p><img vspace="4" hspace="4" border="1" alt="" src="http://www.blogsmithmedia.com/www.cinematical.com/media/2008/07/kpeirce070708.jpg" /><br /><br />After an explosive entry to the cinematic world with the hard-hitting, Academy Award-winning <em>Boys Don't Cry</em>, <a href="http://www.moviefone.com/celebrity/kimberly-peirce/2009327/main">Kimberly Peirce </a>backed away from the movie spotlight. However, it wasn't a vacation. During her hiatus, she worked on a project that came to be <a href="http://www.moviefone.com/movie/stop-loss/24475/main"><em>Stop Loss</em></a>, which hits DVD shelves today. Last week, <em>Cinematical</em> got the chance to talk to the director about the film, how she approaches filmmaking, and what her plans for the future are. It's a great discussion about how her life influences her work, and vice versa, and it's quite interesting when she discusses casting with a military metaphor.<br /><br />However, her work's not done in the world of stop loss. While the movie is out to audiences, she continues to champion the soldiers suffering due to this practice. She's speaking in Washington, D.C. on the matter, and helping the cause through <a href="http://www.stoplossmovie.com/">stoplossmovie.com</a> -- where you can check out a collection of videos made by soldiers and their families.<p><a href="http://www.cinematical.com/2008/07/08/interview-kimberly-peirce-director-of-stop-loss/" rel="bookmark">Continue reading <em>Interview: Kimberly Peirce, Director of 'Stop Loss'</em></a></p><p style="clear: both; padding: 8px 0 0 0; height: 2px; font-size: 1px; border: 0; margin: 0; padding: 0;"> </p><p><a href="http://www.cinematical.com/2008/07/08/interview-kimberly-peirce-director-of-stop-loss/" rel="bookmark" title="Permanent link to this entry">Permalink</a> | <a href="http://www.cinematical.com/forward/1248037/" title="Send this entry to a friend via email">Email this</a> | <a href="http://www.cinematical.com/2008/07/08/interview-kimberly-peirce-director-of-stop-loss/#comments" title="View reader comments on this entry">Comments</a></p>]]></description><category>Cinematical</category><category>featured</category><category>Kimberly Peirce</category><category>KimberlyPeirce</category><category>Stop Loss</category><category>StopLoss</category><dc:creator>Monika Bartyzel</dc:creator><pubDate>Tue, 08 Jul 2008 16:02:00 EST</pubDate></item><item><title>Interview: 'Wanted' Director Timur Bekmambetov</title><link>http://www.cinematical.com/2008/06/26/interview-wanted-director-timur-bekmambetov/</link><guid isPermaLink="true">http://www.cinematical.com/2008/06/26/interview-wanted-director-timur-bekmambetov/</guid><comments>http://www.cinematical.com/2008/06/26/interview-wanted-director-timur-bekmambetov/#comments</comments><description><![CDATA[<p>Filed under: <a href="http://www.cinematical.com/category/action-and-adventure/" rel="tag">Action</a>, <a href="http://www.cinematical.com/category/new-releases/" rel="tag">New Releases</a>, <a href="http://www.cinematical.com/category/universal/" rel="tag">Universal</a>, <a href="http://www.cinematical.com/category/podcasts/" rel="tag">Podcasts</a>, <a href="http://www.cinematical.com/category/fandom/" rel="tag">Fandom</a>, <a href="http://www.cinematical.com/category/angelina-jolie/" rel="tag">Angelina Jolie</a>, <a href="http://www.cinematical.com/category/interviews/" rel="tag">Interviews</a>, <a href="http://www.cinematical.com/category/comic-superhero-geek/" rel="tag">Comic/Superhero/Geek</a>, <a href="http://www.cinematical.com/category/los-angeles-film-festival/" rel="tag">Los Angeles Film Festival</a></p><img vspace="4" hspace="4" border="1" src="http://www.blogsmithmedia.com/www.cinematical.com/media/2008/06/bekmambetov.jpg" alt="" /><br /><br />After the record-breaking success of <span style="font-style: italic;">Night Watch</span> and <span style="font-style: italic;">Day Watch</span> (and an early film for B-movie maven Roger Corman, <span style="font-style: italic;">Arena</span>), Khazakstan-born, Russia-based director <a href="http://www.moviefone.com/celebrity/timur-bekmambetov/1929365/main">Timur Bekmambetov</a> makes his English-language big-studio debut with <a href="http://www.cinematical.com/2008/06/20/laff-review-wanted/" style="font-style: italic;">Wanted</a>, a bruising, brawny action film starring <a href="http://www.moviefone.com/celebrity/james-mcavoy/2093449/main">James McAvoy</a> and <a href="http://www.moviefone.com/celebrity/angelina-jolie/1804211/main">Angelina Jolie</a>. Bekmambetov spoke with Cinematical in Los Angeles about making the jump to big-money moviemaking, the hidden world of secrets behind <span style="font-style: italic;">Wanted</span>'s look, the action-film apprenticeship of James McAvoy, working with Angelina Jolie and how " .... we (film makers) are all vampires. ..."<br /><br />Cinematical'<em>s</em> podcast content is now available through iTunes; <a href="http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=219262705">you can subscribe at this link</a>. Also, you can listen directly here at Cinematical<em> </em>by clicking below: <br /><br /><object width="290" height="24" data="http://www.weblogsinc.com/media/audio_player.swf" type="application/x-shockwave-flash"> <param value="http://www.weblogsinc.com/media/audio_player.swf" name="movie" /> <param value="soundFile=http://podcasts.cinematical.com/podcasts/Bekmambetov.mp3&amp;leftbg=0xb7b7db&amp;rightbg=0xcdeb8b" name="FlashVars" /> <param value="high" name="quality" /> <param value="false" name="menu" /> <param value="transparent" name="wmode" /></object><br /><br />As ever, you can download the entire podcast <a href="http://stadium.weblogsinc.com/cinematical/podcasts/Bekmambetov.mp3">right here</a> -- and those of you with RSS Podcast readers can find all of Cinematical's podcast content <a href="http://podcasts.cinematical.com/rss.xml">at this link</a>.<p style="clear: both; padding: 8px 0 0 0; height: 2px; font-size: 1px; border: 0; margin: 0; padding: 0;"> </p><p><a href="http://www.cinematical.com/2008/06/26/interview-wanted-director-timur-bekmambetov/" rel="bookmark" title="Permanent link to this entry">Permalink</a> | <a href="http://www.cinematical.com/forward/1237502/" title="Send this entry to a friend via email">Email this</a> | <a href="http://www.cinematical.com/2008/06/26/interview-wanted-director-timur-bekmambetov/#comments" title="View reader comments on this entry">Comments</a></p>]]></description><category>Common</category><category>David OHara</category><category>DavidOhara</category><category>featured</category><category>Mark Millar</category><category>MarkMillar</category><category>Morgan Freeman</category><category>MorganFreeman</category><category>thomas kretschmann</category><category>ThomasKretschmann</category><category>timur bekmambetov</category><category>TimurBekmambetov</category><category>Wanted</category><enclosure url="http://www.cinematical.com/podcasts/Bekmambetov.mp3" length="5" type="audio"/><dc:creator>James Rocchi</dc:creator><pubDate>Thu, 26 Jun 2008 16:02:00 EST</pubDate><itunes:subtitle>Interview: 'Wanted' Director Timur Bekmambetov</itunes:subtitle><itunes:author>James Rocchi</itunes:author><itunes:summary><![CDATA[After the record-breaking success of Night Watch and Day Watch (and an early film for B-movie maven Roger Corman, Arena), Khazakstan-born, Russia-based director Timur Bekmambetov makes his English-language big-studio debut with Wanted, a bruising, brawny action film starring James McAvoy and Angelina Jolie. Bekmambetov spoke with Cinematical in Los Angeles about making the jump to big-money moviemaking, the hidden world of secrets behind Wanted's look, the action-film apprenticeship of James McAvoy, working with Angelina Jolie and how " .... we (film makers) are all vampires. ..."Cinematical's podcast content is now available through iTunes; you can subscribe at this link. Also, you can listen directly here at Cinematical by clicking below:      As ever, you can download the entire podcast right here -- and those of you with RSS Podcast readers can find all of Cinematical's podcast content at this link.]]></itunes:summary><itunes:duration>15:08</itunes:duration></item><item><title>Interview: 'Wanted' Co-Star Common</title><link>http://www.cinematical.com/2008/06/26/interview-wanted-co-star-common/</link><guid isPermaLink="true">http://www.cinematical.com/2008/06/26/interview-wanted-co-star-common/</guid><comments>http://www.cinematical.com/2008/06/26/interview-wanted-co-star-common/#comments</comments><description><![CDATA[<p>Filed under: <a href="http://www.cinematical.com/category/action-and-adventure/" rel="tag">Action</a>, <a href="http://www.cinematical.com/category/new-releases/" rel="tag">New Releases</a>, <a href="http://www.cinematical.com/category/universal/" rel="tag">Universal</a>, <a href="http://www.cinematical.com/category/podcasts/" rel="tag">Podcasts</a>, <a href="http://www.cinematical.com/category/angelina-jolie/" rel="tag">Angelina Jolie</a>, <a href="http://www.cinematical.com/category/interviews/" rel="tag">Interviews</a>, <a href="http://www.cinematical.com/category/comic-superhero-geek/" rel="tag">Comic/Superhero/Geek</a>, <a href="http://www.cinematical.com/category/los-angeles-film-festival/" rel="tag">Los Angeles Film Festival</a></p><em><img alt="" hspace="4" src="http://www.blogsmithmedia.com/www.cinematical.com/media/2008/06/commongroupshot.jpg" vspace="4" border="1" /><br /><br /></em>In <a href="http://www.cinematical.com/2008/06/20/laff-review-wanted/"><em>Wanted</em></a>, rapper-actor <a href="http://www.moviefone.com/celebrity/common/1246510/main">Common</a> plays The Gunsmith<em> </em>-- a cool, deadly expert marksman who mostly lets his bullets do the talking. But meeting with <em>Cinematical </em>in Los Angeles, the veteran of films like <em><a href="http://www.moviefone.com/movie/smokin-aces/23434/main">Smokin' Aces</a> </em>and<em> Street Kings</em> is warm and obviously enthusiastic about his experiences, talking about everything from his preparation process for playing what he calls "a Samurai warrior" in <em>Wanted </em>to the challenges facing African-American actors -- plus what's good to drink in Prague and how holding a real gun to James McAvoy's head can get you in the moment for your scenes. <em><br /><br />Cinematical</em>'<em>s</em> podcast content is now available through iTunes; <a href="http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=219262705">you can subscribe at this link</a>. Also, you can listen directly here at <em>Cinematical </em>by clicking below: <br /><br /><object width="290" height="24" data="http://www.weblogsinc.com/media/audio_player.swf" type="application/x-shockwave-flash"> <param value="http://www.weblogsinc.com/media/audio_player.swf" name="movie" /> <param value="soundFile=http://podcasts.cinematical.com/podcasts/Common.mp3&amp;leftbg=0xb7b7db&amp;rightbg=0xcdeb8b" name="FlashVars" /> <param value="high" name="quality" /> <param value="false" name="menu" /> <param value="transparent" name="wmode" /></object><br /><br />As ever, you can download the entire podcast <a href="http://stadium.weblogsinc.com/cinematical/podcasts/Common.mp3">right here</a> -- and those of you with RSS Podcast readers can find all of <em>Cinematical's</em> podcast content <a href="http://podcasts.cinematical.com/rss.xml">at this link</a>.<p style="clear: both; padding: 8px 0 0 0; height: 2px; font-size: 1px; border: 0; margin: 0; padding: 0;"> </p><p><a href="http://www.cinematical.com/2008/06/26/interview-wanted-co-star-common/" rel="bookmark" title="Permanent link to this entry">Permalink</a> | <a href="http://www.cinematical.com/forward/1237498/" title="Send this entry to a friend via email">Email this</a> | <a href="http://www.cinematical.com/2008/06/26/interview-wanted-co-star-common/#comments" title="View reader comments on this entry">Comments</a></p>]]></description><category>Common</category><category>James McAvoy</category><category>JamesMcavoy</category><category>Mark Millar</category><category>MarkMillar</category><category>Shaft</category><category>terminator 4</category><category>Terminator4</category><category>The Gunsmith</category><category>TheGunsmith</category><category>timur bekmambetov</category><category>TimurBekmambetov</category><category>Wanted</category><enclosure url="http://www.cinematical.com/podcasts/Common.mp3" length="5" type="audio"/><dc:creator>James Rocchi</dc:creator><pubDate>Thu, 26 Jun 2008 13:02:00 EST</pubDate><itunes:subtitle>Interview: 'Wanted' Co-Star Common</itunes:subtitle><itunes:author>James Rocchi</itunes:author><itunes:summary><![CDATA[In Wanted, rapper-actor Common plays The Gunsmith -- a cool, deadly expert marksman who mostly lets his bullets do the talking. But meeting with Cinematical in Los Angeles, the veteran of films like Smokin' Aces and Street Kings is warm and obviously enthusiastic about his experiences, talking about everything from his preparation process for playing what he calls "a Samurai warrior" in Wanted to the challenges facing African-American actors -- plus what's good to drink in Prague and how holding a real gun to James McAvoy's head can get you in the moment for your scenes. Cinematical's podcast content is now available through iTunes; you can subscribe at this link. Also, you can listen directly here at Cinematical by clicking below:      As ever, you can download the entire podcast right here -- and those of you with RSS Podcast readers can find all of Cinematical's podcast content at this link.]]></itunes:summary><itunes:duration>14:54</itunes:duration></item><item><title>Interview: 'Transsiberian' Director Brad Anderson</title><link>http://www.cinematical.com/2008/06/25/interview-transsiberian-director-brad-anderson/</link><guid isPermaLink="true">http://www.cinematical.com/2008/06/25/interview-transsiberian-director-brad-anderson/</guid><comments>http://www.cinematical.com/2008/06/25/interview-transsiberian-director-brad-anderson/#comments</comments><description><![CDATA[<p>Filed under: <a href="http://www.cinematical.com/category/thrillers/" rel="tag">Thrillers</a>, <a href="http://www.cinematical.com/category/new-releases/" rel="tag">New Releases</a>, <a href="http://www.cinematical.com/category/interviews/" rel="tag">Interviews</a>, <a href="http://www.cinematical.com/category/indie/" rel="tag">Cinematical Indie</a></p><img vspace="4" hspace="4" border="1" alt="" src="http://www.blogsmithmedia.com/www.cinematical.com/media/2008/06/transsiberian_anderson32jma.jpg" /><br /><br />His namesakes Paul Thomas Anderson and Wes Anderson made immediate genius debut splashes on the movie scene, but <a href="http://us.imdb.com/name/nm0026442/">Brad Anderson</a>, 43, has taken a slower, more indirect route, one more like the long, steady careers of John Ford and Howard Hawks. (By the way, none of these Andersons are related, and I am not related to any of them.) Brad Anderson has turned into a solid, dependable genre director, highly skilled and capable of making any kind of movie. Unlike most filmmakers today, his films are based on ideas, stories and characters rather than marketing concepts, and so they tend to hold up well past their sell-by date. So far they include the romantic comedy <em>Next Stop Wonderland</em><span style="font-style: normal;"> (1998), the sci-fi romance </span><em>Happy Accidents</em><span style="font-style: normal;"> (2000), one of the decade's best horror films, </span><em>Session 9</em><span style="font-style: normal;"> (2001) and the haunting </span><em>The Machinist</em><span style="font-style: normal;"> (2004).</span>
<p> </p>
<p class="MsoNormal">Opening July 18, Anderson's new film <a href="http://www.moviefone.com/movie/transsiberian/33428/main"><em>Transsiberian</em></a><span style="font-style: normal;"> is more like a classic thriller in the Hitchcock vein, even taking place on a train as many of Hitch's films did. <a href="http://us.imdb.com/name/nm0000437/">Woody Harrelson</a> and <a href="http://us.imdb.com/name/nm0607865/">Emily Mortimer</a> star as American couple Roy and Jessie, on their way back from China and taking the famous train. <a href="http://us.imdb.com/name/nm0001426/">Ben Kingsley</a> also stars as a Russian narcotics detective. Roy and Jessie meet a younger, traveling couple, Abby (<a href="http://us.imdb.com/name/nm0544718/">Kate Mara</a>) and Carlos (<a href="http://us.imdb.com/name/nm0635330/">Eduardo Noriega</a>), and find themselves entangled in a web of drugs and murder. Normally, the man is the hero in this type of story, but this time it's Jessie, a reformed "bad girl" making a go of it in her marriage with the simple, happy Roy (a train nut). <span style="font-style: italic;">Cinematical </span>recently enjoyed a brief phone conversation with Mr. Anderson, and that's where we began:<o:p></o:p></span></p>
<p class="MsoNormal"><span style="font-style: normal;"><o:p></o:p></span></p><p><a href="http://www.cinematical.com/2008/06/25/interview-transsiberian-director-brad-anderson/" rel="bookmark">Continue reading <em>Interview: 'Transsiberian' Director Brad Anderson</em></a></p><p style="clear: both; padding: 8px 0 0 0; height: 2px; font-size: 1px; border: 0; margin: 0; padding: 0;"> </p><p><a href="http://www.cinematical.com/2008/06/25/interview-transsiberian-director-brad-anderson/" rel="bookmark" title="Permanent link to this entry">Permalink</a> | <a href="http://www.cinematical.com/forward/1235660/" title="Send this entry to a friend via email">Email this</a> | <a href="http://www.cinematical.com/2008/06/25/interview-transsiberian-director-brad-anderson/#comments" title="View reader comments on this entry">Comments</a></p>]]></description><category>brad anderson</category><category>BradAnderson</category><category>cinematical</category><category>emily mortimer</category><category>EmilyMortimer</category><category>film</category><category>movie</category><category>transsiberian</category><dc:creator>Jeffrey M. Anderson</dc:creator><pubDate>Wed, 25 Jun 2008 20:02:00 EST</pubDate></item><item><title>'Get Smart' Interviews -- Steve Carrell, Anne Hathaway and More ...</title><link>http://www.cinematical.com/2008/06/20/get-smart-interviews-steve-carrell-anne-hathaway-and-more/</link><guid isPermaLink="true">http://www.cinematical.com/2008/06/20/get-smart-interviews-steve-carrell-anne-hathaway-and-more/</guid><comments>http://www.cinematical.com/2008/06/20/get-smart-interviews-steve-carrell-anne-hathaway-and-more/#comments</comments><description><![CDATA[<p>Filed under: <a href="http://www.cinematical.com/category/action-and-adventure/" rel="tag">Action</a>, <a href="http://www.cinematical.com/category/comedy/" rel="tag">Comedy</a>, <a href="http://www.cinematical.com/category/warner-brothers/" rel="tag">Warner Brothers</a>, <a href="http://www.cinematical.com/category/interviews/" rel="tag">Interviews</a></p><p><img alt="" hspace="4" src="http://www.blogsmithmedia.com/www.cinematical.com/media/2008/06/getsmartpressday.jpg" vspace="4" border="1" /><br /><br />Bringing TV properties to the big screen is a dicey proposition; for every success, there's a fistful of failures that didn't make the cut. (Hands up if you remember <em>I Spy</em>. ...) But gathered in Hollywood for a press conference, the stars and creative staff of <a href="http://www.moviefone.com/movie/get-smart/27152/main"><em>Get Smart</em></a> were relaxed and calm, fielding questions about everything from the tricky business of mocking intelligence in a post-9/11 world, what it takes to play a bad guy, and what it's like to make out with <a href="http://www.moviefone.com/celebrity/steve-carell/1782035/main">Steve Carell</a>. <br /><br />The cast was asked if they actually went back to the '60s TV show to get a sense of playing their parts; each of them had a different answer. Steve Carell explained "I didn't want to do an impersonation of Don Adams; I figured there was no way to improve upon what he had done, and I thought the more I watched of him, the more inclined I would be to do an impersonation, because he was so good, so definitive in the role; so no, I sort of backed off." </p>
<p> </p><p><a href="http://www.cinematical.com/2008/06/20/get-smart-interviews-steve-carrell-anne-hathaway-and-more/" rel="bookmark">Continue reading <em>'Get Smart' Interviews -- Steve Carrell, Anne Hathaway and More ...</em></a></p><p style="clear: both; padding: 8px 0 0 0; height: 2px; font-size: 1px; border: 0; margin: 0; padding: 0;"> </p><p><a href="http://www.cinematical.com/2008/06/20/get-smart-interviews-steve-carrell-anne-hathaway-and-more/" rel="bookmark" title="Permanent link to this entry">Permalink</a> | <a href="http://www.cinematical.com/forward/1225817/" title="Send this entry to a friend via email">Email this</a> | <a href="http://www.cinematical.com/2008/06/20/get-smart-interviews-steve-carrell-anne-hathaway-and-more/#comments" title="View reader comments on this entry">Comments</a></p>]]></description><category>Alan Arkin</category><category>AlanArkin</category><category>Anne Hathaway</category><category>AnneHathaway</category><category>Get Smart</category><category>GetSmart</category><category>Pete Segal</category><category>PeteSegal</category><category>Steve Carrell</category><category>SteveCarrell</category><category>Terrence Stamp</category><category>TerrenceStamp</category><dc:creator>James Rocchi</dc:creator><pubDate>Fri, 20 Jun 2008 11:03:00 EST</pubDate></item><item><title>Interview: Alan Arkin of Get Smart</title><link>http://www.cinematical.com/2008/06/18/interview-alan-arkin-of-get-smart/</link><guid isPermaLink="true">http://www.cinematical.com/2008/06/18/interview-alan-arkin-of-get-smart/</guid><comments>http://www.cinematical.com/2008/06/18/interview-alan-arkin-of-get-smart/#comments</comments><description><![CDATA[<p>Filed under: <a href="http://www.cinematical.com/category/action-and-adventure/" rel="tag">Action</a>, <a href="http://www.cinematical.com/category/comedy/" rel="tag">Comedy</a>, <a href="http://www.cinematical.com/category/warner-brothers/" rel="tag">Warner Brothers</a>, <a href="http://www.cinematical.com/category/interviews/" rel="tag">Interviews</a></p><img vspace="4" hspace="4" border="1" src="http://www.blogsmithmedia.com/www.cinematical.com/media/2008/06/getsmartarkin.jpg" alt="" /><br /><br />In the big-screen adaptation of the '60s TV show <a href="http://movies.aol.com/movie/get-smart/27152/main"><em>Get Smart</em></a>, <a href="http://www.moviefone.com/celebrity/alan-arkin/1038348/main">Alan Arkin</a> takes on the role of The Chief, the spymaster originally portrayed by Edward Platt. Bold, resolute, and perpetually frustrated by the efforts and mistakes of the overly-enthusiastic Maxwell Smart (Steve Carell), The Chief is an ideal part for someone with Arkin's slow-burn comedy timing, and a chance for the Oscar-winning actor to stand out in one of the biggest-budget films of Arkin's career. <em>Cinematical</em> spoke with Arkin in Hollywood about how he came on board the film, his long professional history of mocking the American intelligence establishment, doing his own stunts and if he'd be back for a <em>Get Smart</em> sequel. <br /><br /><strong>Cinematical:</strong> <span style="font-weight: bold;">I was reading in the press notes, which I'm never inclined to trust ... </span><br /><br /><strong>Alan Arkin:</strong> I deny it; I never said anything like that in my life. ...<br /><br /><strong>Cinematical:</strong><span style="font-weight: bold;"> I read how Mr. Carell was how you got involved in the film ... </span><br /><br /><strong>AA: </strong>I'm hearing that today for the first time; I've heard it from three people, so maybe it's true ...<p><a href="http://www.cinematical.com/2008/06/18/interview-alan-arkin-of-get-smart/" rel="bookmark">Continue reading <em>Interview: Alan Arkin of Get Smart</em></a></p><p style="clear: both; padding: 8px 0 0 0; height: 2px; font-size: 1px; border: 0; margin: 0; padding: 0;"> </p><p><a href="http://www.cinematical.com/2008/06/18/interview-alan-arkin-of-get-smart/" rel="bookmark" title="Permanent link to this entry">Permalink</a> | <a href="http://www.cinematical.com/forward/1225833/" title="Send this entry to a friend via email">Email this</a> | <a href="http://www.cinematical.com/2008/06/18/interview-alan-arkin-of-get-smart/#comments" title="View reader comments on this entry">Comments</a></p>]]></description><category>Alan Arkin</category><category>AlanArkin</category><category>Get Smart</category><category>GetSmart</category><category>Steve Carell</category><category>SteveCarell</category><category>The Russians are Coming</category><category>TheIn-laws</category><category>TheRussiansAreComing</category><dc:creator>James Rocchi</dc:creator><pubDate>Wed, 18 Jun 2008 22:02:00 EST</pubDate></item><item><title>Interview: Tim Roth</title><link>http://www.cinematical.com/2008/06/12/interview-tim-roth/</link><guid isPermaLink="true">http://www.cinematical.com/2008/06/12/interview-tim-roth/</guid><comments>http://www.cinematical.com/2008/06/12/interview-tim-roth/#comments</comments><description><![CDATA[<p>Filed under: <a href="http://www.cinematical.com/category/action-and-adventure/" rel="tag">Action</a>, <a href="http://www.cinematical.com/category/sci-fi-and-fantasy/" rel="tag">Sci-Fi &amp; Fantasy</a>, <a href="http://www.cinematical.com/category/fandom/" rel="tag">Fandom</a>, <a href="http://www.cinematical.com/category/new-in-theaters/" rel="tag">New in Theaters</a>, <a href="http://www.cinematical.com/category/interviews/" rel="tag">Interviews</a>, <a href="http://www.cinematical.com/category/comic-superhero-geek/" rel="tag">Comic/Superhero/Geek</a>, <a href="http://www.cinematical.com/category/remakes-and-sequels/" rel="tag">Remakes and Sequels</a></p><img width="450" vspace="4" hspace="4" height="260" border="1" align="middle" src="http://www.blogsmithmedia.com/www.cinematical.com/media/2008/06/troth1-(2).jpg" alt="" /><br /><br />In <a href="http://www.moviefone.com/movie/the-incredible-hulk/26921/main"><span style="font-style: italic; font-weight: bold;">The Incredible Hulk</span></a>, long-time character actor <a href="http://www.moviefone.com/celebrity/tim-roth/1437356/main">Tim Roth</a> leaps onto summer's biggest stage as Emil Blonsky, a soldier brought in by General Ross (William Hurt) to hunt down Bruce Banner and bring him back alive. But when Blonsky learns that Banner isn't "just another fugitive," he begins to want the kind of power Banner has hidden deep within. Yet, with that power comes a very large price -- and if he's not careful enough, Blonsky could end up turning into an abomination. <span style="font-style: italic;">Cinematical </span>managed to snag Roth for a few moments to ask him about the character and what it's like for him to be appearing in such a giant film, as well as whether he'd be down for Hulk sequels and more fun with his pal Quentin Tarantino. <br /><br /><span style="font-weight: bold;">Cinematical: Is it important to start the character in a very realistic fashion given the wild changes he goes through in Act III?</span><br /><br /><span style="font-weight: bold;">Tim Roth:</span> Yeah, I think what's interesting -- and what was interesting about doing it -- was that there was a real arc to the character. He goes through many different versions of himself before he finally goes over the top in the end. So it would've been a little less intriguing for me as an actor if I had a couple of scenes in the beginning and then suddenly I'm the monster. Yeah, that would've been a little dull ... but it was really the opposite in this case, because we really got to develop the character and play around with different aspects. See him as he's becoming more addicted to this; I mean, it's kind of like the journey of a weird junkie in a way.<br /><em></em><p><a href="http://www.cinematical.com/2008/06/12/interview-tim-roth/" rel="bookmark">Continue reading <em>Interview: Tim Roth</em></a></p><p style="clear: both; padding: 8px 0 0 0; height: 2px; font-size: 1px; border: 0; margin: 0; padding: 0;"> </p><p><a href="http://www.cinematical.com/2008/06/12/interview-tim-roth/" rel="bookmark" title="Permanent link to this entry">Permalink</a> | <a href="http://www.cinematical.com/forward/1221349/" title="Send this entry to a friend via email">Email this</a> | <a href="http://www.cinematical.com/2008/06/12/interview-tim-roth/#comments" title="View reader comments on this entry">Comments</a></p>]]></description><category>cinematical</category><category>edward norton</category><category>EdwardNorton</category><category>emil blonsky</category><category>EmilBlonsky</category><category>liv tyler</category><category>LivTyler</category><category>quentin tarantino</category><category>QuentinTarantino</category><category>the incredible hulk</category><category>TheIncredibleHulk</category><category>tim roth</category><category>tim roth interview</category><category>TimRoth</category><category>TimRothInterview</category><dc:creator>Erik Davis</dc:creator><pubDate>Thu, 12 Jun 2008 12:02:00 EST</pubDate></item><item><title>Interview: M. Night Shyamalan</title><link>http://www.cinematical.com/2008/06/10/interview-m-night-shyamalan/</link><guid isPermaLink="true">http://www.cinematical.com/2008/06/10/interview-m-night-shyamalan/</guid><comments>http://www.cinematical.com/2008/06/10/interview-m-night-shyamalan/#comments</comments><description><![CDATA[<p>Filed under: <a href="http://www.cinematical.com/category/independent/" rel="tag">Independent</a>, <a href="http://www.cinematical.com/category/sci-fi-and-fantasy/" rel="tag">Sci-Fi &amp; Fantasy</a>, <a href="http://www.cinematical.com/category/thrillers/" rel="tag">Thrillers</a>, <a href="http://www.cinematical.com/category/new-releases/" rel="tag">New Releases</a>, <a href="http://www.cinematical.com/category/rumormonger/" rel="tag">RumorMonger</a>, <a href="http://www.cinematical.com/category/celebrities-and-controversy/" rel="tag">Celebrities and Controversy</a>, <a href="http://www.cinematical.com/category/fandom/" rel="tag">Fandom</a>, <a href="http://www.cinematical.com/category/diy-filmmaking/" rel="tag">DIY/Filmmaking</a>, <a href="http://www.cinematical.com/category/steven-spielberg/" rel="tag">Steven Spielberg</a>, <a href="http://www.cinematical.com/category/interviews/" rel="tag">Interviews</a>, <a href="http://www.cinematical.com/category/comic-superhero-geek/" rel="tag">Comic/Superhero/Geek</a></p><img width="433" vspace="4" hspace="4" height="325" border="1" align="middle" src="http://www.blogsmithmedia.com/www.cinematical.com/media/2008/06/shyamalan-small.jpg" alt="" /><br /><br />He goes by "Night," but it's hard to dispute his sunny disposition. Just a few minutes into a conversation with <a href="http://www.moviefone.com/celebrity/m-night-shyamalan/1970119/main">M. Night Shyamalan</a> in a New York City hotel room yesterday, it was obvious to me that the director has managed to occupy such a unique niche in the Hollywood landscape because he's immediately likable. Of course, a little movie released in 1999 called <a href="http://www.moviefone.com/movie/the-sixth-sense/6412/main"><em>The Sixth Sense</em></a> didn't hurt, either. <br /><br />After landing two Oscar nominations and international acclaim for his masterful ghost story, Shyamalan continued to market himself as a brand. Since then, the results have been mixed. <a href="http://www.moviefone.com/movie/signs/11185/main"><em>Signs</em></a> was an indisputable hit. <a href="http://www.moviefone.com/movie/unbreakable/8155/main"><em>Unbreakable</em></a> has its supporters. <a href="http://www.moviefone.com/movie/lady-in-the-water/22124/main"><em>Lady in the Water</em></a>? Not so much. But that failure hasn't prevented the filmmaker from dealing with audacious material: His latest movie, <a href="http://www.moviefone.com/search/the%20happening"><em>The Happening</em></a>, finds a married couple (<a href="http://www.moviefone.com/celebrity/mark-wahlberg/1165441/main">Mark Wahlberg</a> and <a href="http://www.moviefone.com/celebrity/zooey-deschanel/2009263/main">Zooey Deschanel</a>) thrust into a world where people inexplicably become suicidal after getting struck by an ominous, unseen toxin. Forces of evil usually remain unseen in Shyamalan's films, and <em>The Happening</em> is no exception to that rule. I spoke to the 37-year-old Philadelphia resident about the personal philosophies guiding his career choices, the polarized reactions to his work, and what the future will bring.<p><a href="http://www.cinematical.com/2008/06/10/interview-m-night-shyamalan/" rel="bookmark">Continue reading <em>Interview: M. Night Shyamalan</em></a></p><p style="clear: both; padding: 8px 0 0 0; height: 2px; font-size: 1px; border: 0; margin: 0; padding: 0;"> </p><p><a href="http://www.cinematical.com/2008/06/10/interview-m-night-shyamalan/" rel="bookmark" title="Permanent link to this entry">Permalink</a> | <a href="http://www.cinematical.com/forward/1221179/" title="Send this entry to a friend via email">Email this</a> | <a href="http://www.cinematical.com/2008/06/10/interview-m-night-shyamalan/#comments" title="View reader comments on this entry">Comments</a></p>]]></description><category>avatar</category><category>avatar the last airb...</category><category>avatars</category><category>AvatarTheLastAirb...</category><category>blogs</category><category>darren aronofsky</category><category>DarrenAronofsky</category><category>james cameron</category><category>JamesCameron</category><category>lady in the water</category><category>LadyInTheWater</category><category>last airbender</category><category>LastAirbender</category><category>m night</category><category>m night shyamalan</category><category>manoj shyamalan</category><category>ManojShyamalan</category><category>mark wahlber</category><category>mark wahlberg</category><category>MarkWahlber</category><category>MarkWahlberg</category><category>MNight</category><category>MNightShyamalan</category><category>newsweek</category><category>night shyamalan</category><category>NightShyamalan</category><category>philadelphia</category><category>schindlers list</category><category>SchindlersList</category><category>signs</category><category>south park</category><category>SouthPark</category><category>steven spielberg</category><category>StevenSpielberg</category><category>the happening</category><category>the last airbender</category><category>the village</category><category>TheHappening</category><category>TheLastAirbender</category><category>TheVillage</category><category>unbreakable</category><category>woody allen</category><category>WoodyAllen</category><category>zooey deschanel</category><category>ZooeyDeschanel</category><dc:creator>Eric Kohn</dc:creator><pubDate>Tue, 10 Jun 2008 22:02:00 EST</pubDate></item><item><title>Ask 'Incredible Hulk' Stars and Director a Question</title><link>http://www.cinematical.com/2008/05/29/ask-incredible-hulk-stars-and-director-a-question/</link><guid isPermaLink="true">http://www.cinematical.com/2008/05/29/ask-incredible-hulk-stars-and-director-a-question/</guid><comments>http://www.cinematical.com/2008/05/29/ask-incredible-hulk-stars-and-director-a-question/#comments</comments><description><![CDATA[<p>Filed under: <a href="http://www.cinematical.com/category/fandom/" rel="tag">Fandom</a>, <a href="http://www.cinematical.com/category/interviews/" rel="tag">Interviews</a>, <a href="http://www.cinematical.com/category/unscripted/" rel="tag">Unscripted</a>, <a href="http://www.cinematical.com/category/summer-movies-1/" rel="tag">Summer Movies</a></p><a href="http://movies.aol.com/movie/the-incredible-hulk/26921/main"><img vspace="8" hspace="8" border="0" align="right" alt="The Incredible Hulk" src="http://www.aolcdn.com/aolmovies/incredible-hulk-150x150" /></a>It seems like just yesterday that the Interwebs were buzzing about the casting of <a href="http://movies.aol.com/celebrity/edward-norton/215904/main">Edward Norton</a> as Bruce Banner in <a href="http://movies.aol.com/movie/the-incredible-hulk/26921/main"><em>The Incredible Hulk</em></a> (or as the French would say, <em>Hulk Incroyable!</em>).<br /><br />In theaters June 13, this new Hulk movie sees Banner trying desperately to "cure" himself of the gamma radiation that unleashes the not-so-jolly green giant within, all the while struggling with his secret identity, dodging the industrial military complex, pining for his true love (<a href="http://movies.aol.com/celebrity/liv-tyler/198152/main">Liv Tyler</a>) and confronting a nasty enemy known as The Abomination (<a href="http://movies.aol.com/celebrity/tim-roth/61768/main">Tim Roth</a>).<br /><br />Who better to play such a multi-faceted Hulk than the versatile Norton, an actor who lives to play complex characters? How did he approach playing the role -- and what was his interpretation of the line "HULK SMASH!"?<br /><br />You don't have to wonder -- you can ask him yourself. Edward Norton, Liv Tyler and director <a href="http://movies.aol.com/celebrity/louis-leterrier/322749/main">Louis Leterrier</a> (known for the <em>Transporter </em>movies) have just agreed to huddle for Moviefone's Unscripted series, in which they'll interview each other using your questions.<br /><br />You know what to do. Ask your question for any one of the three (or all three!) in the comments below, and be sure to <strong>include your first name and your city and state</strong>; then come back <a href="http://movies.aol.com/unscripted">here </a>on June 9 to see if your question got asked. The interview's happening on Monday, June 2 -- so submit by Monday morning, or else you'll make Hulk mad. And you wouldn't want to make him mad, would you?<p style="clear: both; padding: 8px 0 0 0; height: 2px; font-size: 1px; border: 0; margin: 0; padding: 0;"> </p><p><a href="http://www.cinematical.com/2008/05/29/ask-incredible-hulk-stars-and-director-a-question/" rel="bookmark" title="Permanent link to this entry">Permalink</a> | <a href="http://www.cinematical.com/forward/1209934/" title="Send this entry to a friend via email">Email this</a> | <a href="http://www.cinematical.com/2008/05/29/ask-incredible-hulk-stars-and-director-a-question/#comments" title="View reader comments on this entry">Comments</a></p>]]></description><dc:creator>Patricia Chui</dc:creator><pubDate>Thu, 29 May 2008 17:34:00 EST</pubDate></item><item><title>Ask 'Pineapple Express' Stars Seth Rogen and James Franco a Question</title><link>http://www.cinematical.com/2008/05/28/ask-pineapple-express-stars-seth-rogen-and-james-franco-a-ques/</link><guid isPermaLink="true">http://www.cinematical.com/2008/05/28/ask-pineapple-express-stars-seth-rogen-and-james-franco-a-ques/</guid><comments>http://www.cinematical.com/2008/05/28/ask-pineapple-express-stars-seth-rogen-and-james-franco-a-ques/#comments</comments><description><![CDATA[<p>Filed under: <a href="http://www.cinematical.com/category/fandom/" rel="tag">Fandom</a>, <a href="http://www.cinematical.com/category/interviews/" rel="tag">Interviews</a>, <a href="http://www.cinematical.com/category/unscripted/" rel="tag">Unscripted</a></p><img vspace="8" hspace="8" border="0" align="right" src="http://www.aolcdn.com/aolmovies/pineapple-express-150x150" alt="Pineapple Express" />I think I've made no secret elsewhere that I'm a huge <em>Freaks and Geeks</em> fan -- I still haven't recovered from the cancellations of this show, <em>My So-Called Life</em> and <em>Sportsnight</em>. So imagine my delight when I heard that Seth Rogen and James Franco, two of the stars of <em>Freaks and Geeks</em>, were reteaming for the stoner comedy <a href="http://movies.aol.com/movie/the-pineapple-express/28358/main"><em>The Pineapple Express</em></a>, another Judd Apatow joint that's co-written by Seth Rogen.<br /><br />Just like in <em>Freaks and Geeks</em>, Rogen and James get high ... a lot. And get up to a whole bunch of no good. It's like the high school reunion we never saw! Aside from that, obviously, Rogen's stock has been on quite a run since <em>F&amp;G</em>, with his breakout starring role in last year's hit comedy <em>Knocked Up</em>, around which were sandwiched scene-stealing roles in <em>The 40-Year-Old Virgin</em> and <em>Superbad</em>.<br /><br />Franco's had success of a somewhat different sort -- his leading man roles haven't catapulted him to stardom, but he earned himself a nice chunk of change as Harry/New Goblin in the <em>Spider-Man</em> movies, so we're not feeling too sorry for him. <br /><br />Before <em>Pineapple Express</em> hits theaters on August 8, Rogen and Franco will be sitting for Moviefone's Unscripted series to interview each other using your questions. Knock 'em on over here in the comments section, making sure to include your first name and the city where you live -- and the interview happens this weekend, so get those questions in by Friday, May 30.<br /><br />Then mark your calendars and come back <a href="http://movies.aol.com/unscripted">here</a> on Monday, August 4, to see if your question got asked. Good luck. Dude.<p style="clear: both; padding: 8px 0 0 0; height: 2px; font-size: 1px; border: 0; margin: 0; padding: 0;"> </p><p><a href="http://www.cinematical.com/2008/05/28/ask-pineapple-express-stars-seth-rogen-and-james-franco-a-ques/" rel="bookmark" title="Permanent link to this entry">Permalink</a> | <a href="http://www.cinematical.com/forward/1208204/" title="Send this entry to a friend via email">Email this</a> | <a href="http://www.cinematical.com/2008/05/28/ask-pineapple-express-stars-seth-rogen-and-james-franco-a-ques/#comments" title="View reader comments on this entry">Comments</a></p>]]></description><category>pineapple express</category><category>pineappleexpress</category><dc:creator>Patricia Chui</dc:creator><pubDate>Wed, 28 May 2008 15:02:00 EST</pubDate></item><item><title>Cannes Interview: 'Tyson' Director James Toback</title><link>http://www.cinematical.com/2008/05/22/cannes-interview-tyson-director-james-toback/</link><guid isPermaLink="true">http://www.cinematical.com/2008/05/22/cannes-interview-tyson-director-james-toback/</guid><comments>http://www.cinematical.com/2008/05/22/cannes-interview-tyson-director-james-toback/#comments</comments><description><![CDATA[<p>Filed under: <a href="http://www.cinematical.com/category/documentary/" rel="tag">Documentary</a>, <a href="http://www.cinematical.com/category/cannes/" rel="tag">Cannes</a>, <a href="http://www.cinematical.com/category/festival-reports/" rel="tag">Festival Reports</a>, <a href="http://www.cinematical.com/category/podcasts/" rel="tag">Podcasts</a>, <a href="http://www.cinematical.com/category/interviews/" rel="tag">Interviews</a></p><img vspace="4" hspace="4" border="1" src="http://www.blogsmithmedia.com/www.cinematical.com/media/2008/05/tyson.jpg" alt="" /><br /><br />James Toback's known for cult classics (<a href="http://movies.aol.com/movie/fingers/15227/main"><em>Fingers</em></a>, <a href="http://movies.aol.com/movie/black-and-white/7299/main"><em>Black and White</em></a>) and puzzling experiments (<em>When Will I Be Loved</em>); this year, he's at Cannes with his new documentary <a href="http://www.cinematical.com/2008/05/17/cannes-review-tyson/"><em>Tyson</em></a>, focusing on the life and times of a curiously muted and repentant Mike Tyson -- which received a standing ovation when it opened the Un Certain Regard selection. <a href="http://movies.aol.com/celebrity/james-toback/114247/main">James Toback</a> spoke with <em>Cinematical </em>at Cannes about the genesis of the project, the challenges of dealing with Tyson as a subject instead of as a friend, and about the ongoing negotiations with his 8-year old son over a possible part in his next film. <br /><br />This interview, like all of <em>Cinematical's</em> podcast offerings, is now available through iTunes; if you'd like, <a href="http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=219262705">you can subscribe at this link</a>. Also, you can listen directly here at <em>Cinematical </em>by clicking below: <br /><br /><object width="290" height="24" data="http://www.weblogsinc.com/media/audio_player.swf" type="application/x-shockwave-flash"> <param value="http://www.weblogsinc.com/media/audio_player.swf" name="movie" /> <param value="soundFile=http://podcasts.cinematical.com/podcasts/Toback.mp3&amp;leftbg=0xb7b7db&amp;rightbg=0xcdeb8b" name="FlashVars" /> <param value="high" name="quality" /> <param value="false" name="menu" /> <param value="transparent" name="wmode" /></object><strong><br /><br /></strong><br /><span style="font-style: italic;"></span><p style="clear: both; padding: 8px 0 0 0; height: 2px; font-size: 1px; border: 0; margin: 0; padding: 0;"> </p><p><a href="http://www.cinematical.com/2008/05/22/cannes-interview-tyson-director-james-toback/" rel="bookmark" title="Permanent link to this entry">Permalink</a> | <a href="http://www.cinematical.com/forward/1203323/" title="Send this entry to a friend via email">Email this</a> | <a href="http://www.cinematical.com/2008/05/22/cannes-interview-tyson-director-james-toback/#comments" title="View reader comments on this entry">Comments</a></p>]]></description><category>Black and White</category><category>BlackAndWhite</category><category>Cannes2008</category><category>Fingers</category><category>James Toback</category><category>JamesToback</category><category>Mike Tyson</category><category>MikeTyson</category><category>Tyson</category><enclosure url="http://www.cinematical.com/podcasts/Toback.MP3" length="6" type="Audio"/><dc:creator>James Rocchi</dc:creator><pubDate>Thu, 22 May 2008 15:02:00 EST</pubDate><itunes:subtitle>Cannes Interview: 'Tyson' Director James Toback</itunes:subtitle><itunes:author>James Rocchi</itunes:author><itunes:summary><![CDATA[James Toback's known for cult classics (Fingers, Black and White) and puzzling experiments (When Will I Be Loved); this year, he's at Cannes with his new documentary Tyson, focusing on the life and times of a curiously muted and repentant Mike Tyson -- which received a standing ovation when it opened the Un Certain Regard selection. James Toback spoke with Cinematical at Cannes about the genesis of the project, the challenges of dealing with Tyson as a subject instead of as a friend, and about the ongoing negotiations with his 8-year old son over a possible part in his next film. This interview, like all of Cinematical's podcast offerings, is now available through iTunes; if you'd like, you can subscribe at this link. Also, you can listen directly here at Cinematical by clicking below:      ]]></itunes:summary><itunes:duration>17:22</itunes:duration></item><item><title>Cannes 2008: 'Changeling' Press Conference</title><link>http://www.cinematical.com/2008/05/22/cannes-changeling-press-conference/</link><guid isPermaLink="true">http://www.cinematical.com/2008/05/22/cannes-changeling-press-conference/</guid><comments>http://www.cinematical.com/2008/05/22/cannes-changeling-press-conference/#comments</comments><description><![CDATA[<p>Filed under: <a href="http://www.cinematical.com/category/cannes/" rel="tag">Cannes</a>, <a href="http://www.cinematical.com/category/festival-reports/" rel="tag">Festival Reports</a>, <a href="http://www.cinematical.com/category/angelina-jolie/" rel="tag">Angelina Jolie</a>, <a href="http://www.cinematical.com/category/movie-marketing/" rel="tag">Movie Marketing</a>, <a href="http://www.cinematical.com/category/interviews/" rel="tag">Interviews</a>, <a href="http://www.cinematical.com/category/oscar-watch/" rel="tag">Oscar Watch</a>, <a href="http://www.cinematical.com/category/indie/" rel="tag">Cinematical Indie</a></p><p><img vspace="4" hspace="4" border="1" src="http://www.blogsmithmedia.com/www.cinematical.com/media/2008/05/changeling-pc-15-433.jpg" alt="" /></p>
<p>The <em><a href="http://tp://movies.aol.com/movie/the-changeling-2008/26769/main">Changeling</a></em> press conference the other day was, not surprisingly, a packed affair, with throngs of journalists crowding in to get a look at <a href="http://www.imdb.com/name/nm0000142/">Clint Eastwood,</a> <a href="http://www.imdb.com/name/nm0001401/">Angelina Jolie</a>, and the Jolie baby bump. Honestly, I've never seen so many people so fascinated with the silhouette of a pregnant woman -- the Jolie frenzy here has been interesting to watch. She looked, also not surprisingly, glowingly fantastic. Also on hand to field questions were producer <a href="http://www.imdb.com/name/nm0004976/">Brian Grazer</a> and his famously spiky hair, and screenwriter <a href="http://www.imdb.com/name/nm0000142/">J. Michael Straczynski</a>.</p>
<p><div class="postgallery"><p><strong>Gallery: <a href="http://".$GLOBALS["HTTP_HOST"]."/photos/cannes-in-photos-changeling-press-conference/">Cannes in Photos: Changeling Press Conference</a></strong></p><a href="http://".$GLOBALS["HTTP_HOST"]."/photos/cannes-in-photos-changeling-press-conference/817510/"><img src="http://www.blogsmithmedia.com/www.cinematical.com/media/2008/05/changeling-pc-12_thumbnail.jpg" alt="Cannes in Photos: Changeling Press Conference" title="Cannes in Photos: Changeling Press Conference" /></a><a href="http://".$GLOBALS["HTTP_HOST"]."/photos/cannes-in-photos-changeling-press-conference/817513/"><img src="http://www.blogsmithmedia.com/www.cinematical.com/media/2008/05/changeling-pc-06_thumbnail.jpg" alt="Cannes in Photos: Changeling Press Conference" title="Cannes in Photos: Changeling Press Conference" /></a><a href="http://".$GLOBALS["HTTP_HOST"]."/photos/cannes-in-photos-changeling-press-conference/817512/"><img src="http://www.blogsmithmedia.com/www.cinematical.com/media/2008/05/changeling-pc-14_thumbnail.jpg" alt="Cannes in Photos: Changeling Press Conference" title="Cannes in Photos: Changeling Press Conference" /></a><a href="http://".$GLOBALS["HTTP_HOST"]."/photos/cannes-in-photos-changeling-press-conference/817506/"><img src="http://www.blogsmithmedia.com/www.cinematical.com/media/2008/05/changeling-pc-03_thumbnail.jpg" alt="Cannes in Photos: Changeling Press Conference" title="Cannes in Photos: Changeling Press Conference" /></a><a href="http://".$GLOBALS["HTTP_HOST"]."/photos/cannes-in-photos-changeling-press-conference/817515/"><img src="http://www.blogsmithmedia.com/www.cinematical.com/media/2008/05/changeling-pc-08_thumbnail.jpg" alt="Cannes in Photos: Changeling Press Conference" title="Cannes in Photos: Changeling Press Conference" /></a></div></p>
<p> </p><p><a href="http://www.cinematical.com/2008/05/22/cannes-changeling-press-conference/" rel="bookmark">Continue reading <em>Cannes 2008: 'Changeling' Press Conference</em></a></p><p style="clear: both; padding: 8px 0 0 0; height: 2px; font-size: 1px; border: 0; margin: 0; padding: 0;"> </p><p><a href="http://www.cinematical.com/2008/05/22/cannes-changeling-press-conference/" rel="bookmark" title="Permanent link to this entry">Permalink</a> | <a href="http://www.cinematical.com/forward/1202732/" title="Send this entry to a friend via email">Email this</a> | <a href="http://www.cinematical.com/2008/05/22/cannes-changeling-press-conference/#comments" title="View reader comments on this entry">Comments</a></p>]]></description><category>angelina jolie</category><category>cannes 2008</category><category>cannes film festival</category><category>cannes2008</category><category>changeling</category><category>clint eastwood</category><category>ClintEastwood</category><category>john malcovich</category><dc:creator>Kim Voynar</dc:creator><pubDate>Thu, 22 May 2008 14:02:00 EST</pubDate></item><item><title>Interviews: Indiana Jones's George Lucas, Shia LaBeouf and Cate Blanchett</title><link>http://www.cinematical.com/2008/05/22/interviews-indiana-joness-george-lucas-shia-labeouf-and-cate/</link><guid isPermaLink="true">http://www.cinematical.com/2008/05/22/interviews-indiana-joness-george-lucas-shia-labeouf-and-cate/</guid><comments>http://www.cinematical.com/2008/05/22/interviews-indiana-joness-george-lucas-shia-labeouf-and-cate/#comments</comments><description><![CDATA[<p>Filed under: <a href="http://www.cinematical.com/category/action-and-adventure/" rel="tag">Action</a>, <a href="http://www.cinematical.com/category/cannes/" rel="tag">Cannes</a>, <a href="http://www.cinematical.com/category/paramount/" rel="tag">Paramount</a>, <a href="http://www.cinematical.com/category/steven-spielberg/" rel="tag">Steven Spielberg</a>, <a href="http://www.cinematical.com/category/interviews/" rel="tag">Interviews</a>, <a href="http://www.cinematical.com/category/remakes-and-sequels/" rel="tag">Remakes and Sequels</a></p><img vspace="4" hspace="4" border="1" src="http://www.blogsmithmedia.com/www.cinematical.com/media/2008/05/ij4-ia-1666-dj.jpg" alt="" /><br /><br />In the Carlton Hotel at Cannes, a small group of journalists have navigated the maze-like hallways, made it through a series of security checkpoints and eventually brought to a suite to sit in rows and hear Cate Blanchett, Shia LaBeouf and George Lucas talk about the making of <a href="http://movies.aol.com/movie/indiana-jones-and-the-kingdom-of-the-crystal-skull/25440/main"><span style="font-style: italic;">Indiana Jones and the Kingdom of the Crystal Skull.</span></a> Despite the bizarre timing of the interviews -- Paramount scheduled the press day before the press screening of the film -- rendering the experience slghtly awkward, LaBeouf, Blanchett and Lucas were relaxed and charming as they took hypothetical questions, general inquiries and wild guesses about the film. <em>Cinematical </em>was there to hear George Lucas talk about the politics of Indy, LaBeouf explain why his switchblade skills needed work and Blanchett talk about being directed by her children, and much more; <em>Cinematical's</em> questions are indicated. <br /><br /><span style="font-weight: bold;">George, was it really important to have the space alien element to the story? The legend about this movie is that it was held up because you wanted to have the Area 51 segment in there. Is that true, and why is it so important to have the aliens in there?</span><br /><br /><span style="font-weight: bold;">George Lucas: </span>Well, these movies don't work without an object that they're going after that is supernatural and that is a real object that people believe in - whether it's actually true or not true - whether it's the Ark of the Covenant, whether it's the Holy Grail, these are things that are mythological artifacts that have real mythology. It's not made-up Hollywood, by me or by anyone else, it's the real deal. So I had to have something that would be the real deal. When we finished the third film, we didn't know if we were gonna make (a next) movie. ...<p><a href="http://www.cinematical.com/2008/05/22/interviews-indiana-joness-george-lucas-shia-labeouf-and-cate/" rel="bookmark">Continue reading <em>Interviews: Indiana Jones's George Lucas, Shia LaBeouf and Cate Blanchett</em></a></p><p style="clear: both; padding: 8px 0 0 0; height: 2px; font-size: 1px; border: 0; margin: 0; padding: 0;"> </p><p><a href="http://www.cinematical.com/2008/05/22/interviews-indiana-joness-george-lucas-shia-labeouf-and-cate/" rel="bookmark" title="Permanent link to this entry">Permalink</a> | <a href="http://www.cinematical.com/forward/1202717/" title="Send this entry to a friend via email">Email this</a> | <a href="http://www.cinematical.com/2008/05/22/interviews-indiana-joness-george-lucas-shia-labeouf-and-cate/#comments" title="View reader comments on this entry">Comments</a></p>]]></description><category>Cate Blanchett</category><category>CateBlanchett</category><category>George Lucas</category><category>GeorgeLucas</category><category>Indiana Jones and the Kingdom of the Crystal Skull</category><category>IndianaJonesAndTheKingdomOfTheCrystalSkull</category><category>indy2008</category><category>Shia LaBeouf</category><category>ShiaLabeouf</category><dc:creator>James Rocchi</dc:creator><pubDate>Thu, 22 May 2008 12:01:00 EST</pubDate></item><item><title>Interviews: Indiana Jones's Harrison Ford and Karen Allen</title><link>http://www.cinematical.com/2008/05/22/interviews-indiana-joness-harrison-ford-and-karen-allen/</link><guid isPermaLink="true">http://www.cinematical.com/2008/05/22/interviews-indiana-joness-harrison-ford-and-karen-allen/</guid><comments>http://www.cinematical.com/2008/05/22/interviews-indiana-joness-harrison-ford-and-karen-allen/#comments</comments><description><![CDATA[<p>Filed under: <a href="http://www.cinematical.com/category/action-and-adventure/" rel="tag">Action</a>, <a href="http://www.cinematical.com/category/sci-fi-and-fantasy/" rel="tag">Sci-Fi &amp; Fantasy</a>, <a href="http://www.cinematical.com/category/cannes/" rel="tag">Cannes</a>, <a href="http://www.cinematical.com/category/paramount/" rel="tag">Paramount</a>, <a href="http://www.cinematical.com/category/interviews/" rel="tag">Interviews</a>, <a href="http://www.cinematical.com/category/remakes-and-sequels/" rel="tag">Remakes and Sequels</a></p><img vspace="4" hspace="4" border="1" alt="" src="http://www.blogsmithmedia.com/www.cinematical.com/media/2008/05/ij4-ia-3142-r.jpg" /><br /><br />27 years after <em>Raiders of the Lost Ark</em> burst onto movie screens, <em>Indiana Jones and the Kingdom of the Crystal Skull</em> brings Harrison Ford's Indiana Jones and Karen Allen's Marion Ravenwood back to the big screen: <span style="font-style: italic;">Reunited,</span> as the song says, <span style="font-style: italic;">and it feels so good</span>. What felt less good was the timing of the press interviews for <a href="http://movies.aol.com/movie/indiana-jones-and-the-kingdom-of-the-crystal-skull/25440/main"><em>Kingdom of the Crystal Skull</em></a>; Paramount scheduled their Cannes publicity interviews the day before the <a href="http://www.cinematical.com/2008/05/18/cannes-review-indiana-jones-and-the-kingdom-of-the-crystal-skul/">press screening of the film</a>. (Call me a traditionalist, but normally I like to see the actual movie before talking to the actors in it; I'm just funny that way.) Still, Ford and Allen were funny and disarming -- they seemed a little amused by the hypothetical questions and broad general inquiries the chain of events required -- and <em>Cinematical </em>was there to learn about Harrison Ford's take on the best parts of playing Indy, Karen Allen's musings on Marion Ravenwood's sex life and much more; <em>Cinematical's</em> questions are indicated. <br /><br /><strong>I'm just wondering how your own excitement level is, returning to the Indiana Jones character?</strong><br /><br /><strong>Harrison Ford: </strong>Well, I'm very excited to bring another one of these spectacular adventures to the screen, and to work with Steven and George again. For the last twenty years or so, these films have continued to appeal to an audience, and young kids, as it becomes age-appropriate, have been introduced to the films on DVD by their parents, and to have the opportunity for them to see it full-scale in a movie theatre, with a big screen and big sound, in the dark with a bunch of strangers, and have this common visceral experience is a brilliant opportunity, so I'm delighted to be a part of it again.<strong><br /></strong><p><a href="http://www.cinematical.com/2008/05/22/interviews-indiana-joness-harrison-ford-and-karen-allen/" rel="bookmark">Continue reading <em>Interviews: Indiana Jones's Harrison Ford and Karen Allen</em></a></p><p style="clear: both; padding: 8px 0 0 0; height: 2px; font-size: 1px; border: 0; margin: 0; padding: 0;"> </p><p><a href="http://www.cinematical.com/2008/05/22/interviews-indiana-joness-harrison-ford-and-karen-allen/" rel="bookmark" title="Permanent link to this entry">Permalink</a> | <a href="http://www.cinematical.com/forward/1202711/" title="Send this entry to a friend via email">Email this</a> | <a href="http://www.cinematical.com/2008/05/22/interviews-indiana-joness-harrison-ford-and-karen-allen/#comments" title="View reader comments on this entry">Comments</a></p>]]></description><category>Cannes2008</category><category>George Lucas</category><category>GeorgeLucas</category><category>Harrison Ford</category><category>HarrisonFord</category><category>Indiana Jones</category><category>indiana jones and th...</category><category>IndianaJones</category><category>IndianaJonesAndTh...</category><category>indy2008</category><category>Karen Allen</category><category>KarenAllen</category><category>Marion Ravenwood</category><category>MarionRavenwood</category><category>steven spielberg</category><category>StevenSpielberg</category><dc:creator>James Rocchi</dc:creator><pubDate>Thu, 22 May 2008 10:02:00 EST</pubDate></item><item><title>Ask 'Get Smart' Stars Steve Carell and Anne Hathaway a Question</title><link>http://www.cinematical.com/2008/05/19/ask-get-smart-stars-steve-carell-and-anne-hathaway-a-question/</link><guid isPermaLink="true">http://www.cinematical.com/2008/05/19/ask-get-smart-stars-steve-carell-and-anne-hathaway-a-question/</guid><comments>http://www.cinematical.com/2008/05/19/ask-get-smart-stars-steve-carell-and-anne-hathaway-a-question/#comments</comments><description><![CDATA[<p>Filed under: <a href="http://www.cinematical.com/category/fandom/" rel="tag">Fandom</a>, <a href="http://www.cinematical.com/category/interviews/" rel="tag">Interviews</a>, <a href="http://www.cinematical.com/category/unscripted/" rel="tag">Unscripted</a></p><img vspace="8" hspace="8" border="0" align="right" alt="Get Smart" src="http://www.aolcdn.com/aolmovies/get-smart-150x150" />It's safe to say that <a href="http://movies.aol.com/celebrity/steve-carell/10850/main">Steve Carell</a>, though wildly successful on <em>The Office</em>, hasn't had the greatest track record as a leading man in movies. He's starred in <a href="http://movies.aol.com/movie/evan-almighty/23571/main"><em>Evan Almighty</em></a> (I'll be kind and simply say it didn't do well), <a href="http://movies.aol.com/movie/dan-in-real-life/23761/main"><em>Dan in Real Life</em></a> (great movie, but it never broke out), and <a href="http://movies.aol.com/movie/horton-hears-a-who/24695/main"><em>Horton Hears a Who!</em></a> (in which he was heard, but not seen).<br /><br />That looks to change with the release (on June 20) of perhaps the biggest comedy of the summer:<a href="http://movies.aol.com/movie/get-smart/27152/main"><em> Get Smart</em></a>, the big-screen adaptation of the wonderfully goofy '60s spy sitcom of the same name, which inspired kids everywhere to believe that they, too, could become secret agents -- even if they were bumbling morons.<br /><br />Not only is Carell an inspired casting choice -- he even looks like Don Adams, the original Maxwell Smart -- but he's been paired with <a href="http://movies.aol.com/celebrity/anne-hathaway/292630/main">Anne Hathaway</a> as Agent 99, in the role that's going to leave her <a href="http://movies.aol.com/movie/the-princess-diaries/9838/main"><em>Princess Diaries</em></a> days in the dust and catapult her to bonafide sexpot status. <br /><br />We've been lucky enough to score both Carell and Hathaway for an exclusive Moviefone Unscripted interview, in which they'll grill each other using your questions. So let 'er rip, Chief -- ask Carell and Hathaway whatever your heart desires by this Friday, then head back <a href="http://movies.aol.com/unscripted">here </a>on June 16 to see if your question made the cut. <strong>Please don't forget to include your first name and the city and state where you live. </strong>Good luck!<p style="clear: both; padding: 8px 0 0 0; height: 2px; font-size: 1px; border: 0; margin: 0; padding: 0;"> </p><p><a href="http://www.cinematical.com/2008/05/19/ask-get-smart-stars-steve-carell-and-anne-hathaway-a-question/" rel="bookmark" title="Permanent link to this entry">Permalink</a> | <a href="http://www.cinematical.com/forward/1200022/" title="Send this entry to a friend via email">Email this</a> | <a href="http://www.cinematical.com/2008/05/19/ask-get-smart-stars-steve-carell-and-anne-hathaway-a-question/#comments" title="View reader comments on this entry">Comments</a></p>]]></description><category>get smart</category><category>GetSmart</category><category>steve carell</category><category>SteveCarell</category><dc:creator>Patricia Chui</dc:creator><pubDate>Mon, 19 May 2008 19:32:00 EST</pubDate></item><item><title>Cannes 2008: 'Blindness' Roundtable Interviews</title><link>http://www.cinematical.com/2008/05/19/cannes-2008-blindness-roundtable-interviews/</link><guid isPermaLink="true">http://www.cinematical.com/2008/05/19/cannes-2008-blindness-roundtable-interviews/</guid><comments>http://www.cinematical.com/2008/05/19/cannes-2008-blindness-roundtable-interviews/#comments</comments><description><![CDATA[<p>Filed under: <a href="http://www.cinematical.com/category/cannes/" rel="tag">Cannes</a>, <a href="http://www.cinematical.com/category/festival-reports/" rel="tag">Festival Reports</a>, <a href="http://www.cinematical.com/category/interviews/" rel="tag">Interviews</a>, <a href="http://www.cinematical.com/category/indie/" rel="tag">Cinematical Indie</a></p><p><img width="433" vspace="4" hspace="4" height="288" border="1" align="middle" alt="" src="http://www.blogsmithmedia.com/www.cinematical.com/media/2008/05/blindness-julianne-moore-mark-ruffalo-433.jpg" /></p>
<p>I sat in on a roundtable luncheon for the film <em><a href="http://www.cinematical.com/2008/05/14/cannes-review-blindness/">Blindness</a></em> the other day; as far as roundtables go, it was a nice affair; there were four tables of journalists, and they rotated the talent through the tables, giving us about 15 minutes with each set. It's always interesting to me to talk to the actors and filmmaker about a film like this; it gives you a different perspective that you have from just watching the film.</p>
<p><strong>A word of caution:</strong> There are spoilers in these interviews about certain aspects of the film, but I'm including them because they provide a good deal of context about the film and the motivations of the characters. If you prefer to go into seeing the film blind, as it were, you'll not want to read this until after you've seen it. If you do want to learn more about the film, the interview writeup is after the jump ...</p>
<p> </p><p><a href="http://www.cinematical.com/2008/05/19/cannes-2008-blindness-roundtable-interviews/" rel="bookmark">Continue reading <em>Cannes 2008: 'Blindness' Roundtable Interviews</em></a></p><p style="clear: both; padding: 8px 0 0 0; height: 2px; font-size: 1px; border: 0; margin: 0; padding: 0;"> </p><p><a href="http://www.cinematical.com/2008/05/19/cannes-2008-blindness-roundtable-interviews/" rel="bookmark" title="Permanent link to this entry">Permalink</a> | <a href="http://www.cinematical.com/forward/1199204/" title="Send this entry to a friend via email">Email this</a> | <a href="http://www.cinematical.com/2008/05/19/cannes-2008-blindness-roundtable-interviews/#comments" title="View reader comments on this entry">Comments</a></p>]]></description><category>alice braga</category><category>AliceBraga</category><category>blindness</category><category>cannes 2008</category><category>cannes film festival</category><category>cannes2008</category><category>danny glover</category><category>fernando meirelles</category><category>FernandoMeirelles</category><category>gael garcia bernal</category><category>julianne moore</category><category>mark ruffalo</category><dc:creator>Kim Voynar</dc:creator><pubDate>Mon, 19 May 2008 18:08:00 EST</pubDate></item></channel></rss>