Cinematical

Actor, singer and Broadway star Harve Presnell died July 1, 2009 at the age of 75. Born September 14, 1933, Presnell started his career on stage, playing prominent roles on Broadway in shows such as The Unsinkable Molly Brown, before moving into film work in the late 1960s. Perhaps best known as the domineering father-in-law to William H. Macy's sheepish wannabe kidnapper in Fargo, Presnell enjoyed a career resurgence in the 1990s and became one of the more recognizable character actors of the last two decades.

Presnell's performance in Fargo was one of those that made even cinephiles wonder, who is this guy? Playing Wade Gunderson, the gruff and obstinate father of the film's kidnap victim, he complemented the desperate ambition of Macy's Jerry Lundegaard and the smalltown sensibleness of Frances McDormand's Marge Gunderson. That same year, he appeared in several other movies, including The Whole Wide World, Larger Than Life and The Chamber, rekindling a film career that stagnated in 1976.

Indie Roundup reviews the past week of news from the independent film community and provides a peek at what's coming soon.

Opening. Two films opened yesterday which couldn't have less in common: Agnès Varda's essay film The Beaches of Agnès and Nia Vardalos' I Hate Valentine's Day. Tomorrow comes Anne Fontaine's comedy The Girl From Monaco.

Deals. Xavier Dolan's family drama I Killed My Mother, Kenneth Branagh's The Magic Flute, and Asghar Farhadi's drama About Elly have all been acquired by Here Films, the company formerly known as Regent Releasing. All three are headed for theaters next year. [indieWIRE]

Online Viewing. The 4th of July weekend inevitably brings thoughts of America as a land of immigrants, and that's the topic of Home, which debuts on Amazon VOD this week, featuring interviews with Mike Myers, Alfred Molina, and Liam Neeson. Also somewhat topical: if Michael Jackson had an impact on race in pop music, what about African-American musicians playing rock 'n' roll exclusively? Raymond Gayle's Electric Purgatory examines the issue (at iTunes). If you're looking for love, you have something in common with two women in the comedy/drama Arranged (also at iTunes.)

Box Office. Kathryn Bigelow's lacerating bomb squad thriller The Hurt Locker earned a per-screen average ($36,338) that bested even the giant robots, albeit on only four screens. Woody Allen's Whatever Works expanded to 35 screens and grossed $10,280 per outing. The combination of star Michelle Pfeiffer and director Stephen Frears could stir up only a tepid $5,338 per-screen at 76 locations for Cheri, which is less than the average for Duncan Jones' Moon in its third week on 21 screens. [Box Office Mojo.]

After the jump: David Hudson's The Daily takes a permanent (?) vacation, portending the end of the world as we know it.

Something funny happened at our local press screening for The Hurt Locker this week, and not in the film itself, which is decidedly not funny. The trailer attached to the film was for Sorority Row (pictured), a dumb-looking I Know What You Did Last Summer knock-off in which college students are harassed by a person they thought they'd killed. It was incongruous to see a cheesy horror flick advertised in front of The Hurt Locker, a complex action drama that many critics consider one of the year's best films. It was like screening There Will Be Blood with a trailer for Land of the Lost in front of it.

The reason for it, of course, is that The Hurt Locker and Sorority Row both have the same distributor, Summit Entertainment. When you go to the movies, some of the trailers are just whatever's in rotation, but one or two are usually from the same studio as the film you're watching, sent out with prints of that film with explicit instructions that they be attached. Big distributors (Warner Bros., 20th Century Fox, etc.) usually have plenty of upcoming products and can choose trailers that target the same general demographic as the movie they're paired with. But Summit is small -- all they had to choose from was Sorority Row and The Twilight Saga: New Moon. (A Sorority Row trailer in front of New Moon -- now that would make sense.)

So I understand why this particular trailer came with this movie. But it was still a funny juxtaposition. I can't imagine anyone wanting to see both Sorority Row AND The Hurt Locker. Has anyone else ever noticed this phenomenon? If you've seen The Hurt Locker in theaters, was this trailer in front of it, or was it just for the critics' benefit? What other strange combinations of trailers and features have you noticed?

After the jump, the Sorority Row trailer, so you'll know what I'm talking about.

There are a million reasons not to have a sequel to Heathers, but maybe if they made the whole production a little closer to real life, it'd have some possibilities -- because Veronica Sawyer has gone batsh*t insane! Remember how Winona Ryder was, once again, talking about a Heathers sequel last month? And how she swore up and down that it was in the works this time? And that Christian Slater would be back in an Obi-Wan-type role?

Well, it's ALL in her head. Movieline talked with director Michael Lehmann, and he said: "Winona's been talking about this for years -- she brings it up every once in a while and Dan Waters and I will joke about it, but as far as I know there's no script and no plans to do the sequel. A couple weeks ago everyone started talking about it and I guess Winona said the movie was gonna get made, and I thought, 'I don't know, maybe they did this without me?' But I got in touch with Dan Waters and he said he didn't know anything about it. So I don't think there's any truth to it."

Winona, let it die already. I find it kinda creepy that you keep sparking this rumor mill with the same stories -- all of which have had no basis in truth, if Lehmann is to be believed. I've been reading these rumors for over a frakking decade. I adore the film as much as you do. I've seen it more times than I can count, and I can recite it from beginning to end, but sometimes things come to an end. But ... Moby Dick is dunked. The white whale drank some bad plankton and splashed through a coffee table. Now it's someone else's turn to take the helm of teenage dysfunction.

Welcome back to another edition of Insert Caption -- the game that moves itself to Thursday when the next day happens to be a holiday! Last week we finished our back-to-back Transformers: Revenge of the Fallen caption contests asking you to give us your best piece of funny for a photo of Megan Fox from the box office blockbuster. Our three winners all took home a copy of the Transformers: Revenge of the Fallen video game, with each winner representing a different gaming system. Congrats to you all!

1. "I think you're overreacting Megan, second place on Maxim's Hot 100 really isn't THAT bad." -- Michael S. (PS3)

2. "The Ultimate Weapon of Mass Distraction..." -- Jeremy E. (Wii)

3. "Oh, there's Bin Laden." -- Tommy L. (XBox360)

See full image and all captions

This week we're finally exiting the world of giant robots and taking a closer look at a film that's so buzzed-about it might just enter the Oscar equation as a wild card real soon. I'm talking about Kathryn Bigelow's The Hurt Locker, which some are calling one of the best films of the year and the decade (I'm serious -- folks are loving this flick!). And we have something real cool for you Bigelow fans this week; one grand prize winner will take home one Kathryn Bigelow DVD prize pack containing one Point Break DVD, one Near Dark DVD, one Strange Days DVD and one K-19 DVD. Um, sweet! You know what to do next ....

Read the official rules for this contest

Set the bar low enough, and it can only be exceeded. That's how I feel about the upcoming big-screen version of The A-Team, a 80s television series entirely beholden to the staid formula of the day and ripe for reinvention. I didn't hate the series so much as I found it routinely mediocre. My colleague Monika Bartyzel loved the series as a kid, yet still questioned the casting choices that were being entertained: Liam Neeson as Hannibal? Bradley Cooper as Face? Adding fuel to the fire, rapper The Game is being considered to play the role of B.A. Baracus, according to blackfilm.com, which quotes "a very highly reliable source in the entertainment industry."

For me, the only thing that made The A-Team watchable was the bantering between the characters, and the choices so far all indicate that director Joe Carnahan is aiming for a more straightforward action picture, based on a script by Wanted's Michael Brandt and Derek Haas. Which is crazy, like moving Miami Vice to Seattle or transforming the lead character in Get Smart into a fairly bland, somewhat competent secret agent. (Even though the latter still made money.)

The mistake would be in confusing brand recognition with brand loyalty. If you're promising fans of the TV show that you're going to deliver the same thing, only bigger and better, then you damn well better deliver something in the same spirit. I haven't seen The Game's work as an actor (Waist Deep, Street Kings) yet; is he any good? If this rumor is true, could he wear the mohawk of the immortal Mr. T?

Above: Is this our first good look at The Runaways?

Though neither girl was alive during the 1970s or 1980s (both were born in the '90s), that's not stopping Kristen Stewart and Dakota Fanning from losing themselves in the time period and doing some serious rocking out for their upcoming flick The Runaways, which is a biopic about the women who breezed in and out of the famous band -- including Joan Jett (Stewart), Cherie Currie (Fanning), Lita Ford (Scout Taylor-Compton) and Sandy West (Stella Maeve), among others.

Just Jared nabbed a few photos from the set that show both Stewart and Fanning clowning around all retro'd out, sporting some pretty spectacular gear. It must've been fun to be in charge of wardrobe for this film because these ladies totally lit it up with style. I'm not entirely sure which girls are featured in the image above; I know Stewart and Fanning are in the back, and I think that's Scout Taylor-Compton in the blue and Stella Maeve up front, though I'm not positive so feel free to correct me. Check out a larger version of the image above down below along with a couple others, and more over at Just Jared.



The Runaways is due in theaters next year.

Same-sex love is most definitely in the air. I already wrote about Julianne Moore and Annette Bening were coupling up for a new film today, but they're not the only ones. In a Thelma and Louise meets The Bucket List move, The Hollywood Reporter posts that Oscar winners Olympia Dukakis and Brenda Fricker will star in a new road trip comedy from Thom Fitzgerald called Cloudburst.

Dukakis and Fricker will play a couple who have been together for 30 years. Itching for a little adventure, the two "break out of a nursing home and head to Canada to get married, picking up a young, male hitchhiker along the way." I can't begin to count the ways these two films are great. Both have long-term lesbian couples, played by women with oodles of talent, and in this case, feature an older generation of actresses -- a theme which seems to be slowly gaining momentum in Hollywood as the boomers get older.

I've got to wonder -- are these gigs thanks to the anger incited by Prop 8? It's rare to get one LGBT film, let alone two at the same time. Whatever the case, it's a nice and refreshing change to see some originality heading towards Hollywood. Think Dukakis and Fricker can give Sarandon and Davis a run for their money?