Both of the upcoming animated releases that aren't Wall-E or Space Chimps got new trailers yesterday. Here's one for Igor (and here's a link to the poster we premiered a few weeks ago), and here's one for Kung Fu Panda.

Kung Fu Panda looks like it'll be just a step or two above -- *shudder* -- Beverly Hills Chihuahua. Igor, on the other hand, looks like a charmer: the premise is inherently nerdy, requiring viewers to think back to the original Frankenstein films (or at least Young Frankenstein, or Van Helsing in a pinch) to get the joke, and the trailer has a few big laughs.

The biggest upside of Kung Fu Panda coming out on June 6th: those of us who frequent AMC Theaters will no longer have to endure the Kung Fu Panda-themed pre-movie interlude exhorting viewers to shut up. I'm not sure how many more times I can listen to Jack Black tell me that he can hear me texting before I have an aneurysm. But I guess I should be grateful AMC is no longer airing that horrid Three Doors Down "Citizen Soldier" video pimping the National Guard (because no one screams "role model" to teenagers like the lead singer of Three Doors Down). That thing gave me nightmares.

God, I love this movie. Cinematical has received two exclusive stills for The Promotion, directed by Steve Conrad (writer of The Pursuit of Happyness and The Weather Man). You can check out larger versions of both photos in the gallery below, but listen up: Go see this flick when it arrives in theaters this June 6. I'll give you the same pitch I've been giving everyone else: Picture Election in a supermarket with older main characters. This isn't some stupid, cheesy broad comedy -- it's intelligent, it's hysterical and it features what is perhaps the best performance from Seann William Scott I've ever seen.

Essentially, The Promotion (read our review here) is about two nice guys who just happen to be going for the same job as manager of a new supermarket opening up across town. Toss in a slew of random characters, a well-written story and witty dialogue, and that's The Promotion. Yes, there are a bunch of other comedies opening up this summer with bigger stars, bigger budgets and bigger marketing campaigns. I'll say this, though: 10 bucks The Promotion turns out better than all of them. Easily my favorite comedy of the year so far.

Now stand up, walk over to your calendar and draw a big red circle around June 6. Underneath, in that little box, scribble in: "Need to see The Promotion." You'll thank us later.

It's rare that a good film will irritate me, but it happened at least fifteen times during the rather intense Brazilian import Elite Squad, and here's why: The film is saddled with an omnipresent voice-over narration from the main character, and this running commentary deflates, detracts, and nearly ruins every GOOD thing about the movie. Every time the viewer is offered a chance to think for himself, make a decision about a specific character, or draw a moral conclusion about the onscreen mayhem -- up pops the stunningly unnecessary voice-over monologue. After a while it starts to feel like the filmmakers simply don't trust your intelligence, and so they insist on explaining every scene, every theme, and every possible motivation the characters might have. It's a damn good thing that Elite Squad has some other very solid assets in its corner, because that narration almost kills the whole movie.

Based on the book Elite da Tropa by Andre Batista, Rodrigo Pimentel, and Luiz Soares, Elite Squad takes us inside two very different Rio de Janiero police units. On one end we have the "regular" police, most of whom are either sickeningly corrupt or simply ineffective. On the other side we have the BOPE, which is Brazil's ultra-elite unit of peace-keeping ass-kickers. Even the regular cops step to the side when the "elite squad" arrives on the scene, and it's the leader of this unit who becomes our entry point.

It can't feel great to be known as the guy who blew a primetime career simply because he couldn't keep his big mouth shut. But, there is still hope for Isaiah Washington, and The Hollywood Reporter announced he has picked up his first feature film role since being fired from Grey's Anatomy. Washington has now signed to star opposite Forrest Whitaker in Tim Story's sports drama, Patriots.

Patriots is based on the true story of Al Collins (played by Whitaker); a high school basketball coach. After the disaster of Hurricane Katrina, Collins put together a local team consisting of kids displaced from their schools and homes, and led them to the state championships. Washington will play the assistant coach who helps lead the squad to the championships.

I can't be the only one getting tired of all these inspirational sports movies. It's gotten to the point where they are bleeding together into one long Hallmark Movie of the Week, but for the ESPN set. Although, I should have expected nothing less from the writers behind Remember the Titans and The Great Debaters (debating is kind of a sport, right?). Patriots will begin shooting on location in New Orleans later this week, and will arrive in theaters later this year.

The good news? Two of Asia's biggest action superstars have teamed up for the first time. The bad news? It's 15 years too late. And what's with the white kid?

The Forbidden Kingdom is yet another picture in which we are meant to experience an exotic locale peopled entirely by "others" through the eyes of a Caucasian character. In this case, it's a fantasy world cobbled together from classic Chinese literature and period martial arts movies. As the latest entry in the category of "low expectation, Asian-themed, English-language movies written and directed by respectful American creative talent," the film is slightly above average entertainment. But I grow tired of having to lower my expectations in exchange for the pleasure of seeing talented Asian performers make an appearance on the big screen in America.

Writer John Fusco and director Rob Minkoff make fun of some of the stereotypes inherent in period martial arts pictures, while also sprinkling shout-outs into the material to demonstrate their love and knowledge of the various source materials that inspired them. Jackie Chan and Jet Li are cheerfully engaging as a drunken beggar and monk on a mission, respectively, providing most of the film's comic and action highlights in supporting roles. That's right -- Chan and Li have both achieved Hollywood stardom, are top-billed, are no doubt top-paid, but play second fiddle to "the white kid," Michael Angarano. We waited years for this?

Man oh man do I love a good Killer Croc flick. Problem is ... there's maybe one true "classic" of the sub-genre (that'd be Lewis Teague's and John Sayles' Alligator, of course), and the rest of 'em are pretty much floating crap. Over the past year or so we've seen a bit of a resurgence in the category: Lake Placid 2 is mindless stupidity; Stewart Raffill's Croc is slightly better than that; that Primeval one is a passable enough time-waster; and the indie Aussie import Black Water is actually quite good, although more of a slow-burn nature thriller than a chomp-'em-up horror flick -- but what of Rogue?

Yes, Rogue. Ring any bells? Sophomore effort from Wolf Creek director Greg Mclean, Rogue looks to be a standard enough Killer Croc flick that stars Michael Vartan, Radha Mitchell and Sam Worthington. The fact that the flick has been sitting on a shelf over at Weinstein Co. for over a year might seem like a red flag, but that's why the world needs horror geeks like me: So I can tell you that early reaction to the flick has been surprisingly positive! The flick came out in Australia last November, and while it didn't do a whole lot of business, I've been hearing rumblings from my horror colleagues that the movie's quite good!

A Taiwanese filmmaker's tribute to a celebrated French short soared easily to the top of the indie charts this weekend. Flight of the Red Balloon (IFC Films), directed by Hou Hsiao-hsien, averaged $17,450 at the two screens where it played in Manhattan, according to estimates compiled by Leonard Klady at Movie City News. Jeffrey M. Anderson wrote: "Like Hou's more recent work, Flight of the Red Balloon moves a little more toward international accessibility and away from his early, uniquely Taiwanese stories." Juliette Binoche stars as a frazzled writer and performer with a troupe of puppeteers who hires a Taiwanese film student as a nanny for her young son.

Surprisingly, My Blueberry Nights (The Weinstein Co.) finished #2 for the weekend, grossing an average of $11,380 per screen at six locations. Wong Kar Wai's first English-language film met with lukewarm reaction at Cannes last year; the director tinkered with the editing, but the end result is still not very satisfying, according to Nick Schager. He wrote that the "lovelorn dilemmas [of the female characters] ... consistently come off as precious and trifling, which is dispiriting considering that Wong and [director of photography Darius] Khondji make everything look and feel so rapturous and enticing that one wants to believe the proceedings are of consequence." Nora Jones, Jude Law, Rachel Weisz and Natalie Portman are featured.

No! For the love of God, make it stop!

According to Variety, Dimension Films is remaking that whimsical 80's classic Short Circuit. S.S. Wilson and Brent Maddock, the writers behind the original two films, are set to write the remake. The film will reportedly be similar in theme to the original, but will factor in advances in technology. (Really? Last I checked, we didn't have sentient robots who could be your pal!)

This has to stop. I'm too young to see my childhood paraded before me like this, a demented nightmare of what once thrilled and delighted me. I loved this movie. It has honestly been a long time since I saw it, so I doubt it has held up -- but I love my memories of it. I also cherish my memory of the sequel. My parents took me to see it, it was a sold out showing. And I think it was only ten or twenty minutes in before I realized how horrible it was. I do believe it was the first time I was exposed to the realization that sequels were made for money, and were often wretched. Up until then, all the sequels I had ever seen (which probably amounted to Empire Strikes Back) were awesome and worthy continuations of characters I adored.

I realize I'm probably making a mountain out of a molehill, but this trend has to stop. What's next? The Goonies? Gremlins? The Karate Kid? Big Trouble in Little China? Oh no, I've given them ideas.

Cinematical has just received this exclusive poster (click on the image to enlarge) for Where in the World is Osama Bin Laden?, director Morgan Spurlock's follow-up to the ultra-popular documentary Super Size Me. The first poster for the film (which we debuted here) spoofed Indiana Jones. This new one seems to have a Lawrence of Arabia vibe to it, which I totally dig. The film, which premiered earlier this year at the Sundance Film Festival, follows Spurlock to the Middle East on a journey to track down the world's most elusive criminal: Osama Bin Laden. But what awaits our heroic documentarian upon arrival? And will he find a way to make it out alive ... with Osama in his backpack? You'll have to see the movie yourself for the answers to those questions, but in the meantime feel free to check out James' review from Sundance and his interview with Morgan Spurlock.

Where in the World is Osama Bin Laden? arrives in theaters on April 18.

Nearly a year after its international premiere at Cannes, My Brother is an Only Child (ThinkFilm) opened at the top of the indie weekend box office returns, according to Box Office Mojo. Playing at just one theater in Manhattan, the film grossed $10,500. My Brother "follows two brothers through years of Italian history, with their personal and political travails echoing down the years," Cinematical's James Rocchi wrote last year. "Even with it's merits as a light-but-sentimental story of family in 1960's Italy, it also reminded me of the soaring, sweeping, astonishing La Meglio Gioventù (The Best of Youth) -- and wound up completely winning me over." The film will roll out to other cities over the next three weeks, per the distributor's web site.

Immigration family tale Under the Same Moon (Fox Searchlight / The Weinstein Co.) continues to perform well, earning $5,771 per screen as it expanded to 390 theaters in its second week. Leonard Klady at Movie City News commented that the film is "playing in a mix of Hispanic, art and mainstream locations but with rare exception is working best in the former venues." Also in its second week, Love Songs (IFC), Christophe Honoré's French-language modern musical, held onto most of its audience, averaging $6,800 at two Manhattan theaters.

Or did it? It seems it depends on who you ask. The Hollywood Reporter has a long story recounting the Fanboys supporters' attempt to picket Superhero Movie. The protest actually grabbed a few headlines, which would suggest there were numerous stormtroopers out there sticking it to the man -- claims denied by AMC theatre reps and by the Weinstein Co.

The 501st (who are now denying any official stance or organized protest) says that at least 14 members showed up at a New York AMC, but when confronted by security guards, chose to buy a ticket to see 21 instead. They also claim that 20 stormtroopers showed up at Century City, but were asked to leave the mall by security guards. AMC denies both incidents occurred, and that the only protester in Century City was a lone Darth Vader.

A source close to the film says that it was eight protesters in Century City, and that they were taken out for pizza by a producer. That's certainly confirmed by a quote from producer Matthew Perniciaro: "We've been working on this movie for many years, and if someone is going to take time out of their personal life and support our film, whatever that support might be, at the very least what we can do is say thank you and buy them a couple of slices of pizza for caring abut this project as much as we do."

It ain't high art and it sure isn't "brilliant filmmaking," but the arrival of Craig Mazin's Superhero Movie is actually a (small) cause for (minimal) celebration. And here's why: Over the last few years, the word "spoof" has become synonymous with the phrase "wretched non-movie." One need only pick through titles like Date Movie, Epic Movie, The Comebacks and Meet the Spartans to see that the spoof movie is one good place to hide if you're very lazy. Just about every movie freak I know was skeptical of Superhero Movie because they've been burned too often by this sort of schtick -- but I'm pleased to note that Superhero Movie actually represents a (slight) upswing for the oft-maligned sub-genre. It's sure as hell no Airplane! -- but it sure as hell isn't Date Movie, either.

Written and directed by Scary Movie(s) scribe Craig Mazin (and produced by two of the guys responsible for not only Airplane!, but Top Secret!, Hot Shots, and The Naked Gun, too), Superhero Movie is a colorful mixture of the old-school spoof style (thank god for Leslie Nielsen) and the more current crotch- and fart-addicted sensibility. It's very broad, very silly, very episodic, and frequently very sloppy, but (and here's a big but) Superhero Movie succeeds over many of its cousins for one simple reason: It's pretty funny.

So today is the day I officially feel old. Variety reports that Ice Cube has made a deal with Dimension Films for his comedy script Janky Promoters; a title that had me running to Urban Dictionary to figure out what the heck 'Janky' meant. But mid-life crisis aside, back to the real news: Cube will be producing the film along with Dimension and his partner Matt Alvarez, and will also star.

The story centers on two hip-hop promoters who are given the chance to put together an all-star show in California. When the two discover that they are in way over their heads, wackiness ensues. Bob Weinstein tells Variety, "This feels a lot like Uptown Saturday Night to me, a caper film where you have these music promoters who are slightly shady but are good enough guys that you root for them, this is going to be R-rated, and it appeals right to the core of Cube's audience." Thankfully, Cube is getting out of the kiddie flick business (at least for now) and Promoters is his first script since the Friday series finished back in 2002.

Who's really behind the campaign to boycott all Weinstein Co. films until the original cut of Fanboys is shown in theaters? And are they the same group of people everyone thinks is behind this whole thing? I'll leave it at that. As you've probably already noticed, the whole Fanboys debacle heated up once again today when a press release announcing the Weinsteins plans to release both versions (cancer version, non-cancer version) of the film on DVD, while they "explore" theatrical options, hit the inbox of every movie blogger in the known universe.

This came on the heels of a potential boycott of the latest Weinstein Co. release, Superhero Movie, by a group of Star Wars fans who simply want to see one version -- the original version -- of their beloved Fanboys up on the big screen. Since the press release, the group has responded with plans to still go ahead and stage two large Superhero Movie protests this Friday in New York and Los Angeles. According to a Cinematical source close to the production, no one involved in the film (producers, director, etc ...) were made aware of these newest developments prior to the press release hitting the public. And apparently some folks are pissed.

They're pissed the film is being yanked around. They're pissed at the lack of progress. And they're pissed that the new director brought on (Steve Brill) knows jack about Star Wars. Seriously. Word has it the dude never even saw the original Star Wars when he was hired to re-shoot Fanboys. (But that's a rumor, it hasn't been confirmed and you didn't hear it from me ...)

In a move highly reminiscent of Fanboys idol George Lucas, the Weinsteins have announced they will be releasing two editions of the still-unreleased movie on DVD. The problem is, they still haven't announced a theatrical or DVD release date for either version.

The Hollywood Reporter has the long and torturous story. If you've been following this poor film's route, you know that the movie centers on a group of friends trying to sneak into Skywalker Ranch so that their cancer-stricken friend can see The Phantom Menace. The Weinsteins decided the entire cancer subplot should be removed, and spent $2 million on reshoots, only to have the film begin failing test screenings.

Now, fans (led, it must be said, by the 501st Stormtrooper Legion) have gone on the warpath. 30,000 e-mails have been sent to the production company, along with threats of a boycott of all Weinstein films, a picket line at Superhero Movie, and cries of "Darth Weinstein!" have forced the company's hand -- slightly. The Weinstein Co has agreed to release two versions of the film on DVD -- the original, and the reshot version, and are pondering whether to release both in the theatre.