ArthurPenn Tagged Articles at Cinematical

Where exactly does Bonnie and Clyde rank in the American pantheon? It's a bona-fide classic, to be sure. It placed on the American Film Institute's Top 100 in 1998 and again in 2007. It's also on the IMDB's Top 250 list. Upon closer inspection, however, it's far more than a perfect, polished gemstone. Rather, it's a bundle of contradictions. Everyone knows that it was a groundbreaking film of its day, the first to incorporate a new kind of violence and moral complexity into the mainstream. But screenwriters Robert Benton and David Newman borrowed these elements directly from French New Wave films like Jean-Luc Godard's Breathless (1959) and Francois Truffaut's Shoot the Piano Player (1960). In fact, Truffaut was the first director approached for the project. Despite this, Bonnie and Clyde somehow transcends time. More than just a moldy relic of the 1960s, it has aged much better and is far more watchable today than, say, Easy Rider (1969) or even The Graduate (1967).

Director Arthur Penn is probably always going to be remembered for Bonnie and Clyde in 1967, but Penn had a few films under his belt before his ultimate in "glamorized gangsters". The 84-year-old director was working in films up until the late 80's and has served as an executive producer for the TV series Law & Order.

The Hollywood Reporter announced that Penn has been selected to receive the prestigious Golden Bear at this year's Berlin Film Festival. The director will be in attendance at a gala on the 15th of February to receive the lifetime achievement award. The festival is showing 10 films in total during a retrospective program at the Deutsche Kinemathek -- Museum for Film and Television that will end with the gala. Director of The Berlin Festival, Dieter Kosslick said, "Arthur Penn's films of the 1960s and early 1970s reanimated the crises-ridden American cinema. He is a great director, who deeply influenced the American cinema d'auteur". The retrospective of the director's work includes the Penn's first film The Left-Handed Gun; the film re-tells the legend of Billy the Kid as a sexually confused and psychologically tortured youth. The part was originally intended for James Dean but went to Paul Newman after Dean had passed away.

You have to admire a director who dared to present one of America's greatest folk icons as a sexually ambiguous neurotic, and in 1958 no less. For that alone the man probably deserves an award.