It looks like things are getting more interesting each day when it comes to the music biopic The Runaways -- and I'm not talking about Joan Jett making Kristen Stewart cry. No, instead, there is news that Alia Shawkat (who will forever be known as Maeby Fünke) is joining the cast as famed bassist and 'Bangle' Micki Steele ... or at the very least an approximation of Steele. Latino Review is reporting that Shawkat has joined the cast as an 18-year-old bass player named Robin (aka Steele), and judging by the photo above, you have to admit that Shawkat would be a great choice to play the sexy bassist. I mean, just look at those lips.

Rather than get into a long and convoluted explanation about the awesomeness that is Steele, here is a little primer: Steele was one of the first members of The Runaways when they were touring the club circuit in L.A. and was considered the 'feminine' one in a group of bad girls. By 1976 she had left the band after the addition of Lita Ford (played in the film by Scout Taylor-Compton) and Cherie Currie (played by Dakota Fanning). Steele would go on to join another famous girl band, The Bangles, and create music history by teaching the world about 'Manic Mondays'.

There has been no word on why Steele isn't going to be named in the film; possibly because the film makers didn't secure the rights to use her image, or maybe her split from The Runaways wasn't an amicable one. My guess is that the character of Robin will be based on Steele, but also be an amalgam of some of the other band members that won't be featured prominently in the film.

The Runaways is still filming on location in L.A., but will arrive in theaters in 2010.

With a few new musical biopics headed our way, there's a question to consider: Just how musically inclined should an actor be when they take on the role of a musician?

We expect a lot from the pros -- good chemistry, believable delivery of lines, sincere emotion -- but what about musical aptitude? We'll discuss whether the actor looks the part, but less often challenge whether they can hit the right notes. Sometimes it surely doesn't matter. If the band's music is simple enough, the skills can be learned before shooting. Thanks to the wonder of dubbing, if it's just singing, only the showmanship and performance matter. (Although there are times that actors can surprise with both, like Val Kilmer's stunning embodiment of Jim Morrison in The Doors.)

But when it comes to more talented musicians, it's not so easy to fake. If one is iconic enough to be immortalized once again on film, shouldn't the performance show that artistry? Some itch for James Franco to become Jeff Buckley in that upcoming biopic, but he's the one hopeful without any musical talent -- and no matter what he could learn on the fly, it wouldn't come close to Buckley's, well, Grace. Why bother with the project if we can't watch the notes flow through the fingers as they grasp the strings or pound the keys?

One of the things us genre fans remember most about Michael was his love of sci-fi and fantasy. It oozed out of almost everything he touched, and as visionary filmmakers like James Cameron and George Lucas began making advancements in special effects during the 1980s, Jackson was right there, incorporating his talents into the most memorable music videos of our generation.

Here, SciFi Squad's Mike Moody remembers Jackson's love of sci-fi and comics, and points to some really great content from around the web as all of us come together today to mourn the loss of a pop-culture legend.

Michael Jackson, the king of pop, whose music left an indelible mark on the popular music landscape, died yesterday at the age of 50. It seemed there was little about Jackson's life that didn't make the news or tabloids throughout his long career, with the possible exception of his love of science fiction and comic books.

Jackson was a huge comic book fan, and even considered buying Marvel Comics in the 1990s. MTV Splashpage looks at Jackson's history with comics, and notes that the pop star owned a giant collection of superhero books, costumes and statues that recently went up for auction. Comics Alliance has a rundown on Jackson's 5 greatest moments in comics, including his last public trip to a comic shop and the fate of his Moonwalker comic.

Read more at SciFi Squad

There seems to be a bit of confusion when it comes to the upcoming rock-fest otherwise known as The Runaways.

Earlier in the month, word hit that newcomer Alessandra Torresani was going to play Lita Ford. But now, out of nowhere, Variety reports that Scout Taylor-Compton is going to play Lita -- with no mention of Torresani. The news is backed up by Scout's MySpace page, which says: "I have been recently filming my *ss off on my newest project, The Runaways!! So far, the process has been amazing. I am so lucky and honored to be able to portray the guitar icon Lita Ford!"

Is Torresani playing one of the bassists? (Micki Steele, Peggy Foster, or Jackie Fox?) Or, did MTV get it all wrong when they revealed their Ford casting announcement? On IMDb, Taylor-Compton is listed as a rumored Jackie Fox, so maybe there was as switcheroo. Whatever the case, I think it's safe to say that this news is the accurate casting, since it was backed up by the actress herself.

Most recently, Taylor-Compton has been busy as the new Laurie Strode in the Halloween reboot, but she does have a bit of rebelliousness in her past that should work nicely. In 2005, she ran away for two weeks due to family issues, dyed her hair black and lived in a park before ultimately being found by police and heading home.

Do you think she'll make a good Ford?

Movie music has certainly changed over the years. What was once the domain of an orchestra and studio musicians is long gone, and now the top-40 soundtrack reigns supreme. Sometimes it works, like in the case of Martin Scorsese's use of pop music, and sometimes it really doesn't -- and that's where today's list comes in. SPIN has compiled what they say are the worst movie songs of all time, so make sure your earplugs are handy because we're about to look back at the Top 10 Worst Movie Songs, Ever!

So let's get right to the list, shall we? Grabbing the top spot for the worst of all time was P. Diddy and Jimmy Page's Kashmir update for Godzilla, Come With Me. But if you thought that song was bad, wait till you get a load of the other nominees, including Vanilla Ice's Ninja Rap, Limp Bizkit's Take a Look Around from Mission Impossible II, and Nickelback's Spider-Man song, Hero. Judging by SPIN's list it seems like 'geek' movies took most of the hits -- although how Evanescence's theme for Daredevil escaped I'll never know. But rather than complain about what wasn't included in SPIN's list, I've decided to make my very own list of great and not-so-great movie songs.

After the jump: My Top 10 Favorite (and most hated) songs from the movies...

One of my favorite things in the world is a musical gone wrong. I don't know, there's just something particularly funny about watching a musical number go down in flames -- and the more awkward the better. Well, at least I know I'm not the only one who feels this way, because Over at Den of Geek they have compiled a list of the Top 10 Worst Musical Moments in Movies. Now, they didn't just limit themselves to straight musicals, but the results are a trip down memory lane for me and a nightmare for most people. Taking the number one spot was a pretty obscure moment starring Hollywood Legend Mae West and Timothy Dalton (the much-maligned Bond) in the 1978 musical, Sextette. There are plenty of cringe-worthy moments in this film, but the highlight is Geek's selection: Dalton and West singing (and I use the term loosely) Love Will Keep Us Together. There's really nothing more to say, mainly because I seem to have lost the power of comprehension after watching that clip.

So who else managed to make the list? Well, we've got Vanilla Ice in Teenage Mutant Ninja Turtles II, Pierce Brosnan ruining ABBA songs in Mamma Mia, Neil Diamond in black face for The Jazz Singer, and my personal favorite -- a clip from Rhinestone starring Sylvester Stallone as a NYC cabbie turned country singer. But, after looking at Geek's list, I noticed a few omissions (at least in my opinion) so I decided to do a little listing of my own.

After the jump: my top 5 worst moments in Musical history...

In 100 days, on September 25, the big-screen version of Fame will hit. To mark the event, MGM has finally released a full-length trailer over at Yahoo. No more of this one-song blip. Now we've got a collection of scenes ranging from entry auditions to final, epic, grand performances. Unsurprisingly, most of the focus is on the most popular arts -- dance and song. This may be Fame, but the popular arts still reign supreme.

Best of all, this trailer finally lets us get a look the teachers. Charles Dutton and Kelsey Grammar get the most play, but there's also brief glimpses of Megan Mullally, Bebe Neuwirth, and of course, Debbie Allen. However, the fact that Ms. Allen, who was one of the main parts of the original show, only gets the briefest glimpse whilst hugging is a bit disappointing. Luckily, there's Dutton's voice over to keep things on track.

But what I can't get over is how darned catchy that theme song still is. Most of my memories of Fame are fleeting at best, but that song has reeled me in hook, line, and sinker. I don't know why -- is it nostalgia, or the fact that the modern twist still leaves the song in tact? And how about you? Are you a sucker for "Fame"?

Friday the 13th
Marcus Nispel directs a rebooted version of the venerable series, which borrows elements from the first four films and adds precious few of its own. I'm tempted to say "skip it," based on my own review, but those first 20-25 minutes are pretty ferocious, and the "Extended Killer Cut" promises more of everything. Also on Blu-ray. Rent it.

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Tyler Perry's Madea Goes to Jail
Tyler Perry has grown his beloved character Madea "into a larger-than-life force of nature that is genuinely funny," wrote Eric D. Snider. He noted the writer/director's "tendency toward oversimplification," however, and commented: "Maybe if someone would do a better job of making films targeted at a black, female Christian audience, Perry's half-baked didacticism would suffer in comparison. In the meantime, this is the best there is, so it's nice that Perry is improving, albeit in small increments." Rent it.

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Ghostbusters
The comedy classic with Bill Murray, Dan Aykroyd, Harold Ramis, Ernie Hudson, and Sigourney Weaver stands ready to imprint itself upon your memory once again, in a new Blu-ray edition. One word to keep in mind before buying, however: grain. "Surprisingly heavy," says DVD Beaver; "heavy wash of grain that never quite dissipates," per IGN; "features plenty of the swirly stuff in most every scene," according to Blu-ray.com. Other than that important factor, which is claimed to reflect the original source print, reviews have been positive. Rent it.

Add to Netflix queue | Buy at Amazon

Also out: What Goes Up, Morning Light, Sword of the Stranger, and a boatload of TV series (a list of the latter at TV Squad).

After the jump: Indies on DVD, more Blu-ray, and Collector's Corner.

Last Wednesday, I threw on Jeff Buckley - Live in Chicago and got to work. One of the times I glanced at the TV screen, a thought occurred to me: Robert Pattinson could pull off a decent Jeff Buckley. He's only a few years younger than the musician was during the creation of Grace; he's a got a slew of musical talents; and has a similar look. Heck, I even tweeted about it. Only a few days later, in a turn that taps into my collective conscience/coincidence question, there's a mass of buzz about a Buckley biopic.

ABC News reports that Pattinson and James Franco are in a showdown to play the musician in the upcoming biopic. There's not much beef to this account, and they get it wrong that "Hallelujah" was released posthumously (it was on Grace), so it doesn't seem definitive. However, an older news release down under explains things in detail. The Sunday Mail reports that Buckley's mother Mary Guibert is overseeing the project, with producers Michelle Sy (Finding Neverland) and Orion Williams (Control !!) and screenwriter Ryan Jaffe (the less-promising The Rocker). (With the inclusion of Sy and Guibert, this must be the project that began cooking three years ago, although writer/director Brian Jun is not mentioned.)

It was only a matter of time. The Runaways are in place, production on the film is gearing up, and try as she might, Kristin Stewart wasn't able to keep her Joan Jett 'do under wraps; E Online caught a full glimpse of the new look. Why am I writing about a hairdo? Well, if there was one initial clue to discern how this Runaways pic would turn out, it's how each of the cast members look -- especially Stewart's Jett. And it's not bad. I can't go with good or great, because by this image (right), it looks more like a modern hack-job than a '70s mullet. But it's decent. At the very least, I doubt anyone will be thinking of Bella when Stewart grabs her guitar and hits the stage.

In a much less rockin' vein of news, The Hollywood Reporter posts that Brittany Murphy has signed onto a psychological thriller called Something Wicked -- no relation to that Wicked musical. We can't quite tell you what the premise is, because there are two competing summaries. THR says the flick is about a teen and his girlfriend (who is out of his league) whose lives become chaotic when her parents are killed. IMDb, on the other hand, says it's about a young couple prepping for marriage when gruesome secrets resurface. Either way, it looks like Murphy has but a supporting gig.

I guess the mediocre films have finally caught up with her, leading her away from the romcoms (at least that's a plus) and into B thrillers. But maybe The Expendables will help -- unless she gets outshone by Charisma Carpenter. Hmm... Is this the end of Murphy?