It's the most wonderful time of the year! The time of year when I watch L.A. Confidential a dozen times because "It's Christmassy!", complain that it didn't win Best Picture, and fall in love with Russell Crowe and Guy Pearce all over again. It's not as if I don't watch this at any other time of the year, but this film is like my holiday heroin. It's the perfect antidote to the holly and the ivy. Yeah, I posted a scene from it earlier this year, but as its been taken down by YouTube, I figured I'd post another in honor of the upcoming holidays. There's not a lot of scenes available (my favorite Rollo Tomasi moment still eludes me), but luckily one of the reader favorites was up for grabs. So, today's Scene We Love is indeed a scene we all love: "She is Lana Turner."

It's also good timing, as this week we finally get to see a glimpse of Pearce in The Road. It's another one of those maddening cameos he likes to tease us with (no spoiler intended, it's just a fact), and I constantly wish he'd take bigger and more high profile roles. A Bedtime Stories is all well and good, and I have great hopes for Don't Be Afraid of the Dark, but I long for him to land another role like Lt. Ed Exley.

Go below the jump for the scene

In the Great Coen Debates that occur among film fans, there's one that I never feel gets enough love: Miller's Crossing. It's probably my favorite next to The Big Lebowski. The film is deliciously dark and dreary (you can watch this in summer and still feel cold), but punctuated by that startling Coens humor. The dialogue and character quirks are not as exaggerated as they are in other Coen films, and when a character does get theatrical, it's appropriate to the setting. These are thugs who find themselves in positions of great wealth and power, after all, and they'll never know quite how to behave in the real world.

The film has a level of tension I don't think the Coens matched until No Country For Old Men. Tom's white-knuckle walk into Miller's Crossing is probably my favorite scene (actually, it's difficult to pick just one), but it doesn't appear to be on YouTube. So, here's another moment of violence that just doesn't go the way you think it will, and features the best use of Danny Boy in history. I really want to believe that the gramophone is a nod to Sean Connery's death scene in The Untouchables, but I suspect it's a noir standard that ushered many a mobster and cop into his grave.