Director Brett Morgen doesn't make conventional, talking-head, "impartial" non-fiction films; he himself notes "I'm certainly more interested in creating modern-day mythologies than historical documentaries." After co-directing On the Ropes and The Kid Stays in the Picture, he next, ambitiously, decided to use state-of-the-art techniques to bring a 40-year old event to life in Chicago 10. Combining computer-animated footage and dramatic interpretations of court transcripts with footage and audio from 1968 -- some of it previously undiscovered -- Morgen's film audaciously animates and recreates the trial of activists Abbie Hoffman, Bobby Seale and others that followed in the wake of the protests they organized outside the Chicago Democratic Convention in 1968. Speaking with Cinematical from New York, Morgen talked about the level of digging required to unearth the unseen archival material he found, the differences he encountered between his actors who had done animation before and those who hadn't, what he learned about the '60s from making the films and much more: "This is a timeless story, that I think is relevant at any time -- and more relevant during wartime."
This interview, like all of Cinematical's podcast offerings, is now available through iTunes; if you'd like, you can subscribe at this link. Also, you can listen directly here at Cinematical by clicking below:
For Cinematical's reviews of Chicago 10, you can find Christopher Campbell's take here and my review from Sundance 2007 here.
There are two reasons I find this (as yet unconfirmed) story interesting. One is that I'll soon be writing my review of Brett Morgen's new documentary 
With all the interesting projects 
Well, Sacha Baron Cohen has already 
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