Shorts »

Years ago, the Internet was an accessible haven for meeting people across the world -- for learning about new cultures and expanding horizons without leaving your desk. With the commercialization of this space over the years, however, that push has been forgotten. But the new project from David Lynch's son Austin and a friend named Jason S. is changing that, just a little.

If you've heard about the Interview Project already but haven't gone, I implore you to head over right now and check it out. The pair traveled across the U.S. for 70 days, interviewing random people they came across, young and old, both men and women. The collection of footage was then edited, and gets released every few days over at davidlynch.com. Lynch's vision definitely runs in the family. It doesn't hold the eeriness associated with much of the director's work, but it has the same eye for humanity (think mini bits of The Straight Story).

What I love most about the collection is how cinematic each piece is, even when utterly simple or mundane. It goes to show how great any documentary can be with just a little more attention given to art and the subject. (Which, of course, also makes me demand more from homegrown projects.) It's like a little spotlight on the random people we pass on a daily basis without thinking about twice -- this swarm of stories and quirks we're close to but blind to -- that's captured and projected onto a canvas.

What do you think of Interview Project?

When it comes to film festivals, cinephiles have a lot to choose from. But if you're in Los Angeles from October 30 – November 7, there's only one film festival that will have The Imaginarium of Dr. Parnassus, The Road, The Fantastic Mr. Fox, Werner Herzog's Bad Lieutenant: Port of Call New Orleans, Youth in Revolt, A Single Man, and tons more buzzed-about indie, foreign, and genre gems – ALL FOR FREE. That's right, folks: AFI Fest is giving free admission for every single one of their films this year, so how can you possibly resist?

As Peter Martin wrote back in May, AFI's groundbreaking move to free ticketing is a daring experiment. (Tickets can be reserved online and via phone starting October 16.) I suppose the rationale is that if the cost of a ticket precludes film goers from attending, why not make it even easier to participate? One look at AFI's line-up, released yesterday, pretty much makes the decision for you.

Get the full list of (FREE! ) AFI Fest screenings after the jump.

I miss Jim Henson.

Yeah, I miss the world of puppetry he became famous for, how could I not? But there's something I am missing a whole lot more. I miss the man and creator I never knew, the one I wish could have balanced the Muppets and Sesame Street with his previous adult fare. See, back in 1965, he wrote, directed, and starred in a short film called Time Piece. Let me rephrase that -- the awesome short called Time Piece that earned him an Oscar nomination.

A wild, surreal look at the philosophy of time, the film starts with Henson in a hospital as a doctor tries to listen to his irregularly beating heart. Henson taps his fingers, he coughs, and soon he's not an invalid. Visually and aurally set to the same beat, Henson's Man is briskly taken through a number of settings and scenarios. I'm talking everything from reenacting Tarzan's epic, vine-swinging cry to a lascivious dance scene that mixes dancing chickens, nipple tassels, and the champagne pop of sexual innuendo. And it's all from the mind of Jim Henson.

Time Piece has got a '60s groove, and while its absolutely puppet-free, some visuals definitely have that early '80s PBS feel. And like I haven't gushed enough, when all is said and done, Henson wraps it up with an ending credits sequence that's just plain excellent. I know he loved those puppets. But oh, how I wish he made more films like this. Watch it after the jump.

Guy Maddin is not your everyday director. Over the last twenty years, he's made a name for himself with his beautifully hazy black and white shorts and features, from the docufantasia wonder of My Winnipeg to the hops-filled thrills of Isabella Rossellini and The Saddest Music in the World. These projects have inspired many to call him the Canadian David Lynch, but while the two create rich fantasies for their films to thrive in, Maddin's always have a clear-cut narrative. The path might be surreal, strange, and utterly fantastical, but it's also easily understandable. With his latest, Night Mayor, Maddin turned an ode for the NFB's 70th anniversary into the tale of an immigrant who harnesses the power of the aurora borealis to help teach Canadians their national identity.

During TIFF, Cinematical had a chance to talk to the filmmaker about how Night Mayor came to be, Maddin's cinematic process, the magic of collaboration, and his next project (a choose-your-own adventure!). On top of more timely chatter, Guy also took a moment to share the story behind Sissy Boy Slap Party (my favorite guilty pleasure), and how a moment of spite turned into a memorable short.

Sometimes making your way through an entire major motion picture can be so very trying. Or maybe all you really want is a refresher on how someone like Forrest Gump went from zero to hero over the course of a two hour-plus feature film. Enter the "One Minute" film, as perfected by a group of UK film students who've amassed a growing fan following on YouTube. Their latest offering: "28 Days Later in One Minute, in One Take." Watch it after the jump – it'll only take 60 seconds of your life!

It all started last spring, when a group of British film students at the University of York shot a condensed (and dare I say it? More watchable) version of Forrest Gump for a one-minute film competition. When "Forrest Gump in One Minute, in One Take" blew up on YouTube, the group – comprised of members of the campus film making society -- discovered there might be something to this 60-second movie business. A few months later "Kill Bill Parts 1 & 2 in One Minute" followed, a virtuoso piece of carefully plotted choreography that manages to tell the entirety of Quentin Tarantino's two-flick vengeance tale in much, much less time.

After the jump, watch "28 Days Later in One Minute, in One Take."

Toronto might have its own short film extravaganza -- the Worldwide Short Film Festival -- a week rife with pithy pieces of cinema. But every year, just a few months later, there's a second serving at TIFF with the collection Short Cuts Canada.

This year, the NFB (National Film Board of Canada) had a bunch of shorts in the mix, and when I got a handful in the mail, it was like an Oscar-led explosion. Talent abounds in these films. That's not entirely surprising considering the fact that we've got the latest from Oscar-winner Chris Landreth and Oscar-nominee Cordell Barker, plus a slew of other notable talent. Talent, I must say, that's topped with Night Mayor, the short the NFB commissioned Guy Maddin to do as part of the board's 70th anniversary.

Read on for the details of Night Mayor, Vive the Rose, The Spine, and Runaway.

In 2007, a film called Chacun son cinema was created for the 60th anniversary of Cannes (briefly mentioned here). Like a Paris je t'aime for the cinematically minded, the film collected 33 shorts from directors across the world capturing their feelings about cinema. The collection was any movie-lovers dream -- David Lynch, Gus Van Sant, Jane Campion, Atom Egoyan, Elia Suleiman, Wong Kar Wai, Lars Von Trier, and even the Coen brothers.

After Cannes, it screened at TIFF and other film festivals across the world, and got two region 2 DVD releases. But not only has there been no Region 1 disc for the North Americans eager to see the film, the Coens' World Cinema also got shafted -- not appearing on the StudioCanal DVD and not listed on the Pyramide DVD -- even though their short was a part of screenings.

But now the short, in its entirety, has popped up online and it's awesome. The clip stars Josh Brolin (during the days of No Country for Old Men), Grant Heslov (who just helmed Men Who Stare at Goats), and Brooke Smith (Grey's Anatomy). A cowboy of sorts heads to a movie theater to catch a flick, confused about the two art films available to him. Heslov's ticket guy answers his questions, which includes the gem: "Is there livestock in any of 'em?"

Saying any more than that would ruin the magic, so check it out after the jump. And below that, you can check of Lynch's goosebump-inducing Absurda.

What do Transformers, Francis Ford Coppola, and Martha Stewart have in common? Push Button House! That's the name of an art installation / actual usable home by Adam Kalkin as well as a short film by Robert Profusek and Ryan Silbert; the latter is now available for free online streaming, courtesy of our friends at SnagFilms.

Both Coppola and Stewart were fascinated by the idea of a shipping container that transforms into a pre-fabricated home. As described by Luxist, the Push Button House "is a fully functional and sustainable home built inside a standard industrial shipping container. In just 90-seconds with the push of a button the shipping container turns into a five-room home with a kitchen, dining room, bedroom, living room and library." Kalkin created an earlier version in 2005; the updated illy's Push Button House debuted at the prestigious Venice Biennale in 2007 and was exhibited late in the year at the Time Warner Center in Manhattan. That's where the doc catches Kalkin as he puts the finishing touches to the exhibition.

The doc is barely 12 minutes long; the directors stated: "Push Button House is a small window into Adam's amazing body of work; our hope was to be able to convey a snippet of the creative energy that he puts into every piece." And since this is a short work week for many of us, I thought the length would allow more people to give it a look. More information about the film is available at SnagFilms.

Watch Push Button House right here at Cinematical -- after the jump! Please note: NSFW due to profanity.

Neil Gaiman, the darling of comic book and fantasy fans everywhere, has been alluding to a short film project he's been working on on Twitter. Apparently, his fans aren't the only ones who can't resist snapping up his every project, because Variety is reporting the British TV channel has already picked up the short film as part of a "12 Days of Christmas" series.

Gaiman, who is very open to fan interaction and uses Twitter both effectively and charmingly, Tweeted in August, "Oh good. I have my star, who was my first (and only) choice. I have a costume designer. We agree about things. This is fun."

The dapper Bill Nighy is the star of Gaiman's short silent film which is "a love story involving two statues and Christmas shoppers." We can, no doubt, expect music from Gaiman's muse and collaborator Amanda Palmer for the soundtrack. it's so cool that he wrote a short silent movie screenplay, got it made, and sold it all in one summer. Such is the power of Neil.

The real question is, when does the rest of the world get to see it? Can we hope that Neil releases the film the same way he released videos of him reading The Graveyard Book to adoring audiences around the world?

So, fan girls and boys, let's hope this holiday season will bring another treat under the tree or Hanukkah bush from the prolific author behind Coraline (the book), American Gods, Stardust (the book), Anansi Boys, and of course, the graphic novel series Sandman. Along with that lump of coal you no doubt deserve.

Among all the other inequalities in cinema, one of the oldest is the general preference for feature-length films over shorts. Very few short films are considered essential masterpieces, and even fewer animated short films have that title. It's even more difficult if you consider that a whole generation of us grew up watching hours upon hours of cartoons on television (with commercials), without the knowledge or experience to discern that some of them might have been actual works of genius or art. How many times, for example, did I watch Chuck Jones's What's Opera Doc? (1957) without really contemplating or even noticing the detail and the imagination that went into it. I didn't know at the time that I would eventually go on to call it the Citizen Kane of cartoons.

Now the blog Shooting Down Pictures has compiled an essential list of 100 Important Directors of Animated Short Films, which -- at the very least -- gives us a starting point. The introduction specifies that the list is simply 100 important directors, and not THE 100 most important directors. The very first comment on the list was: where's Mike Judge? And the listmakers replied by saying that these filmmakers are primarily theatrical and not television-based. (That explains the lack of Rocky & Bullwinkle, too.) The list of directors was originally created when the folks behind the great movie-list website They Shoot Pictures, Don't They? decided to make a list of the 250 greatest short films, which never materialized.