It is interesting to learn that filmmaker Jieho Lee has a fondness for the ending of Fellini's Nights of Cabiria. However, it is not so interesting to realize that he can't let go of this fondness enough to create a genuine film moment of his own. For instance, there is one significant scene in Lee's The Air I Breathe that plays so much like an homage to the final shot of Cabiria that it takes away from the actual film it is a part of. The scene involves a major character's death, so it's hard to go into detail without spoiling it for you, but I can say that recognizing the blatant tribute may cause you to feel less for that character than you should otherwise during that scene. After all, it is difficult to care about a character that comes off as simply a tool for Lee's unnecessary acknowledgment, or re-creation, of a part of a favorite film.

Maybe I just shouldn't read a film's press notes prior to watching it (I don't usually), as I might not have caught the homage without noting Lee's mention of Cabiria in his director's statement. And perhaps I wouldn't have been thinking about Lee's other influences, from The Wizard of Oz to Samuel Fuller's The Naked Kiss, and unfairly comparing The Air I Breathe to them. But it doesn't matter, because The Air I Breathe would still feel completely derivative without knowledge of the exact works that inspired Lee. To me, despite what I learned from the press notes, the film was mostly reminiscent of Inarritu's Amores Perros, and not only because of where it was filmed, how it interconnects multiple stories or the fact that it features a bank robbery, a female celebrity confined to an apartment and an obligatory car accident of some kind.

Almost two years ago, back in January of 2006, Cinematical first posted about the upcoming film called The Air I Breathe. While it went away for a bit, the film is finally gearing up for limited release in January, and a trailer has made its way online, courtesy of Aglet Productions. Coming from writer/director Jieho Lee (and co-written with Bob DeRosa), Breathe is a drama based on the Chinese proverb that says life is based on four emotional elements -- happiness, pleasure, sorrow, and love. Sure, this sounds like a film with four unrelated vignettes, but it's actually looking to be a rather dark story where each emotion intertwines with the others.

Lee uses them to tell the stories of a businessman who bets his life on a horse (Forest Whitaker as Happiness), a gangster who can see the future (Brendan Fraser as Pleasure), a popstar who falls victim to a crime boss (Sarah Michelle Gellar as Sorrow), and a doctor trying to save the love of his life (Kevin Bacon as love). As if that wasn't enough for a solid starter cast, the film also boasts the likes of Andy Garcia, Emile Hirsch, and Julie Delpy. All of these people are interconnected through a dark and seemingly desperate backdrop. The only thing that's funny about all of this is that Gellar is playing a woman famous for her singing and dancing (she sings when she has to, but as Once More with Feeling will attest, she's no an American Idol). Still, it's a good trailer, and if these clips are any indication, it should be one heck of a film. And at the very least, it's got to be better than Southland Tales!

[via Empire Online]

First, I must disappoint some of you by warning: This film is NOT some strange remake of the classic line-animation La Linea. Remember that? It's the cartoon about a line that becomes a little guy who walks around, often walking into things and always either making requests of the artist, or yelling at him for something. While we won't see a big line on the big screen, this new La Linea incarnation is looking like it's worth the time. The Hollywood Reporter posted that Ray Liotta has signed on to star in the crime drama with Esai Morales and Valerie Cruz, and they've got one heck of an ensemble cast in final talks. There's two of my favorite actors, Joe Morton and Danny Trejo, as well as Armand Assante, Kevin Cage (the porn star, or did THR typo?), and Jason Connery. Plus: Andy Garcia is in early talks for a small role.

The film, loosely-based on the Arellano Felix drug cartel, is about a lieutenant of a drug cartel (Morales) who takes over business and becomes a loose cannon. (Garcia would play the ill kingpin of the cartel.) An LA-based assassin, played by Liotta, is hired to kill him. Cruz, meanwhile, will play a woman named Olivia, who is a meth addict in Tijuana trying to get clean for her kid -- how she fits into the rest remains to be seen. The feature was written by R. Ellis Frazier, who is also producing with Geoffrey Ross, and will be directed by James Cotten. Production is scheduled to begin next month in LA and Tijuana.

Growing up, Steve Martin was my favorite comedic actor, no contest. The Jerk, All of Me, The Man With Two Brains, Three Amigos!, Little Shop of Horrors, Roxanne, Planes Trains and Automobiles, Dirty Rotten Scoundrels, Parenthood, LA Story, Father of the Bride, Bowfinger...you'd be hard pressed to find someone who's appeared in as many modern classic comedies. And he's obviously still a hilarious man (anyone see him on Letterman last night?). That is why his recent career path is so troubling to me. I can't fault the guy for wanting to make big lazy blockbuster family movies, and obviously there are people who enjoy them. I just wish that one of the greatest comedic minds in film history would take some more chances in his twilight years. I love his novels (read The Pleasure of My Company ASAP), and I adored the film version of Shopgirl, I sincerely hope he can bring us more interesting material like that.

But for right now, we're stuck with Pink Panther 2. Variety has announced the supporting cast, and I must say, it's pretty impressive. The great John Cleese is playing Inspector Dreyfus (perfect casting), memorably brought to life by Herbert Lom in the Peter Sellers films. Also on board are Andy Garcia, Alfred Molina, and "The Queen of Bollywood" Aishwarya Rai, often referred to as "The Most Beautiful Woman in the World." The three will play "detectives and experts who join forces with Clouseau to catch the thief who has been stealing artifacts around the world." In addition to the new gang, Jean Reno and Emily Mortimer are returning to their roles. Pink Panther 2 was written by no less than five screenwriters: first-timers Scott Neustadter and Mike Weber, big-time comedy scribes Lowell Ganz and Babaloo Mandel (Splash, Parenthood, City Slickers), and Martin himself. Shawn Levy directed the 2006 Pink Panther, Harald Zwart (One Night at McCool's, Agent Cody Banks) will helm this one. Look for Pink Panther 2 just in time for Valentine's Day -- February 13, 2009.

Hollywood loves talking dogs. And I guess a lot of moviegoers love them too, because otherwise Hollywood wouldn't keep making them. Later this summer, we have a super-powered talking dog in Underdog and in two years, we'll be getting a super-sized talking dog movie called South of the Border. I say super-sized because the live-action Disney movie is going to have a lot of talking dogs in it. Drew Barrymore will be voicing the lead dog, a pampered Beverly Hills Chihuahua named Chloe, who ends up lost in Mexico while on vacation with her owner (Piper Perabo). As you'd expect, the little dog meets a bunch of new friends to help her find her way.

Most of the other dogs will be voiced by Latino actors, including Salma Hayek, who plays a spirit guide who helps Chloe learn her Hispanic roots, and George Lopez, who plays another Chihuahua who attempts to woo Chloe. Other unspecified roles have been cast with Cheech Marin (who voiced the cartoon Chihuahua character in Disney's Oliver & Company), Paul Rodriguez, Plácido Domingo, Edward James Olmos and Eddie 'Piolin' Sotelo. Andy Garcia will also be voicing a dog, one which doesn't seem to be of the Latino variety. The Cuban actor is voicing an ex-K-9 German Shepherd. I assume that the character will have a German accent (as long as they're going so racial) and that he will end up the true love interest for Chloe -- though I don't think this is physically appropriate.

If you are a fan of gritty heist movies with airtight plots and realistic settings, then you are probably not the biggest fan of the Ocean's franchise. George Clooney and the gang created films that are the ultimate in style over substance. I never minded though, because everyone seemed to be having so much fun on the screen -- and so I never thought to question the plot holes you could drive a truck through.

Well, I must not be alone in my enjoyment of the stylish fluff of Steven Soderbergh's Ocean's films, because the third installment is on it's way and there is a brand-spanking-new poster online. Moviefone now has the first look at the poster for Ocean's Thirteen. The plot -- and I use the word loosely -- follows the boys on another ambitious heist, but this time Matt Damon is getting the girl (Ellen Barkin). The poster reminds us that once again the whole cast is back, with the notable additon of Al Pacino being included in the fun.

It's got everything you would expect from an Ocean's film: nice suits, gambling tables and plenty of style. All in all it's a pretty slick poster, but when it comes to these movies, would you expect any less?

[via Dark Horizons]

Caper-film junkies, George Clooney fans and Brad Pitt worshippers, this is your lucky day. We have your absolute first look, anywhere on the planet, at the new poster for 'Ocean's 13' (click on the image to the left for a larger version). And in case you're counting, there are only 12 people on the poster: the original crew of 'Ocean's 11' and their perennial nemesis Andy Garcia.

'Ocean's 13' finds Danny (Clooney), Rusty (Pitt) and the rest of the boys planning their most ambitious heist to date AND rolling sans ladies (Julia Roberts and Catherine Zeta-Jones, you will be missed) -- but they've also got a new pal to play with: an unknown actor you've probably never heard of named Al Pacino. And if that doesn't pique your interest, you'll be happy to learn that the earnest Linus (Matt Damon) may get a little loving this time around ... from an attractive and alluring older woman played by Ellen Barkin. Wow, our little boy Linus is all growed up.

POST: Are you excited for the movie?

GET IT: More info on 'Oceans 13'

SEE 'EM: George Clooney | Brad Pitt pics

I wasn't a big fan of Joe Carnahan's Blood, Guts, Bullets and Octane, but the low-low-budget crime thriller was successful enough to land the guy a big-time studio gig. That project was Narc, which I dug quite a bit, to my pleasant surprise. (Hey, I'm a sucker for Ray Liotta's tough guy routine.) For a while there it looked like Carnahan was going to direct Mission: Impossible 3 for Paramount, but obviously that plan fell through.

The good news is that his latest flick, entitled Smokin' Aces, looks pretty darn wild. The teaser trailer kicks off with an amusing misdirection before settling into a mega-kinetic typhoon of mayhem, so why not check it out? (Frankly the flick looks a lot like last February's Running Scared, and that's just fine by me.)

Featuring the likes of Jeremy Piven, Ben Affleck, Ray Liotta (cool!), Ryan Reynolds, Andy Garcia, Peter Berg, Alicia Keys, Jason Bateman and the underrated Nestor Carbonell, Universal's Smokin' Aces is scheduled for a February 2007 release. Ack, February?

If Andy Garcia should have learned anything from being in The Godfather: Part III, he should have learned to eventually model his directorial debut on the mafia series' earlier installments instead of the one in which he starred. His choice for a debut even sounds like the plot of The Godfather: Part II, as it features a wealthy family broken apart in the late 1950s amidst the Cuban Revolution. Unfortunately Garcia's The Lost City is nothing like Francis Ford Coppola's 1974 Oscar-winner, and is everything like the awkward mess that is Coppola's disappointment of 1990.

The Lost City opens on a lone man playing the trumpet, quickly diverts to an assassination by two men, then cuts quickly again to a mambo performance. Thinking back, I'm still unsure of which characters those two assassins are, and who it is they kill. Could this be a problem with my short-term memory, or could it be a problem with poor filmmaking? All I know is that those first few minutes of unclear focus are a foreshadowing of the abrupt, cursory style with which the film continues to proceeds through story and history.