Did you know that Nolan Bushnell, founder of Atari Corp. and inventor of Pong, is also responsible for unleashing Chuck E. Cheese's Pizza Time Theaters upon the world? Well, he is. He founded the "restaurant" after selling off Atari -- which he built up from scratch -- for $28 million in 1977. In addition, Wikipedia says that Bushnell later invented "autonomous pizza-delivery robots" for Little Caesar's Pizza, but I think that might be someone's idea of a joke.

The game-enthusiast-turned-multimillionaire is getting his own biopic at Paramount (according to THR), from a pitch by Brian Hecker and Craig Sherman. (Hecker wrote and directed the Tribeca charmer Bart Got a Room, while Sherman is a newcomer.) Paramount only bought the project on Friday, but somehow Leonardo DiCaprio has already managed to leech onto it; he's attached to produce and to play Bushnell. If Atari and DiCaprio's planned biopics of Theodore Roosevelt and Ian Fleming all go through, that will narrow the list of celebrities Leonardo DiCaprio has not played to: Mark Knopfler, Johnny Weissmuller, and Charo.

If you're out to make a Mr. Smith Goes to Washington-like tale of a nerd who makes it big, it seems to me that the nerd should not look like Leonardo DiCaprio. He should look... well, more like the guy up at the right. But whatever. I do think they should change the title from Atari to Pong, though.

Pictured: Bart Got a Room writer-director Brian Hecker with William H. Macy

The 2008 Tribeca Film Festival has already produced its first little gem in Bart Got a Room, a charming teen sex comedy set in the vibrant, pastel-colored retirement communities of South Florida. Cinematical had a chance to conduct an email interview with writer-director Brian Hecker prior to Bart's premiere at the festival, and it went something like this:

Cinematical: A film like Bart Got a Room has "personal story" written all over it. How close is this film to your own life growing up?

Brian Hecker: The film is very close to my life growing up as a real nerd in South Florida. Of course, elements are stretched for comedic purposes, but the essence of it is painfully close to home.

Cinematical: Why do teenagers care so much about what other teenagers are doing?

BH: I don't think it's just teenagers. In our society, most people think about or worry about what other people are doing in relation to themselves. It's the cause of most people's suffering, and it's quite stupid and unnecessary when you start examining why we do this. High school is a place where you're stuck with the same small group of people year after year, so it's most apparent in this environment.

I'm happy to say one of the films I was most looking forward to this year actually lived up to my expectations -- and though it's still very early in the festival, Bart Got a Room is easily my personal favorite so far. It's not complex, it's not much different from other nerdy-teen-needs-date-for-prom flicks, but it sure as hell packs a ton of heart and has a lot of fun. It's alive, it's colorful, it's got well-written characters and more than a handful of memorable scenes; if I had to describe this film in one sentence, my pitch would go something like: Picture a contemporary version of Brighton Beach Memoirs if it featured an only child and was set in South Florida. That's Bart Got a Room.

Danny's (Steven Kaplan) a skinny Jewish kid with low self-esteem, eccentric, over-protective parents and no prom date. While he can easily take his best friend Camille (Alia Shawkat), Danny would rather take a girl he might have a romantic chance with. Like the pretty, flirtatious blonde cheerleader he carpools with, or the reserved Asian classmate who writes exotic, pornographic poetry. He'd let his friends set him up with "that girl who sleeps around," he'd throw open the phone book and dial up a girl he hasn't seen in years -- all of which makes Danny a man on a mission. And that mission becomes even more complicated (and important) when Bart, the school's biggest loser, not only secures a prom date ... but also a hotel room. Yup ... even Bart got a room.

We're going to have plenty of Tribeca Film Festival coverage here as the festival revs up in the next week. In the meantime, if you're fortunate enough to be headed to the pricey, exclusive fest, Variety has posted a primer to the movies that have a good chance of getting picked up for distribution based on their reception there -- movies that are "piquing interest among execs." Making the list are the William H. Macy comedy Bart Got a Room; a psychological thriller called From Within that sounds oddly similar to this summer's The Happening; a documentary about a senior citizen hip hop dance team called Gotta Dance (also known as Young@Heart 2); Tennessee, a road movie starring Mariah Carey; and 6 others.

Not too much is known about most of these, but I can tell you that Bart Got a Room features the big screen debut of one Brandon Hardesty, who became a YouTube sensation by posting dead-on reenactments of famous movie scenes in which he played all the characters. He's one of the few instances of YouTube popularity that stems from actual talent -- he's an amazing impressionist, and a really funny guy -- so I'm thrilled for him. I hope the movie's good.

Stay tuned for Erik Davis's dispatches from Tribeca, including his own must-see list.

One of the films I'm most looking forward to at this year's Tribeca Film Festival is Bart Got a Room, directed by Brian Hecker (in his feature debut) and starring William H. Macy, Cheryl Hines, Steven Kaplan, Alia Shawkat and Jon Polito. Before I go any further -- I'm sorry, but how awesome does Macy look with that haircut? Only he can pull off the White Man's Fro and do it with style (click on the image to enlarge).

Bart Got a Room centers on any teenage kid's worst nightmare: Imagine the school's biggest dweeb not only secured a date for the prom before you, but he also got a hotel room. That's what happened to Danny (Kaplan), and now he's on a desperate quest to find a date while his divorced parents, Beth and Ernie Stein (Hines and Macy) independently search for love. Oh man, a skinny Jewish kid with major prom anxiety and nutty parents. This film will certainly take me back a few years.

We'll have a full review and interview with writer-director Brian Hecker later on this month. Oh, and when a trailer is available, we'll let you know.

In what feels like the blink of an eye, we're wrapping up October, although I could've sworn it was just yesterday that we left summer. Anyhow, Variety has posted a number of small casting nibbles for three actresses, so read on:

• Canadian actress Lauren Lee Smith, who shocked audiences (including me) with some rather racy scenes with Eric Balfour's member in Lie to with Me, has been cast in the Ashley Judd-starring indie film, Helen. The film focuses on "a music professor and mother who suffers from a deep, debilitating depression. Her family tries to help her, but no one can relate to her pain other than a young female student who knows depression all too well." Since Variety says that Smith is the co-lead, I imagine she'll play the young student. In the meantime, she has a few projects coming our way soon, including Pathology with co-star and uberhero Milo Ventimiglia.
• Ashley Benson, who you might remember from 13 Going on 30, or from her work as Abby Deveraux on Days of Our Lives, or have spotted from her upcoming lead role in Bring It On: In It to Win It (yes, there's another!), has nabbed a role in Bart Got a Room. The comedy is about a nerdy high school senior named Bart (Steven Kaplan) who is looking for a prom date. Alia Shawkat (Maeby from Arrested Development) has already been cast as his friend, and now Benson is going to play a girl named Alice. Will she be the object of the geek's affection? Will Alia's character be jealous and in love? Will Bart try to give Alice diamond earrings? Only time will tell.
• Finally, there's a new role for Maggie Siff, who currently plays a lawyer in the just-out Michael Clayton. She's nabbed the part of Teresa Stowe in Paul McGuigan's upcoming science fiction feature Push, which centers on a bunch of people with telekinetic/clairvoyant abilities who are trying to hide from the US government overseas. Mel Gibson's production company got involved with the project last year, and then the cast started to come together in August, including names like Djimon Hounsou and Dakota Fanning. Production should be gearing up soon.

It is hard enough being a nerdy kid searching for love. It is doubly hard to be that kid when you know love sucks and rarely works out. I remember being a teen conflicted by the desire for a date and the constant reminder that divorce is the best-case scenario for what that date will lead to. Now it seems Plum Pictures is making the story of my life, in the indie teen comedy Bart Got a Room. According to Variety, the film will star Steven Kaplan as a nerdy kid living with his parents (William H. Macy and Cheryl Hines) in a retirement community in Hollywood, Florida. At the moment in his life when he's seeking love, or at least a prom date, his parents are going through a divorce. Playing his best friend -- and let me guess also his eventual love interest -- is Alia Shawkat, who is best known as "Maeby" from the best television show ever, Arrested Development. The film is the feature debut of writer-director Brian Hecker and it will be produced by Grace is Gone's Celine Rattray, Galt Niederhoffer and Daniela Taplin Lundberg.

I have to point out -- because my mom reads Cinematical -- that my own parents divorced much, much earlier than my teen years, and I wasn't actually completely traumatized nor did the divorce ruin my ability to find love. So, Bart Got a Room will not parallel my life, though I do think I could relate to it anyway. And I'm sure I won't be alone there. The high school years are probably the most formative time in our lives regarding love and relationships, and certainly we look around us, to our parents, friends and relatives for guidance in how to figure it all out. Certainly a failing marriage in the home could have a negative impact on the experience, and I'm sure that's what Hecker is focusing on here. It kinda reminds me of Sixteen Candles, actually, in that it probably deals with a selfish lack of attention on the parents' part. Of course, with great talents like Macy and Hines at the reigns of Bart's family, we'll hopefully see more concentration on the parents in this than in that.