I now take back any defense I gave Katherine Heigl for her comments about Knocked Up. I was already on my way there when I heard about The Ugly Truth and its premise where a smart and successful woman turns to a chauvinist to learn about nabbing her beau. I hit the brink with the second trailer where she actually tries to deep throat a hot dog and stick out her chest to get the guy, while he says every pervish thing he can think of. And now ... now there's vibrating underwear.

In the clip after the jump, so appropriately coming to us from Coming Soon, Heigl's character gets a little vibrating gift as she gets ready for a date. She decides to put on the panty rocket and then gets whisked off on a half-date/half-business meeting. At no time does she decide to excuse herself to take off these things, and in fact, gets into some hot trouble when the remote falls into the hands of a kid at the next table. Heigl channels When Harry Met Sally, poorly I might add, and Gerard Butler watches in amusement.

Heigl... How any woman who notes chauvinism in a Judd Apatow movie can then take on this schlock is beyond my comprehension. Furthermore, take away Butler's charm and put ... hmm ... let's say Steve Buscemi into the role -- is it still all romantically funny, or does it get downright creepy? Actually, now that would be a movie -- The Ugly Truth, where a romcom tries to deliver this bull pucky to audiences without a dapper leading man to make it palatable.

It's not really a spoiler to say that in the upcoming cute and quirky 500 Days of Summer, the film begins with the following disclaimer: " Any resemblance to people living or dead is purely accidental ... Especially Jenny Beckman ... Bitch." Having seen this film play at festivals with Q&As afterward, the first or second question asked is always about whether or not Jenny Beckman is a real girl and perhaps the inspiration for the character Summer (played by Zooey Deschanel). The filmmakers have said that she is real, and at a recent screening of the film in Chicago, director Marc Webb added this to the end of his answer: "... yeah, she's real, look her up on Facebook."

So we looked her up on Facebook, and, yup, there's the Facebook page for a girl named Jenny Beckman who kinda sorta resembles Zooey Deschanel. She's a fan of 500 Days of Summer, her favorite music lists bands on the film's soundtrack (The Smiths are listed first) and she's friends with director Webb, as well as the writers of the movie. All that being said, I've walked away with a few questions:

1. Is this really the Facebook page for a girl named Jenny Beckman, and is this same Jenny Beckman the inspiration for Zooey Deschanel's character in 500 Days of Summer?
2. Is this just a piece of viral marketing on behalf of Fox Searchlight and/or the filmmakers to get people interested and keep them interested in the film?
3. If this is a hoax, then who is that girl in the picture? Is that really a girl named Jenny Beckman? Is the name Jenny Beckman fictitious, but is that still a picture of the girl who inspired the character?

We want answers! What do you think?

It's not all sh*ts and giggles. After tackling some heavy cancer treatment on Grey's Anatomy, Katharine Heigl has grabbed herself a big-screen drama. The Hollywood Reporter posts that Heigl will star and executive produce an upcoming film called Life As We Know It, which Greg Berlanti (Everwood) is directing.

Written by Ian Deitchman and Kristin Rusk Robinson, and in turnaround since 2001, the film will focus on two singles "who suddenly become caregivers to an orphaned girl after the parents, their mutual best friends, are killed in an accident." What? No romance and laughs in sight? Can it be?

Not so fast. It looks like this script has gotten one hell of a face lift, because when Fox 2000 originally bought it, the basic plot of the project was the same, but it was described as a romantic comedy. I guess someone along the line figured that sad, orphaned children don't make for happy stories ... unless Peter Pan is involved. The film will retain, however, the lingering scent of romance. Although THR says nothing of it, the Variety piece calls it a romantic drama.

Whatever the case, no starting date has been set, but the project is expected to be fast-tracked. Are you ready for Heigl to jump out of the ugliness of The Ugly Truth and into something meatier?

Multiple Oscar nominee Stephen Frears is a tough nut to crack. Amiable but terse, his excellent multilayered films do the talking for him, from his first collaboration with Christopher Hampton and Michelle Pfeiffer on 1998's Dangerous Liaisons to 2007's The Queen. In his latest film, Cheri (read Cinematical's review here), Frears turns his lens onto the cloistered and often duplicitous world of wealthy courtesans. Frears' films often focus on subversive outsiders who must make their own "family," as it were, such as Dirty Pretty Things, The Grifters, and My Beautiful Laundrette. But Cheri's delicious spin on sex, love, and aging is typical of its source material from author Colette, whose books Cheri and The Last of Cheri present a world of upside-down relationships and self-sufficient, frankly sexual women.

Michelle Pfeiffer leads the cast as the stunning Lea de Lonval, a famous courtesan whose friend Madame Peloux, played with busty abandon by Kathy Bates, encourages Lea to have an affair with Peloux's louche son Cheri, the pale and effeminate Rupert Friend. Neglected as a child while his mother was dealing with her affairs, Cheri is hardly likeable or loveable, but somehow their affair becomes less about sex and more about the love both he and Lea have lacked in their lives. Peloux throws a wrench into the whole thing when she plans a wedding for Cheri to another courtesan's child, Edmee, played by newcomer Felicity Jones. What happens after that surprises them all.

Cheri opens June 26th in limited cities. Visit the official website for more information.

Cinematical: What's the difference between releasing a movie like Cheri during Oscar season as opposed to the summer blockbuster season? Is it more or less stressful?

Stephen Frears: The problem with competing for the Oscars is it's very tough, so in a way it's quite a relief being [released] at another time of the year. You're all right if you've got the one that gets everybody's attention, but fighting for attention is quite difficult. I've released films in that season that have been just overlooked.

The French writer Colette, born Sidonie-Gabrielle Colette (1873 - 1954), lived one of those witty, charming lives you've read about, doing things like performing at the Moulin Rouge and having affairs with Josephine Baker, while marrying several rich husbands. She wrote, among many other things, what would become the famous musical Gigi, which Director Vincente Minnelli turned into a dull, immobile Oscar-winning hit in 1958. The English film director Stephen Frears would have been 13 when Colette died, though at that age, he had most likely never heard of her. But now, 55 years later, the two have teamed up for the new movie Cheri, based on Collete's 1920 novel about a passionate affair between an aging courtesan and a spoiled younger man.

Frears seems like the right man for the job. After all, his similarly sexy costume drama Dangerous Liaisons (1988) was another Oscar-winning hit. And in his Mrs. Henderson Presents (2005) he dealt with issues of sexuality and censorship on the stage, so he seems prepped to make something really sexy and full of wit and charm, especially given that he's re-teamed with his Dangerous Liaisons star Michelle Pfeiffer. It's a win-win scenario that quickly turns lose-lose. For some reason, Cheri is dead on arrival, a cold fish. It just lies there, too lethargic to be funny and too timid to be sexy, but not deep enough for any real drama.

Enchanted director Kevin Lima is on board to direct a new version of Mary Shelley's classic horror novel Frankenstein. Frank has a helluva twist, though; the scientist cooking up cadavers is an "antisocial" young woman in med school who decides to "create" her own friends. And... it's a romantic comedy. Can you say undead boyfriend?!

According to Variety, the writer and one of the executive producers of this potentially awesome project is Karey Kirkpatrick, the writer of The Spiderwick Chronicles, Charlotte's Web, The Hitchhiker's Guide to the Galaxy, and James and the Giant Peach, among others. He also directed the Eddie Murphy vehicle Imagine That,

Both Lima and Kirkpatrick have a bunch of projects that are in development, although Lima's have more of a family-friendly vibe (The Spook's Apprentice, Candy Land, The Incredible Mr. Limpet, and Thumb). Kirkpatrick's optioned projects include writing, directing, and producing Captain Abdul's Pirate School, about a girl who is sent to pirate school and plans a mutiny against their evil school principal slash lead pirate, as well as the more adult-minded The Best a Man Can Get, which he is also writing, producing and directing.

Based on distributor Fox 2000's track record, Frank could be focused more on the rom-com than the potential for blood and a cool chick lead, but maybe indie production company Radar Pictures (the peeps behind Richard Kelley's The Box, and remakes of The Amityville Horror and The Texas Chainsaw Massacre, among a number of other projects) will make sure that we get a dash of gore with our giggles and girly goodness.

I'm voting for Kat Dennings as our protagonist -- she's smart, snarky, and sweet, and she plays the perfect "outsider." Who would you cast?

(Thanks to Zach for noting that Kirkpatrick is a man. Oops.)

Stephen Dorff and Chris Pontius (Jackass) aren't the only men gearing up for Sofia Coppola's upcoming film Somewhere. It turns out the rumors are true -- Movieline has confirmed that Benicio del Toro will be making an appearance. Unfortunately, it's only brief. He'll play someone Dorff has a run-in with at the Chateau Marmont (where Dorff's character is holed up). This is fitting, as the site points out, since that's where he had that rumored sexy run-in with Scarlett Johansson. Will they meet in an elevator?

Meanwhile, funny woman Kathryn Hahn, who you surely remember from films like Anchorman and Step Brothers, has scored two new gigs -- one on the big screen, and one on TV. The Hollywood Reporter posts that she has grabbed a part in James Brooks' untitled baseball comedy, and is also developing a pilot with husband Ethan Sandler that she will potentially star in. As for the comedy -- that's the Reese Witherspoon, Paul Rudd, Owen Wilson, and possibly Jack Nicholson flick focusing on romance, laughs, and baseball. She'll play Rudd's assistant.

Finally, Cher is really doing what she can to perk up her career lately. Aside from Drop Out and The Zookeeper, Variety has confirmed that the earlier talks have now been sealed -- Cher will head to Christina Aguilera's upcoming Burlesque. The saucy icon will play "a former dancer who struggles to keep the club open and gives the young girl a chance to shine." Cher will sing for the film, but there's no word on whether she'll turn back time to wear that bathing-suit like body floss.

There's a script to be written, hopefully by someone with talent, in which a character from the real world gets dropped into a romantic comedy. Sort of like Enchanted in reverse, or the middle part of The Last Action Hero -- a reg'lar Joe or Josephine suddenly finds themselves having to survive in the Rom-Com Universe, forced to adapt their normal-human skills and behavior to an alternate reality where almost nothing is like they know it.

Take The Proposal, for example. Ryan Reynolds' executive-assistant character makes a coffee run for his boss -- but there's no coffee in the cups! Seriously, you can tell from the way he's juggling them in one hand that, as in most movies and TV shows, they're completely empty. Unless, of course, normal physics don't apply in Rom-Com World, which is a distinct possibility. Naturally, when he gets the coffee all the way back to the office, the first thing that happens is that he slams into a co-worker, and coffee cascades from the now-full cups all over his shirt.

See, this is one way that it would be hard to live in a romantic comedy. For starters, when I buy coffee, the cup's almost always full of coffee. I like that. And if I was constantly running into people and spilling my magical drink all over myself, I'd need to keep multiple changes of clothes in my car and at my office. I imagine that people in rom-coms must have overnight bags stashed all over the place, given how often they spill stuff, fall down, and have messy things flung at them. It would be hard on the wardrobe.