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Posts with tag AngLee

Fan Rant: In Defense of Ang Lee's 'Hulk'

Filed under: Action », Comedy », Sci-Fi & Fantasy », Universal », Fandom », Remakes and Sequels », War », Fan Rant »

I thought the horror geeks were a pretty demanding lot, but they've got nothing on the comic book stalwarts. Give these guys safe, obvious, conventional superhero flicks like Elektra, Daredevil, Ghost Rider, and The Punisher -- and they complain. Rightly so, in my opinion. But then a filmmaker comes along and tries to buck that trend -- by bringing a decidedly untraditional approach to such an oft-told tale -- and those fans still find a way to get angry. I'm speaking of Ang Lee's Hulk, of course, a film that seems destined to be considered a "failure" for all eternity. And I think that's just lame. People talk about Hulk like its one step above Catwoman, for crying out loud!

Yes, the movie most definitely has its flaws, its missteps, and its slow spots (and really, who thought "mutant poodles" were a good idea?) -- but I'm of the opinion that Mr. Lee struck a very engaging balance between his affection for the source material and his intent to try something ... different. So while Hulk does offer your standard "origin story" and requisite battle scenes (most of which are pretty spectacular), it seems pretty obvious that the director was shooting for something both playful and "artsy" at the same time. Perhaps I'm just being a little bit charitable, given that The Hulk is my all-time favorite Marvel character -- but I tend to think that would make me a little more critical, all things considered. And since I've seen Hulk at least four times now, I'm well aware of what I consider to be its flaws and its assets. Clearly I think the latter outweigh the former. (Plus it stars Jennifer Connelly, don't forget, and she's my Kryptonite. Seriously.)

Demetri Martin Thinks about 'Taking Woodstock'

Filed under: Drama », Music & Musicals », Casting »

With Ang Lee behind the camera, there are many possibilities for the upcoming adaptation of Elliot Tiber's memoir, Taking Woodstock, which Eugene blogged about recently. One of them is impending comedy. Variety reports that comedian Demetri Martin is currently in negotiations to star in the film as Tiber. The piece focuses on Tiber's life as a closeted gay artist who has given up his ambitions in the city to move upstate and help his old-world Jewish family run their Catskills motel. He becomes head of the Chamber of Commerce, and when he gets wind of the upcoming Woodstock, he does his part to make it happen.

The memoir details planning for the epic concert, as well as "side chapters" on Tiber, which include meeting artists like Robert Mapplethorpe and Mark Rothko, and getting through his closeted life to stand up to cops during a raid at a gay bar. It sounds like pretty meaty, yet potentially fun, material to me, and I'm curious to see why Martin was tapped for this part. He's got his Jon Stewart gig and some smaller acting bits under his belt, but this is a whole different sort of role. I'm also curious to see how this story all fits together without seeming too scattered. At the very least, it should have one very sweet soundtrack.

James Schamus is currently adapting the memoir, and Focus is looking to get it into production in late August.

Ang Lee Signs On for 'Taking Woodstock'

Filed under: Drama », Deals », DIY/Filmmaking », Newsstand »

It looks like Ang Lee isn't heading back into big-budget Hollywood waters any time soon. Variety reports that the Brokeback Mountain director will instead take on another gay-themed project: an adaptation of a book called Taking Woodstock: A True Story of a Riot, a Concert, and a Life. It's the autobiography of Elliot Tiber, an unassuming Catskills hotel manager and interior designer who wound up playing a pivotal role in making the Woodstock festival a reality. The point, I take it, is that Tiber's role in one of the greatest events in rock and roll history served as redemption for giving up his own artistic ambitions and living most of his life in the closet.

As readers of this blog have probably guessed, I'd watch a cheese sandwich if Ang Lee directed it. This project seems lighter than anything the filmmaker has done since at least Eat Drink Man Woman, and I wonder how (if at all) it will jive with the deliberate, supremely controlled style he's been nursing in his past few movies. It'll be interesting if Lee takes this opportunity to return to the much looser vibe of his early comedies.

Lee's longtime producing partner James Schamus is also on board for Taking Woodstock, and the fact that Schamus is the CEO of Focus Features conveniently takes care of distribution.

'The Incredible Hulk' Poster!

Filed under: Action », Sci-Fi & Fantasy », DIY/Filmmaking », Movie Marketing », Comic/Superhero/Geek », Remakes and Sequels », Posters »



The first official poster for this summer's The Incredible Hulk has just arrived over at IGN (head over there for a larger version). As you can see from the image above, the Hulk is trying to capture Edward Norton using the muscles in his back. Personally, this is exactly what I imagined the poster to look like -- some sort of combo between the green monster and Bruce Banner, with a bunch of helicopters and tanks shooting in the background. I expect a few character posters (one with the Hulk, one with Abomination, etc) to follow in the coming weeks.

Despite its solid cast, The Incredible Hulk has enjoyed (or maybe not) its share of controversy since word of the film first hit the net. An obvious re-do (following Ang Lee's not-so-successful effort a few years back), rumors have spread about Norton's control-freak mentality; how Zak Penn was quietly replaced as writer and how studio folks have clashed with Norton over the final product. Me? I still think it looks pretty cool -- and dammit if Tim Roth doesn't rock out as the villain in this movie!

What do you think? Does The Incredible Hulk have the, er, strength to compete with this summer's other big whales?

Ebert Picks Fest Slate (Including 'Hulk') and Announces His Return

Filed under: Newsstand », Other Festivals »

Roger Ebert's January announcement that he was going in for another major surgery began a long and disquieting silence. As the reviews he had written in advance started to run out, with no updates on his health and more and more of the content on his website being contributed by its steadfast editor Jim Emerson, some people began to worry that something was very seriously wrong. March saw the announcement that Ebert would reappear for his annual Overlooked Film Festival in Urbana-Champaign, but there was still no word from the man himself.

Yesterday, much to my relief, a typically funny and self-deprecating message from Roger appeared on his site and in the Sun-Times. It confirms his planned appearance at Ebertfest in late April, and, better yet, announces that he will return to reviewing movies shortly afterward. The bad news is that the surgery didn't restore his ability to speak, which will for the moment preclude Ebert's return to his TV show where Richard Roeper has been valiantly trying to hold down the fort. (Is anyone still watching?) That aside, though, the dispatch is overwhelmingly good news.

'Never Back Down' Director to Tackle Modern 'MacGyver'

Filed under: Action », Deals », New Releases »

I often wonder what studios look for in their hired guns. Case in point: Jeff Wadlow, director of the tolerable Cry_Wolf and the miserable Never Back Down, who, according to The Hollywood Reporter, has been tapped to direct The Tomb for Summit Entertainment. The Tomb is billed as a prison-escape movie with a MacGyver-like protagonist who uses smarts and ingenious devices to escape from a high-security prison that he himself designed. Summit hopes to make the action-packed film into a franchise cash cow.

I've seen both of Wadlow's movies (the first of which, Cry_Wolf, was made with the money he won in the Chrysler Million Dollar Film Competition), and his m.o. seems clear: slick, blandly good-looking, montage-heavy genre flicks. So in some ways it makes sense for Summit to pin its franchise hopes on him: when you're gambling on a movie, inoffensive competence behind the camera may be your safest bet. Like any cinephile, I wish studios would be a bit more adventurous (and thus cringe whenever a bold move -- putting Ang Lee in charge of Hulk, for example -- backfires at the box office), but as a business decision it's perfectly rational.

The Exhibitionist: Adult Moviegoers Just Wish They Were Kids

Filed under: Foreign Language », Exhibition », Focus Features », Politics », Columns », Cinematical Indie »



To quote an official MPAA movie ratings poster: "THE SYSTEM CAN'T WORK UNLESS YOU UNDERSTAND THE SYSTEM."

How many NC-17-rated films did you see in the theater in the past year? Maybe one? That is if Ang Lee's Lust, Caution even played in your 'hood. And considering the most screens it ever played on in any single week was 143, I highly doubt it (understandably, it could have played in more than 143 locations over the course of its 20 weeks in theaters, but I doubt many more).

But if there had been more NC-17-rated films, and they actually played near you, would you have gone to see them? And if so, why? Because you expect something more titillating than the other releases to choose from? And if not, why? Are you afraid of others thinking you are going to see something dirty? Are you embarrassed about both attending and watching graphic sex on screen? Do you correlate the experience to going to a porno theater?

Ed Norton Wants Hulk Franchise

Filed under: Action », Sci-Fi & Fantasy », Universal », Fandom », Comic/Superhero/Geek », Remakes and Sequels »

Universal has to be really hoping The Incredible Hulk is better received than 2003's Hulk, because according to Edward Norton, the 2008 comic book adaptation is expected to be the first of many. The actor talked exclusively with Total Film magazine and had this to say: "To me the whole thing was to envision it in multiple parts. We left a lot out on purpose. It's definitely intended as chapter one." (Quote retrieved from Ace Showbiz.) You may recall that Norton himself wrote the final draft of the screenplay for The Incredible Hulk, so he would know what was "left out." He could also be hinting that he means to write the sequels as well. But what happens if this version of the Marvel comic is not successful? Will it feel incomplete if it ultimately exists as a dead end?

It is hard to imagine just how much better The Incredible Hulk will be than Ang Lee's film, which really only failed because of a badly rendered Hulk and a truly awful climax. The title character will still be computer animated and the story could still have a disappointing denouement (we've never really witnessed Norton's writing skill before), and it's not unfair to say that Louis Leterrier is not quite as talented a director as Lee. Norton seems quite confident that he's going to deliver something possibly comparable to Christopher Nolan's Batman Begins in quality and tone, but it's easy for comic book geeks to be skeptical. Only 3% of Cinematical readers expect The Incredible Hulk to be the best comic book film of 2008. While that's not surprising since we've also got The Dark Knight and Iron Man to look forward to this summer, it still makes me wonder how many moviegoers expect The Incredible Hulk to be any good at all. So, I ask you:

Do you think 'The Incredible Hulk' will be good?

Is Ang Lee a Tyrant on Film Sets?

Filed under: Drama », Foreign Language », Romance », RumorMonger », Celebrities and Controversy »

"This is the man Hugh Grant dubbed 'Fang Lee' after making Sense and Sensibility with him," so says a new article in The Age about Ang Lee's apparent reputation for being a cruel taskmaster on his movie sets, although in Lee's defense the piece doesn't offer a great deal of examples to support its premise and comes across more like a hook to write up an otherwise boring piece about Lust, Caution. In fact, the closest it comes to naming names is offering the vague assertion that Heath Ledger once claimed Lee pushed him to the brink of physical endurance during the shooting of Brokeback Mountain, which doesn't sound like a damning accusation even if it's taken in context. But who cares about context? Lets have some more hyperbole: Lee is "the industry's Clark Kent," according to the piece. "Under that mild-mannered exterior -- consisting of a gentle-to-inaudible speaking voice, self-deprecating manner and an overall Zen calm -- lurks a driven obsessive, a Caligula among directors."

According to the article, Lee reportedly spent 100 hours to film a ten minute sex scene in Lust, Caution, but he defends his exactitude as a necessary part of the job. "None of us enjoys it," he's quoted as saying. "By nature it's very uncomfortable, draining and painful. We're just common people. It felt pretty harsh. But we used the pain. We enjoyed the pain." Okay, maybe that last line tags him as a bit of a weirdo, but I rarely believe stories about directors being unreasonable on the set, and if you want to know why, check out the making-of documentary on the DVD of The Shining. There's a great moment when Kubrick loses his cool at Shelley Duvall for not hitting her mark, and you can see how little moments like that can create a 'reputation,' but it still seems like something that's all in a day's work.

RIP: Reel Important People -- December 3, 2007

Filed under: Obits », Michael Moore », Cinematical Indie »

  • Marit Allen (c.1941-2007) - Costume designer who worked often with Ang Lee (on Brokeback Mountain, Hulk and Ride with the Devil) and Nicholas Roeg (on The Witches, Eureka, Bad Timing and Don't Look Now). She also produced wardrobes for Eyes Wide Shut, Smilla's Sense of Snow, Dead Man, Mrs. Doubtfire, Mermaids, Dirty Rotten Scoundrels and 2007's La Vie en Rose and Love in the Time of Cholera. She had recently been working on costumes for Justice League of America. She died of a brain aneurism November 26, in Sydney, Australia. (Variety)
  • Jeanne Bates (1918-2007) - Actress who co-starred in the 1943 serial of The Phantom. Known for playing nurse characters in TV and film, she appears as such in Gus, The Strangler and Paula. She also appears in Eraserhead, Mulholland Dr., Die Hard 2 and Grand Canyon. She died November 28 in Woodland Hills, California. (FindaGrave.com)
  • Fred Chichin (1954-2007) - French musician and songwriter who composed music for André Téchiné's latest, The Witnesses. He also appears as himself, with his band Les Rita Mitsouko, in Godard's Keep Your Right Up. He died of cancer November 28, in Paris. (France 24)
  • Mali Finn (c.1938-2007) - Casting director who worked on many on many films by James Cameron, including Terminator 2: Judgement Day, Titanic and True Lies, and by Joel Schumacher, including Batman Forever, Batman & Robin and Tigerland. She also worked on The Untouchables, L.A. Confidential, The Matrix trilogy, Wonder Boys, All the Real Girls, Running with Scissors, The Assassination of Jesse James by the Coward Robert Ford, Shooter and the upcoming 10,000 B.C., among others. She died of melanoma November 28, in Sonoma, California. (Variety)
  • James M. Hart (1943-2007) - Special effects coordinator who worked on Newsies, Apollo 13, The Vanishing and Witness. He died November 19. (IMDb)
  • Evel Knievel (1938-2007) - Daredevil stunt motorcyclist who appears as himself in Viva Knievel! and Freebie and the Bean (as "motorcyclist"). He was portrayed by George Hamilton in 1971's Evel Knievel and by Sam Elliott and George Eads in separate TV movies of the same name. He died November 30 in Clearwater, Florida. (AP)
  • Al Mancini (1932-2007) - Actor who plays a soldier "Tassos Bravos" in The Dirty Dozen. He also appears in Miller's Crossing, Falling Down, Big Business, Turk 182! and The Public Eye and voices a fish in Babe: Pig in the City. He died of Alzheimer's disease November 12, in London, Ohio. (FindaGrave.com)
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