Baadasssss! Tagged Articles at Cinematical
Rainn Wilson and Matt Ross are 'Renaissance Men'
Filed under: Comedy », Casting », Deals », Universal »
Emmy-nominated Rainn Wilson is heating up in Hollywood, somewhat competing with his Office co-stars Steve Carell, John Krasinski and Jenna Fischer for most movie deals. His latest is Renaissance Men, which he co-wrote with actor Matt Ross (HBO's Big Love) and just sold to Universal. In the comedy, Wilson and Ross will play losers (Wilson claims he can't write about winners) who think they've killed their community theater co-star and so hideout at a Renaissance fair. Wilson describes it as, "a bit like We're No Angels, only funny." He also claims that Renaissance fairs are fascinating because, "everyone has been to one, but no one really knows what makes them tick."I'll be the first to admit I've never been to a Ren fair, but I did have some friends in high school that were into them -- sometimes they even brought their crossbows to school (fortunately not in the view of teachers). These were the same kids who wouldn't let me play role-playing games because I wouldn't take them seriously enough. So, yeah, I'm all for making a mockery out of the whole thing. Wilson was a D&D player and a Ren fair attendee as a teen, so he has the experience to use as a foundation and the ability to make fun of himself while making fun of those people who are into Ren fair stuff.
Wilson will co-produce with director Jay Roach (Meet the Parents). There is so far no one attached to direct. Roach has a lot of stuff lined up, including producing Sacha Baron Cohen's Bruno movie, but unless he goes ahead soon with another Austin Powers sequel or the "comedic Vertigo movie", he should go ahead and helm Renaissance Men. As for Wilson, he's got the comedies Juno, The Rocker, Girlfriend Experience and Bonzai Shadowhands, which he also wrote. Unlike some people, I think Wilson can do more than play Dwight Schrute types -- I loved him as a very un-Dwight-like guy in Baadasssss! -- and can't wait to see how his starring roles turn out. However, I do think Hollywood might want to typecast the guy and I hope the studios don't try and force him to stick with his Office shtick in every movie he's in.
Iowa Theater Censors Jackass 2
Filed under: Action », Comedy », Sports », New Releases », Paramount », Exhibition », Newsstand », Remakes and Sequels »
Despite the fact that Jackass Number Two is the most popular movie in America this week, some people around the country aren't all that happy to be showing the crude new release. Over the weekend, I told you how a theater owner in Hoopeston, Illinois closed his cinema for two weeks because he didn't want to book the movie (or anything else), and now comes this photo from a fourplex in Orange City, Iowa. Apparently the people running the theater aren't familiar with a certain four-legged animal let alone the watering-down of its impact as a curse word. I wish I could have seen their marquee when it featured the following titles: Buttbuttins; The Buttbuttination of Richard Nixon; Baadbuttttt! and the Ron Jeremy classic Girls Who Take it Up the Butt 21.
[via Fark.com]
Review: How to Eat Your Watermelon in White Company (and Enjoy It)
Filed under: Documentary », Independent », Theatrical Reviews », Cinematical Indie »

Melvin Van Peebles is a genius; that's a fact, not a compliment. If it were a compliment, I'd have used an
exclamation point at the end of that sentence, and I'm really not a big enough fan of his work to do so. What I am,
though, is an admirer of his aptitude and hard work, both of which are prominently displayed in the documentary How
to Eat Your Watermelon in White Company (and Enjoy It), a phenomenal outline of the man's prolific and varied life,
directed by Joe Angio.
Van Peebles is best known for Sweet
Sweetback's Baad Asssss Song, a surprise hit from 1971, which he wrote, directed, produced, scored, edited and
starred in. The low-budget film set records for independent cinema, served as the primary inspiration for its decade's
blaxploitation genre, and it became a major influence on today's African-American filmmakers, particularly Spike Lee.
Two years ago its notoriety was given another boost, as its production was immortally dramatized in a movie made by
Melvin's son Mario Van Peebles, entitled Baadasssss!









