As far as hustling movie producer archetypes go, I tend to prefer Joel Silver over Harvey Weinstein. Sure, Weinstein played a role in some of the great American independent films from the last decade of the twentieth century, but Silver's production credits have more spice to them -- The Matrix, Predator, 48 Hrs. -- hinting at the zany force behind their existence. The movies he has produced don't always please everyone (consider those last two Matrix movies), and sometimes his productions run into unforeseeable setbacks (Joss Whedon's troublesome Wonder Woman script). But now, Silver's trying a radical maneuver that reaffirms his maverick abilities: He's shopping around Guy Ritchie's RocknRolla, which tells the story of a drama surrounding a stolen painting and stars Gerard Butler, to other studios despite the plan to release it through Warner Bros. in October.

According to Patrick Goldstein in The Los Angeles Times, Silver said he showed the movie to Lionsgate and Sony Pictures to get some advice on how to market the film. However, when Goldstein asked Warner Bros.' top executive Alan Horn about the situation, Horn called the movie "very English," not "broadly commercial," and said the studio "might not be willing to spend the marketing money he wants us to." So it follows that Silver probably wants to sell the movie to somebody else.

This kind of thing has happened before. Jonathan Levine's teen horror flick All the Boys Love Mandy Lane was set for a release through The Weinstein Company, but when it was determined that the distributor might not provide the best home for the film, it went to the more agreeable Senator Films (although Senator has yet to release it). What troubles me is Horn's assertion that RocknRolla is "very English." Yeah ... so?

It took six years for Brett Ratner to convince Chris Tucker to return to the big screen for another go-round with Jackie Chan, and as Rush Hour 3 heads to theaters this weekend, I decided to take a look back at some of my favorite 'Buddy Cop" films, as well as ask you for yours. While a lot of people normally associate "Buddy Cop" films with lots of humor, that's not always the case. One of my favorite "Buddy Cop" films of all time -- believe it or not -- is Se7en. There you have your classic "One guy's about to retire, but has to work with the new, unpredictable recruit on one last case" set-up, but it heads in a very dark and disturbing direction. And talk about an ending -- probably one of the most memorable of any "Buddy Cop" movie in history.

But seeing as most "Buddy Cop" films are action-comedies, the majority of our favorites fall into that category. Edgar Wright's Hot Fuzz (which was, essentially, a genre parody) ranks right up with there with my favorite "Buddy Cop" flicks of all time. Not only does it poke fun at a genre we've grown to love over the years, but it's so freaking clever in the way it merges two genres (the classic British murder mystery and the high-octane action flick) into one hilarious, non-stop good time. Of course, I can't mention the "Buddy Cop" genre without giving props to Lethal Weapon, 48 Hrs. and Beverly Hills Cop (which some claim is not a "Buddy Cop" film and more of an Eddie Murphy vehicle, but I beg to differ). How does the Rush Hour franchise stack up against these gems? Not very well, in my opinion (partly because Tucker's idea of comedy is simply to talk REAL loud), but the box office was very kind to the first two installments -- so what do I know? I'll be seeing the third one later this afternoon, but until then ...

... I ask you: What are your favorite "Buddy Cop" films, and why?

What's a Ben Stiller movie without Owen Wilson? They've been working together together on and off -- though it seems more like continuously on -- since The Cable Guy. It is no surprise, then, that Wilson has just signed up for Stiller's Tropic Thunder. This is Stiller's fourth feature as director, and with the exception of his debut, Reality Bites, he has so far found a role for his friend in all of them (he also directed Wilson in the TV pilot for Heat Vision and Jack). It isn't clear what kind of role Wilson will have this time, but I'm guessing he will play an actor working on the movie-within-the-movie. So far, these actors, who end up on a war film shoot gone to hell, include Robert Downey Jr. as an Oscar-winning star, Jay Baruchel as an unknown, Jack Black as a drug addicted comic actor, and Stiller himself, who may be a pumped up action star (as per Erik's educated guess). Then, as a non-actor, Tom Cruise is rumored to be making a cameo as a studio tyrant.

Also joining the cast now is Nick Nolte. His part is also unspecified, but he clearly must be some actor playing a lieutenant colonel or something -- basically playing himself playing his part in The Thin Red Line. Nolte is thankfully getting a lot of work these days, despite his infamous personal problems, but this is a welcome chance for the 48 Hrs. actor to return to comedy. Sure, he's not the funniest man in the world, but I think he's a good cranky straight man (in addition to the two 48 Hrs. movies, he's the only good thing about Three Fugitives), and he can even occasionally be the comic, too (Down and Out in Beverly Hills). Unfortunately he really missed the funny boat by working with director Alan Rudolph in Breakfast of Champions and Trixie (he has done great dramatic work for the director), and so it seems easier to just cast him in dramas. Although Nolte probably won't have the opportunity to get a lot of laughs in Tropic Thunder, I at least applaud Stiller for adding him to the ensemble of funnymen.