I was completely honest with actress Michelle Monaghan yesterday when I told her, right at the beginning of a one-on-one interview, that I'd been waiting a long time to watch her come alive in a role. In her relatively short career, Monaghan has already racked up quite the resume -- appearing in films like Mission Impossible III, Gone Baby Gone, The Bourne Supremacy, The Heartbreak Kid and the soon-to-be-released Made of Honor. She's got a great, girl-next-door quality about her, but is she memorable? The good news here is that Monaghan finally delivered the sort of performance I've known was trapped somewhere inside her, hidden behind a variety of big, flashy Hollywood films. Make no mistake, this is her film. She owns it. But is that enough to convince you to see it?

In Trucker, she plays Diane, a female truck driver with one helluva edge -- not to mention a knack for drinking lots of hard liquor and taking part in more than a few unhealthy one-night-stands. She's a selfish woman with not many friends; she knows just what she needs to keep on truckin', and she knows just how to get it. Thing is, you'll never see her give anything back. These personality traits become a problem when Diane's 11-year-old estranged son (Jimmy Bennett) shows up on her doorstep one day -- brought by his soon-to-be stepmother (Joey Lauren Adams) when colon cancer forces the kid's dad (Benjamin Bratt) into the hospital. These two, mother and son, don't care for one another, nor are they interested in getting better acquainted. He needs a place to crash for three weeks, and she needs to find a way to let that happen.

Despite all the awards attention it received, Joe Wright's Atonement still sounds too much like a lushly romantic period melodrama for my personal taste. Still, it's one of those movies you probably need to experience yourself before deciding if the praise was too lavish (Ryan Stewart thought it was a "stunning achievement") or the criticism too harsh. The DVD from Universal Studios includes deleted scenes, two "making of" features, and an audio commentary by the director.

From all that I've read, Southland Tales sounds like an astonishing train wreck. Nick Schager began his review for Cinematical by writing: "Let me present Exhibit A in the case against granting talented young filmmakers extensive creative autonomy." Given my perverse nature, that makes me want to see Richard Kelly's futuristic epic even more. The DVD from Sony Pictures includes a "featurette" and an animated short.

Steep presents thrilling footage of big mountain skiers who swoosh down incredibly steep slopes. As I noted in my review, though, I felt it raised more questions than it wanted to answer. The DVD from Sony Pictures includes an audio commentary by director Mark Obenhaus with some of the skiers, photo montages, and an additional interview with one of the sport's masters.

Though it was ignored during last fall's awards season, Mike Newell's Love in the Time of Cholera might be ripe for discovery. (On the other hand, Jeffrey M. Anderson really didn't like it.) Javier Bardem and Benjamin Bratt star in an adaptation of the novel by Gabriel García Márquez. The DVD from New Line includes an audio commentary by Newell, a "making of" feature, and deleted scenes.

In the last ten years or so, the popularity of Gabriel García Márquez's work has increased exponentially. Oprah made him a sensation with her book club, but One Hundred Years of Solitude isn't his only buzzing tale. Love in the Time of Cholera has gotten its fair share of media attention as well -- most notably in two John Cusack movies. In Serendipity, he had to find the novel to get Kate Beckinsale's number, and in High Fidelity, Rob Gordon says that he understands the book (along with The Unbearable Lightness of Being) and says: "They're about girls. Right?" Just a week ago, Erik Davis shared the film adaptation's one sheet, and now The Hollywood Reporter has posted that it will get its world premiere during the Rio International Film Festival -- one of Latin America's biggest fests.

You still have a little bit of time to get in on the action, that is, if you have a schedule where spur-of-the-moment fest trips can be fit in. Rio runs from September 20-October 4, and the film is slated to close the fest. In case you're not familiar with the story -- it's a late 19th and early 20th century love triangle between Fermina Daza (Giovanna Mezzogiorno), Florentino Ariza (Javier Bardem) and Doctor Juvenal Urbino (Benjamin Bratt), which spans 50 years in Colombia.* Sweetening the screening, director Mike Newell, Bardem, and some of the film's producers will be there on closing night. I can only hope this film does well and brings some of García Márquez's lesser-known works to light. I'd love to see what cinema could do with his non-fiction, first-person recreation -- The Story of a Shipwrecked Sailor. We'll find out soon enough -- the movie opens on November 16.

*Thanks to Lauren for the catch!

We already know that Michelle Monaghan is making a name for herself, having nabbed roles in big films like Mr. & Mrs. Smith, North Country and Mission: Impossible III, plus upcoming flicks such as Patrick Dempsey's Made of Honor. On the flip side, there's Mr. Nathan Fillion, who has found success in pizza places and space, but can't seem to break beyond them into the stardom he deserves. (If you agree, make sure to check out Scott's fan rant about Fillion failing to catch a break.) But now, I ask: could truckers give him his big break?

According to Variety, production has just started on the Plum Pictures film Trucker, a new independently-financed drama starring Monaghan, Fillion, Benjamin Bratt, Joey Lauren Adams and Jimmy Bennett. James Mottern, who wrote the script, will make his directorial debut with the movie. In a nice change of pace, the trucker is being played by Michelle herself, and her character leads "a careless life with no responsibility until she has to take in her estranged 11-year-old son (Bennett) after his father (Bratt) is hospitalized." The actress is so into this role that she not only signed on before they got financing, but she also became a licensed tractor-trailer driver. Either this is a meaty role, or she's been itching to entertain her inner trucker. There is no word who Fillion will play, but hopefully it will be something to give the man some long-deserved recognition.

It's taken several years, but it looks like Mike Newell's screen version of Gabriel Garcia Marquez's classic, Love in the Time of Cholera, is finally coming together. Back in February, New Line had screenwriter Ronald Harwood hard at work on the script, and quickly signed Javier Bardem to star as "Florentino Ariza, more antihero than hero, a mock Don Juan with an undertaker's demeanor, at once pathetic, grotesque and endearing." With that fantastic casting move under its belt, the studio went mostly quiet for a while (Benjamin Bratt and Giovanna Mezzogiorno were both brought on board during that time), presumably working on the boring parts of pre-production that the trades don't report.

Now, though, the casting department is back at work, and John Leguizamo (YAY!), Hector Elizondo and Brazilian actress Fernanda Montenegro have all signed the dotted line and agreed to take part in the film; production kicks off in a couple weeks in locations from England to Columbia Colombia, and the movie is due out some time next year.

Edit: ARG. The country name has been corrected, sorry. Some day we will get it right the first time.