Back in the old days, moviegoers used to get a cartoon before every movie. A lot of the classic Donald Duck, Bugs Bunny, Tom & Jerry, Droopy, Popeye, Superman & Casper the Friendly Ghost cartoons that many of us grew up watching on TV were once savored on the big screen. Eventually filmmakers began cranking out cartoons much more cheaply for television, and it was the end of an era -- almost. In recent years, Spike & Mike's touring cartoon festival has been a big success and other cartoon festivals have joined in. Earlier this year the five Oscar-nominated animated shorts opened in theaters, although together they ran nearly two hours. The new The Animation Show 4 collects some 18 shorts and series and runs less than 90 minutes. (See official site.)

Curator Mike Judge, the gentleman behind "Beavis & Butthead" and "King of the Hill," is definitely a man who likes his cartoons to get to the point, and so the three longest shorts here run about 7 minutes apiece. Steve Dildarian's Angry Unpaid Hooker is one of them. When his girlfriend arrives home early, Tim has trouble explaining the angry unpaid hooker sitting on his couch. The befuddled Tim will go on to star in his own series, "The Life and Times of Tim." Another epic is This Way Up, from the team of Smith & Foulkes. In it, a pair of long-faced morticians (father and son?) carries a sarcophagus to its final resting place, attempting to keep the box upright despite cruel fate's best attempts to knock it down. Stefan Mueller's Mr. Schwartz, Mr. Hazen and Mr. Horlocker, from Germany, is the other "long" one. A cop investigates some noisy neighbors in an apartment building, but can't quite get the entire story until the same scenes are played out again, behind closed doors. This features the greatest cinematic drug trip since James Toback's Harvard Man.

Among the handful of titles Sony Pictures Classics snatched up for American distribution at the conclusion of the Cannes Film Festival, the animated Israeli documentary Waltz with Bashir makes the most sense. While Tyson certainly has potential to alter the public perception of the country's infamous boxer, and Lorna's Silence has appeal for crime fans and art house aficionados alike, both movies could perform well regardless of which distributor picked them up (more or less). Bashir, on the other hand, has SPC written all over it: Relentlessly downbeat and frequently unsettling, Bashir is director Ari Folman's account of his 1982 experience in the Israeli military during the infamous massacre of Palestinian refugees in Lebanon. The animated approach sometimes has a gimmicky feel to it, but that's probably the point; Folman's memories are so foggy that his reconstructions of them seem plausibly unrealistic.

Bashir isn't easy to get into, but you could say that about Thomas Pynchon, too. What we have here is an animated movie for grown-ups, which puts it squarely in SPC's line of expertise. The company has guided many mature animated films to audiences in a manner unparalleled by their colleagues. Last year, talented SPC co-presidents Michael Barker and Tom Bernard commandeered the releases of the outlandish anime Paprika and Marjane Satrapi's Persepolis, and the latter film very nearly won an Oscar. Remember The Triplets of Belleville? That was them, too. These people know their stuff. Listen up, guys: I hear Bill Plympton's new movie is quite good.

Later this month, Edward Burns' Purple Violets will be available exclusively on iTunes. You won't see it in theaters, or on DVD or anywhere else -- at least for awhile. Did you know this? I've written about it, and maybe you read that previous post, but if you're not a regular reader of movie news and/or blogs, would you know about the landmark event? I haven't seen any ads anywhere, nor have I even seen mention on the main iTunes page. When I search Purple Violets on the iTunes store, it only gives me the soundtrack -- not even a mention that the film will soon be offered.

So, how is Purple Violets being marketed? I have no idea, which is sad because there's a new bit of information that could be used to advertise to its target demographic. The film was awarded the top prize at the Savannah Film Festival, winning best narrative feature this past Saturday. Certainly this honor will appeal to indie film enthusiasts, no? Sure, the festival isn't the biggest or most prestigious, but the award would still look good on an ad for the film. If only it had one.

Other winners in Savannah included The First Saturday in May and The Singing Revolution, which tied for the documentary award, and Bill Plympton's Shuteye Hotel, which won best animation. First Saturday also picked up a producer award for co-directors/producers John Hennegan and Brad Hennegan and Singing Revolution also won the jury prize. Screenwriter David Benioff, whose adaptation The Kite Runner was screened at the fest, was honored with a non-competition award for Outstanding Achievement in Cinema.

Here's another batch of shorts that are screening at Fantastic Fest in Austin this week in front of many of the festival's feature films. (I've already written about one batch.) I've had the most fun watching all the shorts -- I'd forgotten how much I enjoy a film that resolves itself in less than 15 minutes. There are still so many shorts I hope to see during the festival and wasn't able to review beforehand, like Les Petits Hommes Vieux, It Came from the West and In the Wall. The festival programmers have told us so many times how sick and appalling Gary's Touch is, that I'm simultaneously warning myself away and feeling like I ought to give it a shot.

This week's weather report for the lovely Puget Sount area: rain, followed by more rain, with occasional showers breaking through. Yup, it's March in Seattle. Fortunately for us, my fellow Seattleites, it's always raining film in Seattle as well. I know, 'round here we don't let a little rain stop us from getting out and doing our biking, hiking and mountain climbing, but when you get done with all that, go bask in the warm glow of the projector light and watch one of the many cool films showing around the Seattle.

UW Film Club 

Be Here to Love Me, FREE screening, Thursday, March 30 @ 7:30PM, UW, Smith 120 

UPCOMING:

Seattle Arab and Iranian Film Festival 2006, March 31-April 6 - The festival has some promising films lined up, including Sundance winner Iraq in Fragments.