AirAmericaRadio Tagged Articles at Cinematical
Tribeca Review: When I Came Home
Filed under: Documentary », Independent », Tribeca », Theatrical Reviews », Politics », Cinematical Indie »

There is no denying that front-line soldiers are the pawns of war. That doesn't mean that they should be discarded once their service is finished. With a sterling silver chess set, the different pieces may have separate tactical worth, but physically they are all made from an equally valuable substance. The same goes for human beings, right?
Unfortunately, many soldiers are coming back and treated like they're made of garbage, as shown in the documentary When I Came Home. The film presents a history-repeated by featuring homeless Vietnam veterans and then concentrating on a homeless Iraqi vet named Herold Noel. Though diagnosed with Post-Traumatic Stress Disorder, Herold is unable to get much assistance from the government, yet because of the diagnosis he is unable to find work. As he waits impatiently for services he's rightfully due but unjustly not receiving, he is urged by an organization to make some noise in the media.
Tribeca Review: Al Franken: God Spoke
Filed under: Comedy », Documentary », Independent », Tribeca », Theatrical Reviews », Politics », Michael Moore », Cinematical Indie »

In 1992, filmmakers D.A. Pennebaker and Chris Hegedus documented Bill Clinton's presidential campaign, resulting in a still-noteworthy chronicle of political contending titled The War Room. Twelve years later, co-directors Hegedus and Nick Doob (who was cinematographer for The War Room) followed the race of 2004, only this time their subject was interestingly not one of the candidates. Al Franken: God Spoke, which presents a year in the life of the title comedian/author/radio talk-show host, is a humorous, but more importantly illustrative, documentary about the weight of the media -- especially the comedic media -- on the last presidential election.
Franken, who got his break on Saturday Night Live, is one of today's most influential political humorists, and, along with Jon Stewart and Michael Moore, he represents liberal America's unfortunate dependence on jesters instead of kings. The film opens with the publication of his latest book, which attacks the Bush administration and conservative individuals such as Ann Coulter and Bill O'Reilly, then goes on to present the beginnings of his show on Air America Radio and observes the ensuing war between him and the right-wing media, particularly O'Reilly and Sean Hannity at Fox News and Rush Limbaugh. During an early scene, he tells a classroom of students, "I take what they say and use it against them." This practice is nothing new, yet somehow in a time when kids get their news more from comedy shows like The Daily Show than from newspapers, it makes someone like Franken an important political figure.









