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Source Says Michael Apted Will Helm 'Narnia 3'

Filed under: Action », Documentary », Sci-Fi & Fantasy », RumorMonger », Family Films », James Bond », Harry Potter », Remakes and Sequels »

One of the most versatile filmmakers around, Michael Apted is no stranger to picking up franchises that were begun by other people. Most respected is his continued following of up of 14 individuals, who have been presented every seven years in what are collectively known as the _ Up documentaries (49 Up was the most recent). He took that project -- which was not originally intended as a lifelong series -- over from Paul Almond, director of Seven Up!, for which Apted served as a researcher. A few years ago, he took on the 007 franchise for a single shot effort, The World is Not Enough. Now a little bird has told Harry Knowles at Aint it Cool News that Apted will be taking over the Chronicles of Narnia series.

I haven't seen the first of the Narnia movies, The Lion, the Witch and the Wardrobe, and I wasn't planning on it, but now I'm gaining some interest. Franchises are always more appealing to me when they switch up directors midstream. It worked great for the Harry Potter movies, which completely raised their cred by bringing in Alfonso Cuarón for the third installment, Harry Potter and the Prisoner of Azkaban, following Chris Columbus' welcome departure after the first two. Apted may not be as great a filmmaker as Cuarón -- I lost interest in his fiction filmmaking after the J. Lo vehicle Enough (not to be confused with his James Bond effort) -- but he should bring some freshness to the Narnia movies. If the little bird is correct, he will take on the third movie, The Voyage of the Dawn Trader, which also currently is rumored to have Neil Burger attached. One or the other will replace Andrew Adamson, who, like Columbus, has been the series' director for the first two installments -- he is currently directing the second, Prince Caspian.

12 Days of Cinematicalmas: Documentary Box Sets to Add to Your Christmas List

Filed under: Documentary », Independent », Home Entertainment », Michael Moore », Lists », 12 Days of Cinematicalmas », Cinematical Indie »


The holiday season is the time to ask for those big items you've been wanting all year, those toys or gadgets or appliances or DVDs that were just too expensive to splurge on with your own money. And now, with the holidays being so associated with the expectation of gifts, Christmas lists (and Hanukkah lists and Kwanzaa lists, etc.) are made by kids and adults alike. Nobody wants to receive a gift they don't desire, and nobody wants to buy a present that the recipient will not like, so it is now common to go ahead and tell Santa, your parents, your spouse and/or your friends exactly what you want from them. And depending on the gift-giver, you probably will wish for ask for tell them to get you something big.

When it comes to movies, single-title DVDs just aren't going to cut it. Criterion editions are almost there, but not quite. No, for your present demands, you need something bigger, like a box set. The same can be said for DVDs as it can be for CDs, that box sets are the greatest gifts for the holidays because few people purchase them at regular times of the year. Nowadays there are DVD sets for just about every movie fan. For the documentary lover, however, there are some titles that must be purchased in a box set (due to them being series), and many of them are essentials.

Be sure to be specific on your list, because there are a lot of cheap doc sets out there that might be interesting to watch, but which are not well made and which were definitely bought at the nearby drugstore rather than the video shop. Don't let your gift-giver be confused and/or frugal. And if you are the gift-giver, this list may be a good source for ideas for what to buy your gift-receiver, but keep in mind that documentaries can be an acquired taste for some. Sure, a baseball fan may be into Ken Burns' Baseball and a jazz fan should enjoy Burns' Jazz, but you really never know for sure unless they tell you so directly. And at doc box prices, you don't want to go wasting your money.

Review: 49 Up

Filed under: Documentary », Drama », Theatrical Reviews », New in Theaters »


No one has died yet. That's the good news. The bad news is that this seventh chapter of the landmark 7 Up documentary series, which is chronicling the entire lives of several ordinary Britons, may well be the final entry. To hear the series' long-time director Michael Apted tell it, the patience, personal attention and constant persuasion needed to convince the film's subjects to sit for their psychological portrait every seven years means the series is not likely to survive beyond him. He will be 72 when it comes time to do 56 Up. When it does finally come to an end, this series will be hailed as a crowning achievement of cinema – one that stretches the muscles of the medium in a way that only a handful of other projects have. Originally conceived as an indictment of the British class system (half the children chosen were poor and half rich) it has grown beyond its original mandate into a visceral study of humanity itself, capturing its frailties, potential and inexorable motion towards the finish line.

None of the children, who were first filmed in 1964, tumbling on a playground and offering cheeky commentary on any subject you like, have gone on to have noticeably 'big' lives. One became a wig-wearing barrister in the British court system, and seems perpetually embarrassed that he doesn't have anything dramatic to report to us. Another became a professor and moved to America, causing his British accent to be mostly eroded away. Another became an Australian at an early age. The poor kids have by and large become lower-middle class adults and remain within shouting distance of the Eastend neighborhoods where they were born. One notable exception is Tony, the scrappy hustler who dreamed of being a jockey as a child and later settled into the disappointment of being a taxi driver. Vocally dissatisfied with the demographic changes that have taken place in the Eastend since his boyhood, Tony and his wife have staked a claim in a Little England area of Spain. "It's 96 percent English here," he defiantly tells us.

From The Editor's Desk, Sept. 26

Filed under: Drama », Celebrities and Controversy », Oscar Watch », From the Editor's Desk »

Well, it's not a web column until you get a rude comment. And no, I'm not suggesting that The Science of Sleep would have made as much money if it had played on the number of screens that Jackass: Number Two did -- I'm just saying that the usual mode of Box Office reporting is kinda boring and useless.

And speaking of boring and useless, can you believe that the Uwe Boll boxing story is getting any pick up, anywhere? I'm not going to link to it -- that's just giving the bad man what he wants -- but again, it's kinda one of those deals like when Churchill said that if Hitler invaded Hell, he would at least make a nice positive reference to the Devil on the floor of the House of Parliament. Thing is, looking at the lineup of 'critics' that Uwe fought, well, I think it's more like the miserable exploiting the miserable -- if you think you're an actual critic, that means you don't go box a fracking director.

And speaking of 'fracking,' when's Galactica back on? It's a three-movie day today -- 49 Up, Little Children and The Guardian -- so I'm soon off to the dark, and let's be honest; this time of year is when Oscar-mania starts, and bring it on. Right now, if you asked me to make a Top Ten of stuff that had been released, It would include Half Nelson, Brick, and the word 'Pass' eight times over. ...

What are the best films in release you've seen so far this year?

J.

Cinematical's Fall Preview: Ryan's Picks

Filed under: Action », Documentary », Drama », Remakes and Sequels »



The fall schedule looks grim from my vantage point. The Fountain is reportedly a flop. Little Children is apparently not the masterpiece some were hoping for. There's still an Anthony Minghella film to look forward to, although this one has a greatly diminished budget, as punishment for Cold Mountain. If Scorsese's The Departed is a great film, it will be no thanks to the trailer, which seems to have no idea what the movie is about. That's usually a bad sign. And of course, we all have to sit through the do-over of Capote. Still, there are a handful of films I'm genuinely excited about. These three are on my shortlist:

Fur
-- Director Steven Shainberg has gone on record saying that not only is Fur not a biography of Diane Arbus, it's not even really focused on her photography. So for Arbus devotees like me, this will probably go down either as some maniac work of genius or an Earth-melting catastrophe of the highest order. With that in mind, I wish I hadn't seen Shainberg's first major film, Secretary, because I found it plodding and visually uninteresting. He seems like a bad choice for a movie about an amazing photographer -- was David Fincher unavailable? In spite of all this, however, my hopes remain higher than my expectations on this one. Nicole Kidman is always on point with her acting, and I can at least be thankful the project was wrestled out of the hands of Mark Romanek.

 
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