Appaloosa Tagged Articles at Cinematical

Appaloosa
Ed Harris and Viggo Mortensen are unlikely cowboys, Jeremy Irons is an even more unlikely villain, and Renée Zellweger is the least likely "proper widow" the Old West has ever seen. Appaloosa is a fitfully entertaining, post, post-modern Western; Eric D. described it well as "a buddy movie, a rough-and-tumble, no-girls-allowed, steak-and-potatoes romp that happens to be set in the Old West." The DVD includes an audio commentary by Harris (director/co-writer) and Robert Knott (co-writer/producer), four behind the scenes mini-features, and deleted scenes. Also on Blu-ray. Rent it.

Swing Vote
Like Appaloosa, Swing Vote was pretty much ignored during its theatrical run, but deserves to find its audience on home video. Kevin Costner is in his everyman, blue collar mode here, which means the film is immensely likable and funny. He plays a small town loser, with a way too precocious daughter, who must cast the deciding vote in a presidential election. Of course it's contrived and silly and obvious and non-partisan, but I loved the election videos made by the suddenly too-eager-to-please candidates (Dennis Hopper and Kelsey Grammer). The DVD includes an audio commentary with Joshua Michael Stern (director/co-writer) and Jason Richman (co-writer), a "making of" mini-feature, deleted scenes, an extended scene, and a music video. Also on Blu-ray. Rent it.

Tokyo Gore Police
For extreme horror fans only: everything your splatter-loving heart could desire. Buy it.

More new releases: Balls Out: Gary the Tennis Coach, Mirrors (also on Blu-ray), My Best Friend's Girl (also on Blu-ray), Tyler Perry's The Family That Preys, and Without a Paddle: Nature's Calling (also on Blu-ray). Plus the great, faux-Kennedy TV mini-series Captains and the Kings, which enthralled me when it first aired way back in the Mesozaic Era (Richard Jordan! Richard Jordan! Richard Jordan!).

I thought it would be an easy task to write about this year's best examples of on-screen chemistry. It's my favorite part of the cinematic experience, and one of the most important pieces of the puzzle. Without chemistry, any film is destined to fall quickly and be forgotten. Remember The Mexican? Brad and Julia might have been stars, but it takes a lot more than a big name to make a movie.

But who to choose? While I loathed the big-screen adaptation of Sex and the City, Carrie and Big have always held that certain something. Happy-Go-Lucky contained a wonderful romance, but it wasn't the thing of legend. I could certainly cite Maggie Gyllenhaal in The Dark Knight, and how she was a refreshing breath of charismatic air after the bland coupling of Christian Bale and Katie Holmes. (Heck, I can't even add in female ensembles, because the ladies from Sex and the City were too busy with romantic drama, and the Sisterhood of the Traveling Pants 2 could have been called Sisterhood of the We're too Old for This Crap.)

But none of these, nor the many other couples that graced our screens in 2008, came close to the halls of bromance. The only duos that contained palpable, memorable chemistry over the last year have been men. (Funny for a nation where Proposition 8 can get passed, but I digress...) Bromance isn't usually the theme to lead chemistry lists, but when a year brings us awesome blockbusters, but barely a whiff of spine-tingling sexual tension, we have to take what we can get.

Interviews with Viggo Mortensen are a rather rare and wonderful thing -- or at least ones that don't get all coy and snarky over his remarkable intelligence and publishing company. So, when I saw Capone's interview with Mortensen over at Ain't It Cool News, I had to share it with you all.

His thoughts on the upcoming Good are too long and interesting to crop and paste here -- but what I will post is his disappointment over The Road being delayed. Despite starring in the film, he is unsure what's going on with it. "My understanding is that they know that they've got a story that a lot of people want to see, because of the book. And, the people that read the book, which are many, were very moved by it and by this relationship between this boy and this man, in particular, in that setting. And, I think that they are really aware of the fact that they've got one chance to do it, and if there's any little things that they still want to work on a little more, to get it just right, whether it's the music --I don't know what it is -- a variety of things, they want to do it right. And, if you rush it out before you feel in good conscience it's there ... So, I am disappointed. I wanted to see it. I want to see how it is."

He's also concerned that the film might be released at the wrong time of year, and is hoping for a fall release. "What I hope they don't do is then just put it out in February or something. I hope they wait and do it at the right time. I don't know." (Yes, Weinstein Co. Release The Road in the fall, please. No February or March dump!)

Eric D. Snider tried his best to trick me into watching Beverly Hills Chihuahua this week. It didn't work on me, but it worked on millions of Snider acolytes all over North America, who joined forces to give the talking-animals kidflick a strong $29 million, first-place debut. I didn't see it, as I say, so it would be wrong for me to bemoan the decline of civilization that this surely (if unsurprisingly) represents. Feel free to do so in the comments.

Nick & Norah's Infinite Playlist opened to $12 million and third place, which I'd have to say is okay for the low-profile, borderline-niche film. That number, though not terribly impressive, is actually a fair testament to Michael Cera's star power, since his presence was literally the only mass-marketable aspect of the movie. So the debut is at least a draw for Sony.

It was an interesting weekend in that there were several films opening in, or expanding into, semi-wide release. The biggest winner of that bunch has to be Religulous, Bill Maher's aggressively anti-faith documentary, which did $3.5 million on around 500 screens for $6,972 per screen. Given the preaching-to-the-relatively-small-choir quality of the film, I don't expect it to hold up too well in the weeks ahead, but this level of interest is a mild surprise. Facing off against Religulous ideologically was David Zucker's conservative spoof An American Carol which, according to the estimates, edged out Religulous with $3.8 million on over 1,600 screens.

Ed Harris's lightweight western Appaloosa expanded to roughly 1,000 screens and took in $5 million -- which is okay, but seems like a missed opportunity. Faring worse were Flash of Genius (1100 screens) and Blindness (1700), with $2.3 and $2 million respectively, both landing outside the top 10. The grim Blindness was a no-sale from the beginning, especially since the critics never got on board, but the unabashedly populist Flash of Genius underperformed. Maybe the ads emphasized windshield wipers too much.

A bit more plus the weekend's top 12 after the jump.

There's no question Appaloosa is a Western. It's set in 1882 in the New Mexico Territory, it has tin-star-wearing city marshals getting into gunfights with ornery cusses, it includes some scenes involving problems with Indians -- the whole nine yards. But underneath all that, it's really just a buddy movie, a rough-and-tumble, no-girls-allowed, steak-and-potatoes romp that happens to be set in the Old West. It's as much Don Quixote and Sancho Panza as it is Butch and Sundance.

The buddies are Virgil Cole (Ed Harris, who also directed) and his sidekick, Everett Hitch (Viggo Mortensen), an inseparable pair of freelance peacekeepers and expert gunmen. At the film's outset, they are hired by the dusty frontier town of the title to protect it from Randall Bragg (Jeremy Irons), a devious rancher whose band of ne'er-do-wells occasionally murders local citizens, including the previous city marshal. With Cole as the new marshal and Hitch as his deputy, the two set about enforcing law and order.

One of the town's new ordinances, under Cole's direction, is that you can't bring guns inside the city boundaries. He informs a couple of Bragg's men of this when they show up at the saloon one day.

"That's the law," Cole says.

"Your law," replies one of the men, scoffing.

"Same thing," Cole says. OH SNAP!

Can you guess which father of six is signing autographs for a slew of ladies above? (Photo via Getty Images)

Though we're only a couple days into this year's Toronto International Film Festival, a few of the more high profile films have already screened ... and we have the photos to prove it. In the gallery below, feel free to peruse through images from the red carpet for films like RocknRolla (Gerard Butler, ladies?), Appaloosa, Me & Orson Welles and Burn After Reading. When you're done, head on over to our official TIFF '08 Hub for reviews on films like Rachel Getting Married, Burn After Reading, Nick and Norah's Infinite Playlist and more. Which film lit up Toronto at midnight ... and which veteran action star is poised for a major comeback? Check it out ...

As the director, co-screenwriter and star of Appaloosa, Ed Harris follows up his Oscar-nominated work as an actor-director in 2000's Pollock with an adaptation of Robert B. Parker's novel, revolving around two old friends and partners (Harris and Viggo Mortensen) in 1882 New Mexico trying to enforce the rule of law in a town threatened by a corrupt power-broker (Jeremy Irons). Harris spoke with Cinematical in Toronto about working on Appaloosa, adapting Parker's novel, co-starring opposite Mortensen and how hard it was to find financing for a traditional Western like Appaloosa: "Pretty hard. I mean, it was very interesting; people really responded to the script, and if the budget for it had been half of what it was, we probably could have got it made pretty easily. ... But we needed the budget to serve the production values; it called for that. I didn't want to make a little intimate art-house film. I wanted to make something that respected the space that it took place in ... it deserves it; it calls for it; so, it was pretty tough; it was a real battle."

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Music plays a vital role in nearly every film, but for these five it's of particular importance.

Nick and Norah's Infinite Playlist
Michael Cera has become the go-to guy for filmmakers looking to cast a romantically befuddled teen, and I have to say he's pretty darn good at it. Whether he's mooning over the best friend that he's recently impregnated (Juno) or harboring a forbidden affection for his cousin (Arrested Development), you can't help rooting for the little perv. This time out he's playing an angst ridden kid nursing a broken heart who finds himself falling for his new acquaintance Norah as the two spend a hectic night in New York City trying to find the location of a secret gig their favorite band is playing. The story is only of moderate interest, but Cera's presence has me wanting to check out the movie. Here's William's take on the trailer.

Beer For My Horses
The eye-catching title comes from a Toby Keith song. Keith is starring in and co-writing this action comedy about a Texas deputy who has to rescue his girlfriend from a dangerous drug lord. Willie Nelson puts in an appearance, apparently as a Yoda-style adviser to our hero. At first I suspected something along the lines of a Larry the Cable Guy movie, and while this is still no Oscar contender, I can see where it might make for entertaining viewing once it hits DVD. I even found myself chuckling at the "peeing in the coffee" joke despite myself.