Remember the days when FBI profilers hunted serial killers the old fashioned way, assisted by their fellow law enforcement officers? But ever since Clarice Starling had to go and enlist the help of Hannibal Lecter, now it is just standard protocol to pair up with a serial killer.
Deal with the Devil is the latest version of that tale -- except this one is a comic book by Mike S. Miller. According to The Hollywood Reporter, it's just been picked up by Lionsgate. The story follows FBI Agent Anthony Goodwin, a legendary manhunter until his final case. The killer he was after, Kevin Runyan, turned the tables and became his hunter. He loses his career and his suspect -- who turns up four years later, asking for his help. Goodwin must decide whether to help the man stop a dangerous copycat killer.
Now that you know what Josh Brolin's George W. Bush will look like, you should know that you'll get to see him in action real soon -- probably sooner than you thought. The ever-courageous Lionsgate has picked upOliver Stone's W, and plans to release it on October 17th. Of this year. That's 2008. Before the election. Notably, the movie hasn't even started shooting yet -- it goes into production on May 12th in Louisiana.
I never really thought the film would fail to find distribution, though early buzz on the screenplay has been fairly toxic. I did think there was going to be a race between when W would be finished and when Dubya would be finished -- that is, out of office. But apparently Stone is not messing around and plans to deliver the film in a few months, with Lionsgate hoping to capitalize on the furor that will surround the election.
Jeez -- maybe it's because I read too many blogs (or because I live in Pennsylvania, suddenly a battleground state), but it's barely May and I'm already tired of the election. Is W really how people will want to spend their leisure time in late October? I can't imagine, but I respect the folks at Lionsgate enough to think they know what they're doing. Incidentally: Dick Cheney remains uncast. Any suggestions?
Their batting average might not be all that stellar, but I'm still rooting for the After Dark team. In theory, their idea of snatching up eight indie / foreign horror flicks a year and offering them a brief theatrical run is fantastic. And I've no doubt that the AD crew does the best they can with the flicks and funds that are available, but let's face it: Their track record isn't exactly sterling, now is it? (Their flick recap can be found after the jump.) But things seem to be looking up in After Dark country: According to The Hollywood Reporter, the scrappy little distributor plans to get a lot more involved in the production side of the equation.
They've already announced Sean Ellis' The Broken* as the first AD08 title, but now we seem to have movies two and three. Production begins this month in Romania on both Faithless and Perkins' 14, the former a thriller about a woman on the run from domestic abuse, the latter a serial killer chiller. (Hey, the less I know about the plots, the better.) Faithless comes from the team of Stewart Hopewell and Tim Long, while Jeremy Donaldson's Perkins' 14 was apparently the winner of a screenwriting contest at Massify.com, which is kind of interesting. That flick will be directed by Craig Singer, whom Horrorfesters will remember from Dark Ride. This pair of flicks marks AD's first return to full-on production since 2006's An American Haunting.
After presenting The Spirit at last month's New York Comic-Con, Lionsgate feels good enough about Frank Miller's solo directorial debut to move it from its January 16th dead zone of a release date to Christmas Day, 2008. So instead of going up against Mall Cop, starring Kevin James as a wacky security guard, and the Notorious B.I.G. biopic, The Spirit will face off against Adam Sandler's Bedtime Stories, the supposedly ultra-heartwarming Marley & Me, The Tale of Despereaux, and the aftershocks of Twilight and The Day the Earth Stood Still.
"Adult" Christmas counterprogramming has not traditionally fared too well. Last year's Aliens vs. Predator: Requiem actually did okay, but remember Black Christmas? No? What about Darkness? The move is indeed a vote of confidence, but it might up throwing the film to the wolves. The key is to position it as a prestige picture rather than a throwaway. There's been enough fanfare around the promotional materials released thus far to make that look like a possibility. If Lionsgate can put it on people's radar in advance as a Christmas Movie to See, rather than have it randomly show up to compete against the holiday heavy-hitters, it could work.
Now that we know the storyline for Crank 2: High Voltage is going to be a little wacky, it might give these latest behind-the-scenes photos some context. The Bad and the Ugly scored some pictures of the returning Amy Smart in all her topless glory (the pics are a little NSFW, so consider yourself warned), along with Jason Statham, and Corey Haim (rocking one heck of a mullet) hard at work on the action thriller.
Picking up where the last film left off, Statham returns as Chev Chelios, the hitman with a need for adrenaline. This time, though, he's got a busted artificial heart that requires jolts of electricity to keep it pumping. There is also something about a 100-year-old gangster named Hu Dong, but it all gets a little confusing after that.
Earlier in the week JFX Online paparazzi had taken some photos on set (mainly of Smart), but had been asked to remove them (the photos are still all over the web, so JFX has since put them back online). Their reporter even took a few cheap shots at the production, but has since retracted those comments. Writer-directors Brian Taylor and Mark Neveldine have already taken their fare share of criticism for the first film, but I know for a fact there are plenty of people who couldn't care less about the critics, and they can't wait until Crank 2 hits theaters in 2009.
Warning: This post contains some spoilers for the original Descent. It's been a while since we've heard anything about the promised sequel to Neil Marshall's The Descent, and fans of the film who rolled their eyes at the initial announcement may have gotten their hopes up. But no: the sequel is still going forward with Descent editor Jon Harris making his directorial debut, and James Watkins (My Little Eye), who had nothing to do with the first film, writing the screenplay. The new info is that Shauna McDonald and Natalie Mendoza, who played protagonists Sarah and Juno, will reprise their roles in the sequel. The cast will also have some Y chromosomes this time around, in the form of Gavan O'Herlihy, Joshua Dallas and Douglas Hodge.
The plot will involve "the survivor" -- that would be Sarah -- "forced back into the system of caves she battled her way out of in the first film, in a bid to locate the rest of her group." Shockingly, this probably means that the sequel will take the American "Lionsgate ending" (in which Sarah gets out) as canon, rather than the original ending, where Sarah's escape is a dream sequence and the final shot shows her remaining in the cave. I suppose this could be explained to overseas viewers (who were, after all, responsible for more than half of the first film's $57 million box-office) by claiming that she got out later, in some other way. But it'll be tough.
I was one of the hardy souls who endured the recent Larry The Cable Guy atrocity Witless Protection, and when I wasn't bleeding out the eyes or praying aloud for the sweet release of death, I was noticing something peculiar: The film has an FBI character named Alonzo Mosely, which was also the name of an FBI character in Midnight Run. In and of itself, that could be a coincidence. But take into account that both Alonzo Moselys are played by the same actor, Yaphet Kotto, and that both are responsible for tracking down on-the-run witnesses who are supposed to testify against the Mafia, and you realize this was done on purpose.
So that's cute, I thought. I figured they probably hired Kotto, realized how similar the character was to the one he played in Midnight Run, and renamed the new character as a little inside joke. Universal Pictures isn't laughing, though, and not just because they watched a Larry The Cable Guy movie. According to The Hollywood Reporter's law blog (not written by Bob Loblaw, unfortunately), they're suing Lionsgate for copyright infringement and seek to stop all further distribution of Witless Protection, including the DVD release scheduled for June 10.
That's right: If Universal wins the case, the movie will be taken out of circulation. Regardless of the legal ramifications, I see this as a victory for society.
Frank Miller's place in comic book history is already secure, but these days, he's aiming to leave a sizable IMDB entry too. Miller revealed exclusively to MTV Movies that not only is there renewed interest in a film adaptation of his comic miniseries Hard Boiled, but that he's hoping to direct it himself. "We're talking about [it]. I've got a really unusual way I want to do it."
After co-directing Sin City, and helming The Spirithimself, he's officially caught the bug. "I'm in love with directing. I've found a way to expand my career. Comics and directing are really two sides of the same coin. That's what Robert Rodriguez taught me ... good drama is good drama."
Hard Boiled was originally published in 1990 by Dark Horse, and is one of the few Miller comics out there that the man himself didn't illustrate. It is about a humble insurance investigator named Carl Seitz, who unexpectedly discovers that he's a cyborg assassin named Nixon. Though psychotic, he's also heralded as the savior of the robot race. It was remarkably violent for its day -- and still is. At one point, it was in development to be directed by David Fincher, and starring Nicolas Cage.
People are really hating on Miller for this swerve in his career, but frankly, I think it's pretty cool. I always admire anyone who can transition from one field to another -- and it is always exciting when an author gets to helm their own work. Alan Moore should have totally gone this route.
Certain movies get under my skin and refuse to leave. Case in point: Kiyoshi Kurosawa'sCure and Pulse (AKA Kairo). There are several startling scenes in those movies that left me on edge for days. Both are horror flicks, but differ in their approaches. Cure is a police procedural with an unsettling string of deaths, while Pulse imagines what happens when there is no more room in the spirit realm for dead people. Kurosawa has a gift for creating indelible imagery married to sometimes head-scratching stories. Even when things don't really add up, as in Bright Future, his films leave a distinct aftertaste.
Kurosawa's Retribution, from 2006, hit Region 1 DVD earlier this week, and it's an odd little beast. In the opening scene, a woman in a red dress is brutally drowned by a mysterious man in a shallow pool of salt water on a reclaimed piece of land near the ocean. Kôji Yakusho (Babel, Shall We Dance?) plays Yoshioka, a weary police detective (similar to the one he played in Cure) investigating the case. Before he can get too far, we witness a respected doctor kill his son, for little apparent reason, by the same method. Is the doctor a serial killer? Why are Yoshioka's fingerprints on the first victim's body? Why does Yoshioka start having nightmares about a woman in a red dress?
Deliberately paced, Retribution veers between an effective freak-out and a disappointing, frustrating mystery, but Kurosawa fans may want to check out its low-key artistic despair.
It's here! The day Frank Miller is going to make or break it on his directing debut. Oh, I know it is only the trailer -- but we all know that enough bad buzz on a comic book property (especially one as beloved as The Spirit) could sink it long before its release date.
The trailer comes to us by way of MTV so unfortunately we can't embed it. I barely caught the damn thing before it flashed off the main page. It looks very very Sin City -- which has already caused no amount of criticism. But I can't deny that I think it looks pretty intriguing. Maybe it's just that oh-so-sexy tagline. The Untouchables music is a nice touch, too, but also jarring. It started making me think of that movie instead of the trailer.
So, nothing new really -- Miller may be getting a fanboy reprieve. I'm in your corner though, Miller. The Spirit comes to the theatres January 15th, 2009.
Thanks to our reader Electrix for sending us the YouTube link! Now no one has to spaz out clicking the MTV link, and our international users can get in on the fun.
What's Halloween in the 00's without a new Saw to dissect? We've received word from Lionsgate that Meagan Good will be featured in a supporting role in the upcoming Saw V as Luba, "a city planner who comes from a very wealthy family." That is good news indeed (sorry, couldn't resist ) for fans of the very attractive Ms. Good. I noticed her when she appeared as a tattoo artist in Biker Boyz five years ago, but she first made an impression in Eve's Bayou in 1997. Recently she's had substantial parts in Waist Deep and Stomp the Yard. As far as her horror credentials, she was all too briefly in One Missed Call -- I was disappointed she didn't survive her big dramatic moment -- and was also in the little seen Venom.
Monika told us last month that Julie Benz was cast in a starring role as a proper and elegant Brit, so it sounds like Jigsaw is planning to bring justice to the upper crust in this edition. That might help answer the question: Where do you go with a horror sequel when the arch-villain has already been sliced open on an autopsy table? If you caught Saw IV, you know that screenwriters Patrick Melton and Marcus Dunstan came up with a solution to that quandary. I wasn't entirely convinced, and the story as a whole felt too schematic and perfunctory to be fully satisfying, but I remain eternally optimistic. David Hackl is directing from a script by Melton and Dunstan. Saw V is set to open on October 24.
The good news? Two of Asia's biggest action superstars have teamed up for the first time. The bad news? It's 15 years too late. And what's with the white kid?
The Forbidden Kingdom is yet another picture in which we are meant to experience an exotic locale peopled entirely by "others" through the eyes of a Caucasian character. In this case, it's a fantasy world cobbled together from classic Chinese literature and period martial arts movies. As the latest entry in the category of "low expectation, Asian-themed, English-language movies written and directed by respectful American creative talent," the film is slightly above average entertainment. But I grow tired of having to lower my expectations in exchange for the pleasure of seeing talented Asian performers make an appearance on the big screen in America.
Writer John Fusco and director Rob Minkoff make fun of some of the stereotypes inherent in period martial arts pictures, while also sprinkling shout-outs into the material to demonstrate their love and knowledge of the various source materials that inspired them. Jackie Chan and Jet Li are cheerfully engaging as a drunken beggar and monk on a mission, respectively, providing most of the film's comic and action highlights in supporting roles. That's right -- Chan and Li have both achieved Hollywood stardom, are top-billed, are no doubt top-paid, but play second fiddle to "the white kid," Michael Angarano. We waited years for this?
The trailer for My Best Friend's Girl (originally known as "Bachelor No. 2"), starring Kate Hudson and Dane Cook, is now online, and the only word that comes to mind is "monstrosity". Why don't you take a look at it up top. Go ahead, I'll wait here.
Are you as horrified as I am? Normally I prefer not to inflict my negativity about upcoming releases on you; if all I have to contribute is whining, I try to leave the blogging to someone else. But I couldn't pass this up. What we seem to have here is: a) the ten-millionth iteration of the plot where X starts a relationship with Y on a bet or a job but ends up falling in love; b) starring Kate Hudson, the reigning queen of the nondescript rom-com (at least Matthew McConaughey is nowhere to be found); c) co-starring Dane Cook, whose very presence is the equivalent of nails on a chalkboard, as a professional a**hole, and Jason Biggs as an awkward nice guy; and d) directed by Howard Deutch, who is responsible for some of the worstcomedies of the last ten years. Oh, and it's named after a song. Despite not being dead, the Cars are spinning in their graves.
On one hand, I'd love to be proven wrong about My Best Friend's Girl; on the other hand, I really, really don't want to subject myself to it. Would it be a dereliction of duty to skip the thing?
Despite the talk and the buzz, I never thought it would actually happen. If any novel merits the term "unfilmable," certainly Ayn Rand's Atlas Shrugged is it. I mean, the climax is a 60-page radio broadcast! And the entire thing is what can charitably be called a screed, preaching Rand's extremely unliberal "objectivist" political philosophy. So when I heard that Vadim Perelman (The House of Sand and Fog and the upcoming The Life Before Her Eyes) was developing the project, with Angelina Jolie attached to star as Dagny Taggart, my reaction was quite simply: Pfffffft.
But it looks like I pfffffted too soon. Comingsoon.net talked to Perelman this week, and he told them that he's finishing up the script, and that Lionsgate wants to start shooting in December. So, uh: it looks like this might actually happen.
I would commit atrocities to get my hands on a copy of Perelman's screenplay. I can only imagine what it does to condense the thousand-page-plus book into even a very long movie. What worries me most is that the novel doesn't really exist without Rand's politics, if that makes any sense: they're so integral to the story that cutting them out would make everything else pretty much pointless. And I'm not sure Hollywood -- even the relatively adventurous Lionsgate -- has the stomach for a politically faithful adaptation.
IGN has been given the gift of two official character stills from The Spirit -- and doesn't Scarlett Johansson look much prettier here than in that leaked costume test? Interestingly, the first official look of Samuel L. Jackson is a very buttoned down one -- not like the leaked stills that caused such a kerfluffle before being yanked. I'm really curious if those were simply tests, and this is the final choice.
Most of them are older still-in-progress shots, starring Frank Miller and a still visible green screen. Unfortunately we were not treated to a look at Gabriel Macht as the titular hero. But as we're getting a trailer very soon, it's not too disappointing. I would rather see the Spirit living and breathing, not just a static still. Can't wait! Head to IGN for larger versions of each.
Remember the days when FBI profilers hunted serial killers the old fashioned way, assisted by their fellow law enforcement officers? But ever since Clarice Starling had to go and enlist the help of Hannibal Lecter, now it is just standard protocol to pair up with a serial killer.
Now that you know what Josh Brolin's George W. Bush will 
Their batting average might not be all that stellar, but I'm still rooting for the 
After presenting The Spirit at last month's New York Comic-Con, Lionsgate feels good enough about 
Now that we know the storyline for 
Warning: This post contains some spoilers for the original Descent.
I was one of the hardy souls who endured the recent Larry The Cable Guy atrocity 
Certain movies get under my skin and refuse to leave. Case in point: 
What's Halloween in the 00's without a new Saw to dissect? We've received word from Lionsgate that 
Despite the talk and the buzz, I never thought it would actually happen. If any novel merits the term "unfilmable," certainly Ayn Rand's Atlas Shrugged is it. I mean, the climax is a 60-page radio broadcast! And the entire thing is what can charitably be called a screed, preaching Rand's extremely unliberal "objectivist" political philosophy. So when I 
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