Alabama Tagged Articles at Cinematical

I can't believe I saw two movies about racial politics in Alabama at SXSW this year -- not what I would have expected. Both approached the issues in different ways, and both films were good. While The Order of Myths (which I reviewed already) focused on Mardi Gras in the Gulf Coast city of Mobile, the documentary Bama Girl takes us further north to the University of Alabama in Tuscaloosa to examine a tradition popular at many American universities: the selection and crowning of the Homecoming Queen.

Bama Girl focuses primarily on Jessica Thomas, a senior at the university who is determined to win Homecoming Queen. The problem is that a number of the white fraternities and sororities plus other unnamed organizations have formed a covert group known on campus as The Machine. The way in which the Homecoming Queen is elected on campus favors The Machine, which is why no African-American woman has won the crown since the rules change. This all sounds like paranoid fantasy and crazy student rumors, but when you see a staff member in the Dean of Students office talking seriously about The Machine, you start to wonder. Anyway, Jessica isn't going to let any secret society keep her from what she wants. She and her sorority sisters get to work to get her elected.

Although I'm from New Orleans and celebrated Mardi Gras annually throughout childhood, I knew little about Mardi Gras in Mobile, Alabama, except that they're very proud to have the oldest American Mardi Gras celebrations, since 1703. (They love to brag to New Orleanians about this.) Margaret Brown's latest documentary, The Order of Myths, showed me that New Orleans isn't the only city with racial issues rife in its Carnival festivities. The movie premiered at Sundance last month before making its way to SXSW.

The Order of Myths focuses on the 2007 Mardi Gras preparations in Mobile, which are blatantly divided by race. Most of the city's parade organizations are all-white; one integrated group founded in 2003, and has a single white member. Mobile has two separate sets of Mardi Gras royalty: a white king and queen (Max Bruckmann and Helen Meaher) and an African-American king and queen (Joseph Roberson and Stefannie Lucas). The movie alternates between the preparations for each side of the segregated Mardi Gras: the clothing designers for the royalty and their courts; the parties and luncheons; and the everyday lives of the people involved.