AmericanFork Tagged Articles at Cinematical

Take a map of Oregon. Fold it down the middle lengthwise. Then fold it again the other way. The spot right in the middle, where the two folds intersect? That's about where you'll find Bend, a beautiful city of about 75,000 people, and home to BendFilm Festival. The fest is new (it just launched in 2004), but it's quickly picking up steam and adding to the Pacific Northwest's already vibrant independent film scene.

The lineup for the fourth BendFilm Festival, to be held Oct. 11-14, has just been announced, and it's a good one. There are 13 narratives, 17 documentaries, and a few dozen shorts in competition, many of them already favorites from other festivals, with a few premieres sprinkled in, too.

Slamdance hits American Fork and Dante's Inferno are on tap, the former from the producer of Napoleon Dynamite; the latter an animated take on the literary classic. The Insurgents depicts four radicals trying to spark a revolution in post-9/11 America. And I like the sound of Blood Car: With gas prices hovering near $40 a gallon in the near future, an environmentalist seeks an alternative fuel source -- and accidentally finds a horrible one. (Think Little Shop of Horrors. Think Soylent Green....)

The docs are even more intriguing. Red White Black & Blue tells of two American soldiers who fought the Japanese during a secret Alaskan invasion during World War II. The wonders and dangers of nature are explored in King Corn (about America's farming system), Mekong: Exploring the Mother of Waters (about the Southeast Asian river), and River Ways (about the Snake River in Washington). And triumph over disease is heralded in Ready (about cerebral palsy) and The Breast Cancer Diaries.

Oh, and Wiener Takes All: A Dogumentary is about the cutthroat world of competitive dachshund racing. That by itself is almost a reason to fly to Bend.

Passes for the festival are reasonably priced and Bend is a fantastic destination, especially in the fall. After Telluride, it might just be the most beautiful location for an American film festival. Visit the fest's website for more info.

Even if the film festival guides hadn't reminded me that the low-key indie comedy American Fork came from one of the Napoleon Dynamite producers ... I think I might have figured it out on my own. That's not to say that the films are all that similar, really, but that they both feature main characters who are grown-ups on the exterior and trapped in a state of perpetually unpleasant adolescence beneath the surface. Not particularly deep beneath the surface, either.

First-time screenwriter Hubbel Palmer stars as Tracy Orbison, a 6-foot-4-inch massive mound of a young man, and one who has only a few minor things going for him. Tracy seems to enjoy his dead-end job at the local supermarket, and he's got a mother and a sister who genuinely seem to care for the guy, but beyond that Tracy is as insecure, immature and rudderless as a guy can possibly be. The clueless yet strangely ingratiating misfit bounces from hobby to hobby and from acquaintance to acquaintance, desperately looking for something (and someone) to share his time with. Failing that, the guy simply loves to jot away in his journal.

One of Tracy's more recent obsessions is that of acting: He tries to befriend a local actor, a jackass who turns out to be as arrogant as he is insincere -- and Tracy greets the eventual disappointment with a sigh known only to the frequently disappointed. Then he tries to befriend a teenager who just started working at the supermarket -- but the kid's sleazy friends abuse Tracy's good nature in a really terrible way. And then come some seriously unpleasant accusations that have Tracy ducking into alleys, afraid to even show his face in his own neighborhood.