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Interview: Pierce Brosnan on Polanski, Percy, and R-Patz
Filed under: Drama, Thrillers, Noir, Mystery & Suspense, Celebrities and Controversy, New in Theaters, Interviews, James Bond
February is about to get really interesting for Pierce Brosnan. A mere week after his debut as a self-proclaimed "horse's ass" (aka Chiron) in Percy Jackson & the Olympians: The Lightning Thief on February 12, a much smaller and much more controversial thriller he's in will be hitting art house screens in New York and Los Angeles. Brosnan is one of the heavy-hitting stars in Roman Polanski's The Ghost Writer, the movie Polanski was doing post-production on when he was arrested in Switzerland on an outstanding warrant from 1978, when he fled the US before being sentenced for having sex with a minor. (Polanski finished the film while under house arrest.) Pierce Brosnan, who plays ex-Prime Minister Adam Lang, is part of an impressive ensemble; Olivia Williams is Lang's intensely intelligent wife Ruth, while Ewan McGregor is the titular writer who reluctantly signs on to help Lang with his memoirs after the first writer turns up dead.
Brosnan spoke to Cinematical about working with the legendary figure on The Ghost Writer, as well as Percy Jackson, dealing with Robert Pattinson's screaming fans on the set of Remember Me, and much more.
Scenes We Love: This Gun For Hire
Filed under: Classics, Noir, Mystery & Suspense, Trailers and Clips, Scenes We Love
My obsession with all things L.A. Confidential has extended to the real life Veronica Lake. I think she may have been the epitome of the 1940s -- the hair, the sassy line delivery, the glamor. She's also the epitome of Hollywood's dark side too, as she went from great success to a penniless and tragic end.
Over the weekend, Netflix finally delivered me a copy of This Gun For Hire, which is a pretty cool noir. (Trivia nerds probably know it's the film Lynn Bracken and one of her clients are "reenacting" when Bud White shows up.) If you've never seen it, it's worth a watch for Alan Ladd's icy assassin, who makes many of our modern killers seem weak in comparison. It also features one of the quirkiest heroines ever in Ellen Graham. Graham is a spy for the U.S. government, a nightclub singer (did down-on-their-luck singers ever look better than they did in the 1940s?), and a magician. I'm not kidding! Lake even gets two song-and-dance numbers where she performs a string of illusions that Gob Bluth would kill to know the secrets to, and her magic tricks end up saving her life later on.
Nowadays, a spy-singer-magician would be laughed off the screen. But in the good old days, it not only worked, but it reeked of cool sexiness thanks to Lake. Check out the scene below.
Scenes We Love: L.A. Confidential (Again!)
Filed under: Action, Classics, Noir, Mystery & Suspense, Scenes We Love
It's the most wonderful time of the year! The time of year when I watch L.A. Confidential a dozen times because "It's Christmassy!", complain that it didn't win Best Picture, and fall in love with Russell Crowe and Guy Pearce all over again. It's not as if I don't watch this at any other time of the year, but this film is like my holiday heroin. It's the perfect antidote to the holly and the ivy. Yeah, I posted a scene from it earlier this year, but as its been taken down by YouTube, I figured I'd post another in honor of the upcoming holidays. There's not a lot of scenes available (my favorite Rollo Tomasi moment still eludes me), but luckily one of the reader favorites was up for grabs. So, today's Scene We Love is indeed a scene we all love: "She is Lana Turner."
It's also good timing, as this week we finally get to see a glimpse of Pearce in The Road. It's another one of those maddening cameos he likes to tease us with (no spoiler intended, it's just a fact), and I constantly wish he'd take bigger and more high profile roles. A Bedtime Stories is all well and good, and I have great hopes for Don't Be Afraid of the Dark, but I long for him to land another role like Lt. Ed Exley.
Go below the jump for the scene
Sam Worthington Gets Gritty in 'American Crime'
Filed under: Action, Sci-Fi & Fantasy, Thrillers, Casting, Deals, Noir, Scripts, Newsstand, Comic/Superhero/Geek
Few of us have had the chance to read Rick Remender's upcoming series, The Last Days of American Crime, but it's already tapped for the big-screen treatment. To sweeten the deal, American Crime already has a face. An Australian one. Mania is reporting that Sam Worthington has signed on to play the series' star criminal, Graham Brick. American Crime is set in a near-future where the government has found a way to kill the criminal impulse in its citizens. That's good for everyone but the criminals, and chaos erupts as the unsavory element goes mad trying to get in one last job. One of these men is Graham Brick, who is in the midst of planning a big heist, and gets to watch all his best laid plans fall apart in a bloody fashion. I read the preview Radical handed out at Comic-Con this year, and like all previews, it was too short to really get a handle on the story. But the art was incredible, it was ridiculously violent, and it had that slimy feeling of Sin City. You can check out three pages here, and Radical has 15 pages up on MySpace. The first issue is scheduled to hit stands in December.
Remender will be penning the screenplay himself, and Radical will be producing it under their film shingle. We'll supposedly be getting a studio, a director, and more cast-members very soon, but it's tough to get excited without having read issue #1. Still, if this is really the mix of James Ellroy and David Mamet's Heist that Remender promises, Crime will be something to look out for.
Scenes We Love: Miller's Crossing
Filed under: Classics, Noir, Mystery & Suspense, Scenes We Love
In the Great Coen Debates that occur among film fans, there's one that I never feel gets enough love: Miller's Crossing. It's probably my favorite next to The Big Lebowski. The film is deliciously dark and dreary (you can watch this in summer and still feel cold), but punctuated by that startling Coens humor. The dialogue and character quirks are not as exaggerated as they are in other Coen films, and when a character does get theatrical, it's appropriate to the setting. These are thugs who find themselves in positions of great wealth and power, after all, and they'll never know quite how to behave in the real world.
The film has a level of tension I don't think the Coens matched until No Country For Old Men. Tom's white-knuckle walk into Miller's Crossing is probably my favorite scene (actually, it's difficult to pick just one), but it doesn't appear to be on YouTube. So, here's another moment of violence that just doesn't go the way you think it will, and features the best use of Danny Boy in history. I really want to believe that the gramophone is a nod to Sean Connery's death scene in The Untouchables, but I suspect it's a noir standard that ushered many a mobster and cop into his grave.
Roger Rabbit Sequel Will Contain Both 2D and Mo-Cap Animation
Filed under: Animation, Comedy, Noir, RumorMonger, DIY/Filmmaking, Newsstand, Remakes and Sequels
As Peter reported a few days ago, Robert Zemeckis is going forward with a Roger Rabbit sequel. We all seem to be intrigued by the possibility of returning to Toontown, but Zemeckis' obsession with motion capture really casts a Judge Doom-like shadow over the project. Will he motion capture Roger Rabbit and his Toontown friends? Or will Zemeckis return to the old school of hand-drawn animation?MTV caught up with Zemeckis, who was quick to assure fans of the bumbling Roger that he will remain his cuddly 2D self. "I wouldn't use it for the cartoon characters, because I think they should stay two-dimensional because that's what - I wouldn't dimensonalize Roger," he said. "And I couldn't dimensonalize Jessica even if I wanted to because she doesn't have a nose. We wouldn't want to give her a nose." But motion capture will be a part of Roger Rabbit 2. The technology is like Zemeckis' whale, and he's determined to exploit every possibility with it. His current plan appears to involve using motion-capture for the human performances. "All the other characters that [the cartoons] would sort of have fun with would be magnificent in performance capture technology."
There's that Judge Doom shadow again. The clumsy way humans and toons interacted was the point of Who Framed Roger Rabbit? It was the contrast that was interesting and fun. Having animated humans just seems to take it on a trip into the Uncanny Valley. The project is still in its early stages, so maybe Zemeckis will surprise us, and have the technology be part of the story. Everyone on the interwebs seems to be championing the idea of the toons having to deal with technological advances. We can hope for that, and not that Zemeckis will just shove in a motion-captured cast just because he can't stop himself.
Cinematical Seven: Best Villain-Hero Romances
Filed under: Drama, Gay & Lesbian, Thrillers, Noir, Mystery & Suspense, Cinematical Seven, Comic/Superhero/Geek, Lists
We love it when our heroes fall for the suspicious types: the wolves in sheep's clothing, the dangerous femme fatales. It happens often in film noir and a heckuva lot in comics, and provides some of the best last-act twists and turns as our hearts palpitate along with those of our protagonists... up until the bitter end. Can't that evil love interest turn out to have a heart of gold, so we can all have a happily ever after? Sometimes, yes. Most of the time, no.
What is it about these doomed romances that we love so much? Perhaps it's the futility of it all; you can't have your cake and eat it when you're a superhero or a (wo)man on a mission to right wrongs, even if you'd rather be kissing that beguiling bad guy than fighting them, arresting them, or foiling their evil plans. Turning down a chance at love is the ultimate sacrifice for a hero or heroine to make -- it proves their commitment to the side of good. Hence, loving a villain makes a hero even more heroic. How tragic!
In what will surely spur controversy, I've whittled my favorite villain-hero romances down to the seven best pairings in cinema. No, Phantom of the Opera didn't make it. That would have been too easy. Instead, find odd couples, would-be perfect pairs, star-crossed lovers, and yes, the world's most legendary bromance after the jump.
Poster Premiere: Ed Wood Meets 007 in 'Modus Operandi'?
Filed under: Independent, Thrillers, Noir, Mystery & Suspense
I'll give you a few details and some material from the press release right here ... but I've made an executive decision to place the brand-new poster for Frankie Latina's Modus Operandi beneath the jump -- but only because it's slightly "adult" in nature. Anyway, this flick sounds like a weird one, and of course I mean that in the nicest way possible.Described by the Las Vegas Weekly as "a James Bond film directed by Ed Wood," the 8mm Modus Operandi is about ... heck, I'll let the press notes tell you: "Two briefcases with mysterious contents are stolen from top Presidential candidate Squire Parks, setting off a deadly series of double-crosses and betrayals. Desperate warring factions of subterranean organizations will stop at nothing to gain possession of the sensitive material. A covert branch of the CIA calls on notorious black ops agent Stanley Cashay, who has been barely existing in a semi-comatose twilight since the murder of his wife. Cashay is offered the identity of his wife's killer in exchange for locating and returning the cases." And it gets even crazier after that! (More post-jump.)
What has me intrigued is the responses from folks like Eric Kohn at IndieWire ("A mondo B-movie that holds nothing back ... Modus Operandi is a movie utterly content with its own insanity.") and Stephen Zeitchik of The Hollywood Reporter ("It bursts with campiness and odes to '70s movie outrageousness.") Sounds right up my alley.
Check post-jump for the poster premiere and more of that rather amusing plot synopsis...
Tobey Maguire and Leonardo DiCaprio Remaking 'The Third Man'?
Filed under: Classics, Drama, Independent, Thrillers, Noir, Mystery & Suspense, RumorMonger, Scripts, DIY/Filmmaking, Newsstand, Remakes and Sequels
An intriguing remake rumor has popped up on CHUD. Devin Faraci is reporting that longtime friends Tobey Maguire and Leonardo DiCaprio might star in a remake of Carol Reed's classic thriller The Third Man. Canal Plus is said to be shopping around the project, which includes a screenplay penned by Steven Knight. The details are scarce (and it may not happen at all), so it's not known whether this would be a straight up-remake or a rewrite, or who Maguire or DiCaprio would be playing. But the idea is enough to undoubtedly cause reactions of anger and panic around film fans, but think about this calmly. It's not as though Maguire, DiCaprio, or Knight are untalented slouches, and it's the kind of story that could be given a modern rewrite and stand on its own feet. I would actually love to see this rewritten, and set in Iraq or Afghanistan. I'd love to see it set it in years immediately preceding the Soviet Union, putting Harry Lime and Holly Martins in the dangerous, free-for-all Yeltsin economy. (Faraci suggests making it sci-fi, which would be very brave and very awesome.)
The Third Man is one of those stories like Dashiell Hammet's Red Harvest that is flexible enough to work in another adaptation and lose nothing of its original power. I'm very curious to see if this comes together, and in what form. DiCaprio would be the perfect actor to play the smirking Lime. I just hope they don't mimic my favorite scene. Some things are better left to Welles.
Watch This Rare One-Hour Interview with Alfred Hitchcock
Filed under: Classics, Drama, Horror, Noir, Fandom, DIY/Filmmaking, Trailers and Clips
Any time is the perfect time to visit the films of Alfred Hitchcock, but October seems a particularly good time to indulge in some of his creepier offerings. The only thing better might be spending an hour with the man himself -- and thanks to YouTube, you can come close. In 1973, Tom Snyder and his Tomorrow program conducted an hour long interview with the legendary director, who talked candidly about his career. The interview was believed to have been lost, but was discovered on a VHS tape and has now been put up on YouTube.
It's rare to actually hear Hitchcock speak for himself. He's now become one of those directors who is heard about more than he was ever heard from. While he was definitely in his twilight years here, his wit was still very much intact, and he talks about everything from his films, to his Jesuit training, his public image as "a monster," and the longevity of his career. In a delicious sign of the times, there's a glass of wine at his elbow the entire time. They certainly don't do interviews like this anymore! It's fascinating stuff, and a must see for any fan of Hitchcock, or anyone aspiring to create films in his image.
Pop below the jump for the embedded videos (and if they don't work fast enough, they can be found on this YouTube page), and thanks to Slashfilm for pointing it out. Enjoy!
Tom Cruise and J.J. Abrams Reunite for 'Mission Impossible 4'
'Big Top Pee-Wee': The Original Benicio Del Toro Wolfman
Spin-ematical: New on DVD and Blu-ray for 2/9
Watch This: Brilliant Oscar-Nominated Short 'Logorama'
Chris Nolan to Lead 'Superman' Reboot!?
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