Adrienne Shelly Tagged Articles at Cinematical

The first thing everyone seems to mention about Serious Moonlight is that its screenplay is the last one written by the late Adrienne Shelly. Actress Cheryl Hines, who had a role in Shelly's film Waitress, is making her feature directorial debut with the dark comedy, which stars Meg Ryan and Timothy Hutton. The movie opened Austin Film Festival this year. It sounds like a sure-fire comedy, but unfortunately it just left me with a headache.

Serious Moonlight focuses on a married couple, Louise (Meg Ryan) and Ian (Timothy Hutton), who are supposed to meet in their country house for a rendezvous, but both arrive a day early. Louise wants to surprise her husband, but finds out that he also has a surprise: he's leaving her. She refuses to accept this, and ends up cracking him on the head with a vase, binding him with duct tape, and refusing to let him loose until he comes to his senses and realizes how much he loves her and wants to stay with her.

Time flies... We're rapidly approaching the third anniversary of Adrienne Shelly's death. Although she spent almost twenty years in the business, Shelly was killed just as her career reached an inspiring new level with Waitress, the sweetly effective story of a woman and creative pie-maker coming to terms with the fact that she's having a child with the husband she hates. Shelly left behind a number of unfinished projects, one of which was Serious Moonlight, a film that Waitress co-star Cheryl Hines took over in her memory.

Almost two years after that news hit, we've finally got a trailer courtesy of Yahoo. (You can see it after the jump.) I'm happy to say that Shelly's vision and personality are immediately visible in the trailer. You could almost close your eyes and imagine what she would have done with it. However, I can't figure out whether it's the casting that I'm having a problem with, or the way it's been morphed into the trailer. I still can't get past Meg Ryan's surgery. And I hate to harp on it, but one of the most charming parts of her acting was her expressive face. However, in their rather positive review, The Hollywood Reporter did say she was "terrific" in the film, and I'm really hoping I agree once it hits theaters on December 4. The rest seem fine, but the magic of the trailer definitely comes from the quirks of the story and the lingering feel of Shelly.

What do you think of the trailer?

The murder of Adrienne Shelly was obviously not just a devastating loss to her friends and family, but to the people who followed her work eagerly from her early days as a star in Hal Hartley movies like The Unbelievable Truth and Trust. (By the by, Trust is only available on VHS, and I'm sure I wouldn't be the only one rushing to buy it on DVD.) She was also just getting back into writing and directing after taking a break for a few years; Waitress, which she wrote, directed, and also acted in, had just been accepted to Sundance when she was murdered. (Read Jeffrey M. Anderson's take on the movie and her murder.)

Through the efforts of her husband Andy Ostroy and friends and costars like Cheryl Hines and Keri Russell, Waitress was shephered through the festivals, inevitable press days, and release. Ostroy also began the Adrienne Shelly Foundation, which was created to "support the artistic achievements of female actors, writers and directors who are either working on current short and feature film projects, new productions, or are seeking to transition from acting to writing and directing."

Among the many sad things about the 2006 murder of writer-actress-director Adrienne Shelly was the fact that she left behind a screenplay that was apparently intended to be her next film, after Waitress, which she finished just before her death. The acclaim Waitress received from critics and audiences throughout 2007 gave Shelly's husband, Andy Ostroy, even more reason to keep her spirit alive by producing the film, and now audiences will have a chance to see it.

The film, Serious Moonlight, premiered at Tribeca in April, and now indieWIRE reports that it's been acquired by Magnolia Pictures, which will make it available through its video-on-demand system in November and release it theatrically in December. Cheryl Hines, who co-starred with Shelly in Waitress and is best known for her work on Curb Your Enthusiasm, directed the project, her first feature film.

A year and a half after the tragic and sudden death of Adrienne Shelly, her widower, Andy Ostroy, is working to bring her final screenplay to the big screen. The Hollywood Reporter posts that he's started work on The Morgan Stories,a multi-generational family drama that he calls Adrienne's best.

The project follows three sisters over a number of decades, and Ostroy says: "It's a little bigger than some of her other work. If Adrienne's previous movies were comedies with a little bit of drama, this is a drama with a little bit of comedy." Morgan Stories is a bittersweet announcement -- great that we're getting one more look into Shelly's creative mind, a different one at that, and sad that she isn't here to bring it to the screen herself.

The project is still in the beginning stages, but in the meantime, another script is about to make it to the big screen. Serious Moonlight, which boasts Cheryl Hines (Waitress) directorial debut, will premiere at Tribeca next month. The film stars Meg Ryan and Timothy Hutton as a couple who find themselves in a sticky situation -- just as she duct-tapes him to the bathroom, burglars arrive.

The story of filmmaker and actress Adrienne Shelly's murder is coming to a close, as the murderer has copped a manslaughter plea and escaped justice with a paltry 25 year sentence. Diego Pillco told prosecutors that Shelly, who was known for her Hal Hartley movies around the early 90s and who most recently directed the Sundance hit, Waitress, walked in on him while he was rummaging through her purse for money. She threatened to call the cops and so he strangled her to death and then staged a suicide. When police broke him down, he told them that the reason he went to such an extreme and killed Shelly -- the mother of a two year-old -- was because "I was having a bad day." And for this, he gets 25 years? Considering he's barely out of his teens, expect to see him back on the streets before he's middle-aged, probably. No matter what position you take on the death penalty, you have to agree that it's some kind of world where this guy isn't slated to walk the green mile.

Some small measure of good comes out of this tragedy, with the establishment by Shelly's widower of the Adrienne Shelly Foundation, which is dedicated to helping young female filmmakers and actresses pursue their careers through scholarships and grants. From the site: "In carrying out our mission, we've partnered with the industry's finest academic and filmmaking institutions to assist women in this journey with film school scholarships, production grants, finishing funds, and other invaluable resources." Details on how to apply and the rules and regulations are available on the site.

What goes around comes around. Back when the wonderful laserdisc was just beginning to find its stride, and the serious movie buff could actually find most of the titles he or she was longing to see, the DVD came along and all but wiped out this entire format, this entire subculture. Now, at the dawn of 2008, it looks as if the war between Blu-Ray and HD-DVD may be coming to a close. Will one or the other format catch on? Will the regular DVD become extinct? No one can say. But when it comes to movies I'd like to see, none of this matters. 2007 brought us some amazing DVDs and DVD box sets, and the following is my wish list for titles I'd like to see produced in 2008.

(Note: I deliberately left off titles that are already available on import DVDs, such as Satantango, Celine and Julie Go Boating, Man of the West, Johnny Guitar, Lost Highway, Napoleon, The Dead, the Jean Vigo collection, and many more.)

1. Othello: 3-Disc Special Edition
In 1992, Orson Welles' daughter Beatrice authorized a "restored" version of the film that played in theaters. But purists claimed that her film deviated from what her father originally intended, and so the Criterion Collection released a laserdisc edition of Welles' original cut, the one that played at Cannes in 1952. Beatrice apparently blocked this earlier version, and so now only the 1992 cut is on DVD (and out of print besides). My fantasy DVD would be a three-disc box set (from Criterion, of course), collecting both the 1952 and 1992 cuts, as well as Orson's impossible-to-find documentary Filming Othello (1978), which is the last of his completed films I have yet to see. (There are clips of it on the Criterion Othello laserdisc.) On a side note, of Welles' thirteen completed films, seven are available on U.S. DVDs and four others are available overseas. That leaves only Othello and Filming Othello. Let's get on it!

I was going to headline this post with something about 'being there in spirit,' but I decided that's a lame way to start things off. Obviously, I'm being lame anyway by pointing out that I wasn't going to begin that way, while in effect beginning that way. So, why don't we just get to the news about the Independent Spirit Award nominations, shall we?

Todd Hayne's I'm Not There received four nominations, including one each for Cate Blanchett and Marcus Carl Franklin, who are up for supporting actress and supporting actor, respectively, for their semi-portrayals of Bob Dylan. The film was also recognized in the Best Feature category, in which it's competing against Juno, The Diving Bell and the Butterfly, Paranoid Park and A Mighty Heart, and Haynes was nominated for Best Director, going up against Jason Reitman (Juno), Julian Schnabel (The Diving Bell and the Butterfly), Gus Van Sant (Paranoid Park) and Tamara Jenkins (The Savages) -- meaning A Mighty Heart's Michael Winterbottom was shut out despite his film's receiving the Best Feature nomination. I'm Not There is already the winner of one Independent Spirit Award, the newly conceived, and appropriately titled Robert Altman Award, which honors the film's director, casting director and ensemble cast. Because of that win, I'm Not There has been labeled the leader of the nominated films, although Juno, The Diving Bell and the Butterfly and The Savages all received the same amount of actual nominations as Haynes' film.

Since I haven't seen any of the major nominees (yet), I will take this opportunity to celebrate a few films, which I have seen, that have been deservedly recognized in other categories. First, I'm excited to see that Adrienne Shelly is up for Best Screenplay for Waitress. I doubt she'll win, unless enough voters want to further highlight her posthumous success, but I'm happy to see her included. I'm delighted to see Jennifer Jason Leigh nominated for Margot at the Wedding, considering Nicole Kidman, who wasn't nominated, has been receiving most of that film's accolades. And finally, I am ecstatic to see that Vanaja, which I loved, has been given two nominations, one for Best First Feature and one for Best Cinematography. Overall, we should all be glad that this year's crop of nominees includes few huge stars, Angelina Jolie being the one major exception, in the acting categories. The 2008 Independent Spirit Awards will be presented on February 23.

Have you recovered from your holiday eating binge? Are you ready for some pie? Reviewing Waitress at Sundance earlier this year, Cinematical's James Rocchi described it as "a light, breezy romantic comedy with a crackerjack cast and a certain degree of faux-Southern charm that never descends to cornpone mawkishness, and also has a whip-smart comedic sensibility in every scene." The late Adrienne Shelly wrote, directed, and co-stars with Keri Russell, Nathan Fillion and Andy Griffith. The DVD includes several featurettes and an audio commentary with Russell and producer Michael Roiff.

The Namesake very much impressed our own Kim Voynar, who called it "a deeply felt look at the ties of family and birthplace, the loneliness of living far from your home, and the connections that hold everything together, sometimes in ways we don't appreciate until much later." Mira Nair directed; the film stars Irfan Khan, Tabu, Kal Penn and Sahira Nair. The DVD features an audio commentary by director Nair and several featurettes, plus deleted scenes.

Critics gave high marks (83% positive, per Rotten Tomatoes) to documentary Manufactured Landscapes. It's said to be an "investigation of photographer Edward Burtynsky's legacy, with its aesthetic studies of industrial landscapes. ... It uses the topic of Burtynsky as a springboard." Jennifer Baichwal directed. The DVD includes additional scenes, a stills gallery and a discussion with Baichwal and Burtynsky.

We can never get too many rebellious child prodigy dramas, can we? Vitus fairly well divided critics: 34 positive and 21 negative, according to Rotten Tomatoes. The veteran and versatile Bruno Ganz is the most recognizable name in the cast. The DVD features an interview with Ganz, a "making of" feature and an audio commentary by director Fredi M. Murer.

Time flies, and we've almost approached the first anniversary of Adrienne Shelly's murder. Since then, Waitress has hit both the festival circuit and local big screens, charming audiences as a bittersweet cherry to her career; however, Waitress wasn't the only material she was working on. Variety reports that another Shelly screenplay is heading towards production. Cheryl Hines, who co-starred with Keri Russell in Waitress, is going to make her feature directorial debut with a project called Serious Moonlight -- which Shelly's husband, Andy Ostroy, will co-produce along with Michael Roiff.

Moonlight is a dark comedy about a "high-powered female attorney who learns that her husband is about to leave her for another woman, then prevents him from doing so by binding him to the toilet with duct tape." I guess she didn't see 9 to 5, which has a much more creative means of binding the pesky man. Anyway, things get more tricky when the home is invaded by robbers.

Ostroy says: "I felt compelled to continue her work for her after her death. I think she was just hitting her stride with Waitress. I tried to put together a team that was part of the Waitress family to re-create the vibe and the success of that film and honor Adrienne and get her work out there with a group of people who really cared about her and (understood) her spirit and vision." The comedy will head into production this December in LA, and considering Ostroy's plan, there's probably a decent chance Russell will also get involved, since there has been no mention of new projects. We should know soon -- Roiff, Ostroy, and HInes are currently casting the film.