Feel that chill in the air? That's because you left the kitchen window open -- go on, I'll wait -- but that secondary chill you're feeling would be the multiplex yuletide season turning in our direction, ready and waiting to melt the bleep out of your heart. Last year, it was This Christmas and The Perfect Holiday begging to be mistaken for one another (in title, not in quality).

This year we've got at least two winter-themed family-minded dramedies waiting in the wings. First out the gate is Nothing Like The Holidays (the trailer's now up at Apple), in which a Hispanic-American family gathers for what might be their last Christmas spent together. Sooooo ... it's basically This Christmas, with the casting emphasis on a different minority. However, for all that film's familiar beats, I found myself surprisingly won over, so here's to hoping that something similar might come of Holidays on November 21st.

In the other corner, we have Four Christmases, in which Vince Vaughn and Reese Witherspoon find themselves shuffling off to visit each of their parents on X-Mas Day. If this (embed-less) TV spot on YouTube is any indication, Vaughn's creaky neurotic shtick and infant spewage will be par for the course, not to mention the last thing I might expect to come from the non-doco directorial debut of Seth Gordon (The King of Kong). As the Hollywood gods have decreed it, Christmases is set to open just before Thanksgiving on November 26th. Ah, the smell of leftovers...

Have you seen the recently-released trailer for the animated Wonder Woman? If not, you can check it out above.

Firstly, I must admit that they certainly did a great job portraying Wonder Woman's toughness, although it's a bit tainted by the lone piece of dialogue in the trailer: "It's not polite to hit a lady." There's nothing to weaken the muscles of toughness like references to ladies and impoliteness. If they changed "lady" to "goddess," then I'd be good -- it would be a nice play on words.

Anyway, what really surprises me is that there's no dialogue, save for the above quote. Sure, it's important to show the action, but considering the voice talent connected to this project, I see no better way to get people interested. Keri Russell is Wonder Woman, Virginia Madsen is Hypolyta, Nathan Fillion is Steve Trevor, Alfred Molina is Ares, Oliver Platt is Hades, Rosario Dawson is Artemis, and David McCallum is Zeus.

Now that's the sales kicker for me. The feature will hit shelves in February of 2009.

A confession: I have a downright unnatural willingness to laugh at a) people falling down, and b) people being hit by things. I think it's among the highest forms of humor. So it shouldn't surprise you to learn that I consider The Pink Panther -- the Peter Sellers version -- a national treasure. It may surprise you a bit more to learn that I thought the 2006 Steve Martin/Shawn Levy version was reasonably watchable. But, I mean, what did you expect from someone who adores a well-timed pratfall?

Sony has posted a teaser for the sequel here. The Pink Panther 2 is directed by Harald Zwart (Agent Cody Banks and the underrated One Night at McCool's), and has Steve Martin's Inspector Clouseau team up with a bunch of similarly bumbling international detectives to track down a thief of historical artifacts. In addition to the first film's Jean Reno and Emily Mortimer, it will also co-star Andy Garcia, Alfred Molina, Aishwarya Rai, and John Cleese (who's taking over for Kevin Kline). I don't know how I feel about Clouseau being placed among similar nincompoops -- part of the franchise's appeal is the way its protagonist is sort of an island of incompetence. But the teaser did get a chuckle out of me, if only for the look on Martin's face after pronouncing "Well then, I'll just go back home."

Did I mention that I also find bad French accents very funny?

According to Variety, Prince of Persia: The Sands of Time has landed some more top-notch talent. Alfred Molina and Sir Ben Kingsley have joined Jake Gyllenhaal and Gemma Arterton in the video game adaptation.

Molina will be playing Sheik Amar, who becomes a mentor to Gyllenhaal's prince. No word on who Kingsley is playing, but popular consensus is that it will be the villainous Vizir. Of course, since they aren't sticking to the video game storyline, it could be anyone -- but Kingsley is one of those go-to actors for villains.

Jerry Bruckheimer definitely knows how to guide a good cast. There are shades of Pirates of the Caribbean in this line-up, and that perks my interest. I do find myself amused by the addition of Molina, an actor of Italian-Spanish descent, as a shiek. That isn't going to help claims that the casting is ethnically insensitive.

Imagine this: The Paramount Pictures logo fades away into a real mountain as a fedora-topped man and his men travel through the jungle. We see this man in the shadows, from behind, and from the chest down -- all shots obscuring his face. Finally, when they get to a stream and the fedora man pulls out a map, one of his men pulls out a gun. However, before he can shoot, the gun is whipped out of the man's hand with a simple flick, and a thick, mustachioed Tom Selleck walks out of the darkness.

This is what Raiders of the Lost Ark could have been -- a Magnum PI-led adventure film -- had that same show not spirited Selleck away and forced Steven Spielberg and George Lucas to find someone else. They tested Tim Matheson, Otter from Animal House. They tested Peter Coyote -- an actor who went on to play Keys in ET. But no one compared to Harrison Ford, who came in and made Indiana Jones an ageless icon of adventure and archeology.

A retro film set in 1960s London is interesting. Hearing that Nick Hornby wrote the script makes it intriguing. An awesome cast -- that just makes the upcoming film An Education sound downright tasty. Variety reports that Lone Scherfig, the Danish filmmaker behind Happy-Go-Lucky, is gearing up to helm the feature, and these are the names she'll get to mold with her directorial hands: Peter Sarsgaard, Orlando Bloom, Alfred Molina, Sally Hawkins, Rosamund Pike, Emma Thompson, Olivia Williams, and newcomer Carey Mulligan. (Some of the cast signed on earlier this month.)

While I vowed that I learned my lesson about great actors not necessarily making great movies after Derailed, I so, so, so want to see this. The film will focus on a 17-year-old girl played by Mulligan who lived in the quiet burbs of London. However, it's during the swinging '60s, and she gets pulled into craziness by a 30-something Brit played by Sarsgaard. (Cradle robber.) As THR described it: "He courts her with chic dinners, clubs, and foreign trips, charming her father (Molina) but putting her future at Oxford University in jeopardy." Thompson, meanwhile, plays her school's headmistress.

Dumb joke of the day #2: She should've bought a SarsGuaard.

Production begins in London this March.

This might be slightly off-topic, but if they ever make the life story of Lucille Ball then the top contender has to be Debra Messing. Not only does she kind of resemble the classic comedienne, she even stole a few tricks from Ball's book when it comes to her own comedic style. Variety has announced that Debra Messing (Better known as 1/2 of the famous TV coupling of Will and Grace) has joined the cast of Humboldt Park. The Latin family 'dramedy' was written by Rick Najera, Ted Perkins, and Alison Swan, and the script centers on two brothers who come home for the holidays to their old Chicago neighborhood, Humboldt Park.

The film stars Freddy Rodriguez (Planet Terror) and John Leguizamo as the two brothers. Messing will play the wife of Leguizamo's character and will probably serve as the 'fish out of water' in the mainly Latin cast. Other cast members include Alfred Molina, Jay Hernandez, Mercedes Ruehl, Luis Guzman, Melonie Diaz and Vanessa Ferlito (Death Proof).

Messing is also heading back to the small screen with her new series, The Starter Wife. That show is set to air on USA this summer -- kind of a far cry from 'Must-See TV', but what are you going to do? Messing will also be filming the remake of George Cukor's classic film, The Women. So as much as that news of that particular remake still makes me a little nauseous, I am confident that at least Messing has the style to pull off that particular brand of fast-talking dame. Humboldt Park is set to start production on location in Chicago by next week.

Back in December, I told you about a new holiday movie in the works called Humboldt Park. Starring John Leguizamo and Freddy Rodriguez, the film was so specifically described as a movie about a family reunion in Chicago's Humboldt Park over the holidays. Hooked yet? Now The Hollywood Reporter has shared more of the cast, and a bit more about the mysterious plot. First up -- the project's cast list now spots the likes of Alfred Molina (Spider-Man 2), Melonie Diaz (Be Kind Rewind), Jay Hernandez (Crazy/Beautiful), Mercedes Ruehl (The Fisher King), Luis Guzman (Fast Food Nation), and Vanessa Ferlito (Death Proof).

As for the plot, it's not much, but Freddy and John are brothers in this familial, reuniting clan, Ruehl is the matriarch, Molina is the bodega-owning dad, Hernandez is a friend of the family who works there, Diaz is Freddy's former lover, and Ferlito is the sister, who is friends with Diaz. That's one heck of a family with Latin talent, and who wouldn't want Molina as their dad?! Production begins right before Valentines Day in Chicago, and I imagine it will be out for the holiday season. With the bodega inclusion, maybe we'll get some foodie flavor and Latin wine as well.

Sony Pictures has just launched Stage 6 Films, "a label that will acquire and produce films for theatrical and straight-to-DVD release." The Variety announcement reports that Stage 6 will focus mostly on the DVD market, and on films budgeted at $1 to $10 million dollars. They've got a lot of movies on the horizon, with some pretty big stars involved. Conspiracy is an action flick starring Val "Iceman" Kilmer, Gary "Lumbergh" Cole, and Jennifer "Hot" Esposito. Thomas Jane is acting in and directing Dark Country (hope it's not a punisher!). The Stone House is a horror film starring Shane West and JK "Schillinger" Simmons. The Lodger stars Alfred Molina, whom I always picture in his underwear singing "Sister Christian." And Felon brings us even more Kilmer thrills, with Stephen Dorff and Harold Perrineau in tow.

And you know when you're talking direct-to-DVD, you're talking about some really random sequels. Stage 6 has announced a prequel (a prequel?) to this year's pretty cool horror flick Vacancy. There will also be a second Starship Troopers sequel -- Starship Troopers: Marauder, with Casper "Van Dien" Van Dien, Boris Kodjoe, and Jolene Blalock. Wesley Snipes will star in a sequel to the absolutely terrible action movie The Art of War, which I will refer to as The Art of War 2: Seriously? And Center Stage 2 will capitalize on the public's love of melodramatic teen dance dramas. I must confess a special place in my heart for the original Stage, because it led to a memorable high school back seat rendezvous. Put that quote on your poster, Sony! "Stage 6 will also continue to leverage our vast library of studio films, as we have done with Daddy Day Camp and the I Know What You Did Last Summer franchise," threatens a Stage 6 executive.

Silk demonstrates a growingly frequent conundrum of modern moviemaking -- namely, what do you do when the departures from the formulaic, repetitive, predictable mainstream are, in their way, just as formulaic, repetitive and predictable? Based on Allesandro Barrico's novel, Silk tells the story of a 19th-Century man who leaves France, and the woman he loves, to travel into the heart of Japan -- where few Westerners have been -- to bring back silkworm eggs to help stop a devastating plague that's wiping out the European industry. On his journeys to Japan, he becomes obsessed by the concubine of the local warlord -- so much that he returns again and again, despite the risk and expense, in the hopes of one more glimpse of her.

Silk is also, in less specific language, another in an endless series of pretty, vapid period pieces where the exquisitely tailored costumes hide racing hearts -- a by-now standard tale of passion under petticoats, strong connections under starched collars. It is also another period piece where a distant land and a distant love supposedly inflame our protagonist, but the ponderous, lumbering slow chill restraint in the staging sucks any connection and passion and heated risk out of the film. Finally, even with the stage set for globe-trotting clichés and reheated concepts, the film's dealt a mortal blow by the casting of actors who are, bluntly, out of their depth -- and not thrown a rope by director Francois Girard.