I guess we won't be seeing the first female President of the United States in 2009, but we could at least see the first female cinematographer nominated for an Academy Award (in the cinematography category, that is). In the 80 years of the Oscars there hasn't been one female nominee for Best Cinematography. Shocking, isn't it? But fortunately there's a chance for next year's ceremony: Mandy Walker, who shot Baz Luhrman's war epic Australia, could be a shoo-in for one of the five nomination slots if the film is Oscar-worthy in general.

The Oscar blog In Contention points out the possibility in a recent post celebrating Walker's reception Tuesday evening of the Kodak Vision Award at the Women in Film's Crystal + Lucy Awards (other honorees included Salma Hayek, Sherry Lansing, Ginnifer Goodwin, Jeffrey Katzenberg and Diane English and the ensemble of The Women). Clearly we only need to look at the trailer to see that Walker's work on the film is gorgeous and might have a shot. In Contention also notes Walker's previous achievements, such as her Independent Spirit Award nomination for Shattered Glass.

This week I'm feeling kind of fond of the fauna. Here are five trailers for films related to the animal kingdom.

The Dark Knight
Bats: nocturnal flying mammals who occasionally star in hotly anticipated summer blockbusters. I know I'm not the only one who's been waiting for this one ever since the end credits rolled on Batman Begins. Once again Christian Bale dons the cape and cowl of the tortured Batman, this time to do battle with Heath Ledger's sublimely psychotic Joker. This newest trailer gives us plenty of both hero and villain, as well as what appears to be the start of District Attorney Harvey Dent's (Aaron Eckhart) career as Two-Face. Michael Caine is also back as Alfred, and as much as I liked Michael Gough in the role, now I can't imagine anyone else polishing the silver at Wayne Manor. July 18 can't come fast enough. Here's Elisabeth's take.

Eagle Eye
You know that scene in The Matrix where Morpheus calls Neo on the cell phone and tries to instruct him on how to get out of the office before The Agents find him? That's exactly what this trailer plays like. Shia Labeouf plays a character who suddenly finds an extra three-quarters of a million dollars in his bank account and he comes home to find his apartment filled with a couple metric tons of terrorist accoutrement's like explosives and automatic weapons. A mysterious voice calls him and tells him that the FBI will be there in moments. Arrested and framed, he must go undercover with a terrorist organization to clear his name. I was intrigued until I found out this was from D.J. Caruso, the man behind the stunningly mediocre Disturbia. Still, the trailer is kind of cool and the cast also includes Rosario Dawson and Billy Bob Thornton. Eagle Eye starts playing U.S. theaters on September 26. Here's what Erik thought of the trailer.

Poor Justice League. They just can't catch a break.

The Syndey Herald reports that the city is in danger of losing the Justice League movie. The mega movie has received another setback, this time due to the Australian government. The Federal Government has refused to give the movie the new 40% tax rebate, which is essential for this $200 million dollar production.

The problem seems to be that it is an American film, with American accents, and it will not do the Australian film industry any favors. But native director George Miller points out that the country needs movie franchises, even if they aren't "recognizably" Australian, to boost production and bring in jobs. I can't really say which side is right -- it seems Australia is a bit miffed Warner Bros shut down production in January over uncertainty about the incentive, and they punished them for their doubts. (I'm really curious if X-Men Origins: Wolverine is getting that tax break. Everyone knows Hugh Jackman is Australian, but come on, that's not going to be seen as a Down Under movie either.)

But the biggest revelation in this story? The movie seems have a title, which I am fairly sure hasn't been officially announced yet: Justice League Mortal. Hmm. That hardly rolls off the tongue. Did they take out the "America" in hopes of gaining that tax incentive?

So it has a title (maybe), but will the flick ever see the light of day? There are rumors that Miller was brought on just because of that Australian rebate -- and if it is gone, and production is moved elsewhere, Warner Bros. may be shopping for a new director. We'll see. I know many comic book fans that just want this production to die -- and there's definitely a sense that they are forcing a movie that simply does not want to be.

[via Action-Figure.com]

Obviously I'm one of those people who does NOT believe that violent films cause violent behavior, but I just caught wind of a strange little story from Australia that adds an interesting new angle to the discussion. You can read the full story right here, but the basic gist of it is this: Six underage inmates at an Australian juvenile detention center (two of which were there for sex-related offenses) were treated to a screening of the slasher sequel Wrong Turn 2: Dead End -- a flick that, yes, contains all sorts of nasty violence, casual nudity, and graphic sequences of cannibal-mutants in the act of (ahem) coitus.

Now, as much as I love the horror flicks, I doubt I'd play Wrong Turn 2 for any 14-year-old-types, let alone some kids who've been incarcerated for seriously anti-social behavior. But apparently one of the facility's recreation officers thought it was perfectly acceptable to show the nasty horror flick to a bunch of (at least somewhat) unbalanced youths. Needless to say, several Aussies are calling for the officer's dismissal. They also seem to be annoyed that the DVD was rented with taxpayers' money, but that seems a rather minor infraction, all things considered. (DVDs are pretty inexpensive and all.)

Wrong Turn 2 director Joe Lynch was a little snarky when he told Dread Central: "Although it seems that the unfortunate individuals involved have an impeccable taste in horror films, this was never intended to be shown in ANY correctional facility to emotionally fragile minds. Please be warned, Wrong Turn 2 could influence one to engage in uncontrollable fits of cannibalism or mutant diddling and is not meant for the easily impressionable ... or served with vegemite." But when I told the guy I wanted a slightly more serious response to the story, he told me this: "Films like Wrong Turn 2, as fun as they are intended to be, are extreme in their entertainment and honestly, shouldn't be shown to overly impressionable minds, especially in a government-run location like a correctional facility or a school. That seems pretty obvious to me."

Quick: Name the last live-action film starring Nicole Kidman that absolutely rocked the box office? Okay, that's a tough one, I know, so how about the last live-action Nicole Kidman film that was any good? Hmm, that's also pretty tough. Fine, how about you just name the last live-action film that starred Nicole Kidman. That's pretty easy. The Golden Compass. It debuted last month. Yes, it's pretty clear that Kidman's appearance in a film is not all that it used to be, and fans aren't exactly flocking to the theater just because a film includes her name in the credits. Straight off filming the latest Baz Luhrmann epic, Australia, comes word from the sometimes-reliable Page Six that Kidman has dropped out of her next flick, The Reader, which was due to begin filming this month.

The reason? Well, they claim it's because the gal is pregnant, and she doesn't want to take on any work that could potentially harm her unborn child. Of course, Kidman, nor her reps, have confirmed that she is pregnant, and so I wouldn't go and take this news as official word. Page Six describes The Reader as being about "a man who carries a longtime sexual obsession for an older woman who's later prosecuted for war crimes after it emerges she was a member of the SS and a guard at Auschwitz." The film is based on Bernhard Schlink's book, and it co-stars Ralph Fiennes and Bruno Gatz. A rep for The Weinstein Co. said the "status on The Reader has not changed," so who knows what the real truth is.

As Page Six points out, perhaps now is a good time for Kidman to take a much-needed break. Her last three films, The Invasion ($15 million), Margot at the Wedding ($1.8 million) and The Golden Compass ($59 million) didn't exactly break any box office records, and so some time away to nurse that bun in the oven might be the appropriate move.

On the same day filming on Baz Luhrmann's Australia wrapped, the production released the first three official stills from the movie. Of course, clever photographers haven't been sitting around on their hands waiting for anything official -- they've been shooting candid photos all along, of everything from action shots of Nicole Kidman on horses and riding dinghies at sea to detailed photos of the set. But there's something to be said for photos that the director actually wants you to see. After looking at these three pictures, I can't say I'm discerning anything special though, except maybe for the one of Kidman seemingly about to twirl around while standing on a gazebo of some kind. It looks very 'Gone With the Wind' if you ask me. The other two are just a double headshot of the two leads and one gentleman who I'm going to guess is playing a native.

Meanwhile, perhaps sensing that The Golden Compass wasn't going to be all it was cracked up to be, Kidman was recently circumspect when talking to journalists about why she chooses her film roles. "I just choose off the cuff a lot of times, but primarily this was because Philip Pullman wrote me an amazing letter telling me that when he was writing the novels, he had me in mind," she said. "So that's hard to turn down. He's such a good novelist." Oh, so it's all his fault, huh? Let's hope she has a better answer for the studio bosses, next time they ask why they should continue forking over $15 mil per film.

A massive wrap party took place on Saturday night for Baz Luhrmann's romantic war epic Australia, which began its long filming schedule back in April and will finally wrap this coming Friday. The film tells the story of Lady Sarah Ashley's (Nicole Kidman) journey from England to the Australian outback to visit her husband's ranch, Faraway Downs. Once there, she meets a rough cattle driver played by Hugh Jackman and an ensuing love triangle situation ultimately culminates with the Japanese bombing of Darwin during the war. (I'm gonna go out on a limb and guess that someone dies.) The film shoot is coming in around a month over schedule and also reportedly well over budget, The Herald Sun reports. There are also apparently still some interiors that will be shot during the coming year, but Jackman and Kidman both have new commitments that they must attend to first, he Wolverine and she that movie with Ralph Fiennes.

Also, several outlets are reporting that Luhrmann is courting Elton John to contribute to the movie's soundtrack. John is known to have visited the Australia set last week to watch some filming and while there, he was taken to a screening room to see an early assemblage of footage. When asked for comment, he reportedly declared that the film could be "like Titanic on dry land." John's visit to the set coincided with the filming of some kind of big ballroom sequence and Luhrmann arranged to have the band play one of John's old songs, as part of this musical seduction dance. Australia is currently scheduled to arrive in theaters in November, 2008.