Jay Singh directed us to an article from the Gazette and Herald, which had a small set report from The Wolfman. The photos aren't terribly revealing, but it's kind of nice to see Benicio Del Toro in Victorian costume, and not torn or bleeding or in full wolf mode. And we were also provided with the first glimpse of Hugo Weaving (included after the jump).
They're currently filming in the English village of Lacock, where the Tithe Barn had been transformed into a rather gruesome set "where huge blocks of ice and models of dead bodies [were] strewn across the floor and hanging by metal hooks." The article also mentions the "doomed Lacock Post Office" but it isn't clear what has condemned the poor place. Lacock has been a pretty popular location for films -- Harry Potter, The Other Boleyn Girl and Pride and Prejudice have all been filmed there. Check out the National Trust page if you're keen on tracing the location once filming is over. I bet the Abbey makes it in! We'll see when The Wolfman opens April 3rd, 2009. (Delayed? Nooooo!)
It seems like the entire online world is caught up in Wolfman fever. I don't think I have read a single negative thing about this remake, except for that brief period when Brett Ratner was attached. Every photo, every interview is eagerly devoured -- yikes, did not mean to make that pun.
One of the producers, Scott Stuber, spoke to Empire about the movie and dropped more than a few tantalizing hints about where this remake is going. The best news? Practically no CGI! Stuber says, "We really want to stick to the physical stuff. So much of what we're trying to accomplish is that when Benicio is the wolf, you really know it's Benicio Del Toro and you have the eyes and the emotion of what he is. That way you don't disassociate your emotion and you realise that the person, Lawrence Talbot, who you've got to know in the daytime is still Lawrence Talbot at night. That way you're empathetic towards him, you're angry towards him, you feel for him."
Entertainment Weekly has just unveiled the first two photos (second pic after the jump) of Benicio Del Toro as The Wolfman, along with a pretty sweet interview with famed makeup artist Rick Baker on how he went about updating the look 67 years after the first big-screen Wolfman hit theaters. Joe Johnston (Jurassic Park 3) directs this latest version, which also stars Anthony Hopkins, Emily Blunt and Hugo Weaving. The makeup looks absolutely insane; especially in the second photo which creeps the living hell out of me. Do we even need to tell you the story? Dude becomes a wolfman and craziness ensues. Unfortunately, we'll have to wait all the way until February 13, 2009 to watch this sucker come to life in theaters.
Head over to EW to check out larger versions of each pic, as well as to read that Rick Baker interview.
I was pretty bummed when I posted that Mark Romanek had backed out of the upcoming horror thriller The Wolf Man, starring the wonderful Benicio Del Toro. Then, I tried to wrap my head around the new director, Joe Johnston. Right now, I'm not caring because Bauer-Griffin has some great photos from the set of the upcoming film.
Yes, that's Benicio above -- all bloody, but not looking particularly beaten, so I'm thinking that's what happens to his clothes after he wolfs out and rips a bunch of unlucky buggers apart. And of course, that's a bearded Anthony Hopkins to the right. This is just one of a bunch of stills the site has, all from the same shoot -- you should really check them out if you're at all interested in this film.
Unfortunately, we've got almost a year to wait to see if the film is half as good as these pics. The Wolf Man is scheduled to hit theaters February 13, 2009 -- just in time for Valentine's Day!
The big indie DVD release this week is Sean Penn's cinematic version of the true-life adventure story Into the Wild, starring Emile Hirsch and Hal Holbrook. But there are several other intriguing new titles that you might have missed during their theatrical engagements, starting with Susanne Bier'sThings We Lost in the Fire. By our usual definitions, it's not really an "indie," since it was released by a big Hollywood studio (Paramount Pictures), but I think Bier's distinctive directorial vision is the very definition of "independent." It's certainly not an easy film to watch or to like, yet the performance by Benicio del Toro is a knock out and I think a rental is justified. The DVD includes deleted scenes and a discussion about the film.
When he saw My Kid Could Paint That at Sundance, Scott Weinberg wrote: "I love a documentary that doles out both sides of an interesting story and then forces you to decide for yourself where the truth actually lies." Directed by Amir Bar-Lev, the documentary tells the story of a four-year-old girl who may -- or may not -- be an immensely talented artist. Sony Pictures Classics' DVD includes an audio commentary and two behind-the-scenes features.
An intimate drama that divided festival audiences, Chilean filmmaker Matías Bize'sEn La Cama (In Bed) sets all the action in a single motel room as a man and a woman alternately have passionate sex and engage in spirited debates. This sounds like a couples film -- as long as the couple is comfortable watching softcore porn together. Koch Lorber's DVD includes deleted scenes, a bonus interview, rehearsals, TV spots, and a short film by the director.
There are casting announcements that make you howl with despair (I'm looking at you, Wolverine) and there are ones that restore your faith in the magic of movies. This is one of those.
Variety has announced that Hugo Weaving will be bringing his deep and scary voice to Universal's upcoming remake of The Wolfman, and taking on the role of Detective Aberline. (Cue all the Matrix, "Evening, Mr. Talbot" jokes as Aberline hunts Talbot across the moors.)
Weaving rounds out an already impressive cast of Benicio Del Toro, Emily Blunt, and Anthony Hopkins. I know for many, the thought of touching those classic monster movies is complete sacrilege, but if you are going to do a remake, it doesn't get any better than this. Hopefully, Mark Romanek's departure is the only calamity to befall this production and it make a painless transformation (ha ha) to the big screen.
The only flaw remaining is that February release date. I'm glad studios are now realizing people like to see good films in all the months of the year, but The Wolfman really ought to command an October or November release. The atmosphere is just ripe for some Gothic horror. And some of us don't want to see the 25th Saw installment.
Johnston's directorial career began nearly 20 years ago with the earnestly entertaining Honey, I Shrunk the Kids and The Rocketeer. He got bogged down with The Pagemaster and Jumanji before delivering the appealing drama October Sky, my fave of his films. He returned to big budget studio projects with Jurassic Park III and Hidalgo.
Is he the right director for The Wolf Man? Based on a script by Andrew Kevin Walker (Seven), the new film is set to star Benicio del Toro, Anthony Hopkins and Emily Blunt. Reportedly, Romanek worked for about a year on the film, and del Toro has long been attached to star, but the two producers that Variety says were "integral in keeping the project on track" -- Scott Stuber and Mary Parent -- have a mixed record.
Hearing that Mark Romanek was going to direct a new stab at The Wolf Man a year ago, with Benicio Del Toro starring, was music to my fangirl ears. It was the sort of project that sliced through remake apprehension, and sounded like tasty, cinematic candy. Well, if Nikki Finke's sources are correct, we can forget that possibility. Over at Deadline Hollywood Daily, she has posted word from her sources, who say that Romanek has just quit the project. And Variety has followed up with confirmation of his departure. What?! Is he nuts!?
The source says: "He just blew the opportunity of a lifetime, which is mind-boggling." Indeed! It seems that the $100 million budget wasn't enough for him: "He's a purist, an artiste, an exquisite craftsman, but he just had a budget schedule he couldn't accommodate." Okay... Sure, budgets can make for headaches, but lots of amazing films have been made with small budgets, and we're talking about Del flipping Toro as the Wolf Man, and Anthony Hopkins as Sir John. I might not sell my blood for it, Rodriguez-style, but I'd somehow make it work.
The studio thinks it will fill his shoes pronto, but there's no word about whether they'll stick to their February 18 start date. With Romanek out -- who could fill in his shoes and do the project justice?
Ever since her star-making role as Meryl Streep's proudly ambitious assistant in The Devil Wears Prada, Emily Blunt has been very much in demand for both big studio and smaller independent pictures. Currently she's a Sundance darling, showcasing her work in two films playing at the festival: Sunshine Cleaning, in which she's teamed with Amy Adams as sisters who become crime scene cleaners, and The Great Buck Howard, in which she plays "a fiery publicist hired to stage the comeback of a lifetime," according to the program notes.
Now it looks like she's set to play the gal pal of a rather hirsute fellow. Back in December, Scott Weinberg first passed on a report that Ms. Blunt had been (almost) hired to play Benicio del Toro's girlfriend in Mark Romanek's version of The Wolf Man, based on a script by Andrew Kevin Walker (Seven). MTV News spoke to her at Sundance, and she confirmed on Saturday that she has been cast and will begin filming in February.
I very much agree with Scott's description of Ms. Blunt as "mega-hot and seriously talented," and the romantic pairing of her with Mr. del Toro looks like a powder-keg of dynamite ready to explode. I look forward to witty banter being exchanged between the couple -- Emily with her pitch-perfect diction rolling bon mots off her tongue, as Benicio mumbles something incomprehensible in return. What a great contrast that will be when Benicio goes all lupine on her! Brilliant casting, I say. The only drag? We'll have to wait until February '09 to see the results.
I know I bitch and moan about horror remakes all the time, but every once in a while there comes a project that melts my cynicism and gets me all geeky. Universal's impending rendition of The Wolf Man is one such project, and I'm basing my early opinions on a few cool factors:
1. Benicio del Toro is going to star, and that's what I call good casting. OK, and this Anthony Hopkins guy is pretty solid, too. 2. Mark Romanek is directing, and if you've ever seen One Hour Photo (or, better yet, this DVD) then you know that's a good thing. 3. The screenplay comes from Andrew Kevin Walker, also known as the man who wrote the blisteringly awesome Seven and one very cool version of Sleepy Hollow.
And now, courtesy of CHUD.com, I have a fourth reason to get excited for this new version of The Wolf Man: The mega-hot and seriously talented Emily Blunt has been (almost) cast as the female lead. (Probably best known for a great supporting turn in The Devil Wear Prada, Ms. Blunt appeared in no less than four films this year: Wind Chill, The Jane Austen Book Club, Dan in Real Life and Charlie Wilson's War.) Plus, like I said, she's really pretty with a powerfully sexy accent.
Unfortunately the new Wolf Man isn't scheduled to make his big-screen appearance until February of '09 -- which will give us plenty of time to bring you all the newest developments.
If you were looking for a demonstration of how skillful execution can elevate a cliché pitch into a strong film, you couldn't do much better than Things We Lost in the Fire, Danish director Susanne Bier's American debut. Things We Lost in the Fire follows Audrey Burke (Halle Berry) a wife and mother whose world changes when her husband Brian (David Duchovny) is slain in a random moment of brutal violence. In her grief -- and desperate to maintain a sense of connection to her dead husband -- she reaches out to Brian's life-long fallen friend Jerry (Benicio Del Toro), a recovering heroin addict. She offers him a place to stay; the better question is, what does Jerry offer Audrey?
Bier's 2006 After the Wedding was an Oscar Nominee for Best Foreign Film; her 2004 release Brothers followed two siblings -- one as he adapted to life outside of prison and the other as he dealt with his military posting in Afghanistan. (A remake of Brothers, slated to star Tobey Maguire, Jake Gyllenhaal and Natalie Portman, was recently announced.) Cinematical spoke with Biers in San Francisco about working with her acclaimed cast, adapting to working with American crews and studios, child actors, shooting people you like, and more as part of a roundtable interview; Cinematical's questions are indicated. Cinematical: Watching Things We Lost in the Fire, I felt a strong sense of thematic parallelism with Brothers -- these two separate films, but at the same time they're about these families remaking themselves in the light of tragedy. Was that something that you consciously thought of when you read the script for Things We Lost in the Fire, something you wanted to explore again?
Susanne Bier: Actually, I read the script and I thought '"Ooh, there are some parallels to Bothers: Do I want to do that?" And then I kind of felt that ... firstly, in Brothers, I kind of felt the female part was slightly unexplored; I mean, she could have been the main character, but that was not the story in Brothers. And I all the time had the feeling that there was another kind of story to tell, about her. And suddenly, I had a script, where this story was told, and I felt it was really compelling. And secondly, I've never ever dealt with a drug addict (in film) and I don't have any personal experience with that, and I'm not an addictive personality; I don't really have a sense of it, But I was really fascinated by it. And part of moviemaking is also sort of stirring up your own curiosity; at least, it is for me. I have to be really curious about stuff, and really kind of fascinated by it. And I was really fascinated by the notion of these two highly unlikely people who were going to somewhat save each other; this very unconventional love story. So even if there were parallels, there were a lot more things that weren't the same, and that really drew me to (Things We Lost in the Fire).
Audrey (Halle Berry) has a pretty good life. Or, rather, she did. We only see how great it was in the rear-view mirror: A rich-but-real marriage to Brian (David Duchovny), two great kids (Micah Nicolas Berry and Harper Burke); a beautiful home. But Brian's dead – horribly, suddenly, because someone angry had a gun – and we see Audrey wandering through her crowded, empty beautiful home, absently comforting her children, preparing for the wake, trying to understand that Brian is gone. The past and present mingle for us, as they do for Audrey; we're pulled into the dislocated murmur and hum of her grief. But something snaps Audrey to attention: She didn't invite Jerry. Audrey doesn't really know Jerry (Benicio Del Toro); he's one of Brian's oldest friends, a lawyer who got addicted to heroin and pretty much fell out of the world. She doesn't really like Jerry, either; we witness past fights and skirmishes between her and Brian about her husband's bond with this lost man. And yet, it becomes very important that Jerry be invited to the funeral and the wake – in part because Audrey would rather think about anything other than what's actually happening, in part because she's trying to hold on to even the smallest fragments of the life that's been lost.
Things We Lost in the Fire could very easily have played at the shallow, simplistic level of a TV movie, or as a lightweight weeper destined to being watched only in rainy-Sunday re-runs on cable. But somewhere along the line, a few interesting choices were made, and Things We Lost in the Fire is all the better for them. Dreamworks chose Denmark's Susanne Bier (After the Wedding, Brothers) to direct Allan Loeb's screenplay; Del Toro and Berry were signed to star. And the end result of those decisions is up on the screen – and far better than it could have been. This is a film that, essentially, earns what it does, one that's not manipulative but rather simply effective, one that confounds or exceeds your expectations as often as it meets them. And, thanks to Del Toro, it's defined by a completely brilliant, wholly absorbing performance from one of our best actors, a piece of acting so good you can feel the entire movie reaching and working to try to come up to his level.
I'm still waiting for the day when we get Benicio Del Toro as Che Guevara t-shirts -- you know it would be a good promotional item -- but for now we must settle on this bright image put up by Jeff Wells over at Hollywood Elsewhere. It's a photograph taken on location in the Andalusian section of Spain, subbing for Bolivia, and it features Del Toro just chillin' with a big pipe, a flat cap (not the iconic black beret with a star on it!) and some books. Behind him are some fellow guerrillas with guns, also just hangin' out. The scene comes from, Guerrilla, the second installment of Steven Soderbergh's double-dip look at the legendary revolutionary. If it's any indication of how exciting the film will be, then Wells is certainly right by predicting that the first film, The Argentine,will be the more engaging.
Apparently this shot was also taken a little while ago, because The Argentine is now filming in Puerto Rico. Or is it just part of that film being shot now? Are the films being shot simultaneously? If not, I think it's strange that Soderbergh shot the second one first and vice versa. If you were to believe what the Daily News wrote about the films yesterday, you'd think Guerrilla hadn't even begun production yet. So, who knows? (Surely somebody does and can help me out in the comment section). I guess it doesn't matter how the shooting is going. All that is important is that both films are due sometime late next year.
Pictured Above: Halle Berry and Benicio Del Toro star in Things We Lost in the Fire.
And I don't know about you, but it looks like Benicio Del Toro lost some of his hair gel in this fire. Cinematical has just received four exclusive photos from the upcoming drama Things We Lost in the Fire, directed by Susanne Bier and starring Halle Berry and Benicio Del Toro. The film centers on Audrey (Berry), a woman whose life was shattered following the death of her husband. While attempting to pick up the pieces, she decides to help out her husband's good friend (Del Toro), a lawyer, who's hit some hard times, by inviting him to live with her and her two kids. Together they navigate their ups and downs, while forming a bond that will ultimately set them both on the right path. Personally, I find this on-screen pairing to be a fascinating one, and with the fabulous acting talents of Del Toro by her side, I'm expecting Berry to up her game and churn out a winner. You can check out the pics in the gallery below -- Things We Lost in the Fire arrives in theaters on October 19.
No, not Guillermo Del Toro! That guy's busy enough! I'm talking about the Oscar-winning bad-ass actor known as Benicio Del Toro. A while back we informed you that the guy would be starring in a new version of The Wolf Man for Universal. and director Mark Romanek. Well, the flick is still on the way (fortunately), but Benny has some other projects to get through first -- including two Soderbergh films in which he'll play Che Guevara!
But back to the wolfy stuff. Del Toro will play Lawrence Talbot in Romanek's new rendition, and the behind-the-scenes info just keeps getting better and better. Not only does the adaptation come from the man who wrote Seven and Sleepy Hollow -- but according to the actor (and the MTV Movies Blog) the legendary Anthony Hopkins has just joined the cast. It's been a rumor up till now, but the actor semi-confirms it: "I think so," he says. Universal seems to have May 2009 penciled in for the return of The Wolf Man, but why not bump it a few months? A big-budget Wolf Man re-do ... that's got the Halloween season written all over it.
It seems like the entire online world is caught up in Wolfman fever. I don't think I have read a single negative thing about this remake, except for that brief period when Brett Ratner was attached. Every photo, every interview is eagerly devoured -- yikes, did not mean to make that pun.
The big indie DVD release this week is 
There are casting announcements that make you howl with despair (I'm looking at you, Wolverine) and there are ones that restore your faith in the magic of movies. This is one of those. 
John Landis
Hearing that 
Ever since her star-making role as Meryl Streep's proudly ambitious assistant in The Devil Wears Prada, 
I know I bitch and moan about horror remakes all the time, but every once in a while there comes a project that melts my cynicism and gets me all geeky. Universal's 
I'm still waiting for the day when we get 
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