AmandaSeyfried Tagged Articles at Cinematical
Cinematical Set Visit: Channing Tatum Talks 'Dear John'
Filed under: Drama », Romance », New Releases », Sony », Movie Marketing », Interviews », War »
I have to confess that I don't think I could have picked Channing Tatum out of a line-up before meeting him on the set of Dear John. I knew vaguely that he was one of those incredibly buff Ambercrombie Models, I knew he danced, and knew he was going to be in G.I. Joe, but I didn't have a very precise image of him. As I disembarked from our car, he galloped past me, and I didn't recognize him right away. Shocking!
I think everyone has an image of what they think Tatum must be like. I'm happy to say that you're wrong. For one thing, he's charismatic in a way that I don't think has come across onscreen yet. I hope Dear John changes that for him. In person, he's incredibly warm, friendly, and sweet and no one could stop singing his praises. As you can guess, actors run the gauntlet as far as approachability goes, but there wasn't a smack of phony affability in Tatum. He even gave us all a hug after our interview -- and no, none of us asked -- which is not something actors really do. Come on, I don't want to hug 99% of the people I meet in a professional day. And yes, girls, you can feel every muscle.
Here's our Q&A with Tatum, which Cinematical participated in with UGO and Coming Soon. The questions were not all asked by Cinematical, so we've kept them all in bold as a reference.
Cinematical Set Visit: Amanda Seyfried Talks 'Dear John'
Filed under: Drama », Romance », New Releases », Sony », Movie Marketing », Interviews »
As with the other interviews, Cinematical participated with UGO and Coming Soon, but for easy reading we'll label all the questions as being from Cinematical.
Cinematical: So, are you happy with the restaurant scene and the way it is going?
Amanda Seyfried: Yeah, I'm pretty happy. I'm so comfortable with Channing. It comes pretty naturally, so when you feel like you are not really working hard, you can sometimes maybe feel a little self-conscious. And then, it's like why isn't this hard? Am I getting it? Am I getting in the act of it? But it's fun and I'm eating really good shrimp.
Cinematical: Are you getting sick and tired of eating shrimp over and over again?
Seyfried: No, moderation is really necessary to perform that role!
Cinematical: How has your life been since your exposure from Mamma Mia!?
Seyfried: It's been pretty ridiculous. I definitely don't think I would be doing this movie had I not had the success with Mamma Mia! For a lot of reasons people are chosen for a cast in a movie. A lot of it has to do with marketability and what you're talent is and how you connect with a character. That definitely has a lot of impact.
Review: Dear John
Filed under: Drama », Romance », Sony », Theatrical Reviews », War »
In the world of romantic novels and their film adaptations, it's hard not to know the name of Nicholas Sparks. The best-selling author has a knack for enduring romance, kisses in the rain and North Carolina shorelines, and Hollywood tends to translate his tearjerkers with an effortless emphasis on those most swoon-worthy moments ... which means that certain cynics rarely take well to his particular brand of saccharine whether it's on the page or the screen.
As luck would have it, Dear John isn't nearly as saccharine or heavy-handed as any movie about autism, cancer and a love divided by duty inherently threatens to be. In fact, in director Lasse Hallstrom's hands, the material comes off with some measure of grace and restraint, as do the performances of Channing Tatum and Amanda Seyfried, and it's all enough to have even us certain cynics rooting for their eventual reunion.
Cinematical Set Visit: 'Dear John'
Filed under: Drama », Romance », New Releases », Sony », DIY/Filmmaking », Movie Marketing », War »
It is an incredibly hot and humid Charleston evening – the temperature is around 77 degrees and it's November – and we're climbing onto a set of a modern fairy tale. That's a high description for a dive seafood restaurant (and it is a dive), and even with the glimmering sunset and sea view, there's no way it would earn that kind of flowery description without the help of Nicholas Sparks. Luckily, he's the fairy godfather making lush romance out of Bowen's Island, where Sony has graciously invited Cinematical to the set of the latest Sparks romance, Dear John.
Directed by Lasse Hallstrom, Dear John centers around a young soldier named John Tyree (played by Channing Tatum), a young rebel with a rocky relationship with his father, who is played by the superb Richard Jenkins. He joins the Army to straighten himself out, and becomes a member of the Special Forces. One summer, while on leave, he meets the charming Savannah Lynn Curtis (Amanda Seyfried). Being a Sparks story, it's naturally love at first sight, but the lovers are separated by unhappy circumstance – in this case, it's 9/11, and John has to decide where his duty lies. "The book is very much about John and Savannah's love to each other, but it's also very clearly a love triangle of sorts. It's really a love rectangle – it's the story of John and his love for Savannah, and John and his relationship with his father, and John and his duty to his country," says producer Marty Bowen.
Exclusive: 'Dear John' Poster Premiere
Filed under: Drama », Romance », War », Posters »
Click image below to view full poster
It's time for The Notebook fans to grab a box of tissues and plan for their Februaries and romance-filled Valentine's Day dates. Cinematical has just received this exclusive snuggle-centric poster for Dear John, which just so happens to be the latest adaptation from Notebook scribe Nicholas Sparks. Directed by Lasse Hallström (helmer behind The Cider House Rules) Dear John stars Channing Tatum and Amanda Seyfried, and will be hitting screens on February 5.
This time around, Sparks' story focuses on a soldier home on leave (Tatum), and the "idealistic college student" he falls for during her Spring vacation (Seyfried). Over the course of seven years, they must face his increasingly dangerous deployments, seeing each other face-to-face rarely, but keeping the affair alive through overseas love letters that "eventually triggers fateful consequences." War movies might be the sore vein to tap in Hollywood, but something tells me this flick will fly free of those restraints.
Check out the full poster by clicking the image below.
Gallery: 'Dear John' Poster
Monday Night Poll: Can Megan Fox Act?
Filed under: Horror », New Releases », Fandom », Polls »
We know she has breasts, though the unveiling of their full bared glory remains, teasingly, for the future. We know she likes to kiss boys and girls. We know she has a face to die for, as several unlucky victims discovered this weekend in Jennifer's Body. But can Megan Fox act?
Cast in her first lead role as iconic small-town cheerleader Jennifer, Fox certainly sashays well. As directed by Karyn Kusama, Fox looks terrific in slow motion, walking down a high school hallway like it was a catwalk, or emerging from a refreshing skinny dip, smiling secretly because she knows all eyes are upon her. Her lips and tongue look very kissable in extreme close-up. Even when she looks "bad," it's still better than most could hope for, as her ostensible BFF Needy (Amanda Seyfried) observes. When called upon to emote, however, Fox says lines -- scripted by Oscar-winner Diablo Cody -- without any deep conviction or sincerity, as though she were a TV spokesperson introducing a commercial break: "We'll be right back after these important messages!" Even when her character is involved in life-and-death struggles, she comes across as breathy and vapid, drawing less upon her soul and more upon presenting her best angle to the camera. I think her co-star Amanda Seyfried blows her off the screen.
But that's just my opinion. (Cinematical's Jenni Miller has a different opinion of the movie, while our reviewer Todd Gilchrist called her "fanboy catnip," which seems about right.) What do you think? Can Megan Fox act her way out of a paper bag? Or has she just gotten an unfair rap because of her beauty and outspoken behavior? Vote in our poll and sound off in the comments!
Rallying the Troops for 'Jennifer's Body'
Filed under: Comedy », Horror », New Releases », Fandom », Fox Atomic »
A few weeks ago, I asked "Will Chicks Dig Jennifer's Body?" and the responses were mixed. Unfortunately for fans of the movie (like myself), its opening weekend box office results were equally mixed, with JB bringing in $6.8M, putting it in fifth place, right behind the execrable and boring Love Happens.
Plenty of people have immediately written off the movie because they loathe Diablo Cody or Megan Fox. Fox is an especially contentious figure among women because she's young, she's hot, and she's as eager to be "exploited" by the Hollywood machine as she is to give it the middle finger. And Diablo Cody, well... As the talented and smart Karyn Kusama, director of Jennifer's Body said in an interview with Cinematical's Todd Gilchrist, "I feel like the issue of [Cody's] voice being strong and people having a problem with it is very interesting to me because I think there are plenty of writers whose work generates that discussion. I have just never heard Quentin Tarantino or David Mamet or Shane Black be called a whore in people's blogs; I am shocked sometimes by the vitriol."
The cycle of slavering adoration and vicious backlash Cody has been the subject of since she was the Next Big Thing with her book Candy Girl makes my head spin, and if I were her, I'd have hocked my Oscar and headed for the hills long ago. But she hasn't, and thank goodness for that because Jennifer's Body is the coolest, weirdest thing to happen to women in horror (and the women who love horror) in a long time.
Interview: 'Jennifer's Body' Director Karyn Kusama (Part Two)
Filed under: Horror », Interviews », Fox Atomic »
Just by virtue of her gender, Karyn Kusama is considered a feminist director; while the subject matter of her three films has certainly revolved around strong and interesting women, however, their stories certainly transcend the condescending and reductive designation of being called "women's movies." This is especially true of her latest, Jennifer's Body, which is an examination of teenage female sexuality that should certainly have considerable mainstream (i.e. male) appeal thanks to the person playing the body in question, Megan Fox.
Cinematical recently sat down with Kusama to talk about her career, the themes that have run recurrent in her movies, the impact of studio politics and feedback on her films, and how much she thinks her gender plays a role in career and the creative choices she makes. (Make sure to check out Part One of this interview, where she discusses her collaborations with Megan Fox and Diablo Cody, and gives fans a first-person account of the film's infamous make-out session between Fox and co-star Amanda Seyfried.)
Cinematical: Were there any specific elements of the different relationships, both personally and socially, in the film that you knew you wanted to explore or examine? There's the interaction of the two girls with one another, and Jennifer with her victims, but there's also the idea of this being a sort of monstrous version of teenage girls exploring their sexuality.
Interview: 'Jennifer's Body' Director Karyn Kusama (Part One)
Filed under: Interviews », Fox Atomic »
There's a sort of amazing nexus of visibility that Jennifer's Body is enjoying as it moves towards its opening day: men and women alike are obsessed with any- and everything Megan Fox does, and critics and audiences are curious to see how successfully Diablo Cody will follow-up her Oscar-winning script for Juno. Meanwhile, director Karyn Kusama bears the burden not only of shepherding the result of their efforts and the test for those expectations into theaters, but is in herself in search of a project that can both fulfill and overcome the preconceptions of viewers familiar with her two previous films, the acclaimed independent film Girlfight and the decidedly less-acclaimed studio opus Aeon Flux.
Cinematical recently sat down with Kusama for an epic conversation about her latest film, Jennifer's Body. In addition to discussing the project's origins and inspirations, she talked about tapping into expectations without acquiescing to them, examined the high-profile careers of her collaborators, and offered a few insights into her own creative process. (Check back tomorrow for part two, which further delves into her own feelings about the film's themes and her execution of its ideas.)
Cinematical: How did you process Diablo's writing style when you were directing and maybe even editing? Because she was kind of an unknown quantity when you started working on this but now she obviously has a style that polarizes audiences.
TIFF Review: Chloe
Filed under: Drama », Theatrical Reviews », Festival Reports », Exhibition », Toronto International Film Festival »
The name of the cinematic game is believing what happens on the big screen, and suspending belief when necessary. It's a particular and difficult game -- one that is, of course, pulled off with varying degrees of success. One person's perfectly natural action is another person's highly irregular one, and there's no set line for what will be stomached, accepted, and believed. In the case of Atom Egoyan's erotic thriller Chloe, Amanda Seyfried, Julianne Moore, Max Thieriot, and Liam Neeson toe the line of believability as they sail through the sticky waters of romantic discontent and mistrust.
Seyfried is Chloe, a young prostitute well-versed in the finer points of subterfuge -- embodying everything her clients dream. And Moore is Catherine, a successful gynaecologist -- the established professional, mother, and aging woman desperately wishing for the lust-filled attentions that her husband David (Neeson) used to heap on her. After he avoids her on his birthday, "missing" a plane (and subsequently a surprise party), she becomes wary. And when he continues to flirt with every young woman he meets, Catherine becomes convinced that he is cheating.
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