Two new indie releases fared well, while two others struggled. Hailing from Norway, Reprise (Miramax) earned a very good $15,500 per-screen average at three theaters, according to estimates compiled by Leonard Klady at Movie City News. Our own James Rocchi gushed in his review: "Directed by Joachim Trier, Reprise is one of the most brilliant, heartfelt, exciting and exuberant feature film debuts in recent memory."

Mexican film Sangre de mi Sangre (AKA Padre Nuestro) (IFC Films) nestled into the #2 spot, earning $8,500 at one theater in Manhattan. The film follows two teenagers, one honest, one dishonest, trying to reach their disparate goals (reuniting with family, making money). Eric D. Snider noted: "The trouble is that the film is so bleak as to be almost hopeless ... Its grimness is not matched by its excellence."

Cinematical's Erik Davis raved about German director Christian Petzold's Yella (Cinema Guild) when he saw it at the Berlin film festival last year: "Like a drug, Yella slowly creeps on you long after the end credits roll, takes hold of your body and doesn't let go until you're convinced it was one of the best films this year's Berlinale had to offer." Opening at two theaters, the film made $3,450 per screen.

Despite good reviews (82% positive at Rotten Tomatoes), Georgina Garcia Riedel's How the Garcia Girls Spent Their Summer (Maya Releasing) failed to make an impact, opening at 84 theaters and marshaling just $1,040 per screen, per Mr. Klady's estimate.

Apologies for the one-day delay, but, as it happens, the indie weekend charts changed in the interim. Early on Sunday, estimates compiled by Box Office Mojo indicated that Tarsem Singh's The Fall (Roadside Attractions) won the weekend, but when the figures were tabulated, Lloyd Kaufman's Poultrygeist: Night of the Chicken Dead (Troma) sneaked into the top position with a take of $10,624 at one theater in Manhattan. Ed Gonzalez of The Village Voice says the film "chronicles what happens when a fried-chicken shack goes up on a Native American burial ground" and called it "a predictably hit-and-miss yukfest."

Doug Pray's Surfwise (Magnolia) surged near the top, grossing $10,304 at another theater in Manhattan. The doc follows a doctor who abandoned his practice to become a surfer and live in a camper, packing along his wife and nine children. All 12 critics whose reviews are listed at Rotten Tomatoes were positive.

The Fall fell to third place, earning $8,845 per screen at nine locations. Reviews were mixed (57% positive, per Rotten Tomatoes), though even the naysayers acknowledged the visual beauty of the film. We've previously pointed to the trailer, posted exclusive stills and a clip, which definitely confirm this impression. In the words of our own Eric D. Snider, it is "a visually stunning fable where a man in a hospital tells a little girl a story, and that story is craaaazy."

Check out these bits for your Monday:

• It's got to be a bit stressful to screen your film at a fest and watch nothing happen with it for months, or even years. But all is not completely over, especially as the latest news from The Hollywood Reporter will attest. Roadside Attractions has picked up two period films that screened at TIFF -- Before the Rains, which screened this year, and The Fall, which screened in 2006. Rains is about a British man in colonial India in 1937, who has an affair with his Indian servant, while Fall is a fantasy set in the 1920s about a young girl in a hospital who is told stories about heroes on a deserted island by an injured stuntman. Both films will be released next year.
• It looks like the San Francisco-based Viz Pictures likes the idea of men and geishas. Variety reports that the company has picked up Maiko Haaaan!!! for distribution stateside. The hit comedy by Kankuro Kudo is about a geeky salaryman who is obsessed with geisha and tries to infiltrate Kyoto's geisha world. Five lucky cities will get to see the film in March, including New York and San Francisco, with further locales added later.
• Finally, you might remember a certain film that Peter Martin blogged about back in June, one that would be the first cinematic collaboration between Singapore and Hong Kong. Donnie Yen had signed on to star in a big-budget thriller called Painted Skin, and now Variety reports that production has started in Hong Kong. It's a pretty sexy scenario -- there's a "vampire-like" lady who likes to go cannibal on her lovers -- eating their skin and heart. (It's a remake of an old 1965 Hong Kong film.) Since the film began cooking, the budget has jumped to $15 million, and Gordon Chan is now the director. The bloody production will continue through to February -- fitting since it's the month of hearts -- and will get to us in Christmas of 2008, just in time for the red of the holiday. I wonder if they planned it to coincide with such red-themed, and heart-themed holidays...