Cinematical has just received this exclusive clip from the new documentary Religulous, starring Bill Maher and directed by Larry Charles (Borat). In the docu-comedy, Maher travels from country to country examining faith and religion and the role it plays in the world. In the clip below, Maher, demonstrating his pro-marijuana beliefs, discusses whether you can be high and spiritual at the same time.

On Religulous, Cinematical's James Rocchi said, "it's a funny film about some depressing things, it's a lighthearted tour through terrorism, injustice and intolerance. But those contradiction and challenges are, ultimately, what make the film linger uneasily in your mind, reaching past comedy and confrontation to challenge the audience with a fierce and forceful prayer that there might be no god." You can listen to our audio interview with Bill Maher over here, and you can catch Religulous in theaters this weekend.

(We're re-posting our review of Religulous from the Toronto Film Festival to coincide with the film's theatrical release this week)

By: James Rocchi

I contend we are both atheists; I just believe in one fewer god than you do. When you understand why you dismiss all the other possible gods, you will understand why I dismiss yours. -- Stephen F. Roberts

In Religulous, stand-up social commentator Bill Maher doesn't just assert how he believes in one less god than many of us, and he doesn't just craft bold, bizarre and hilarious moments of comedy and discussion with the help of director Larry Charles (Borat). More importantly, and more intriguingly, Maher states the film's thesis in an introduction filmed at Megiddo, the prophesied location of the final battle of Armageddon as written in Revelation; Maher, much like author Sam Harris does in his excellent (if dry) book The End of Faith, proposes that religious belief, in an age of chemical, biological and nuclear weapons, actively endangers humanity through encouraging conflict, promising rewards for irrational behavior, justifying artificial divisions and enabling other unfounded and unkind forms of thinking. Or, as Maher succinctly puts it early on, "When Revelations was written, only God had the power to destroy the world. ..."

And then the opening titles kick in, a montage of Maher globe-trotting in search of people to talk to, and as the guitar riffs of The Who's "The Seeker" ring out, we recognize that we're going to get plenty of sizzle along with the steak in Religulous, lots of showbusiness to liven up the soul-searching. Like most documentaries dealing with weighty matters, though, the concern in Religulous isn't that there'll be no sizzle with the steak but rather if there'll be steak to go with the sizzle; does Religulous have the right ratio of factual points to funny punch lines, a balanced mix of context and comedy?

Even after debuting Religulous, his new docu-comedy about faith in the modern world directed by Larry Charles (Borat), Bill Maher still has plenty of questions of his own: "I was saying to Larry in the car on the way over here: I suddenly realized that I don't know the relationship between the Devil and the Antichrist. Do you? I mean, we both know those terms, but they're not the same guy, I don't think. I'm not sure if the Devil works for the Antichrist? Or the Antichrist for the Devil? Or is it like the Joker and the Riddler -- neither of them work for each other, but they gang up on Batman ...?" Maher spoke with Cinematical in Toronto about the difference between 'changing your mind' and 'flip-flopping,' what wound up on the cutting-room floor, getting in harm's way for the sake of a great scene, why it's doubtful he'll follow Religulous with another feature film and much more.

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I contend we are both atheists; I just believe in one fewer god than you do. When you understand why you dismiss all the other possible gods, you will understand why I dismiss yours. -- Stephen F. Roberts

In Religulous, stand-up social commentator Bill Maher doesn't just assert how he believes in one less god than many of us, and he doesn't just craft bold, bizarre and hilarious moments of comedy and discussion with the help of director Larry Charles (Borat). More importantly, and more intriguingly, Maher states the film's thesis in an introduction filmed at Megiddo, the prophesied location of the final battle of Armageddon as written in Revelation; Maher, much like author Sam Harris does in his excellent (if dry) book The End of Faith, proposes that religious belief, in an age of chemical, biological and nuclear weapons, actively endangers humanity through encouraging conflict, promising rewards for irrational behavior, justifying artificial divisions and enabling other unfounded and unkind forms of thinking. Or, as Maher succinctly puts it early on, "When Revelations was written, only God had the power to destroy the world. ..."

And then the opening titles kick in, a montage of Maher globe-trotting in search of people to talk to, and as the guitar riffs of The Who's "The Seeker" ring out, we recognize that we're going to get plenty of sizzle along with the steak in Religulous, lots of showbusiness to liven up the soul-searching. Like most documentaries dealing with weighty matters, though, the concern in Religulous isn't that there'll be no sizzle with the steak but rather if there'll be steak to go with the sizzle; does Religulous have the right ratio of factual points to funny punch lines, a balanced mix of context and comedy?

As was the case with HBO's Roman Polanski: Wanted and Desired, Lionsgate has very discreetly opened Bill Maher's Religulous in two theaters -- one in New York, the other in Los Angeles -- in an qualifying run for next year's Academy Awards.

As pointed out by Jeff Wells over at Hollywood Elsewhere, the Academy's Rule 12 states that any documentary hoping to qualify must open in both Los Angeles Country and the borough of Manhattan for at least one week prior to the end of August. Having already premiered at the Traverse City Film Festival, the doc will then formally show at the Toronto International Film Festival next month, before opening proper on October 3rd.

However, I'm not sure that I entirely understand agree with the logic that any damage would be done should any enterprising critic (like this guy) head out to one of these wholly public showings and subsequently write up a review. Sure, I'm speaking as a guy who lives in the O.C. of Fla., but seriously: What harm? What foul?

Being one not entirely fond of controversy for controversy's sake, I cannot deny that the prospect of 'Politically Incorrect' host Bill Maher working with Borat director Larry Charles to make a documentary regarding religion in any respect and having it distributed by a studio all too proud to remind you of the hand it had in releasing Michael Moore's Fahrenheit 9/11 wasn't one that had me eager to line up around the block for it any time soon.

However, all things considered, while the new trailer for Religulous fails to dilute any notions that this thing is a lightning rod in waiting, I found myself unexpectedly consoled by the fact that Maher and Charles appear to be covering every faith and denomination that they can in making a film about the seemingly ridiculous nature of any one belief to another.

If Ben Stein can both cause an old-fashioned ruckus with his doc on the exclusion of creationist thought in public schools and rake in some relatively decent grosses while doing it, it'll be interesting to see just how much attention this film will inevitably garner come this October 3.

Because Michael Moore can't make enough movies to piss people off 24/7, we fortunately have people like Bill Maher, whose new anti-religious documentary, Religulous, hits theaters this fall. Of course, Maher has said that he shouldn't be compared to Moore, whom he considers to be a genius. Plus, Maher didn't direct the film, Larry Charles, of Borat, Seinfeld and Curb Your Enthusiasm fame, did. But in the same way that Al Gore is credited with An Inconvenient Truth, Maher, who hosted one of my favorite shows of the past (Politically Incorrect) and currently hosts HBO's Real Time with Bill Maher (which I've never seen, because I don't have HBO), will be continually given credit for this film. No matter who gets the higher billing, though, it's certain that Religulous is going to be hilarious thanks to the talents of both gentlemen.
Now, to help promote the film and presumably to get people either laughing or offended a few months early, Maher has unleashed a new website called Disbeliefnet.com. It seems to be part satire, part examination of the world's religions, part blog of religion-related news and part movie marketing. Movie fans might want to check out the grouping of clips/trailers from films detailing the endless suffering of Jews. Personally, my favorite gag is the "Donate Now" button that goes to a randomly chosen religion's donation form. Now I can give to everyone equally with ease.

And speaking of equal coverage, Maher and Charles' film seems to touch on all the major and minor religions of the world, bringing their "guerilla" shooting style into places cameras have supposedly never been before. But if the film doesn't focus any attention on your religion, don't worry: you can be offended about not being able to get offended. Or something.

Religious opens October 3rd.

Cinematical has just received this exclusive poster for Religulous (click on the image to enlarge), directed by the very funny Larry Charles (Borat, Seinfeld, Curb Your Enthusiasm) and starring that oh-so-controversial comedian Bill Maher (who currently hosts the HBO show Real Time with Bill Maher). From what we know, Religulous is a documentary about world religion, with Maher and Charles traveling the world to interview people from different countries and get their opinions on religion. Knowing Maher and his beliefs, it's pretty much guaranteed that all hell will eventually break loose. I think it's pretty fair to say there will be a certain amount of people who don't agree with what Maher has to say about religion. Personally, I think he's a pretty funny guy and I dig the fact that Lionsgate would get behind a film like this. Lionsgate: The Distributor with Balls!

Religulous arrives in theaters on June 20.

To be honest, I'm a little surprised that today is the first day I have heard about the indie-drama Sleepwalking -- mainly because it stars two Oscar-nominated actors. Heck, one of them even won. You would have thought that the marketing department would have had a field day with that kind of award-winning pedigree. Trailer Addict is now hosting the first trailer for this dysfunctional family drama, which stars Charlize Theron, Nick Stahl, AnnaSophia Robb and Dennis Hopper.

Robb plays a young girl who has to come to terms with the fact that her mother (Theron) has abandoned her, and that she has been left with her uncle James (Stahl), who is not ready to deal with raising a kid on his own. Hopper plays the patriarch of this dysfunctional family and by the looks of the trailer, he is making full use of his skill with playing a 'villain.'

Sleepwalking was written by Zac Stanford, who is a relative newcomer, and this was his first feature film script. Bill Maher (no, not that one) directed the dysfunctional weepie, and is also relatively new to the directing game. (So far, Maher has spent most of his career as a visual effects artist on films like X-Men and Mars Attacks!) The movie was chosen to be a part of the Sundance slate (you can check out stills from the film from our Sundance coverage here), but there is no word about a release date. One look at the credits would lead me to believe that it probably won't take long before the property is snatched up by a studio.

[via Filmstalker]

Larry Charles made his feature directorial debut with the utterly ridiculous Bob Dylan film Masked and Anonymous, but he has been a big name in television for years. He wrote several classic Seinfeld episodes and is a frequent Curb Your Enthusiasm director. Those two credits make him a hero to me, but it was his last film that really catapulted him onto the A - list: Borat. You would think after the enormous critical and commercial success of that film, the guy would have no problem setting up another project. Unless that project is a sure-to-be controversial flick about "the role of institutional religion around the world." Charles showed a ten-minute promotional reel of his new film to around 200 buyers at the Cannes Film Festival on Friday, and it already has people speculating that it will cause an uproar.

The film, currently titled A Spiritual Journey is said to be "a blend of comedy and reportage," which makes it sound like some of the lighter segments of Michael Moore's work. The movie has finished production, but has yet to be edited. Comedian Bill Maher will narrate the film, and he is no stranger to controversy himself. His comments criticizing the US government after September 11th led to the cancellation of his show Politically Incorrect. A Spiritual Journey has been selling quite well to foreign distributors, but America might be a trickier proposition. Those who saw the advance footage think it would be an extremely difficult film for a division of a major studio to handle. We live in a world where even the suspicion of religion bashing can cause huge protests and boycotts -- Dogma and The Last Temptation of Christ are just a couple examples of flicks that infuriated religious groups. That sort of controversy can make the big studios wary, but it can also sell a lot of tickets. I have no doubt we'll see A Spiritual Journey here at some point, but it sounds like it's going to come with a whole lot of hubbub.