There is no denying that 'origin tales' are all the rage, and it's not just for superheroes anymore. In an interview with MTV Movie Blog, director Alex Proyas gave a few updates about what he has planned for Dracula Year Zero, and the word of the day is 'realism'. Proyas told MTV, the film will be, "sort of the origin tale that mixes [the historical] Prince Vlad of Transylvania with sort of [fictionalized] Bram Stoker [take]" -- I guess if it helps, just think of it as 'Portrait of a Bloodsucker as a Young Man'

Proyas (like so many before him) is planning to mess with the mythology of the big, bad, Transylvanian. But, don't worry, there are still plenty of fangs to go around, Proyas tells MTV, "Oh, you've got to have teeth, I mean, the teeth are really important. I think Frank Langella in the 'Dracula' movie that was made in the 70s, I think he didn't want to have teeth in the movie. But, no, I like the teeth. I want to see girls with a lot of teeth." -- and maybe most importantly to fans, "...lots and lots of blood!"

Matt Sazama and Burk Sharpless were hired to write the script for Universal, who are probably expecting this project to dovetail nicely with their other classic 'monster' flicks (The Wolfman and The Mummy). But is a realistic Dracula really the way to go? If you do a little digging on the life of Vlad the Impaler, it's not exactly the romantic tale that Coppola provided us with back in 1992. So keep your fingers crossed that Sazama and Sharpless have a copy of The Legend of Dracula lying around, and hopefully they have something like this in mind for Year Zero.

Dracula Year Zero is expected to arrive in theaters in 2009.

You have to feel bad for the Silver Surfer. Everyone else is getting their own spin-off and franchise, and he can't even get the green-light. J. Michael Straczynski already said that his script was dead, but rumors continued to swirl that Alex Proyas was attached to direct.

But as reported by Slashfilm, Proyas shot that down at ComicCon. He didn't even know where the rumor originated. And while he's very fond of the character, he told MTV this week that he will never even consider directing a Silver Surfer movie. Why? "Because it's a Fox picture. And I'm determined never to work with them ever again because of my experience on I,Robot." Nor is he happy with the way the character was handled in Fantastic Four 2: Rise of the Silver Surfer. "It's like the origin of Silver Surfer was in that movie, and I'm going, 'This is such a f–king great story, why throw it away? I think they messed it up ... Silver Surfer would have been something I would have loved to have done. He's one of the last cool ones left, really."

Who knows -- maybe Fox will relinquish the rights to the Fantastic Four characters (it's not like they're using them), and Proyas will not only get to direct a comic book movie, but fans will get a Silver Surfer movie from someone who really gets the character. But with all the studios jealously guarding their franchises, we'll probably see a Fantastic Four reboot before we see the Silver Surfer in the hands of someone that cares.

My heart goes pitter-pat with a mix of both anticipation and dread whenever a classic sci-fi book is optioned. Even when I haven't read the book in question (and believe me, I know I need to read more Robert A. Heinlein), I know the bookshelves of the world are lined with great movie material. But I also know how devastating it is when the studio mangles a beloved book.

And here's one that could go either way. The Hollywood Reporter says that Alex Proyas and Phoenix Pictures have optioned Heinlein's The Unpleasant Profession of Jonathan Hoag. It's the story of a man who, when asked what he does for a living one evening, realizes he has no memory of any of his daytime activities. He hires a private detective agency, run by a husband and wife team, and their investigation becomes a rather terrifying one. (Having not read this book, I'm trying to skim through descriptions without spoiling it -- but it sounds scary.)

The novella has been one of Proyas' favorites since childhood. "I read this story as a kid, and it really stayed with me. It's part of my creative DNA." (It had to have inspired Dark City.) From what I've gleaned of the story, it's right up his alley -- and he's penning the script, so there will be no wild departures like we saw with I, Robot. And it's about time Heinlein had his name on the big screen again. I know there has to be some Jonathan Hoag fans out there, so chime in with your thoughts.

Usually when a harebrained idea like remaking Flash Gordon starts to make the rounds, you can usually count on it being at least a few years down the line -- but I guess today I'm just not that lucky. The Hollywood Reporter announced that Matt Sazama and Burk Sharpless have now signed to pen the update of the classic sci-fi tale with Sahara director Breck Eisner at the helm. Eisner signed to direct last May, and with the addition of the screenwriting duo, it could mean the project just entered the fast track. Sazama and Sharpless have had a busy 2008, and were already hard at work on scripting duties for Alex Proya's Dracula Year Zero and Zack Snyder's Cobalt 60 when the Flash deal finalized.

For those of you out there not familiar with the Depression-era hero, Flash Gordon centered on a dashing polo player who is abducted and taken to the faraway planet Mongo. Along with his gal-pal *Gail and scientist Hans Zarkov, Flash lands in the middle of a battle with the dreaded Ming the Merciless (possibly one of the best villain names around). Originally, Universal was holding the rights to the title, but when the project fell through, the rights reverted to King Features Syndicate and eventually found a home at Sony.

This latest incarnation of the adventurer/polo player will mark the third time the classic comic strip has had a home on the big screen (including the original serial). Now that Hollywood is mining the comic book store at a furious pace, the third time could be a charm for Flash.

But it's going to be pretty hard to top Dino DeLaurentiis' psychedelic trip of a film back in 1980 -- don't ya think?

*Correction: Apologies to all the Flash fans out there; Flash's better half was Dale Arden.

What is the appropriate reaction to have when a movie you love, adore, and cherish is somehow ... improved? I know, it's a strange feeling. I happen to think my all-time favorite film (A L I E N) is much better in its theatrical version than in its extended -- but where Aliens is concerned, I much prefer the longer version! It's something you have to approach on a case-by-case basis, of course, and it's the sort of movie-nerd activity that should be attempted only by those with a lot of free time -- or someone who gets paid to write about this sort of stuff. (Fortunately I am both.)

So it was with MUCH enthusiasm that I sat down with the brand-new Director's Cut of Dark City, a film that I absolutely love a whole lot -- and I know I'm not nearly alone when I say that. Like many of the finest sci-fi films, Dark City was pretty much overlooked for a good long while -- put once it hit DVD and heavy rotation on the cable channels, the sci-fi freaks found a film worth watching and re-watching, to say nothing of analyzing, deconstructing, and debating. And so I happily continue that trend by explaining what the fans will find in New Line's very impressive new Dark City package...

Hi. I like movies by Alex Proyas. Everyone likes Dark City and The Crow, but I like I, Robot, too. Is it a visionary masterpiece like Dark City? It is not. But in 2004, it was the most seamlessly beautiful f/x spectacle I had ever seen. If there's one thing Proyas can do, it's make one hell of a great-looking movie.

By the look of the trailer that debuted at IGN yesterday, Knowing, Proyas's new sci-fi project with Nicolas Cage, will be along the conventional, expensive lines of I, Robot rather than his earlier work. The plot seems like a less-than-promising mix of Next and The Number 23, and Cage looks like he'd rather be somewhere else. But, uh... it sure looks great. And the thing that happens about a minute-and-a-half in convinces me that everything they said after September 11th about what we will and will not be able to consider entertainment from here on out has gone completely out the window. Which is just as well.

Despite my affinity for all things Proyas, I'll take yesterday's genuinely creepy trailer for The Day the Earth Stood Still over this one. But at least we have some non-comic-book sci-fi to look forward to.

Considering the amount of flack Nicolas Cage received over his last time-bending flick, I am a little surprised that he decided to come back for Alex Proyas', Knowing. Coming Soon is now hosting some on-set photos from the sci-fi thriller starring Cage and Rose Byrne. Sources managed to snap the pics on location in Geelong, Australia, and while there are no shots of Cage or Byrne, at least we get to see some stuff blowing up.

Knowing centers on a time capsule buried in 1958 that was chock full of doom and gloom prophecies. When the capsule is dug up 50 year later, it lands in the hands of a young boy and his professor father (Cage) who becomes obsessed with decoding the messages and preventing all-out destruction.

The production has had a long history in Hollywood, ever since the film was first set up over at Columbia. There have been a few directors attached over the years, notably Richard Kelly and Rod Lurie. Proyas came on board in 2005, and after a few rewrites, the film went into production in 2007. As if a long and troubled production history wasn't enough of an obstacle, it is no secret that Cage's 'shine' has been slowly diminishing over the years (thank you very much, Ghost Rider), so Knowing could be a hard sell to audiences who might still be ticked over shelling out their hard-earned dollars for Next.

Knowing is scheduled to arrive in theaters in 2009.

Count me among the ranks of drooling Dark City fanboys. The original DVD is a prized possession of mine -- aside from being a good transfer of a great film, it also features one of the best commentary tracks I've ever heard (thanks Rog!). There had been whispers of a Director's Cut DVD as early as 2005 and as late as three weeks ago. Now, courtesy of Ropeofsilicon, we have hard facts.

The new disc will hit on July 29th, in both standard and Blu-Ray formats. The new cut isn't just a "little longer," as previously reported, but 15 minutes longer -- 111 minutes instead of 96. And you can see the beautiful new cover art below the fold. No official word on the other rumored additions Scott talked about earlier in the month -- a new score, new special effects, new interviews, a possible theatrical re-release -- but since those had come from co-writer David S. Goyer, we can assume that they're forthcoming (except the theatrical re-release, which seems like wishful thinking). Warner Bros. did say that the DVD will include "new special features."

Director Alex Proyas, meanwhile, is back in the sci-fi saddle, working on the intriguing-sounding Knowing with Nicolas Cage. A movie of Dark City's caliber is unlikely, to put it mildly, but we can dream.

Like many passionate but busy fans of science fiction cinema, I "discovered" Dark City just a little too late -- but I've slowly become one of the flick's biggest fans. Aside from a few minor gripes (yes, the narration), I think it's an absolute masterpiece; a nifty mixture of lofty sci-fi, moody film noir, convoluted "whodunnit" and eye-popping spectacle. And I know I'm not alone in my appreciation of the Alex Proyas film.

So here's some good news for my friends: According to BD.com, Dark City co-screenwriter David S. Goyer just dropped a few juicy nuggets regarding a digital upgrade: "In addition to the special features, Goyer reveals that there's more to the re-release than just special FX upgrades. "[They re-did] the score and the cuts a little longer," he reveals, "all of the parties involved did fairly lenghtly interviews with us, they'll be incluced on there." New FX? Fresh featurettes? A possible theatrical re-release? Wowwy wow, that's awesome. But this new DVD better keep that Roger Ebert commentary track!

Check out Monika's earlier piece on the Dark City revisions right here. And I can't believe I made it all the way through this post without mentioning Jennifer Connelly...

Nicolas Cage and Alex Proyas are not names that are synonymous with quality. Proyas in particular is a director who seems of late to just be happy being a studio go-to guy. He's as comfortable standing by and watching Will Smith mess up a piece of decent sci-fi as he would be off directing unique passion projects like Dark City. Nevertheless, he still seems to have a good eye for a story with a hook, and I'm finding the premise of his next film, just announced in Variety, a bit intriguing. Proyas will direct Cage in Knowing, a movie about a teacher who discovers a time capsule buried in the yard of an elementary school. Inside the capsule are accurate predictions about the future up to the present day and beyond, with the beyond part being pretty scary. Just that much alone brings up questions -- how do they authenticate such an item? How do you quickly get past the notion that some prankster just put the thing in the ground last week?

The project originated with novelist Ryne Pearson and a script has been rewritten by Stiles White (nice name) and Juliet Snowden. No word yet on supporting cast, but I certainly hope they get someone who can tamp down Cage's excessive hamminess, as evidenced in the ads for his latest film. By the way, if I see that trailer for National Treasure: Book of Secrets one more time, I'm going to personally drive to California and knock on the door of the marketing offices of Disney and explain to them that their tagline -- "What is it about treasure that makes history so fascinating?" -- makes absolutely no sense, grammatically or logically. Come on, people.