AwayFromHer Tagged Articles at Cinematical
Polley & Cronenberg Lead Genie Wins
Filed under: Awards »
The Sunny D-drinking Juno might not have gotten any Genie nomination love, but that left the door wide open for two other Canadian pictures, both of which swept the Genie Awards last night. Sarah Polley's Away From Her and David Cronenberg's Eastern Promises led the evening, with each picking up seven honors. But it was the young, new director who really stole the spotlight.I'm happy to say that while Sarah Polley didn't get any winning Oscar love, she did score the biggies last night -- Best Motion Picture, Achievement in Direction, and Adapted Screenplay, while star Gordon Pinsent won for best actor, Julie Christie for best actress, and Kristen Thomson for best supporting actress. With Polley's Claude Jutra Award, that's seven. So, while the number of wins might have been even for both Polley and Cronenberg, Sarah made an impressive impact on the ceremony.
Eastern Promises, meanwhile, picked up Genies for cinematography, editing, original score, supporting actor for Armin Mueller-Stahl, overall sound, sound editing, and original screenplay. There was also a little love for flicks like Fido and Silk in the few awards that remained once the other two cleaned house. Things might have been a bit different if Juno was in the running, but I'm thrilled to see Polley's film sweep all the big awards. How about you?
Russian Mobsters To Take On Rwandan Genocide at the Genies
Filed under: Awards »
Continuing awards season, Canada's film awards, The Genies, announced their nominees last night. It's no surprise that David Cronenberg's Eastern Promises is leading the charge with 12 nominations, an honor it is sharing with Roger Spottiswoode's Rwandan Dallaire drama Shake Hands with the Devil. The other Canadian biggie, Sarah Polley's Away From Her, only scored itself 7 nods, which is a bit of a bummer. Regardless, there's a lot of great CanCon in there, and it should make for a difficult decision come March 3rd. Catch some of the big nominees below, and the rest after the jump:
Best Motion Picture -- Away From Her, Continental, a Film Without Guns, Eastern Promises, Days of Darkness, Shake Hands with the Devil
Achievement in Direction -- Sarah Polley (Away From Her), David Cronenberg (Eastern Promises), Denys Arcand (Days of Darkness), Roger Spottiswoode (Shake Hands with the Devil), Bruce McDonald (The Tracey Fragments)
Actor in a Leading Role -- Gordon Pinsent (Away From Her), Viggo Mortensen (Eastern Promises), Marc Labreche (Days of Darkness), Claude Legault (The 3 Little Pigs), Roy Dupuis (Shake Hands with the Devil)
Actor in a Supporting Role -- Gilbert Sicotte (Continental, a Film Without Guns), Armin Mueller-Stahl (Eastern Promises), Guillaume Lemay-Thivierge (The 3 Little Pigs), Danny Glover (Poor Boy's Game), Michel Ange Nzojibwami (Shake Hands with the Devil)
Actress in a Leading Role -- Julie Christie (Away From Her), Beatrice Picard (My Aunt Aline), Ellen Page (The Tracey Fragments), Anne-Marie Cadieux (You), Molly Parker (Who Loves the Sun)
Actress in a Supporting Role -- Kristen Thompson (Away From Her), Fanny Mallette (Continental, a Film Without Guns), Marie-Ginette Guay (Continental, a Film Without Guns), Laurence Leboeuf (Ma fille mon ange), Veronique Le Flaguais (Comment survivre a sa mere)
National Society of Film Critics Names 'There Will Be Blood' Best Picture
Filed under: Awards », New Releases », Oscar Watch »
Yahoo reports that the National Society of Film Critics (made up of 61 film critics across the country) has chosen Paul Thomas Anderson's There Will Be Blood as the Best Picture of the Year, beating The Diving Bell and the Butterfly and No Country for Old Men. Anderson also won Best Director, over Julian Schnabel and the Coen Brothers. Daniel Day-Lewis was named Best Actor for Blood, and Robert Elswit received an award for its cinematography. The critics are clearly crazy for Blood, but I don't think it'll take the Best Picture Oscar. It's too cold a film for Oscar voters to fully embrace, and though I know I'm practically alone in this assessment, it's too flawed. Julie Christie was named Best Actress for her understated performance in Away from Her. Casey Affleck was named Best Supporting Actor for his excellent work in The Assassination of Jesse James by the Coward Robert Ford. And Cate Blanchett was selected as Best Supporting Actress for a performance that, for me, didn't amount to much more than a pretty good Bob Dylan impression. No End in Sight, a straightforward account of the bad decisions made by the Bush administration after the invasion of Iraq, won Best Documentary. Tamara Jenkins' script for The Savages was named Best Screenplay. I really loved the first half of The Savages but felt the second got distracted with side stories that thinned out the story's impact. Only 41 of the Society's 61 members cast ballots this year (?), and their choices frequently differ from Oscar voters. We'll find out just how much they differ when the Academy Award nominations are announced on January 22nd.
San Francisco Film Critics Circle Awards Announced
Filed under: Documentary », Drama », Foreign Language », Thrillers », Awards », New Releases », George Clooney », Oscar Watch », Western »
The San Francisco Film Critics Awards have been announced, and they're especially exciting for us here at Cinematical. Why? Because three of our writers are in the SFFC! Our very own James Rocchi, Jeffrey M. Anderson, and Richard Von Busack are all part of the San Francisco critic "scene." San Fran made some interesting picks, several outside of the expected Oscar nominees. So what were their choices? For Best Foreign Film, they selected Julian Schnabel's The Diving Bell and the Butterfly (which I am watching when I finish this post). For Best Documentary, they selected No End in Sight (which didn't blow me away, but was certainly well done). Best Adapted Screenplay went to Sarah Polley for Away From Her (great script, one of the most kick-in-the-stomach depressing movies I've seen lately). And Best Original Screenplay went to Tamara Jenkins for The Savages.Amy Ryan was named Best Supporting Actress for her brilliant portrayal of a highly difficult character in Gone Baby Gone. Ryan's co-star in that film, Casey Affleck, was named Best Supporting Actor for his outstanding work in The Assassination of Jesse James by the Coward Robert Ford. Best Actress was Julie Christie for Away From Her and Best Actor was George Clooney in Michael Clayton -- two choices I approve of though I disagree with them. Joel and Ethan Coen took Best Director(s) honors for their latest masterpiece, No Country for Old Men. And -- drumroll please -- the Best Picture Award went to Jesse James. A surprising pick perhaps, but it was an absolutely fantastic film, and hopefully the award encourages more people to see it. The SFFC gave a special citation to an indie called Colma: The Musical, "a homegrown song-and-dance extravaganza about the paradoxical drudgery and surreality of life in a city where the dead outnumber the living one thousand to one." That old story again? See the list for yourself here -- it's a San Francisco treat!
L.A., New York, Boston, and D.C. Critics Announce Year-End Awards
Filed under: Awards », Newsstand », Oscar Watch »
Christmas time isn't only for Santa and kidlets. In the world of cinema, some filmmakers and actors get notable awards to scatter amongst their presents, while others only get to scatter empty space and the dismal tarnish of broken dreams. As films push to get themselves into the running before the ball drops, critics have started to share their picks. So, while we were all enjoying our weekends, the Los Angeles, Boston, New York, and D.C. critics were picking their best films of the year. B-town was all over a certain country for old folks, while the others were crazy for a little blood. Many of the critics picked the same films, so peruse this list and weigh in on who/what they're all forgetting about.Here are the lucky winners, all courtesy of Variety:
Los Angeles
Paul Thomas Anderson was victorious in LaLa land, with his most recent film, There Will Be Blood -- the story of a Texan prospector during the early days of the oil business. The film nabbed the best picture slot, best director, best actor for Daniel Day Lewis, best production design for Jack Fisk, and then runner-up slots for screenplay, music, and cinematography.
Julian Schnabel also made a solid showing with The Diving Bell and the Butterfly, the story about French Elle EIC Jean-Dominique Bauby and the stroke that changed his life. The film won only the award for best cinematography for Janusz Kaminski, but it received some runner-up nods as well -- best picture, director, and foreign language film.
Other winners include: La Vie en rose, 4 Months, 3 Weeks, 2 Days, and a tie between Ratatouille and Persepolis for best animated feature.
Will Early 2007 Films Like Zodiac and Black Book Win Awards?
Filed under: Awards », Fandom », Movie Marketing », Politics », Oscar Watch »
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Last night I was having drinks with a Manhattan film critic who told me that he was putting both Zodiac and Black Book on his end of year list, no matter what the establishment thought of their awards chances. I was very happy about the latter, since I'm sure that it's one of the best films of the year, and although I didn't see Zodiac until recently, I also feel that it would be absurd if that film loses a slot in awards consideration to lesser (and later released) films like American Gangster or Enchanted. The Academy is, of course, notorious about forgetting what came in the January -- April period of the year, but sometimes they can surprise you, especially in a weak year for Best Picture like this one is. (Aside from No Country for Old Men and Atonement, what other sure bets for a Best Picture nomination are there?) Zodiac in particular seems to be catching some late momentum -- today Jeff Wells of Hollywood-Elsewhere has released his top ten list and declares Zodiac to be the best of the year. I doubt he really thinks that, but putting it at the top spot may succeeded in the true goal -- getting it noticed.
When we take a look at The Envelope's Buzz meter -- the most comprehensive awards buzz calculator known to man -- we see very few early year contenders, except for Julie Christie for Away from Her. In fact, every movie on The Envelope's Best Picture slate is a movie I've seen in the last few weeks, except for Atonement, which I caught at a festival. A great film like Black Book isn't even a blip on The Envelope's horizon at this point. What early 2007 films do you think are being overlooked?
'No Country for Old Men' is Best Film of 2007 Says National Board of Review
Filed under: Awards », George Clooney », Lists », Cinematical Indie »
Most people consider the National Board of Review irrelevant, and yet they continue to write about the organization's annual film honors. Like the Oscars, though, it doesn't matter if the NBR is irrelevant or not. It's been around for nearly a century now, and it's been a significant part of awards season for many decades. Maybe the organization is made up of paid-entry film buffs rather than critics or "experts" but at the end of the day its members are simply movie lovers like you and me. And sometimes those members even champion and endorse movies that deserve that extra notice.Sure, the 2007 mentions by the NBR seem so exhaustive that I almost can't even think of a movie that didn't get an award. Also, many of them seem like obvious and predictable decisions (doesn't this just mean the movies were noteworthy enough to receive the awards anyway?). Some of the winners, though, are pretty satisfying. Tim Burton probably won't win an Oscar for best director, so it's good to see him honored here. Also, I wouldn't have expected Lars and the Real Girl to get an original screenplay mention from anywhere. Nor did I expect for The Bucket List to land on any top ten lists. Mostly, I'm delighted to see Casey Affleck recognized for his acting.
Check out all the awards after the jump.
Exclusive Clip: Sarah Polley's 'Away From Her'
Filed under: Drama », Independent », Lionsgate Films », Trailer Trash », Cinematical Indie »
Imagine that you've been happily married for over 40 years, and then your loved one is stricken with Alzheimer's. You both agree that your partner should go to a nursing home. The twist: you are not allowed to visit your memory loss-suffering loved one for 30 days, so they can adjust to their new surroundings. I'm sure you can guess what happens -- when the month is up, you head to the home and your long-term love doesn't recognize you. To add insult to injury, they've fallen for someone else.
That's the premise of Sarah Polley's directorial debut, Away From Her, for which Kim Voynar shared the poster in March. Now Cinematical has an exclusive clip of the film, courtesy of Lionsgate. I would suggest first checking out the film's website and trailer (warning: some embedded music in the beginning can't be turned off). While it might just be the saddest trailer that I've ever seen, it really gives some context to the scene above. Julie Christie plays Fiona, the woman suffering from Alzheimer's; Gordon Pinsent plays Grant, her husband; and Michael Murphy plays Aubrey, her new love. In the clip, Fiona and Grant are in the office of Dr. Fischer (Alberta Watson), and the doctor is asking a series of simple questions -- some which she can answer, and some of which elude her. If the trailer and this clip are any indication, you best prepare for a heart-wrenching ride.
Away From Her will head into limited release on May 4.
Exclusive: 'Away from Her' Poster
Filed under: Drama », Independent », Sundance », Lionsgate Films », Movie Marketing », Toronto International Film Festival », Images », Cinematical Indie »
One of my favorite films from the last year, Sarah Polley's Away from Her, has a spandy-new poster (above) as it gears up for its May 4 release date. Away from Her tells the tale of Grant (Gordon Pinsent) and Fiona (Julie Christie), married for 40 years when Fiona starts to lose her memory to early-onset Alzheimer's. Fiona insists on moving into a home for the "memory-impaired," and the home they choose requires that Grant not visit for the first 30 days to give Fiona time to adjust. By the time he's able to see Fiona again, she's forgotten who he is, and has developed an attachment to Aubrey (Michael Murphy), another patient at the facility.
The script is original and well-written, the acting superb, and the direction truly spectacular, especially considering this is Ms. Polley's first foray into helming a film. Watching this film, I couldn't help but think ... "Wow, if this is what she's capable of her first time out, I can't wait to see what she does in the future."
If you're in the Dallas/Forth Worth area (or close enough to drive there), you don't have to wait until May to see this film -- it's playing the AFI Dallas International Film Festival on Saturday, March 31, and rumor has it Polley will be there.
TIFF's Canadian Top Ten & The Films it Ignored
Filed under: Fandom », Newsstand », Lists »
Canada's Top Ten is an annual film list that showcases notable Canadian films. More than just a list, the films have screenings in the New Year that include panel discussions and often appearances by the filmmakers themselves. In the past, they've showcased the likes of Spider, Childstar and Where the Truth Lies. In its sixth year, the list is stirring up some complaints, as it has neglected to include the top two box office draws -- Bon Cop, Bad Cop and Silent Hill. Don Cormody, producer of Silent Hill, sites the exclusion as the divide between the tastes of the critics and the tastes of the general public. We've heard this critique before, but I wonder when the distinction between the cinematic best and the fan favorites will be made? Personally, my favorite films rarely, if ever, are the films I consider the best, because there's a difference between entertainment and cinematic achievement. However, the list throws a fork in that rationale, because it includes Trailer Park Boys The Movie. With that film amongst the ranks, how did they NOT choose the comedy that grossed more? Is TPB a better film?
Detractors aside, the list includes a number of great films and notable Canadian directors. There is Sarah Polley's feature directorial debut Away From Her, Don McKellar's long-time editor Reginald Harkema's latest feature, Monkey Warfare, and best Canadian documentary winner Jennifer Baichwal's Manufactured Landscapes. For a full list of films, plus information on the February screenings, you can visit the Top 10 website.
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