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Tribeca Review: Al Franken: God Spoke

Filed under: Comedy », Documentary », Independent », Tribeca », Theatrical Reviews », Politics », Michael Moore », Cinematical Indie »



In 1992, filmmakers D.A. Pennebaker and Chris Hegedus documented Bill Clinton's presidential campaign, resulting in a still-noteworthy chronicle of political contending titled The War Room. Twelve years later, co-directors Hegedus and Nick Doob (who was cinematographer for The War Room) followed the race of 2004, only this time their subject was interestingly not one of the candidates. Al Franken: God Spoke, which presents a year in the life of the title comedian/author/radio talk-show host, is a humorous, but more importantly illustrative, documentary about the weight of the media -- especially the comedic media -- on the last presidential election.

Franken, who got his break on Saturday Night Live, is one of today's most influential political humorists, and, along with Jon Stewart and Michael Moore, he represents liberal America's unfortunate dependence on jesters instead of kings. The film opens with the publication of his latest book, which attacks the Bush administration and conservative individuals such as Ann Coulter and Bill O'Reilly, then goes on to present the beginnings of his show on Air America Radio and observes the ensuing war between him and the right-wing media, particularly O'Reilly and Sean Hannity at Fox News and Rush Limbaugh. During an early scene, he tells a classroom of students, "I take what they say and use it against them." This practice is nothing new, yet somehow in a time when kids get their news more from comedy shows like The Daily Show than from newspapers, it makes someone like Franken an important political figure.

Review: Homecoming

Filed under: Comedy », Horror », Sci-Fi & Fantasy », Politics »

 

 

Joe Dante is the least prolific of the 80s wunderkinds. The man responsible for Gremlins, Innerspace and a terrifying fourth of Twilight Zone: The Movie can direct at the same quality level as his contemporaries, but he hasn't been given a corner of Hollywood real estate to flesh out his signature style - less sugary than Spielberg and more cartoonish and mischievous than Zemeckis. This is the director who stopped Gremlins cold for ten minutes so that Phoebe Cates could give her classic "I hate Christmas" speech. He seems to pull together a feature film about once every five years, on average, so when you can catch him at work it's a treat. Witness his recent stint as a guest director on Showtime's Masters of Horror series, where he directed an hour-long episode entitled Homecoming. The homecoming in question: dead jarheads from the Iraq war, who pop out of their flag-draped coffins at Dover Air Force base and up sticks for Washington, D.C.

 
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